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Bands // p 3

Darren's favorite bands for his Song Of The Day choices.
413 Bands
Angus & Julia Stone

Angus & Julia Stone

Angus & Julia Stone are an Australian folk and indie pop group, formed in 2006 by brother and sister Angus and Julia Stone. Angus & Julia Stone have released four studio albums: A Book Like This (2007), Down the Way (2010), Angus & Julia Stone (2014), and Snow (2017). At the ARIA Music Awards of 2010, they won five awards from nine nominations: Album of the Year, Best Adult Alternative Album, Best Cover Art and Producer of the Year for Down the Way, and Single of the Year for "Big Jet Plane". The siblings have issued two solo albums each.

Angus and Julia Stone were born in Sydney to Kim and John Stone in 1986 and 1984, respectively. Kim was a marine biologist, singer and high school teacher. She then spent 20 years in institutional funds management. She now goes by the name Kim Jones and serves as a non-executive board director. John Stone was a builder and high school teacher, as well as a musician in his own right. Kim and John were a folk duo before Angus and Julia's older sister, Catherine, was born in October, 1982. Catherine, Julia and Angus grew up in the suburb of Newport on Sydney's Northern Beaches. They attended Newport Primary School and then Barrenjoey High School. They were all taught by their father with their mother singing to them, which helped them develop their musicality. At family gatherings, when the Stones performed, Catherine was on saxophone, Julia on trumpet and Angus on trombone; with Kim singing and John on keyboards or guitar.

During their teen years, their parents separated amicably. The children spent equal time with their mother and father, as both parents lived in the same suburb. During this time, Angus started writing pop songs. After finishing school, Angus worked as a labourer while Julia taught trumpet. Angus learned guitar and while recuperating from a snowboarding accident, Kim and Angus travelled to South America to join Julia and then go on to meet Catherine who was travelling in Italy.

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 'Big Jet Plane'

'Big Jet Plane'
Monday, April 8, 2019

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Anoushka Shankar

Anoushka Shankar

Anoushka Shankar (born 9 June 1981 is a British Indian sitar player and composer. She is the daughter of Pandit Ravi Shankar and Sukanya Rajan, and the half-sister of Norah Jones.

Early life

Shankar was born in London and her childhood was divided between London and Delhi. She is the daughter of Sukanya Shankar and Indian sitar maestro Ravi Shankar, who was 61 when she was born. Through her father, she is also the half-sister of American singer Norah Jones (born Geetali Norah Shankar), and Shubhendra "Shubho" Shankar, who died in 1992.

As a teenager, Shankar lived in Encinitas, California, and attended San Dieguito High School Academy. A 1999 honors graduate and Homecoming Queen, Anoushka decided to pursue a career in music rather than attend college.

Career

Shankar began training on the sitar with her father Ravi Shankar at the age of seven. As part of her training, she began accompanying him on the tanpura at his performances from the age of ten, soaking up the music and becoming acclimated to the stage. She gave her first public sitar performance on 27 February 1995 at the age of 13, at Siri Fort in New Delhi as part of her father's 75th birthday celebration concert. For this solo debut, she was accompanied by tabla maestro Zakir Hussain. Her first experience in the recording studio came that same year when Angel Records released a special four-CD box set called In Celebration, to mark her father's birthday. By the age of fourteen, she was accompanying her father at concerts around the world. At fifteen, she assisted her father on the landmark album Chants of India, produced by George Harrison. Under both their guidance, she was in charge of notation and eventually of conducting the performers who took part in the record. After this experience, the heads of Angel Records came to her parents' home to ask to sign her, and Shankar signed her first exclusive recording contract with Angel/EMI when she was sixteen.

She released her first album, Anoushka, in 1998, followed by Anourag in 2000. In 1999 Shankar graduated from high school with honors, but decided against university in favour of beginning to tour as a solo artist. Both Shankar and her half-sister Norah Jones were nominated for Grammy awards in 2003 when Anoushka became the youngest nominee in the World Music category for her third album, Live at Carnegie Hall.

