'Blues' Bands // p 5 of 5

The Allman Brothers Band

The Allman Brothers Band were an American rock band formed in Jacksonville, Florida in 1969 by brothers Duane Allman (founder, slide guitar and lead guitar) and Gregg Allman (vocals, keyboards, songwriting), as well as Dickey Betts (lead guitar, vocals, songwriting), Berry Oakley (bass guitar), Butch Trucks (drums), and Jai Johanny "Jaimoe" Johanson (drums). Subsequently, based in Macon, Georgia, the band incorporated elements of blues, jazz, and country music, and their live shows featured jam band-style improvisation and instrumentals.

The group's first two studio releases, The Allman Brothers Band (1969) and Idlewild South (1970) (both released by Capricorn Records), stalled commercially, but their 1971 live release, At Fillmore East, represented an artistic and commercial breakthrough. The album features extended renderings of their songs "In Memory of Elizabeth Reed" and "Whipping Post", and is considered among the best live albums ever made.

Group leader Duane Allman was killed in a motorcycle accident later that year – on October 29, 1971 – and the band dedicated Eat a Peach (1972) to his memory, a dual studio/live album that cemented the band's popularity and featured Gregg Allman's "Melissa" and Dickey Betts's "Blue Sky". Following the motorcycling death of bassist Berry Oakley one year and 13 days later on November 11, 1972, the group recruited keyboardist Chuck Leavell and bassist Lamar Williams for 1973's Brothers and Sisters. This album included Betts's hit single "Ramblin' Man" and instrumental "Jessica". These tunes went on to become classic rock radio staples, and placed the group at the forefront of 1970s rock music. Internal turmoil overtook them soon after; the group dissolved in 1976, reformed briefly at the end of the decade with additional personnel changes, and dissolved again in 1982.

The band reformed once more in 1989, releasing a string of new albums and touring heavily. A series of personnel changes in the late 1990s was capped by the departure of Betts. The group found stability during the 2000s with bassist Oteil Burbridge and guitarists Warren Haynes and Derek Trucks (the nephew of their original drummer) and became renowned for their month-long string of shows at New York City's Beacon Theatre each spring. The band retired for good in October 2014 after their final show at the Beacon Theatre.

Butch Trucks died of a self-inflicted gunshot wound on January 24, 2017, in West Palm Beach, Florida, at the age of 69. Gregg Allman died from complications arising from liver cancer on May 27, 2017, at his home in Georgia, also at the age of 69. The band has been awarded seven gold and four platinum albums, and was inducted into the Rock and Roll Hall of Fame in 1995. Rolling Stone ranked them 52nd on their list of the 100 Greatest Artists of All Time in 2004.

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The Barr Brothers

The Barr Brothers is an indie folk band founded in Montreal, Quebec, consisting of two American brothers Andrew and Brad Barr as well as bassist Morgan Moore, pedal steel guitarist Brett Lanier, and harpist Eveline Gregoire-Rousseau.

History

Based in Montreal, Quebec, Canada, the group consists of two brothers: drummer Andrew Barr and songwriter and guitar player Brad Barr, both from Providence, Rhode Island. The third original member is harpist Sarah Pagé who discontinued touring with the band in 2018. Other instrumentation and musicians are added on tour, as needed.

Brad and Andrew Barr moved to Montreal from Providence, RI in 2005 after a decade of touring and recording as ⅔ of the trio, The Slip. That group was noted for its approach to long-form, live improvisation and was equally considered part of the jam band and experimental music scenes.

Soon after moving to Montreal, Brad heard the sounds of a harp through the bedroom wall of his new apartment. He went next door to introduce himself to Sarah Pagé, who was performing both in classical contexts and developing music with the songwriter Lhasa de Sela. Andrew also began performing with Lhasa. Soon the trio of Andrew, Brad and Sarah began performing Brad's songs under the Barr Brothers name, building upon them with Malian rhythms, slide guitar, homemade percussion instruments, and influences from delta blues, modern classical and Appalachian folk traditions.

The band's recordings have been nominated three times for Juno Awards: in 2013, 2015 and 2018 for Adult Alternative Album of the Year. Their self-titled debut album The Barr Brothers was released in 2011 and focused on acoustic and electrified songs rooted in Appalachian folk. Their second album Sleeping Operator (2014) further explored the connections between the Delta blues and its West and North African ancestry. Leftover songs from the Sleeping Operator sessions were released as a five-track collection Alta Falls (2015). Their third album Queens of the Breakers was released in autumn 2017.

