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Bands // p 21 of 34

Darren's favorite bands for his Song Of The Day choices.
503 Bands
Mdou Moctar

Mdou Moctar

Mdou Moctar (also known as M.dou Mouktar; born c. 1986) is a Tuareg songwriter and musician based in Agadez, Niger, and is one of the first musicians to perform modern electronic adaptations of Tuareg guitar music. He first became famous through a subtle trading network of cellphones and memory cards in West Africa.

Mdou Moctar is a popular wedding performer and sings about Islam, education, love and peace in Tamasheq. He plays a left-handed Fender in a takamba and assouf style. He is originally from Abalak and has also lived in Tchintabaraden and Libya.

His first album, Anar, was recorded in Sokoto, Nigeria in 2008 and prominently featured "spaced-out" autotuned vocals and the influence of Hausa music. The album was not officially released at the time but the songs became hugely popular across the Sahel when they went viral through cell-phone music trading networks. They reached a global audience when Sahel Sounds released his music on the Music from Saharan Cellphones: Volume 1 compilation. Two songs were covered with English homophone lyrics by Brainstorm, an American band from Portland, Oregon. Anar was released on vinyl in 2014 with a high price, due to "predatory business practices" from Sixt on Moctar's first European tour.

His next album, Afelan, was recorded live in Tchintabaraden and features "rusty-edged jams and sun-weathered ballads". The title track is named after a celebrated historical/folkloric hero of the Azawough of Western Niger. It contains a cover of "Chet Boghassa" by Tinariwen.

On his first realizations and interest of an audience outside of the Saharan region, Moctar said in late 2014: "“I first met (Christopher Kirkley of Sahel Sounds) on the mobile phone as he had called me ... It was a weird conversation, as I thought my cousin was pulling a joke on me so I hung up. This American guy calling me, saying he wanted to work with me for my music, it just couldn’t be real. He called me again and we talked. He came to visit me in my village and also sent me a lefthanded guitar, which is very hard to find in Niger. This guitar has crossed several African countries to arrive in my hands, I have been playing it ever since!

Source Wikipedia

 'Anar'

'Anar'
Friday, March 8, 2019

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Mel Tormé

Mel Tormé

Melvin Howard Tormé (September 13, 1925 – June 5, 1999), nicknamed "The Velvet Fog", was an American musician, singer, composer, arranger, drummer, actor, and author. He composed the music for "The Christmas Song" ("Chestnuts Roasting on an Open Fire") and co-wrote the lyrics with Bob Wells.

Early Life

Melvin Howard Tormé was born in Chicago, Illinois, United States, to William David Torme, a Polish-Jewish immigrant, and Betty Torme (née Sopkin), a New York City native. He graduated from Hyde Park High School. A child prodigy, he first performed professionally at age four with the Coon-Sanders Orchestra, singing "You're Driving Me Crazy" at Chicago's Blackhawk restaurant.

He played drums in the drum-and-bugle corps at Shakespeare Elementary School. From 1933 to 1941, he acted in the radio programs The Romance of Helen Trent and Jack Armstrong, the All-American Boy. He wrote his first song at 13. Three years later his first published song, "Lament to Love", became a hit for bandleader Harry James.

Jazz Music

From 1942 to 1943, he was a member of a band led by Chico Marx of the Marx Brothers. He was the singer, drummer, and also created some arrangements. In 1943, Tormé made his movie debut in Frank Sinatra's first film, the musical Higher and Higher. His appearance in the 1947 film musical Good News made him a teen idol.

In 1944, he formed the vocal quintet Mel Tormé and His Mel-Tones, modeled on Frank Sinatra and The Pied Pipers. The Mel-Tones, which included Les Baxter and Ginny O'Connor, had several hits fronting Artie Shaw's band and on their own, including Cole Porter's "What Is This Thing Called Love?" The Mel-Tones were among the first jazz-influenced vocal groups, blazing a path later followed by The Hi-Lo's, The Four Freshmen, and The Manhattan Transfer.

Tormé was discharged from the United States Army in 1946, and soon returned to a life of radio, television, movies, and music. In 1947, he started a solo singing career. His appearances at New York's Copacabana led local disc jockey Fred Robbins to give him the nickname "The Velvet Fog" in honor of his high tenor and smooth vocal style. Tormé detested the nickname. He self-deprecatingly referred to it as "this Velvet Frog voice". As a solo singer, he recorded several romantic hits for Decca and with the Artie Shaw Orchestra for Musicraft (1946–1948). In 1949, he moved to Capitol, where his first record, "Careless Hands", became his only number-one hit. His versions of "Again" and "Blue Moon" became signature songs. His composition California Suite, prompted by Gordon Jenkins's "Manhattan Tower", became Capitol's first 12-inch LP album. Around this time, he helped pioneer cool jazz.