Having released three albums of Indian classical music, Shankar took several years away from recording and focused her energy on establishing herself as a solo concert performer outside of her father's ensemble. In that time, she toured worldwide, playing an average of 50–60 concerts per year. 2005 brought the release of her fourth album RISE, her first self-produced, self-composed, non-classical album, earning her another Grammy nomination in the Best Contemporary World Music category. In February 2006 she became the first Indian to play at the Grammy Awards, playing material from RISE.

Shankar, in collaboration with Karsh Kale, released Breathing Under Water on 28 August 2007. It is a mix of classical sitar and electronica beats and melodies. Notable guest vocals included her paternal half-sister Norah Jones, Sting, and her father, who performed a sitar duet with her.

In 2011 Shankar signed with record label Deutsche Grammophon as an exclusive artist. This marked the beginning of a prolific recording and creative period for Shankar, during which time she continued to refine the sitar sound and musical ideas she had become known for. She earned a third Grammy Award nomination in 2013 for Traveller, an exploration of the shared history between flamenco and Indian classical music, which was produced by Javier Limón and featured artists such as Buika, Pepe Habichuela and Duquende. As Shankar had begun to do with Rise, she created a specially handpicked ensemble of musicians with whom to perform this cross-genre music, and played over a hundred concerts worldwide in support of Traveller. In 2013 she released a personal album called Traces of You, which was released several months after the passing of her father Ravi Shankar. Produced by Nitin Sawhney, and featuring her half-sister Norah Jones as the sole vocal performer, Traces of You earned Shankar a fourth Grammy nomination in the World Music category. In July 2015 Shankar released Home, her first purely classical album of Indian Ragas. Self-composed and produced, Home was recorded over a week in October 2014 in Shankar's new, purpose-built home-studio.

Shankar has made many guest appearances on recordings by other artists, among them Sting, Lenny Kravitz, Thievery Corporation and Nitin Sawhney. Recently, Shankar has collaborated with Herbie Hancock on his latest record The Imagine Project, and with Rodrigo y Gabriela on their album Area 52.

Duets with artists such as violinist Joshua Bell, in a sitar-cello duet with Mstislav Rostropovich, and with flautist Jean-Pierre Rampal, playing both sitar and piano, Shankar has championed her father's compositions. Shankar also performs Ravi Shankar's 1st and 2nd Concertos for Sitar and Orchestra, performing multiple times under legendary conductors such as Zubin Mehta. In January 2009 she was the sitar soloist alongside the Orpheus Chamber Orchestra premiering her father's 3rd Concerto for Sitar and Orchestra, and in July 2010 she premiered Ravi Shankar's first symphony for sitar and orchestra with the London Philharmonic Orchestra at London's Royal Festival Hall.

In April 2016, Shankar performed with violinist Patricia Kopatchinskaja during a concert in Konzerthaus Berlin, Germany. The Raga Piloo was originally composed, performed and recorded by Ravi Shankar as a duet with Yehudi Menuhin on the album West Meets East, Volume 2 in 1968.

‘Love Letters’ marks a different direction for the internationally celebrated artist; it offers a shift in intimacy and content and comes at a pivotal time in her career as she signs to her new record label, Mercury KX. A host of trail-blazing women feature on ‘Love Letters’ including singer and co-producer Alev Lenz, twin sister vocal duo Ibeyi, singer and cellist Ayanna Witter-Johnson, renowned Indian singer Shilpa Rao, Brooklyn-based mastering engineer Heba Kadry (Björk, Slowdive) and British audio mastering engineer Mandy Parnell (Aphex Twin, The XX).

On 13 November 2020, Shankar was featured on "Stop Crying Your Heart Out" as part of the BBC Radio 2's Allstars' Children in Need charity single. The single debuted at number 7 on the Official UK Singles Chart and number 1 on both the Official UK Singles Sales Chart and the Official UK Singles Download Chart

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 'Naked'

'Naked'
Monday, June 7, 2021

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Antibalas

Antibalas

Antibalas (Spanish for "bulletproof") is an American, Brooklyn-based afrobeat band that is modeled after Fela Kuti's Africa 70 band and Eddie Palmieri's Harlem River Drive Orchestra. Although their music generally follows the musical architecture and language of afrobeat, it incorporates elements of jazz, funk, dub, improvised music, and traditional drumming from Cuba and West Africa.