The band tours frequently in the United States, Canada, the United Kingdom, and Europe and with some shows played in Japan. Notable venues have included Levon Helm's studio in Woodstock, New York; the Red Rocks Amphitheater; and two appearances on the Late Show with David Letterman.

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The Black Crowes

The Black Crowes are an American rock band formed in Marietta, Georgia, in 1984. Their discography includes eight studio albums, four live albums and several charting singles. The band was signed to Def American Recordings in 1989 by producer George Drakoulias and released their debut album, Shake Your Money Maker, the following year. Their follow-up, The Southern Harmony and Musical Companion, reached the top of the Billboard 200 in 1992. The albums Amorica (1994), Three Snakes and One Charm (1996), By Your Side (1999), and Lions (2001) followed, with each showing moderate popularity but failing to capture the chart successes of the band's first two albums. After a hiatus from 2002 to 2005, the band regrouped and toured for several years before releasing Warpaint in 2008, which reached number 5 on the Billboard chart.

Following the release of their greatest hits/acoustic double album Croweology in August 2010, the band started a 20th anniversary tour that was followed by a second hiatus. After touring in 2013, the band announced another breakup in 2015, reforming in late 2019 to announce a 2020 tour in support of the 30th anniversary of Shake Your Money Maker. By this point the band had none of its original line-up left except for Chris and Rich Robinson, the only two constant members of the band over its entire history.

The Black Crowes have sold more than 30 million albums, and are listed at number 92 on VH1's 100 Greatest Artists of Hard Rock. They were labeled by Melody Maker as "The Most Rock 'n' Roll Rock 'n' Roll Band in the World" and the readers of Rolling Stone voted them 'Best New American Band' in 1990.

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The Deslondes

The Deslondes are an Americana musical group from New Orleans, Louisiana. Their music blends together influences from folk, rock 'n' roll, bluegrass, R&B, American roots music, blues, gospel, country, and zydeco. The group's members are Dan Cutler (vocals/stand-up bass), Sam Doores (vocals/guitar), Riley Downing (vocals/guitar), Cameron Snyder (vocals/percussion), and John James Tourville (fiddle/pedal steel). All five members share in the songwriting process.

The band's first full-length self-titled album was released in 2015 on New West Records.

The band formed in the Holy Cross neighborhood in New Orleans’ Lower Ninth Ward, and take their name from a street in that neighborhood. Sam Doores met Cameron Snyder while attending college. When Doores read Woody Guthrie’s autobiography, Bound for Glory, he quit school to head to New Orleans with Snyder where they formed the band The Broken Wing Routine, and attended the Woody Guthrie Folk Festival in Oklahoma, where they met Missouri native Riley Downing. In New Orleans, Doores met Dan Cutler and formed The Tumbleweeds, while Snyder and John James Tourville met on tour with The Longtime Goners. Doores and Cutler also played in New Orleans band Hurray for the Riff Raff, and The Tumbleweeds often opened for that band.

In 2013, The Tumbleweeds officially changed their name to The Deslondes and two years later released their first album, The Deslondes, to critical acclaim. Their first single, "Fought The Blues And Won," was premiered by NPR. The music video for the song "The Real Deal" premiered on Rolling Stone.

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The Doors

With an intoxicating, genre-blending sound, provocative and uncompromising songs, and the mesmerizing power of singer Jim Morrison’s poetry and presence, The Doors had a transformative impact not only on popular music but on popular culture.

The Doors’ arrival on the rock scene in 1967 marked not only the start of a string of hit singles and albums that would become stone classics, but also of something much bigger – a new and deeper relationship between creators and audience. Refusing to be mere entertainers, the Los Angeles quartet relentlessly challenged, confronted and inspired their fans, leaping headfirst into the heart of darkness while other bands warbled about peace and love. Though they’ve had scores of imitators, there’s never been another band quite like them. And 50 years after their debut album, The Doors’ music and legacy are more influential than ever before.

Morrison’s mystical command of the frontman role may be the iconic heart of The Doors, but the group’s extraordinary power would hardly have been possible without the virtuosic keyboard tapestries of Ray Manzarek, the gritty, expressive fretwork of guitarist Robby Krieger and the supple, dynamically rich grooves of drummer John Densmore. From baroque art-rock to jazz-infused pop to gutbucket blues, the band’s instrumental triad could navigate any musical territory with aplomb – and all three contributed mightily as songwriters.