He had a radio program, Mel Torme Time, which appeared on the short-lived Progressive Broadcasting System in the 1950s.

From 1955 to 1957, he recorded seven vocal jazz albums for Red Clyde's Bethlehem Records, all with groups led by Marty Paich, most notably Mel Tormé and the Marty Paich Dek-Tette. He became known for his arranging skills, earning the respect of musicians.

In his 1994 book My Singing Teachers, Tormé cited Patty Andrews, lead singer of the Andrews Sisters, one of the most successful show business acts of the 1940s, as one of his favorite vocalists, saying,

They had more hit records to their credit than you could count, and one of the main reasons for their popularity was Patty Andrews. She stood in the middle of her sisters, planted her feet apart, and belted out solos as well as singing the lead parts with zest and confidence. The kind of singing she did cannot be taught, it can't be studied in books, it can't be written down. Long experience as a singer and wide-open ears were her only teachers, and she learned her lessons well.

Though he spent most of his career singing jazz, Tormé had a deep appreciation for classical music, especially that of Frederick Delius and Percy Grainger. Rock and roll he considered "three-chord manure".

In the 1960s and '70s, Tormé covered pop tunes of the day, never staying long with one label. He had two minor hits: his 1956 recording of "Mountain Greenery", which did better in the United Kingdom where it reached No. 4; and his 1962 R&B song "Comin' Home Baby", arranged by Claus Ogerman, which reached No. 13 in the UK. The latter recording led the jazz and gospel singer Ethel Waters to say that "Tormé is the only white man who sings with the soul of a black man." "Comin' Home Baby" was later covered by Quincy Jones and Kai Winding.

Television

In 1960, Tormé appeared in the TV crime drama Dan Raven with Don Dubbins. He had a role in a cross-cultural western entitled Walk Like a Dragon, starring Jack Lord. He played "The Deacon", a bible-quoting gunfighter who protects a female saloon-owner and teaches a young Chinese man the art of the fast draw. In one scene, he tells a soon-to-be victim: "Say your prayers, brother Masters. You're a corpse" and then delivers on the promise. Like Sammy Davis Jr. and Robert Fuller, Tormé was a real-life fast-draw expert. He also sang the show's theme song.

In 1963–1964, Tormé wrote songs and arrangements for The Judy Garland Show, where he made three guest appearances. When he and Garland had a dispute, he was fired. A few years later, after Garland's death, his time with her show became the subject of his first book, The Other Side of the Rainbow with Judy Garland on the Dawn Patrol (1970). Although the book was praised, some felt it painted an excessively unflattering picture of Garland and that Tormé had exaggerated his contributions to the program; it led to an unsuccessful lawsuit by Garland's family.

In 1967, he appeared with Lucille Ball in a two-part episode of The Lucy Show — "Main Street U.S.A." — as Mel Tinker, a songwriter who hopes to preserve the character of his small town. Torme also wrote the song that gave the episode its title, and performs it with Ball.

Tormé made nine guest appearances as himself (and one as a guardian angel) on the 1980s situation comedy Night Court. The main character, Judge Harry Stone, played by Harry Anderson, was depicted as an unabashed Tormé fan, an admiration that Anderson shared in real-life; he would deliver the eulogy at Tormé's funeral. Tormé appeared in Mountain Dew commercials and in a 1995 episode of the sitcom Seinfeld ("The Jimmy") as himself. He recorded a version of Nat King Cole's "Straighten Up and Fly Right" with his son, singer Steve March-Tormé. He worked with his other son, television writer-producer Tracy Tormé, on Sliders. The 1996 episode, entitled "Greatfellas," featured Tormé as a version of himself from a parallel universe in which he is a country music singer who is also an FBI informant.

In the 1988 Warner Bros. cartoon The Night of the Living Duck, Daffy Duck has to sing in front of several monsters but lacks a good singing voice, so he inhales a substance called "Eau de Tormé" and sings like Mel Tormé, who provided the vocals.: p. 176 

On December 31, 1988, Torme hosted a two-hour variety show titled Happy New Year, U. S. A. on PBS television.

Source Wikipedia

 'Comin' Home Baby'

'Comin' Home Baby'
Thursday, April 7, 2022

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Melodiesinfonie

Melodiesinfonie

The line crackles and I can barely hear Kevin to begin with. Skype interviews aren’t my personal go-to when it comes to speaking to an artist but Kevin being based out of Zurich and us sitting in balmy Mumbai and an even balmier Bengaluru, respectively – we weren’t exactly spoilt for choice. But, the connection cleared up soon enough and as Kevin’s soothing voice filled up the virtual line, we jumped right into it.