History
Founded in 1998 by Martín Perna as "Conjunto Antibalas", the group first performed on May 26, 1998, at St. Nicks Pub in Harlem at a poetry night organized by renowned visual artist Xaviera Simmons. Over the course of the next few months, the group solidified with a core of eleven band members and expanded their repertoire of original songs. For the first year of the group's existence, they performed exclusively at non-commercial venues such as block parties, lofts, and public parks, before securing a Friday night residency at the now-defunct NoMoore in August 1999. Called Africalia!, the residency lasted from August 1999 till April 2001, when the club was shut down by fire officials during the Giuliani administration's crackdown on nightclubs and cabarets. Guitarist and producer/engineer Gabriel Roth wrote several of the earlier tunes and oversaw recording and production of the first three records.

Over the next few years, the band's presence grew; by summer 2000 Antibalas had released their first album Liberation Afrobeat Vol. 1 and had toured twice in England, while continuing to play at venues throughout New York City. Recording with the group in the early days was Cameroonian drummer Jojo Kuo, who can be heard on the studio recordings of "Uprising" and "Machete".

By early 2002, the horn-driven outfit had released their second album, Talkatif, and continued to tour throughout the United States and Europe. In summer 2004, their third studio album, Who is This America?, was released on Ropeadope Records. Antibalas's album, Security, was produced by John McEntire and released on the ANTI- label in 2007.

Antibalas has performed in 35 countries, from Japan to Turkey to Portugal to Australia, and throughout New York City, from Carnegie Hall to Central Park Summerstage to the Rikers Island prison facility.

The group has received guest visits from several musicians from Fela Kuti's Afrika 70 and Egypt 80 bands, including Tony Allen (drums), Femi Kuti (alto sax), Seun Kuti (tenor sax), Tunde Williams (trumpet), Oghene Kologbo (guitar), Nicolas Addey (congas), Dele Sosimi (keyboards), Ola Jagun (drums/percussion), and Jojo Kuo (drums) among others.

In the summer of 2008, Antibalas was featured off-Broadway in Fela!, a musical celebrating the life of Fela Kuti. The group arranged and performed the show's score of music originally performed by Kuti. In the fall of 2009, Fela! opened on Broadway at the Eugene O'Neill Theatre, once again with Antibalas.

In 2010, the band released their Rat Race EP, with an arrangement of Bob Marley's "Rat Race" featuring Amayo on vocals, as well as "Se Chifló" featuring Chico Mann as vocalist.

In 2011, the band reunited with producer and former Antibalas guitarist Gabriel Roth at Daptone Studios in Bushwick, Brooklyn, to record their fifth full-length album, entitled Antibalas. The album was released on August 7, 2012, on the Daptone label.

The band resumed a heavy touring schedule beginning in April 2012 with their debut tour in Brazil, performing in São Paulo and Recife, and kicked off a US tour at the Outsidelands Festival in San Francisco, followed by a tour of California. On August 24, 2012, Antibalas made their national television debut, performing their single "Dirty Money" on NBC's Late Night with Jimmy Fallon. On September 11, they resumed their US/Canada tour with 30 dates in the Midwest, East Coast, Southeast and Gulf Coast, including the Austin City Limits Festival. On October 4, they appeared on NPR's Tiny Desk Concerts. The band toured in Europe in October and November 2012, followed by an Australian tour in March 2013 . In May of the same year Antibalas visited Mexico for first time, performing in Puebla "Festival 5 de Mayo" with originals members like Victor Axelrod.

In 2015, The Antibalas horn section collaborated with The Dap-Kings horn section, Mark Ronson, and Bruno Mars to record Uptown Funk and other tracks off of Mark Ronson's 2015 album Uptown Special. They also performed Uptown Funk together on Saturday Night Live in November 2014.

