Bands // p 32 of 34

Tiana Major9 & Earthgang

Tiana Major9 & Earthgang Deliver Enchanting 'Collide' Performance at 2019 Billboard Women in Music

Tiana Major9 is one to watch in 2020, and she made that clear with a breathtaking performance at Billboard's 2019 Women in Music ceremony.

She was introduced by President of Motown Records Ethiopia Habtemariam, who remembered when Queen & Slim director Melina Matsoukas approached her, asking for an "incredible soundtrack" for the film. The soundtrack, and Major9's contribution, Habtemariam noted are "an accompaniment to a triggering and provoking film that allows you see us, love us, understand us."

Tiana Major9 and her collaborator Earthgang wrote "Collide" specifically for Queen & Slim, and the duo delivered a smooth, intimate performance of the tune. Their chemistry was flowing strong, holding hands and looking into each other's eyes as they sang the touching chorus. It was a beautiful representation of the "black love story" Habtemariam praised Queen & Slim for being.

by Rania Aniftos

^{Source billboard.com}

Timber Timbre

Timber Timbre is a Canadian music group, featuring Taylor Kirk, Simon Trottier, Mathieu Charbonneau and Mark Wheaton. The moniker refers to an early series of recordings made in a timber-framed cabin set in the wooded outskirts of Bobcaygeon, Ontario.

Timber Timbre released two albums independently before releasing their self-titled album on Out of This Spark in January 2009. They were subsequently signed to Arts & Crafts, who re-released the album on June 30 in Canada and July 28 internationally. The album was named as a longlist nominee for the 2009 Polaris Music Prize on June 15, 2009, and was deemed album of the year by Eye Weekly.

The band's song "Magic Arrow" was featured in the television show Breaking Bad, in the episode "Caballo Sin Nombre", as well as in the TV series The Good Wife, in the episode "Bitcoin for Dummies". "Black Water" features on the soundtrack for the 2012 comedy, For a Good Time, Call..., as well Bottom of the World (2017). Their song "Demon Host" was featured in the end credits to the 2013 film The Last Exorcism Part II, and in the movie The Gambler (2014).

The band's fourth album, Creep On Creepin' On, was released in April 2011. It was named as one of ten shortlisted nominees for the 2011 Polaris Music Prize, losing to Arcade Fire's The Suburbs. In 2012, the band supported British folk singer Laura Marling on her UK tour and Canadian singer Feist on her tour of America.

The band's fifth record, Hot Dreams, was released April 1, 2014. It was a shortlisted nominee for the 2014 Polaris Music Prize, but lost to Tanya Tagaq's Animism. The song "Run From Me" is featured in the Netflix documentary Wild Wild Country, and in the sixth season of Netflix TV series Orange is the New Black.

Timber Timbre's sixth album, Sincerely, Future Pollution, was released on April 7, 2017, on City Slang Records. The album's first single, "Sewer Blues", was released in January 2017. The second single, "Velvet Gloves & Spit", was released on February 15, 2017.

^{Source Wikipedia}

Tinariwen

Tinariwen, pronounced tinariwen "deserts", plural of ténéré "desert" is a group of Tuareg musicians from the Sahara Desert region of northern Mali. The band was formed in 1979 in Tamanrasset, Algeria, but returned to Mali after a cease-fire in the 1990s. The group first started to gain a following outside the Sahara region in 2001 with the release of The Radio Tisdas Sessions, and with performances at Festival au Désert in Mali and the Roskilde Festival in Denmark. Their popularity rose internationally with the release of the critically acclaimed Aman Iman in 2007. NPR calls the group "music's true rebels", AllMusic deems the group's music "a grassroots voice of rebellion", and Slate calls the group "rock 'n' roll rebels whose rebellion, for once, wasn't just metaphorical"

^{Source Wikipedia}

Tindersticks

Tindersticks are an English alternative rock band formed in Nottingham in 1991. They released six albums before singer Stuart A. Staples embarked on a solo career. The band reunited briefly in 2006 and more permanently the following year. The band recorded several film soundtracks, and have a long-standing relationship collaborating with French director Claire Denis.