Kevin Wettstein aka Melodiesinfonie, a musician, producer and composer based in Zurich, has officially been active on the music map across Europe, South Africa, America, and dare I say, India, for almost a decade now. Down to earth and uncomplicated, his simple words belie the intricacies of his lush jazz & hip & hop pieces.

We spoke with him to understand more about who he is and what he does best.

Read the whole interview onthejunglefloor.com

Source onthejunglefloor.com

 'Home'

'Home'
Monday, October 10, 2022

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Men I Trust

Men I Trust

Men I Trust is a Montreal-based band founded in 2014 by high school friends Jessy Caron and Dragos Chiriac, who reunited in the music department at Université Laval. They were later joined by Emma Proulx, a singer and guitarist. They released a self-titled EP in 2014 and later performed at the Montreal Jazz Festival, Quebec City Summer Festival, and M for Montreal. They released the album Headroom in 2015. The band toured in China, playing shows in Shenzhen, Beijing, and Shanghai. In 2017 Men I Trust released the single "I Hope To Be Around" with an accompanying music video. In 2018, they released the single "Show Me How" along with a self-directed music video. In 2018, they embarked on a North American tour. They performed at the Coachella Valley Music and Arts Festival on April 14 and 21, 2019.

Source Wikipedia

 'Numb'

'Numb'
Monday, May 17, 2021

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 'Show Me How'

'Show Me How'
Monday, August 31, 2020

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 'Curious Fish'

'Curious Fish'
Friday, January 10, 2020

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 'Again'

'Again'
Thursday, July 18, 2019

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Menahan Street Band

Menahan Street Band

Menahan Street Band is a Brooklyn, New York-based instrumental band formed in 2007, that plays funk and soul music. The band features musicians from Antibalas, El Michels Affair, Sharon Jones & The Dap-Kings and the Budos Band. The group was founded by Thomas Brenneck while living in an apartment on Menahan St. in the Brooklyn neighborhood of Bushwick. Their debut album, Make the Road by Walking, was released in 2008 on Dunham, a sublabel of Daptone Records.

Various songs from Make the Road by Walking have been sampled by hip hop artists, including the title track, which was sampled by Jay-Z on the track "Roc Boys (And the Winner Is)...", "Going The Distance", which was sampled by Kid Cudi on his song "Solo Dolo Pt.II" featuring Kendrick Lamar on Cudi's third studio album Indicud, and "The Traitor," sampled by 50 Cent on his mixtape War Angel LP and by Cudi on his debut album Man on the Moon: The End of Day. In addition, the song "Tired of Fighting" is used as a primary sample in Kendrick Lamar's "Faith" from his eponymous 2009 EP, as well as YBN Cordae's 2019 track "Family Matters" from his debut album The Lost Boy.

Source Wikipedia

 'Birds'

'Birds'
Friday, March 20, 2020

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Metá Metá

Metá Metá

São Paulo trio Meta Meta fuse punk, jazz, samba, Afrobeat and candomblé into a compelling, visceral whole, permeated with Brazilian song, orixá chants and Yoruba roots. Guitarist Kiko Dinucci, saxophonist/flautist Thiago França and singer Juçara Nunes are on a continuing journey through the connected cultural strains of the 21st century. Their 2011 debut Metá Metá began with a smooth blend of Afro-samba, gathering in intensity until a sudden Brazilian Afrobeat finale. The following release resumed the journey, adding bass and drums and featuring pioneering Afrobeat drummer Tony Allen on two tracks. Their third album, MM3, took matters further, bringing in musical influences from a visit to Morocco and thematically taking aim at their country’s political crisis, pushing the mood from brooding Braziliana to squalling jazz-punk thrash-outs. It has to be done and Meta Meta do it with serious skill.

Source womex.com

 'Obatalá'

'Obatalá'
Thursday, August 6, 2020

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Mexican Institute of Sound

Mexican Institute of Sound

Mexican Institute of Sound (MIS; Spanish: Instituto Mexicano del Sonido — IMS) is an electronic music project created by Mexico City-based DJ and producer Camilo Lara. Along with groups like Nortec Collective and Kinky, M.I.S. is part of a growing Mexican electronica movement, encouraging fusions of folk and more traditional music with modern sounds.

Career

Lara's annual Christmas compilation of the year's best tracks and early Mexican Institute of Sound songs became a collector's item in a niche market. This hobby led Lara to collaborate on remixes under the moniker of Mexican Institute of Sound for bands and friends such as Placebo, Le Hammond Inferno, Gecko Turner and Babasónicos. In 2005, he officially founded the M.I.S. project, relying on classic Mexican music samples ranging from the 1920s to the 1960s mixed with Esquivel vocal samples and modern scratches/beats. M.I.S. has 5 albums. Mejico Maxico, Piñata, Soy Sauce, Politico and Disco Popular. 3 EP's Extra Extra Extra!, Suave Patria, IMS vs Sant.