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 'Go Je Je'

'Go Je Je'
Thursday, January 16, 2020

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 'The Ratcatcher'

'The Ratcatcher'
Thursday, November 22, 2018

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Apifera

Apifera

Apifera is Yuval Havkin – aka Rejoicer– (keys), Nitai Hershkovits (keys), Amir Bresler (drums) and Yonatan Albalak (bass). Named after a variety of bee-attracting orchid, Apifera create organic-sounding structures, harmonies and arrangements intended to reflect the rich variety and equilibrium of the natural world. Their influences range from the folk music of their home country Israel, to Impressionist composers Ravel and Satie, traditional music from Sudan and Ghana, and the transcendental jazz of Sun Ra.

Working intuitively, the quartet wrote and recorded Overstand mostly live in just three days, and the final album includes minimal overdubbing. “Orchestrating is a big part of our sound,” says Nitai. “We paid a lot of attention to the textures, discussing timbres and temperatures in detail throughout the recording process.”

Each of the ten free-flowing pieces on Overstand evokes an intricate scene or story: on the title track, a fanfare-like melody builds in an echo of a crowd marching across city streets; “Lake VU” sets the scene of an evening stroll across the lake, and “The Pit & The Beggar”, moves like a spiral staircase into a wide abyss, revealing new colors on every turn — at once ethereal and electrifying.

Drawing on real-life spiritual and psychedelic experiences, often intertwined with nature, as a springboard for their music, Apifera showcases a sound “more like a lucid dream than reality”, as Nitai puts it — free, improvisatory, and live.

Source bleep.com

 'Notre Damn'

'Notre Damn'
Friday, January 15, 2021

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Ariel Pink

Ariel Pink

Ariel Marcus Rosenberg (/ˈɑːriɛl/ AR-ee-el; born June 24, 1978), also known as Ariel Pink, is an American musician, singer, and songwriter whose work draws heavily from 1970s–1980s pop radio. His lo-fi aesthetic and home-recorded albums proved influential to many indie musicians starting in the late 2000s. He is frequently cited as "godfather" of the hypnagogic pop and chillwave movements, and he is credited with galvanizing a larger trend involving the evocation of the media, sounds, and outmoded technologies of prior decades.

A native of Los Angeles, Pink began experimenting with recording songs on an eight-track Portastudio as a teenager. His early influences were artists such as Michael Jackson, the Cure, and R. Stevie Moore. The majority of his recorded output stems from a prolific eight-year period (1996–2003) in which he accumulated over 200 cassette tapes of material. Virtually all of his music released in the 2000s was written and recorded before 2004, the same year he debuted on Animal Collective's Paw Tracks label with The Doldrums (2000), followed with House Arrest (2002) and Worn Copy (2003). The albums immediately attracted a cult following.

In the 2000s, Pink's unusual sound prompted a renewed critical discussion of hauntological phenomena, for which he was a central figure. Until 2014, his records were usually credited to "Ariel Pink's Haunted Graffiti", a solo project sometimes conflated with his touring band. His fame and recognition escalated following the success of his 2010 album Before Today, his first recorded in a professional studio. Since then, he has recorded three more albums: Mature Themes (2012), Pom Pom (2014), and Dedicated to Bobby Jameson (2017). He has also collaborated with a variety of other artists.

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 'Baby'

'Baby'
Wednesday, August 5, 2020

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Arms and Sleepers

Arms and Sleepers

Arms and Sleepers is an ambient/trip hop duo consisting of Max Lewis, and Mirza Ramic. The band was formed in 2006 and has since released a handful of albums and EPs, including Bliss Was It in That Dawn to Be Alive, an EP released in 2006; Black Paris 86, an album released in 2007; and Matador, which was released in November 2009.

The band gives a cinematic experience when performing live, backing their music up with synchronised visuals created by Dado Ramadani.

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 'Can You'

'Can You'
Monday, May 20, 2019

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Atahualpa Yupanqui

Atahualpa Yupanqui

Atahualpa Yupanqui (Spanish pronunciation: [ataˈwalpa ʃuˈpaŋki]; born Héctor Roberto Chavero Aramburu; 31 January 1908 – 23 May 1992) was an Argentine singer, songwriter, guitarist, and writer. He is considered the most important Argentine folk musician of the 20th century.