History

Staples, Boulter, Fraser, Macauley and Hinchliffe, all former members of Asphalt Ribbons, formed the band in 1991. The final line-up for the Old Horse mini-LP (1991) was: Stuart Staples (vocals), Dave Boulter (organ and accordion), Neil Fraser (guitar), Dickon Hinchliffe (guitar and strings), Al Macauley (percussion and drums), and John Thompson (bass). Mark Colwill was recruited when Thompson left the Asphalt Ribbons, but it is not known if he played any gigs under the Asphalt Ribbons name. They then changed their name to Tindersticks after Staples discovered a box of German matches on a Greek beach.

Tindersticks started recording demo tapes in 1992, and formed their own label Tippy Toe Records to release their first single, "Patchwork", in the same year.

Their self-titled first and second albums established their signature sound and received widespread critical acclaim. Their live performances, often augmented by large string sections and even, on occasion, a full orchestra, were well received. The live album The Bloomsbury Theatre 12.3.95 is a recording of one such concert. By the time of the third album, Curtains, however, it was clear that a change of direction was called for.

The fourth album, Simple Pleasure, lived up to its title with a series of snappy, direct songs influenced by soul music. The female backing vocals on several tracks, and the respectful cover of Odyssey's "If You're Looking for a Way Out", signalled the band's wish to move towards lighter, more soulful material. However, the inner sleeve's documentation of the number of takes each track went through was evidence that the band continued to adopt a painstaking approach to recording.

The fifth album, Can Our Love..., continued the band's soulful direction, in particular evidence on the tender "Sweet Release" and in the nod to The Chi-Lites in the title of "Chilitetime".

The sixth album, Waiting for the Moon, was more stripped down and introspective in nature, particularly on the harrowing "4.48 Psychosis" (based on the play of the same name by the British playwright Sarah Kane) and "Sometimes It Hurts". Only the bouncy "Just a Dog" lightened the otherwise melancholy mood of the album.

In 2005, Staples embarked on a solo career and there was resultant speculation that the band had split. Staples has so far produced two solo albums, Lucky Dog Recordings 03-04 and Leaving Songs. The title of the second album, and Staples' notes on it, indicated that change was in the air: "These are songs written on the verge of leaving the things I loved and stepping into a new unknown life, both musically and personally. I was always aware that these songs were the end of something, a kind of closing a circle of a way of writing that I started so long ago and I knew I had to move on from."

In September 2006, the band played a one-off concert at London's Barbican Centre, performing their second album in full with a nine-member string section and two brass players, including former collaborator Terry Edwards on trumpet.

Staples later acknowledged that this show, while being a happy triumph, was also "tinged with sadness of the knowledge that the six of us had made all the new music we were going to make together." However, it also rekindled his determination to make a new album.

In 2007, a stripped-down line-up of three of the original band, Staples, Boulter and Fraser, spent time writing and recording in a newly equipped studio in Limousin, France. They were joined by Thomas Belhom on drums and Dan McKinna on bass, with Ian Caple engineering. The resulting album, The Hungry Saw, was released on Beggars Banquet in April 2008. Tindersticks played a number of other European dates during the summer festival season and also announced a winter 2008 European tour.

In 2010, the eighth studio album Falling Down a Mountain was released on 4AD/Constellation Records with a changed band line-up, with Earl Harvin replacing Belhom on drums and David Kitt, a solo artist in his own right, joining the band on guitar and vocals.

The group's ninth studio album The Something Rain was released in February 2012. The following tours in spring, summer (festival concerts) and autumn, showed the band now touring in their again reduced 5-member core line-up (Stuart Staples, David Boulter, Neil Fraser, Dan McKinna and Earl Harvin), supported at selected gigs by Terry Edwards on horns.

In October 2013, after missing the band's 20th anniversary the years before, the band released their tenth studio album, the retrospective Across Six Leap Years, containing ten re-recorded songs from their back-catalog and from Stuart A. Staples solo album period. In the autumn of 2013 they toured several European capital cities in their Across Six Leap Years anniversary tour, supported by Terry Edwards on saxophone and horns and Gina Foster on backing vocals.