In 2006, Mexican Institute of Sound released its debut album, Méjico Máxico, on Nacional Records. It is a pastiche of electronica, dub, cha-cha-cha, cumbia and spoken word. The album helped M.I.S. garner critical acclaim in publications like Spin, the New York Times, and URB, as well as radio support from such tastemakers as KCRW (Los Angeles), Indie 103 (Los Angeles), KEXP (Seattle), and KUT (Austin).

Mexican Institute of Sound released its second album, Piñata, in 2007. The disc continued the vision established by the debut as a collage of musical influences that reflect Lara's impression of life in the sprawling metropolis of Mexico City. Special guests include members of Tom Tom Club, Fantastic Plastic Machine, and Babasónicos.

Songs from M.I.S. releases have been featured in ABC's Ugly Betty, Showtime's Californication, New Line Cinema's Pride and Glory, a Dos Equis national advertising campaign, and the EA Games FIFA 08 video game, which features El Microfono. In Australia, "Escríbeme Pronto" was featured in a 2009 ice-cream advertisement.

In 2010, MIS released the song "Suave Patria" for the parade for the Bicentennial of Independence of Mexico; the homonymous EP contains six tracks. Camilo created this music in an attempt to evoke some passages of the Mexican Constitution and represent a soundscape Homeland. Their song "Alocatel" was featured in EA Sports' FIFA 10. Their video for their song "Katia, Tania, Paulina y la Kim" from Piñata has been featured on Link TV.

In 2012, they released their fourth studio album, Politico, which contained songs that relate, as the album title implies, to a political environment. "Es Toy" was one of its most successful singles. In 2013, MIS made a radio station on East Los FM Grand Theft Auto V, while the song "Es Toy" appears in the game. In 2014 Camilo Lara recorded his fifth studio album, with Toy Selectah. With Red Bull's help, they are recording in Jamaica, the US (New York and Los Angeles), London, and Brazil. The disc had many collaborators, including Ana Bárbara (Latin Grammy Mexican singer-songwriter), Sly and Robbie, Toots Maytals, Gogol Bordello (Eugene), Nina Sky, Money Mark, MC Lyte, N.A.S.A., Kool AD (Das Racist), Kut Masta, Kurt Chrome Sparks, Eric Bobo (Cypress Hill), Tanto Blacks, Chedda Helado, Negro Kita, Kaine Notch, Maluca Mala, Benjamin Lozinger (Mø), DJ Lengua, Matty Rico, Tiombe Lockhart, Angela Hunte, Mela Murder, Los Master Plus, Centavrvs, Sergio Mendoza J. (Los Planetas), Carlos Ann, Ohmega Watts, DJ Dusty, Stro Elliot Pharo (The Leftovers), Dezzie Gee (The Leftovers), Speakz, Nic Haircourt, and Pilar (Los Abandoned). In 2015 Camilo released his fifth album, 'Compass' alongside Toy Selectah.

After four years with no new material, MIS released their single "Mi T-Shirt De La NASA" in advance of the fifth studio album by MIS. 'Disco Popular' was released on Nov 3rd, 2017. Recorded in Jamaica, Mexico and the US, it contains appearances from: La Yegros, Calexico & Orkesta Mendoza, Press Kay, Lorna, Toots Hibbert, Sly & Robbie, Pamputae & Ranco and Adan Jodorowsky. That same year, Lara was brought on as a creative consultant to the animated film Coco. He helped director Lee Unkrich "navigate all the different rhythms from Mexico…to understand the geography of the music." He also helped arranged and produce many of the songs of the film and assisted composer Michael Giacchino. Under MIS, Lara provided the song "Jálale" to the film's soundtrack, and makes a cameo as a skeleton DJ in a party scene of the movie.

MIS contributed a cover of the Metallica song "Sad But True", featuring rappers La Perla and Gera MX, to the charity tribute album The Metallica Blacklist, released in September 2021.

Source Wikipedia

 'México'

'México'
Friday, November 19, 2021

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Michael Chapman

Michael Chapman

Michael Chapman (24 January 1941 – 10 September 2021) was an English singer-songwriter, and virtuosic guitar player. Chapman originally began playing guitar with jazz bands, mainly in his home town of Leeds in the West Riding of Yorkshire. He became well known in the folk clubs of the late 1960s, as well as on the 'progressive' music scene, and released over 50 albums.

In 2016, Chapman celebrated fifty years as a professional musician. Towards the end of his life he still played professionally and regularly toured in the UK, Europe and US.