Biography
Yupanqui was born Héctor Roberto Chavero Aramburu in Pergamino (Buenos Aires Province), in the Argentine pampas, about 200 kilometers away from Buenos Aires. His father was a mestizo descended from indigenous people, while his mother was born in the Basque country. His family moved to the Northwest city of Tucumán when he was nine. In a bow to two legendary Incan kings, he adopted the stage name Atahualpa Yupanqui, which became famous all around the world.

In his early years, Yupanqui traveled extensively through the northwest of Argentina and the Altiplano studying the indigenous culture. He became politically active and joined the Communist Party of Argentina. In 1931, he took part in the failed Kennedy brothers uprising against the de facto government of José Félix Uriburu and in support of deposed president Hipólito Yrigoyen. After the uprising was defeated, he was forced to seek refuge in Uruguay. He returned to Argentina in 1934.

In 1935, Yupanqui paid his first visit to Buenos Aires; his compositions were growing in popularity, and he was invited to perform on the radio. Shortly thereafter, he made the acquaintance of pianist Antonieta Paula Pepin Fitzpatrick, nicknamed "Nenette", who became his lifelong companion and musical collaborator under the pseudonym "Pablo Del Cerro".

Because of his Communist Party affiliation (which lasted until 1952), his work suffered from censorship during Juan Perón's presidency; he was detained and incarcerated several times. He left for Europe in 1949. Édith Piaf invited him to perform in Paris on 7 July 1950. He immediately signed a contract with "Chant Du Monde", the recording company that published his first LP in Europe, "Minero Soy" (I am a Miner). This record won first prize for Best Foreign Disc at the Charles Cros Academy, which included three hundred fifty participants from all continents in its International Folklore Contest He subsequently toured extensively throughout Europe.

In 1952, Yupanqui returned to Buenos Aires. He broke with the Communist Party, which made it easier for him to book radio performances. While with Nenette they constructed their house on Cerro Colorado (Córdoba).

Recognition of Yupanqui's ethnographic work became widespread during the 1960s, and nueva canción artists such as Facundo Cabral, Mercedes Sosa and Jorge Cafrune recorded his compositions and made him popular among the younger musicians, who referred to him as Don Ata.

Yupanqui alternated between houses in Buenos Aires and Cerro Colorado, Córdoba province. During 1963–1964, he toured Colombia, Japan, Morocco, Egypt, Israel, and Italy. In 1967, he toured Spain, and settled in Paris. He returned regularly to Argentina and appeared in Argentinísima II in 1973, but these visits became less frequent when the military dictatorship of Jorge Videla came to power in 1976. In February 1968, Yupanqui was named a Knight of the Ordre des Arts et des Lettres of France by the Ministry of Culture of that country, in honor of 18 years work enriching the literature of the French nation. Some of his songs are included in the programs of Institutes and Schools where Castilian Literature is taught.

In 1985, the Konex Foundation from Argentina granted him the Diamond Konex Award, one of the most prestigious awards in Argentina, as the most important Popular Musician in the last decade in his country.

In 1989, an important cultural center of France, the University of Nanterre, asked Yupanqui to write the lyrics of a cantata to commemorate the Bicentennial of the French Revolution. The piece, entitled "The Sacred Word" (Parole sacrée), was released before high French authorities. It was not a recollection of historical facts but rather a tribute to all the oppressed peoples that freed themselves. Yupanqui died in Nîmes, France in 1992 at the age of 84; his remains were cremated and dispersed on his beloved Colorado Hill on 8 June 1992.

 'La Copla'

'La Copla'
Tuesday, June 16, 2020

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Augustus Pablo

Augustus Pablo

Horace Swaby (21 June 1954 – 18 May 1999), known as Augustus Pablo, was a Jamaican roots reggae and dub record producer, melodica player and keyboardist, active from the 1970s onwards.

He popularised the use of the melodica (an instrument at that time primarily used in Jamaica to teach music to schoolchildren) in reggae music. His album King Tubbys Meets Rockers Uptown (1976) is often regarded as one of the most important examples of dub.