In 2016 they released their eleventh studio album The Waiting Room, followed by an extensive tour in February to May 2016.

Their 12th studio album, No Treasure But Hope, was released in later 2019 to positive reviews, with a tour planned for 2020. Ahead of these tour dates, the band released the four-song See My Girls EP along with a video for the title track.

U.S. and European tour dates were cancelled due to the COVID-19 pandemic, which is why the core band focused on working on a new album during 2020. In January 2021, the band announced their thirteenth regular album Distractions, which was released on February 19th and charted at number 15 in the Offizielle Deutsche Charts' Album Top 100 in Germany.

^{Source Wikipedia}

Tom Waits

Thomas Alan Waits (born December 7, 1949) is an American singer, songwriter, musician, composer, and actor. His music is characterized by his distinctive deep, gravelly voice and lyrics focusing on the underside of society. During the 1970s, he worked primarily in jazz, but since the 1980s his music has reflected greater influence from blues, vaudeville, and experimental genres.

Waits was born and raised in a middle-class family in California. He was inspired by the work of Bob Dylan and the Beat Generation as a teenager, so he began singing on the San Diego folk music circuit, relocating to Los Angeles in 1972. He worked there as a songwriter before signing a recording contract with Asylum Records. His first albums were the jazz-oriented Closing Time (1973) and The Heart of Saturday Night (1974), which reflected his lyrical interest in nightlife, poverty, and criminality. He has repeatedly toured the U.S., Europe, and Japan and has attracted greater critical recognition and commercial success with Small Change (1976), which he followed with Blue Valentine (1978) and Heartattack and Vine (1980). He produced the soundtrack for Francis Ford Coppola's 1981 film One from the Heart and subsequently made cameo appearances in several Coppola films.

In 1980, Waits married Kathleen Brennan, broke from his manager and record label, and moved to New York City. Under his wife's encouragement, he pursued a new, more experimental and eclectic musical aesthetic influenced by the work of Harry Partch and Captain Beefheart. This was reflected in a series of albums released by Island Records, including Swordfishtrombones (1983), Rain Dogs (1985), and Franks Wild Years (1987). He continued appearing in film, taking a leading role in Jim Jarmusch's Down by Law (1986). In the 1990s, his albums Bone Machine (1992), The Black Rider (1993), and Mule Variations (1999) earned him increasing critical acclaim and various Grammy Awards. In the late 1990s, he switched to the record label Anti-, which released Blood Money (2002), Alice (2002), Real Gone (2004), and Bad as Me (2011).

Waits' albums have met with mixed commercial success in the U.S., while they have occasionally achieved gold status in other countries. He has a cult following and has influenced many singer-songwriters, despite having little radio or music video support. In 2011, he was inducted into the Rock and Roll Hall of Fame. He was included among the 2010 list of Rolling Stone's 100 Greatest Singers, as well as the 2015 Rolling Stone's 100 Greatest Songwriters of All Time.

Tommy Guerrero

Tommy Guerrero may be better known in the world of skateboarding than music. Born in San Francisco, Guerrero joined the skate company Powell Peralta in 1984 and became one of the original members of the legendary "Bones Brigade" team. TG has been playing music since the late 70's with his brother Tony  -both raised on a steady diet of DIY punk music/ethos and skateboarding-which informed and shaped the person he is today. Since then, Guerrero has become an accomplished bassist and guitarist with influences as diverse as John Coltrane, Bad brains, Joy division Gabor Szabo and on and on... 

^{Source tommyguerrero.com}

Tommy McCook & The Supersonics

Tommy McCook (3 March 1927 – 5 May 1998) was a Jamaican saxophonist. A founding member of The Skatalites, he also directed The Supersonics for Duke Reid, and backed many sessions for Bunny Lee or with The Revolutionaries at Channel One Studios in the 1970s.

Biography
McCook was born in Havana, Cuba, and moved to Jamaica in 1933. He took up the tenor saxophone at the age of eleven, when he was a pupil at the Alpha School, and eventually joined Eric Dean’s Orchestra.