Biography

Chapman was born in Hunslet, Leeds, Yorkshire, England. He attended art college in Leeds and then worked as an art and photography teacher at Bolton College, Lancashire. At the time he was playing mostly jazz guitar standards as he was heavily influenced by American jazz performers. Listening to other English guitar players such as Ralph McTell, Chapman evolved his own distinctive style of playing incorporating jazz, folk & ragtime stylings.

He first appeared on the London and Cornwall folk music circuits in 1967, including the Piper's Folk Club in Penzance, alongside John Martyn and Roy Harper. His first album was Rainmaker in 1969. The producer was Gus Dudgeon who also produced records by Elton John, David Bowie, Steeleye Span and many others. Rainmaker was released on the EMI progressive label Harvest, and Chapman played the folk and progressive circuits during the festivals of the early 1970s, with Mick Ronson, Rick Kemp and Keef Hartley.

While living in Kingston upon Hull, Chapman recorded a further three albums for Harvest. Fully Qualified Survivor, again produced by Gus Dudgeon with lush strings arranged by Paul Buckmaster, received much critical acclaim from the likes of BBC Radio 1 DJ John Peel, and contained his best-known track, "Postcards of Scarborough". Window and Wrecked Again followed, the latter being Chapman's attempt at a Memphis album. Brass arrangements featured on biographical tracks like "Shuffleboat River Farewell" and the title track. After a tour of the United States with Rick Kemp, Chapman signed to Decca's subsidiary, Deram, recording an increasingly rockier set of albums. Championed by Charles Shaar Murray and John Peel, he retained a high profile, a lively draw on the college circuit in the UK and across mainland Europe.

The record producer Don Nix worked on the album Savage Amusement, which included several songs from the past. Chapman and Kemp used the album's title for a band in the mid 1980s. 1977 saw the end of Chapman's Decca deal, and the beginning of an association with Criminal Records in 1978 and the two labels produced versions of The Man Who Hated Mornings. Chapman released a record of guitar instruction, and continued giving concerts and recording in a variety of styles and with varying formations.

Chapman then started a period of prolific recording activity, recording for numerous smaller record labels, and playing the folk and club circuits. The 1980s was a quieter time for Chapman. He continued to make recordings that straddled musical genres and pushed his guitar playing to the fore, but had neither the profile nor sales of the previous decade.


Chapman performing on 21 March 1980 in Belgrade, Yugoslavia (Serbia)
The late 1990s onwards represented a period of continued rebirth for Chapman. He embraced the "elder statesman" role and enjoyed critical acclaim for albums like Navigation, Dreaming Out Loud and Still Making Rain (a wry pun title that looked back to his debut album). Chapman released albums about every two years, receiving praise but without great sales, ending with the 1997 release Dreaming Out Loud. Bands like Supergrass acknowledged Chapman's material and playing as a formative influence.

The new century saw Chapman exploring his guitar player roots and releasing instrumental albums alongside his song-based sets. Americana and Words Fail Me feature soundscapes that recalled travels in America, and featured a dexterity and inventiveness on the guitar equal to the classic Harvest and Decca periods.

In February 2008, he hosted a charity dinner/auction where a limited edition Vanity and Pride was released featuring Ursa who added her own contribution to Chapman's music.

A tribute album titled Oh Michael, Look What You've Done: Friends Play Michael Chapman was released in 2012 on Tompkins Square Records. It includes contributions from Lucinda Williams, Maddy Prior, William Tyler, Hiss Golden Messenger and Sonic Youth's Thurston Moore.

Chapman's back catalogue for Harvest has been re-released by US based label Light in the Attic in both heavyweight vinyl and CD formats. He also recorded several instrumental albums for Tompkins Square Records, including Fish in 2015.

His website stated: "I had an art college education and on a rainy night in 1966 I went into a pub in Cornwall, but I couldn't afford to pay to go in. So I said, I'll tell you what, I don't want to stay outside in the rain, I'll play guitar for half an hour for you. They offered me a job for the rest of the summer and I've been at it ever since."

Chapman died on 10 September 2021, at the age of 80.

Source Wikipedia

 'Kodak Ghosts'

'Kodak Ghosts'
Saturday, September 11, 2021

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Michael Kiwanuka

Michael Kiwanuka

Michael Samuel Kiwanuka (born 3 May 1987) is a British singer-songwriter and record producer who is signed with Polydor Records. His 2012 debut album, Home Again, went gold in the United Kingdom and his second album, Love & Hate, debuted in 2016 at number one. He has been nominated for numerous honours, including the Brit Awards, MTV Europe Music Awards, BBC Music Awards, and The Grammy Awards. In January 2012, he won the BBC's Sound of 2012, and in September 2020, he won the Mercury Prize.