The group was born when Morrison and Manzarek – who’d met at UCLA’s film school – met again, unexpectedly, on the beach in Venice, CA, during the summer of 1965. Though he’d never intended to be a singer, Morrison was invited to join Manzarek’s group Rick and the Ravens on the strength of his poetry. Krieger and Densmore, who’d played together in the band Psychedelic Rangers, were recruited soon thereafter; though several bassists auditioned of the new collective, none could furnish the bottom end as effectively as Manzarek’s left hand. Taking their name from Aldous Huxley’s psychotropic monograph The Doors of Perception, the band signed to Elektra Records following a now-legendary gig at the Whisky-a-Go-Go on the Sunset Strip.

Their eponymous first album, released in January 1967, kicked off with “Break on Through (to the Other Side)” and also featured the chart smash “Light My Fire”, the scorching “Back Door Man” and the visionary masterpiece “The End”. The Doors arrived fully formed, capable of rocking the pop charts and the avant-garde with one staggering disc. Before ’67 was over, they’d issued the ambitious follow-up Strange Days, with such gems as “Love Me Two Times”, “People Are Strange” and “When the Music’s Over”.

Next came 1968’s Waiting for the Sun, boasting “Hello, I Love You”, “Love Street” and “Five to One”. Over the next few years they minded over new territory on such albums as 1969’s The Soft Parade (featuring “Touch Me” and “Tell All the People”), 1970’s Morrison Hotel (which includes “Roadhouse Blues”, “Peace Frog” and “Queen of the Highway”) and 1971’s L.A. Woman (boasting “Rider’s on the Storm”, “Love Her Madly” and the title track).

They released six studio albums in all, as well as a live album and a compilation, before Morrison’s death in 1971. Their electrifying achievements in the studio and onstage were unmatched in the annals of rock; and though Morrison’s death meant the end of an era, Manzarek, Krieger and Densmore collaborated on two more original Doors albums, Other Voices and Full Circle, and a set of tracks they composed to accompany Morrison’s 1969 recording of his poetry, released in 1978 as An American Prayer. They also pursued individual music projects, books, theatrical productions and other enterprises – and remain restlessly creative to this day.

In the decades since the Doors’ heyday, the foursome has loomed ever larger in the pantheon of rock – and they remain a touchstone of insurrectionary culture for writers, activists, visual artists and other creative communities. Their songs, featured in an ever-increasing number of films, TV shows, video games and remixes, always sound uncannily contemporary. No matter how the musical and cultural tides turn, The Doors will always be ready to help a new wave of listeners break on through to the other side.

The Doors were inducted into the Rock & Roll Hall Of Fame in 1993.

^{Source TheDoors.com}

The Meters

The Meters are an American funk band formed in 1965 in New Orleans by Zigaboo Modeliste (drums), George Porter Jr. (bass), Leo Nocentelli (guitar) and Art Neville (keyboards). The band performed and recorded their own music from the late 1960s until 1977 and played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, Dr. John, and Allen Toussaint. Their original songs "Cissy Strut" and "Look-Ka Py Py" are considered funk classics.

While they rarely enjoyed significant mainstream success, they are considered originators of funk along with artists like James Brown, and their work is influential on many other bands, both their contemporaries and modern musicians. Their sound is defined by a combination of tight melodic grooves and syncopated New Orleans "second line" rhythms under highly charged guitar and keyboard riffing. The band has been nominated four times for induction into the Rock and Roll Hall of Fame, most recently in 2017. In 2018 the band was presented the Grammy Lifetime Achievement Award.

History

1960s–1970s
Art Neville, the group's frontman, launched a solo career around the New Orleans area in the mid-1950s while still in high school. The Meters formed in 1965 with a line-up of keyboardist and vocalist Art Neville, guitarist Leo Nocentelli, bassist George Porter Jr. and drummer Joseph "Zigaboo" Modeliste. They were later joined by percussionist-vocalist Cyril Neville. The Meters became the house band for Allen Toussaint and his record label, Sansu Enterprises.

In 1969 the Meters released "Sophisticated Cissy" and "Cissy Strut", both major R&B chart hits. "Look-Ka Py Py" and "Chicken Strut" were their hits the following year. After a label shift in 1972, the Meters had difficulty returning to the charts, but they worked with Dr. John, Paul McCartney, King Biscuit Boy, Labelle, Robert Palmer and others.