In 1954 he left for an engagement in Nassau, Bahamas, after which he ended up in Miami, Florida, and it was here that McCook first heard John Coltrane and fell in love with jazz. McCook returned to Jamaica in early 1962, where he was approached by a few local producers to do some recordings. Eventually he consented to record a jazz session for Clement "Coxson" Dodd, which was issued on the album as "Jazz Jamaica". His first ska recording was an adaptation of Ernest Gold’s "Exodus", recorded in November 1963 with musicians who would soon make up the Skatalites.

During the 1960s and 1970s McCook recorded with the majority of prominent reggae artists of the era, working particularly with producer Bunny Lee and his house band, The Aggrovators, as well as being featured prominently in the recordings of Yabby You and the Prophets (most notably on version sides and extended disco mixes), all while still performing and recording with the variety of line ups under the Skatalites name. When McCook was bandleader for The Supersonics, the band included bassist Jackie Jackson and drummer Paul Douglas, who became the rhythm section for Toots and the Maytals when the era of reggae emerged from rocksteady.

McCook died of pneumonia and heart failure, aged 71, on 5 May 1998.

^{Source Wikipedia}

Tony Holiday

There are many young players on the current international blues scene and Tony Holiday is one that stands out amongst the finest!

Tony Holiday, a Vocalist and Harmonica player hailing from Memphis TN has been recognized by peers such as Charlie Musselwhite and James Harman as a rising star in the community and Holiday included both, amongst many others, on his latest release of field recordings Tony Holiday’s Porch Sessions where Holiday and Partner Landon Stone have criss-crossed the country recording famous blues musicians and playing with them on their front porches, out with the Vizztone Label January 2019.

Tony, on vocals and harp, brings out that old school voice that is sometimes missing from the Blues scene today. It harkens back to when the Blues were just finding their way in the new electric age. In that transition, the sounds that were coming out of the local independent record labels in Memphis and that you might of heard from the King Biscuit Hour in its later years or on one of the other many stations that spotted the value of the Blues. His passion and vocal strength with a soulman’s heart and wicked sense of impish humor blend to let you enjoy those deep blues and then chuckle when you might not otherwise have done so at the sometimes dark current of Blues. He has the ability to make you laugh in the face of pain so that you can take that next step by turning on your heel and walking into the light where he’s got a tune for you there for you to meet your next ex-wife on the dance floor and make some memories.
With him on guitar is Landon Stone. Tall and lean with the brooding face of so many guitarists who have melded with the instrument, he places a perfect counterpoint to Tony’s harp. When the two play off of one another, well… frankly… you forget your damp and tired and hungry after a long rainy day of festival music, and you just have fun!

Holiday fearlessly crosses the line between traditional Blues and Soul and modern day Americana with brilliant writing expressing Holiday’s poetic side, humor and touching on issues like Love, Heartache and Stories from Holiday’s traveling lifestyle. A combination of a family man and a road dog, Holiday finds the balance in his life as well as his music.Keeping a tight leash on his vocal control and harmonica tone Holiday has been named in the top 10 young harmonica players in the country via Rick Estrin and Blues Harmonica Player Forum.

Tony Holiday’s Porch Sessions out with the Vizztone Label is reminiscent of Alan Lomax’s landmark field recordings and the live recordings that have surfaced from Chicago’s famed Maxwell St era.

^{Source tonyholidaymusic.com}

Toots & The Maytals

Toots and the Maytals, originally called The Maytals, are a Jamaican musical group and one of the best known ska and rocksteady vocal groups. The Maytals were formed in the early 1960s and were key figures in popularizing reggae music. Frontman Toots Hibbert's soulful vocal style has been compared to Otis Redding, and led him to be named one of the 100 Greatest Singers by Rolling Stone. Their 1968 single "Do the Reggay", was the first song to use the word "reggae", naming the genre and introducing it to a global audience. As Island Records founder Chris Blackwell says, "The Maytals were unlike anything else ... sensational, raw and dynamic."