Early life

Born and raised in Muswell Hill, London, Kiwanuka is the son of Michael and Deborah, Ugandan parents who escaped the Amin regime. He attended Fortismere School, leaving there in 2005 after completing his A-Levels. He went on to study at the School of Media, Arts and Design at the University of Westminster.

Career

Early years
Kiwanuka worked as a session guitarist, playing with Chipmunk and Bashy before working as a solo artist. His first proper gig was at The Oxford in Kentish Town at age 22. He came to the attention of Communion Records, which released his first two EPs, including his debut Tell Me A Tale on 13 June 2011.

2011–2016: Home Again and Love & Hate
Kiwanuka supported Adele on her Adele Live 2011 tour, as well as at her iTunes Festival 2011 gig, and played at the 2011 Hard Rock Calling.

In 2011, he signed a deal with Polydor Records. He was included in the BBC's Sound of 2012 poll and was named as the winner on 6 January 2012. In June 2012, he was illustrated in a BBC article regarding Spain vis-à-vis Uganda during the Eurozone crisis; his putative counterpart was actress Penélope Cruz.

Kiwanuka released his debut studio album, Home Again, in 2012 to positive reviews from critics. The album peaked at number 4 in the UK and, as of 2012, has sold over 70,000 copies in the UK.

In 2016, Kiwanuka released his follow-up to Home Again, Love & Hate. The album was a critical and commercial success, reaching a peak at number 1 on the UK albums chart. The album was produced by Danger Mouse and spawned several singles.

Musical style
Kiwanuka has acknowledged influences from musicians such as Jimi Hendrix, Ray Charles, Bill Withers, Otis Redding, Jack Johnson, Pops Staples, The Band, Joni Mitchell, Bob Dylan, Eric Bibb, Tommy Sims, Wham!, Richie Havens and Funkadelic. He has played with James Gadson, who drummed for Bill Withers.

 

Source Wikipedia

 'Bones'

'Bones'
Wednesday, May 12, 2021

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 'Any Day Will Do Fine'

'Any Day Will Do Fine'
Sunday, October 18, 2020

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 'I’ve Been Dazed'

'I’ve Been Dazed'
Thursday, January 2, 2020

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 'You Ain't The Problem'

'You Ain't The Problem'
Thursday, September 12, 2019

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 'Rest'

'Rest'
Friday, January 25, 2019

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 'Always Waiting'

'Always Waiting'
Wednesday, September 26, 2018

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 'Love & Hate'

'Love & Hate'
Tuesday, August 21, 2018

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 'Father's Child'

'Father's Child'
Thursday, July 12, 2018

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Michelle Moonshine

Michelle Moonshine

Cutting her teeth by sneaking into venues and clubs to perform starting at eighteen years old, Michelle Moonshine has spent the last seven years developing her own blend of Americana music.

Pulling from such influences as Gram Parsons, Doc Watson and Dylan, you can hear tastes of Folk, Classic Country, Bluegrass and American Roots music.

With frequent comparisons to Alison Krauss or a young Emmylou Harris, Michelle delivers a performance that feels both raw yet refined.

Declining her recruitment from NBC's The Voice, she traded bright lights for hard work and a chance to serve the song with a group of seasoned musicians who both compliment and contribute to her sound.

Michelle and company are currently finishing up their upcoming album and continue to showcase their music regionally with lush harmony and ample twang.

Touring artist Michelle Moonshine has shared the stage with the likes of Lake Street Dive, Leftover Salmon, Lukas Nelson and POTR, Mason Jennings, Charlie Parr, Los Lobos, Lil Smokies, Niki Bluhm, Dead Winter Carpenters, Amy Helm, Sam Outlaw, Luther Dickinson of North Mississippi Allstars, Judy Collins, Howie Day, Paul Thorn and is based in Salt Lake City.

Source facebook.com

 'Oh So Many Days'

'Oh So Many Days'
Tuesday, March 24, 2020

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Miles Davis

Miles Davis

Over six full decades, from his arrival on the national scene in 1945 until his death in 1991, Miles Davis made music that grew from an uncanny talent to hear the future and a headstrong desire to play it. From his beginnings in the circle of modern jazz, he came to intuit new worlds of sound and challenge. While the vast majority of musicians – jazz, rock, R&B, otherwise – find the experimental charge and imperviousness of youth eventually running down, Miles forever forged ahead, trusting and following instinct until the end.

In doing so, Miles became the standard bearer for successive generations of musicians, shaped the course of modern improvisational music more than a half-dozen times. This biography attempts to explain those paradigm-shifts one after another, through his recordings and major life changes.