He was born in St. Andrew, Jamaica, and learned to play the organ at the Kingston College School, where a girl lent him a melodica, an instrument that fascinated him. He also met Herman Chin Loy, who after working at his cousin Leslie Kong's Beverley's record shop, had set up his own Aquarius store in Half Way Tree. Swaby recorded early tracks including "Higgi Higgi", "East of the River Nile", "Song of the East" and "The Red Sea" between 1971 and 1973 for Chin-Loy's Aquarius Records. Chin Loy had previously used the name Augustus Pablo generically for keyboard instrumentals recorded by Lloyd Charmers and Glen Adams, and Swaby took the name for this recording.

"East of the River Nile", a unique blend of East Asian and Jamaican sounds, became a moderate hit. He soon joined Now Generation (Mikey Chung's band) and played keyboard with them while his friend Clive Chin began his own career as a record producer. Pablo and Chin recorded "Java" (1972) together, as soon as Pablo quit Now Generation and Clive was able to obtain studio time. This instrumental was a massive hit and launched Pablo's solo career. He recorded with Chin and others including Lee Perry and Chin's uncle, Leonard Chin. Pablo scored another smash hit with "My Desire" (John Holt).

Pablo formed the labels Hot Stuff, Message and Rockers (named after his brother's soundsystem, Rockers), and released a steady stream of well-received instrumentals, mostly versions of older hits from Studio One. In spite of his success with Rockers, Pablo's 1974 album, This Is Augustus Pablo was recorded with Clive and Pat Chin. This was followed by a collaboration with the legendary reggae engineer King Tubby, 1975's Ital Dub.

Pablo produced a steady stream of hits in the late 1970s, including the hit "Black Star Liner" (Fred Locks). He also worked with Dillinger, Norris Reid, I-Roy, Jacob Miller, The Immortals, Paul Blackman, Earl Sixteen, Roman Stewart, Lacksley Castell, The Heptones, Bob Marley, Ricky Grant, Delroy Wilson, Junior Delgado, Horace Andy and Freddy McKay. This period was eventually commemorated with a series of critically acclaimed LPs including King Tubbys Meets Rockers Uptown (1976) and Hugh Mundell's classic Africa Must Be Free by 1983. This was followed by East of the River Nile (1978), Original Rockers (1979) and another acclaimed hit album, Rockers Meets King Tubbys in a Firehouse.

In the 1980s, Pablo's career slowed significantly. In 1980, he appeared on the soundtrack of the documentary DOA. He had begun to establish an American audience and released Rising Sun in 1986 to good reviews and sales. Pablo also produced memorable hits, including "Ragamuffin Year" (Junior Delgado), "Humble Yourself" (Asher & Tremble) and "Far Far Away" (Ricky Grant). In addition, he toured extensively throughout the world, recording a memorable live album in Tokyo in 1987. That same year, Rockers Come East re-established his career and he began to release a series of favourably reviewed though somewhat inaccessible albums in the 1990s (including Blowing With the Wind), while producing such records as Dawn Penn's "Night & Day" and Yami Bolo's "Jah Made Them All".

Augustus Pablo died as a result of a collapsed lung on 18 May 1999. He had been suffering for some time from the nerve disorder myasthenia gravis.

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 'House Rard'

'House Rard'
Sunday, January 31, 2021

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 'The Big Rip Off'

'The Big Rip Off'
Saturday, March 14, 2020

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 'Hillside Airstrip'

'Hillside Airstrip'
Sunday, March 10, 2019

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Ayub Ogada
 'Obiero'

'Obiero'
Thursday, November 29, 2018

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Baaba Maal

Baaba Maal

Baaba Maal (born 12 November 1953) is a Senegalese singer and guitarist born in Podor, on the Senegal River. He is well known in Africa and internationally and is one of Senegal's most famous musicians. In addition to acoustic guitar, he also plays percussion. He has released several albums, both for independent and major labels. In July 2003, he was made a UNDP Youth Emissary.

Maal sings primarily in Pulaar and is the foremost promoter of the traditions of the Pulaar-speaking people, who live on either side of the Senegal River in the ancient Senegalese kingdom of Futa Tooro.