^{Source Wikipedia}

Tower of Power

Oakland, California music legends Tower of Power - the most dynamic and distinctive band of survivors in Soul Music – is roaring into its unprecedented 50th anniversary with a dynamic new disc of all new material that finds them as energized and inspired as ever. A labor of love, definitively titled Soul Side of Town, this package is charged with 14 filler-free songs. In the spirit of their enduring theme song “Oakland Stroke” – the bookending intro and outro “East Bay” shine a light on elemental instrumental ingredients within the band’s signature sound. This astounding and historical release (available June 1, 2018 in digital, vinyl, streaming & CD configurations) inaugurates Tower of Power’s fresh affiliation with Mack Avenue Records, a Detroit-based company renowned for its award-winning dedication to top-tier Jazz that is now extending its support to Soul and Funk giants, Tower of Power: a band so one-of-a-kind, it’s an institution.

As always, the songs on Tower of Power’s Soul Side of Town were primarily composed by the hitmaking team of founding members Emilio Castillo (Detroit-born on 2nd tenor sax) and Stephen “Doc” Kupka (Los Angeles-born on baritone sax) who also hold down the world famous 5-man Tower of Power Horns. For the special occasion of Tower of Power’s 50th anniversary, leader Emilio Castillo brought in a most-astute choice in co-producer, Joe Vannelli: an all-around production/engineering/keyboard master best known for the jazz-tinged Soul-Rock Grammy-winning work he performed behind the scenes with his international superstar brother, Gino Vannelli. Also insuring that the sound blasts powerful and clear from your speakers is the presence of mastering engineer Bernie Grundman in the mix. Along with the legendary rhythm section drums and bass lock of David Garibaldi and Francis Rocco Prestia, respectively, these decorated veterans have custom-crafted a hair-raising audio experience that longtime fans, music connoisseurs and a new generation of listeners will groove to for years to come.

In keeping with Tower of Power’s golden canon of classics, the new material picks up the torch in all of the time-tested styles fans respect and love. In line with hiply intricate, cranial-crushing funk classics such as “Down to the Nightclub” and “Soul Vaccination” are new jams “Do You Like That” and “On the Soul Side of Town.” In the tradition of heart-stopping balladry like their biggest chart hits “You’re Still a Young Man” and “So Very Hard to Go” are new love songs like “Let it Go” (Bruno Mars will want to cover this one) and “Can’t Stop Thinking About You.” Along the firing-on-all-cylinders line of instrumental anomalies such as “Squib Cakes,” “Walking Up Hip Street” and “Ebony Jam” are burnin’ offerings “Butter-Fried” and “After Hours.” Following up positivity primers such as “Knock Yourself Out,” “You’ve Got to Funkifize” and “Credit” are new spirit lifters “Selah,” “Love Must Be Patient and Kind” and “Do it With Soul,” along with T.O.P.’s singular approach to Pop-Rock on “When Love Takes Control.”

Along with veteran members Castillo, Kupka, Garibaldi and Prestia, T.O.P. consists of guitarist Jerry Cortez, Hammond B3 organist/keyboardist Roger Smith, 1st tenor saxophonist Tom Politzer, and trumpeters Adolfo Acosta and Sal Cracchiolo. Soul Side of Town is also blessed with not one but two lead singers: outgoing Ray Greene (now in Santana) and incoming Marcus Scott (boldly introduced on several selections, including “Hanging with My Baby”). The 10-piece Tower of Power band is prepared to throw down next year with a celebratory tour that will include sweet spots around the globe.

Since its formation in Oakland, California in 1968, Tower of Power has forged a reputation as a crack band of high achieving musicians fluent in all realms of Soul, Rock and Pop music with a sophistication and punch like that of a Jazz big band. From their first album East Bay Grease (1970) on Rock impresario Bill Graham’s San Francisco Records label (distributed by Atlantic), the interracial band became pillars and signatures of The Bay Area Music Scene that included pioneering like-minded bands such as Sly & The Family Stone, Cold Blood, Graham Central Station, The Pointer Sisters and The Sons of Champlin plus rock-oriented outfits such as Santana, Betty Davis and Journey. Beginning with their sophomore release, Tower of Power came to prominence with a string of acclaimed albums on Warner Bros. Records: Bump City (1972), Tower of Power (1973), Back to Oakland (1974), Urban Renewal (1974), In the Slot (1975) and Live and in Living Color (1976). A move to Columbia Records resulted in three more major label releases and their last top-charting hit, “You Ought To Be Havin’ Fun.” Including all studio albums, live albums and rarities anthologies, T.O.P. has 24 previous releases in its burgeoning catalog.