The factors leading to that process are now the foundation of the Miles Davis legend: the dentist’s son born in 1926 to middle-class comfort in East St Louis. The fresh acolyte learning trumpet in the fertile, blues-drenched music scene of his hometown. The sensitive soul forging a seething streetwise exterior that later earned him the title, Prince Of Darkness. The determined teenager convincing his parents to send him to New York’s famed Juilliard School of Music in 1944, a ploy allowing him to locate and join the band of his idol, bebop pioneer Charlie Parker.

It wasn’t long before the headstrong young arrival grew from sideman to leading his own projects and bands of renown, from the restrained, classical underpinning of the famous “Birth of the Cool” group (Miles’ first foray with arranger Gil Evans), to the blues-infused hardbop anthem “Walkin’”, to his first famous quintet (Coltrane, Chambers, Red Garland, Philly Joe Jones) with whom his recordings on muted trumpet helped him develop a signature sound that broke through to mainstream recognition. His subsequent jump from recording with independent labels (Prestige, Blue Note) to Columbia Records, then the Tiffany of record companies, propelled his career further from a limited jazz audience and a series of late ‘50s albums (Miles Ahead, Porgy & Bess, Miles Ahead, Kind of Blue and Sketches of Spain) secured his widespread popularity.

Miles’ group shifted and morphed through the early ‘60s until he settled for a four-year run with his classic quintet, a lineup that is still hailed today as one of the greatest and most influential jazz groups of all time. Their albums together — from Miles Smiles, ESP and Nefertiti, to Miles In The Sky, and Filles de Kilimanjaro — traced a pattern of unparalleled growth and innovation.

Had Miles stopped his progress at that point, he’d still be hailed as one of the greatest pioneers in jazz, but his creative momentum from the end of the ‘60s into the ‘70s would not let up. He was listening to the world around him — the amplified explosion of rock bands and the new, heavy-on-the-one funk of James Brown and Sly & The Family Stone. From the ambient hush of In A Silent Way, to the strange and unsettling – yet wildly popular Bitches Brew, he achieved another shift in musical paradigm and a personal career breakthrough.

Bitches Brew was controversial, a best-seller and attracted another, younger generation into the Miles fold. Thousands whose musical taste respected no categorical walls flocked to hear Miles, and a slew of fusion bands were soon spawned, led by his former sidemen: Weather Report, Mahavishnu Orchestra, Return To Forever. The studio albums that defined Miles’ kaleidoscopic sound in the ‘70s included a series of (mostly) double albums, from …Brew to 1971’s Live-Evil, ‘72’s On The Corner and ‘75’s Get Up With It. The covers listed populous line-ups that reached up to 11 musicians, adding new names to an ever-widening circle of on-call talent.

By the end of 1975, Miles was tired – and sick. A period of seclusion ensued, full years to deal with personal demons and health issues, bouncing between bouts of self-abuse and boredom. It was the longest time Miles had been off the public radar – only amplifying the appetite for his return.

When Miles reappeared in 1981, expectation had reached fever pitch. A final series of albums for Columbia reflected his continuing fascination with funk of the day (Rose Royce, Cameo, Chaka Khan and later, Prince), and the sounds of synthesizer and drum machines (Great Miles Shift Number 8). The Man With A Horn, We Want Miles and Decoy found him still working with Teo Macero and still surrounding himself with young talent, including bassist Darryl Jones (Rolling Stones). In 1985, his album You’re Under Arrest — with unexpected covers of recent pop charters (Michael Jackson’s “Human Nature” and Cyndi Lauper’s “Time After Time”) – brought the long Davis-Columbia association to a close. He embarked on a new relationship with Warner Bros. Records and producer Tommy LiPuma, scoring successes with Tutu (written in a large part by his bassist Marcus Miller), Music from Siesta (also with Miller), Amandla (featuring a new breed of soloists, including alto saxophonist Kenny Garrett, tenor saxophonist Rick Margitza, guitarist Jean-Paul Bourelly, keyboardist Joey DeFrancesco, and others) and Doo-Bop (his collaboration with hip hop producer Easy Moe Bee.)

Those titles proved Miles’ farewell, still pushing forward, still exploring new musical territory. Throughout his career, he had always resisted looking back, avoiding nostalgia and loathing leftovers. “It’s more like warmed-over turkey,” the eternal modernist described the music of Kind of Blue twenty-five years after recording it. Ironically, in 1991, only weeks after performing a career-overview concert in Paris that featured old friends and collaborators from as early as the ‘40s, he died from a brain aneurysm.

Like his music, Miles always spoke with an economy of expression. And for Miles, it had to be fresh, or forget it. “I don’t want you to like me because of Kind of Blue,” he insisted. “Like me for what we’re doing now.”