Early life and education
Maal was expected to follow in his father's profession and become a fisherman. However, under the influence of his lifelong friend and family gawlo, blind guitarist Mansour Seck, Maal devoted himself to learning music from his mother and his school's headmaster. He went on to study music at the university in Dakar before leaving for postgraduate studies on a scholarship at Beaux-Arts in Paris.

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 'Bouyel'

'Bouyel'
Saturday, February 8, 2020

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BadBadNotGood

BadBadNotGood

BadBadNotGood (stylized as BADBADNOTGOOD) is an instrumental music group from Toronto, Ontario. The group includes keyboardist Matthew Tavares, bassist Chester Hansen, saxophonist Leland Whitty, and drummer Alexander Sowinski. They are known for their interpretations of hip hop tracks and their collaborations with Kendrick Lamar, Tyler, The Creator, Earl Sweatshirt, Denzel Curry, Danny Brown, Mick Jenkins, and Ghostface Killah.

Matthew Tavares, Alexander Sowinski, and Chester Hansen met in 2010 through the Humber College jazz program in Toronto. The trio united over a shared love for hip hop music, including that of MF Doom and Odd Future. Hansen plays acoustic and electric bass in the group, while Sowinski, who often dons a pig mask during performances, is on drums and sampler. Tavares handles keys, playing rhythms on a Prophet '08 and electric piano. The name of the band came from the tentative title of a comedy television project that Tavares was working on, which was eventually abandoned.

One of BadBadNotGood's first collaborations was a cover of "Lemonade" by Gucci Mane. They played a piece based on Odd Future's music for a panel of their jazz performance instructors, who did not find that it had musical value. After they released the track on YouTube as The Odd Future Sessions Part 1, it got the attention of rapper Tyler, The Creator, who felt differently and helped the trio's video go viral.

BadBadNotGood uploaded their debut album BBNG to Bandcamp in June 2011, which included covers of songs from A Tribe Called Quest, Waka Flocka Flame and several tracks from Odd Future. The trio had their first show at The Red Light in Toronto. In September 2011, they released their first album, BBNG, recorded in a three-hour session. Dante Alighieri on Sputnikmusic called the album "a welcome reinterpretation of modern jazz without the pretense of snotty wine parties and thick rimmed hipster dinosaurs."

BadBadNotGood recorded a live jam session with Tyler, The Creator in Sowinski's basement in October 2011. Videos from the session received more than a million views between them on YouTube.

The trio opened for Roy Ayers at the Nujazz Festival in January 2012 and played for Gilles Peterson's Worldwide Awards in London. At a February tribute to J Dilla in Toronto, their covers of "Lemonade" and "Hard in da Paint" had hundreds moshing.

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 'Eyes Closed'

'Eyes Closed'
Wednesday, November 20, 2019

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 'Stark’s Reality'

'Stark’s Reality'
Wednesday, October 9, 2019

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 'Confessions'

'Confessions'
Sunday, June 23, 2019

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 'Sour Soul'

'Sour Soul'
Friday, May 3, 2019

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BALTHVS

BALTHVS

Hailing from Bogotá, Colombia. BALTHVS can be seen as spearheading a musical psychedelic revolution in their home country, where it's conservative roots have historically shunned counterculture. But their sound is not about freaking out, rather it's about flowing and grooving gently amidst the general anger and chaos of 21st century society. After all, the band doesn't know anything else, it was formed 2 months before the rise of the COVID pandemic, making them one of the first pandemic bands out there. They are not strangers to the digital realm, embracing it fully, while retaining time tested values such as live musicianship, steady songwriting and journeying into different musical traditions from all over the world. The trio composed by Balthazar Aguirre (Guitar) Johanna Mercuriana (Bass) and Santiago Lizcano (Drums) explore the limits of funk, disco, dream pop, vaporwave, soul, r&B and world music while enveloping everything with their innate psychedelic essence.

So sit back, relax, and melt down the cosmic grooves

MACROCOSM is BALTHVS' first LP. The name implies the diverse nature of the music, the substantial genre blending throughout the record and the general psychedelic vibe of the songs. It's a cross continental trip across time, styles, languages and rhythms.

Source spotify.com

 'Johanna's Dream'

'Johanna's Dream'
Thursday, February 11, 2021

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