Along with T.O.P.’s classic recordings, the 5-piece Tower of Power Horns – known for its power packed punch and fullness with two trumpets, two tenor saxophones plus a baritone sax on the bottom – became much in demand for studio sessions and live gigs. Among the hundreds of artists they have blessed with their presence are Rufus featuring Chaka Khan, Graham Central Station, Elton John, Little Feat, Billy Preston, John Lee Hooker, Coke Escovedo, Jose Feliciano, Al Kooper, Sammy Hagar, Rod Stewart, Peter Frampton, Jermaine Jackson, Harvey Mason, Lenny White, The Brothers Johnson, The Meters, Lee Oskar, Dionne Warwick, Melissa Manchester, Bobby Caldwell, Heart, Rick James, Santana, Smokey Robinson, Huey Lewis & The News, Toto, Paul Shaffer, Bonnie Raitt, Aaron Neville, Spyro Gyra, Terence Trent D’Arby, Luther Vandross, Candy Dulfer, Aerosmith, Phish, John Hiatt, Neil Diamond, P.Diddy, Bill Wyman, Eiko Shuri…and TV’s The Simpsons (Sing The Blues).

^{Source TowerOfPower.com}

Tricky

Adrian Nicholas Matthews Thaws (born 27 January 1968), better known by his stage name Tricky, is an English record producer and rapper. Born and raised in Bristol, he began his career as an early collaborator of Massive Attack before embarking on a solo career with his debut album, Maxinquaye, in 1995. The release won Tricky popular acclaim and marked the beginning of a lengthy collaborative partnership with vocalist Martina Topley-Bird. He released four more studio albums before the end of the decade, including Pre-Millennium Tension and the pseudonymous Nearly God, both in 1996. He has gone on to release eight studio albums since 2000, most recently Ununiform (2017).

Tricky is a pioneer of trip hop music, and his work is noted for its dark, layered musical style that blends disparate cultural influences and genres, including hip hop, alternative rock and ragga. He has collaborated with a wide range of artists over the course of his career, including Terry Hall, Björk, Gravediggaz, Grace Jones, and PJ Harvey.

^{Source Wikipedia}

Triggers & Slips

Not being down with the Utah scene, I hung out in cyberspace with ‘Triggers and Slips’ a while and first stop was the Small Lake City Concert Series and a version of Alice in Chains’ ‘Rooster’. Mormon descendent Morgan Snow takes a pinch of that grungy flavour and the ‘Slips’ sneeze dirty country vibes all over it, resulting in kind of a cross between Son Volt and Pearl Jam. It’s a virus that one can only imagine is going to spread rapidly as the rest of the album hits our shelves, venues and, yes, online platforms of choice.

To dig further into the ethos of ‘Triggers and Slips’ reveals that in fact the band leadership, songwriting and roots are very much intertwined with John Davies. Davies is vocal wingman, multi-instrumentalist and owner of a delightfully simple name considering his trade. Here is a band that carry themselves like men and play their music with redoubtable authority. Don’t let that fool you that it’s not fun though. Good production can sound very spontaneous when done right. The title track is all the proof you need of that, as a slow distorted intro gives way to honky-tonk piano, Hammond organ and duelling guitars, fading in and out over an outlaw country shuffle while Snow, for all the world a 21st Century Waylon, holds court as master of ceremonies. “We’ve been pushing our luck/We’re bound to fuck up…” his voice is a finely tuned country music weapon in peak condition. There are elements of border country in ‘Natchez Trace’, the dusty desert fandango style strongly vying with the rock n roll of Uncle Sam for prominence. ‘Old Friends’, which first appeared on the band’s 2012 self-titled EP is a bromance reunion epic, replete with spectacular fiddle and toe-tapping piano solo work by the band’s honky tonkin’ electro dj, the ‘Time Chimp’ – Greg Midgley. It’s been dragged from the gutter, polished to a shining star of a song and given centre stage on ‘The Stranger’. The combination of country and slow bluesy Jeff Beck overtones on ‘I’m Not Your Baby’ hints at the broad horizons that ‘Triggers And Slips’ have embraced while Snow clings to his love of grunge with that overhaul of ‘Rooster’.