Source milesdavis.com

 'Here Come De Honey Man'

'Here Come De Honey Man'
Friday, December 31, 2021

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 'Flamenco Sketches'

'Flamenco Sketches'
Tuesday, November 5, 2019

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 'Solea'

'Solea'
Thursday, October 10, 2019

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 'It Never Entered My Mind'

'It Never Entered My Mind'
Saturday, February 16, 2019

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 'Orgone'

'Orgone'
Tuesday, September 11, 2018

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Mndsgn

Mndsgn

Mndsgn was born Ringgo Ancheta in San Diego, California and was raised in New Jersey. He is the youngest of four in a family of Filipino descent. His mother was a nurse and his father was a Navy man. He learned to play organ before his older brother introduced him to rap music and beat production at a pivotal age.

In 2008, platforms like Myspace and AIM messenger connected Mndsgn with beatmakers Knxwledge, Suzi Analogue and devonwho to form Klipm0de. The collective played and released beat tapes through Bandcamp. Ancheta relocated to Los Angeles in 2011 and self-released beat tapes as well as a few projects distributed by labels Leaving and Fresh Selects, and regularly performed at local hubs such as Low End Theory.

In 2013, Mndsgn collaborated with Danny Brown on "Sweeney Song," which appeared on Classic Drug References Vol. 1. His first solo studio album for Stones Throw Records, titled Yawn Zen, was released in 2014. He followed up with Body Wash in 2016, an album that drew heavily on ‘80s R&B and boogie which Vinyl Me, Please cited as one of "The 10 Best Stones Throw Albums To Own On Vinyl", before releasing raw, mixtape-style records Snax and Snaxx in 2018 and 2019, the latter which Clash called "an instant classic" and "everything we’ve come to expect and more, from the San Diego beat maker".

In March 2021, Mndsgn announced his third studio album for Stones Throw Records, Rare Pleasure. Inspired by R&B, soundtrack music, psychedelia and jazz, Rare Pleasure features Kiefer (musician), Swarvy, Carlos Niño, Fousheé, Devin Morrison, Anna Wise and more. Rare Pleasure was released in June 2021 on Stones Throw Records.

In addition to his solo work, Mndsgn co-wrote and produced Prophet’s 2018 album, Wanna Be Your Man, and Peach Fuzz with Tyler, the Creator.

Source Wikipedia

 'Homewards'

'Homewards'
Tuesday, June 6, 2023

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Moses Sumney

Moses Sumney

Moses Frimpong Sumney (born May 19, 1990) is an American singer-songwriter based in Los Angeles, California. His self-recorded EP, Mid-City Island, was released in 2014. He released another 5-song EP in 2016, titled Lamentations. His first full-length album, Aromanticism, was released in September 2017. Sumney has performed as an opening act for Dirty Projectors, Junip, and Sufjan Stevens.

Sumney was born on May 19, 1990 in San Bernardino, California to Ghanaian parents. He moved with his family back to Ghana at the age of 10. Sumney described his childhood as "Americanized" by this age and had difficulty adjusting to the culture of Ghana. He did not learn to play any instruments until he was older, writing a cappella music for years instead. Sumney did not perform his musical compositions publicly until he was 20. He attended the University of California, Los Angeles.

Sumney's debut, Mid-City Island is a 5-song EP that was self-recorded onto a 4-track recorder given to him by TV on the Radio's Dave Sitek. The EP was described by Pitchfork as "primarily composed of first-takes and improvisation; the music is stirring but purposefully incomplete". Sumney joined Terrible Records after the release. Sumney considers his songs to be performance based, and that many of his recorded compositions derive from fleshing the songs out through live performance. He has gone on to perform at venues such as the Hollywood Bowl and alongside artists such as Dirty Projectors, Junip, and St. Vincent, and Local Natives. Sumney sang on the opening track for Beck's album Song Reader. On September 30, 2016, Sumney released Lamentations, an EP which featured a guest appearance from Thundercat.

Sumney's first full-length album, Aromanticism, was released on September 22, 2017 by Jagjaguwar. It received acclaim from Rolling Stone, The Guardian, and The New York Times, which also named it one of the best albums of 2017.

 

Source Wikipedia

 'Polly'

'Polly'
Tuesday, May 5, 2020

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 'Plastic'

'Plastic'
Monday, January 28, 2019

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 'Doomed'

'Doomed'
Saturday, December 22, 2018

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Mulatu Astatke
 'Sabyé'

'Sabyé'
Thursday, June 25, 2020

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 'Tezetayé Antchi Lidj'

'Tezetayé Antchi Lidj'
Monday, August 20, 2018

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Musor
 'Inannna'

'Inannna'
Monday, April 17, 2023

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Bands, p 21 of 34

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