Morgan Snow was a drug and alcohol therapist when he stumbled on the name for his band, Triggers and Slips was the heading of some notes on a group session one of his co-workers was leading. Much of this album concentrates, in the great traditions, on matters of the heart and of the soul. Described as songs that will “hit you in the gut” the blend of skilful delivery, first-class production and songcraft of the highest standard makes ‘The Stranger’ a game-changer for these men of Utah.

^{Written by Tim Merricks}

^{Source americana-uk.com}

TV On The Radio

TV on the Radio is an American indie rock band from Brooklyn, New York, formed in 2001. The bands core members include Tunde Adebimpe (vocals, loops), David Andrew Sitek (guitars, keyboards, loops), Kyp Malone (vocals, guitars, bass, loops) Jaleel Bunton (drums, vocals, loops, guitars) and Gerard Smith (bass, keyboards, loops) until his death in 2011. Other contributors have included David Bowie, Nick Zinner of Yeah Yeah Yeahs, Trent Reznor of Nine Inch Nails, Kazu Makino of Blonde Redhead, Martin Perna of Antibalas, Colin Stetson, and Katrina Ford of Celebration. The group has released several EPs including their debut Young Liars (2003), and five studio albums: Desperate Youth, Blood Thirsty Babes (2004), Return to Cookie Mountain (2006), Dear Science (2008), Nine Types of Light (2011), and Seeds (2014).

The first release from TV on the Radio (initially just founding members Adebimpe and Sitek) was the self-released OK Calculator (the title being a reference to Radiohead's album OK Computer). They were later joined by Kyp Malone, and released the Young Liars EP in 2003. This was followed by the full-length Desperate Youth, Blood Thirsty Babes which earned the band the 2004 Shortlist Music Prize. They released a second EP, New Health Rock, later that year.

Their second album, Return to Cookie Mountain, leaked in early 2006 and garnered pre-release praise from Pitchfork Media before its official release in July overseas. U.S. and Canadian release was in September on Interscope. Spin magazine named Return to Cookie Mountain its Album of the Year for 2006. The album features guest appearances from David Bowie, Omega Moon, Celebration, Dragons of Zynth, Martin Perna and Stuart D. Bogie of Antibalas, Blonde Redhead, Yeah Yeah Yeahs' Nick Zinner. Bowie contributed back-up vocals on the song "Province". In promotion of the album, the band performed " Wolf Like Me" on the Late Show with David Letterman, which has garnered over 2 million views on YouTube. During the U.S. tour, the band performed a few covers with Bauhaus singer Peter Murphy and Nine Inch Nails frontman Trent Reznor.

The band's third album, Dear Science, was released September 23, 2008 on Interscope. It was made available for streaming on their Myspace page and subsequently leaked onto the internet on September 6, 2008. The album was named the best album of 2008 by Rolling Stone, The Guardian, Spin magazine, The A.V. Club, MTV, Entertainment Weekly, the Pitchfork Media's readers poll as well as the Pazz and Jop critic's poll. It was also named the second best album of 2008 by NME and the fourth best album of 2008 by Planet Sound.

^{Source Wikipedia}

Twain

Twain is the singer/songwriter project of multi-instrumentalist Mat Davidson, onetime member of the Low Anthem and Spirit Family Reunion. Consistently melodic and brittle, Twain's material has spanned experimental lo-fi and intimate indie folk.

Smart FleshHailing from Franklin County, Virginia, Davidson began recording as Twain in the mid-2000s. He self-released the albums Sleeping Tree and Almanack before joining indie folk group the Low Anthem in 2009 as bassist/multi-instrumentalist. Still making time for Twain, he put out Love Is All Around in July 2010, then appeared on the Low Anthem's 2011 LP, Smart Flesh, before leaving the group later that year. While with the Low Anthem, he also joined Americana outfit Spirit Family Reunion on fiddle, leaving that band in early 2014 to refocus on Twain.

Recorded straight to tape and mastered in analog, 2014's Life Labors in the Choir channeled blues-like rawness into wounded folk. Also released in 2014, Twain-Tone Rally-Race: Collected Recordings 2005-2008 repackaged Sleeping Tree and Almanack. Intended as a full-length in progress with demos and live performances, the Sir Kitchen Boy EP followed in 2015, and the Alternator EP, released in 2016, featured all new songs.

Rare FeelingIn 2017, Twain signed with Austin, Texas-based Keeled Scales and toured in support of acts such as Big Thief, Langhorne Slim, and the Deslondes. With bassist Ken Woodward and drummer Peter Pezzimenti credited as bandmembers, their label debut, Rare Feeling, arrived that October.

^{Source allmusic.com}

Ugly Valley Boys

I first met upright bassist Braxton Brandenburg from the two-piece Ugly Valley Boys when he was touring with JB Beverley through Texas in December, and then saw him again with JB at The Muddy Roots Festival, when he handed me this CD from his “other band.” Yeah, everyone is in a band these days, and most have “other bands” as well, and they all have well-intentioned, but not always good CD’s to peddle. Braxton seemed like a great guy, but when I looked at this album, with yet another standup bass, yet another guitar player who sits down at a bass drum in a band that has “Valley” and “Boys” in the name I thought, “Yep, I’ve heard this before.”

And then when the album started off with a track about running moonshine, the pigeon-holing was just about complete. That’s when the song “Raven” hit my ears, and the genius behind the Ugly Valley Boys revealed itself, separating them far from the herd.

From Salt Lake City, The Ugly Valley Boys evoke the lonesome sound of the desert, the classic soul of country, and the open space of the West in original songs that are wickedly engaging and smartly crafted. So many bands try to imbibe their music with a vintage feel and Western space by using copious amounts of chorus or reverb, or blowing wads of cash on vintage gear. Ugly Valley’s guitar player, singer, and songwriter Ryan Eastlyn takes the road less traveled with the use of moaning, melodic chorus lines that are so excellent, they vault this band from a relative unknown to one responsible for one of the better albums put out so far in 2011.

The melodic chorus-driven songs with punk undertones are counterbalanced by dark and gritty deep roots songs that could be considered just as much blues as country. As impressed as I am by Eateryn’s ear in crafting the vocals in these songs, without any message or meaning behind the lyrics, the experience would be shallow. The Ugly Valley Boys pull you in with Braxton’s engaging rhythm and Ryan’s voice, but what keeps you engaged is the soul embedded in the songwriting.

I could break down each song on this album, but I don’t see the point. There’s not a bad song here. At the moment, the track that most impresses me is “Alota Guns”, but this album shows all the earmarks of one whose best track changes by week, until every song has filled that slot and after a couple of months you look down and this CD is still stuck in the player.

The instrumentation is great as well, from Ryan and Braxton, and also from Mike Sasich and Brad Wheeler who they brought in to play some tasteful lead lines on various tracks. If I had a suggestion for the Ugly Valley Boys, it would be that there could be more breadth to the music. The stripped down approach is appreciated, but this music is just too good to be devoid of maybe another layer or two of instrumentation, at least in the recorded setting. The lead instruments in Double Down, though great, seem to be add-ons at times instead of intermixed with the rest of the music.

But the thing about great songwriting is that it trumps all. Any concerns about instrumentation or lineups or names of bands are all put to rest simply by songs that speak to the heart in universal themes, and that is exactly what The Ugly Valley Boys do. I was going to give this album 1 3/4 of the maximum 2 guns that I have the authority to afford an album, because I do think Double Down leaves some room for improvement, but in the end this album is just too good, has too many good individual songs to call it anything but great.

Two guns up!

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