In 1975 Paul McCartney invited the Meters to play at the release party for his Venus and Mars album aboard the Queen Mary in Long Beach, California. Mick Jagger of The Rolling Stones was in attendance at the event and was greatly taken with the Meters and their sound. The Rolling Stones invited the band to open for them on their Tour of the Americas '75 and Tour of Europe '76. That same year, the Meters recorded one of their most successful albums, Fire on the Bayou. From 1976 to 77 they played in The Wild Tchoupitoulas with George and Amos Landry and The Neville Brothers.

Art and Cyril Neville left the band in early 1977, but The Meters still appeared on Saturday Night Live on March 19, 1977, during the show's second season. After the Nevilles' departure, David Batiste Sr. took over on keyboards while Willie West joined as the band's lead singer. Porter left the group later that year and by 1980 The Meters had officially broken up.

After the break-up, Neville continued his career as part of The Neville Brothers, Modeliste toured with Keith Richards and Ron Wood, while Nocentelli and Porter "became in-demand session players and formed new bands.

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The Rolling Stones

The Rolling Stones are an English rock band formed in London in 1962. The first stable line-up consisted of bandleader Brian Jones (guitar, harmonica, keyboards), Mick Jagger (lead vocals, harmonica), Keith Richards (guitar, vocals), Bill Wyman (bass), Charlie Watts (drums), and Ian Stewart (piano). Stewart was removed from the official line-up in 1963 but continued to work with the band as a contracted musician until his death in 1985. The band's primary songwriters, Jagger and Richards, assumed leadership after Andrew Loog Oldham became the group's manager. Jones left the band less than a month before his death in 1969, having already been replaced by Mick Taylor, who remained until 1974. After Taylor left the band, Ronnie Wood took his place in 1975 and continues on guitar in tandem with Richards. Since Wyman's departure in 1993, Darryl Jones has served as touring bassist. The Stones have not had an official keyboardist since 1963, but have employed several musicians in that role, including Jack Nitzsche (1965–1971), Nicky Hopkins (1967–1982), Billy Preston (1971–1981), Ian McLagan (1978–1981), and Chuck Leavell (1982–present).

The Rolling Stones were at the forefront of the British Invasion of bands that became popular in the United States in 1964 and were identified with the youthful and rebellious counterculture of the 1960s. Rooted in blues and early rock and roll, the band started out playing covers but found more success with their own material; songs such as "(I Can't Get No) Satisfaction" and "Paint It Black" became international hits. After a short period of experimentation with psychedelic rock in the mid-1960s, the group returned to its "bluesy" roots with Beggars Banquet (1968), which along with its follow-ups Let It Bleed (1969), Sticky Fingers (1971) and Exile on Main St. (1972), is generally considered to be the band's best work and is seen as their "Golden Age." It was during this period they were first introduced on stage as "The Greatest Rock and Roll Band in the World."

The band continued to release commercially successful albums through the 1970s and early 1980s, including Some Girls (1978) and Tattoo You (1981), the two best-sellers in their discography. During the 1980s, the band infighting curtailed their output and they only released two more underperforming albums and did not tour for the rest of the decade. Their fortunes changed at the end of the decade, when they released Steel Wheels (1989), promoted by a large stadium and arena tour, the Steel Wheels/Urban Jungle Tour. Since the 1990s, new material has been less frequent. Despite this, the Rolling Stones continue to be a huge attraction on the live circuit. By 2007, the band had four of the top five highest-grossing concert tours of all time: Voodoo Lounge Tour (1994–1995), Bridges to Babylon Tour (1997–1998), Licks Tour (2002–2003) and A Bigger Bang (2005–2007). Musicologist Robert Palmer attributes the endurance of the Rolling Stones to their being "rooted in traditional verities, in rhythm-and-blues and soul music", while "more ephemeral pop fashions have come and gone".

The Rolling Stones were inducted into the Rock and Roll Hall of Fame in 1989 and the UK Music Hall of Fame in 2004. Rolling Stone magazine ranked them fourth on the "100 Greatest Artists of All Time" list and their estimated record sales are above 250 million. They have released 30 studio albums, 23 live albums and numerous compilations. Let It Bleed (1969) marked the first of five consecutive No. 1 studio and live albums in the UK. Sticky Fingers (1971) was the first of eight consecutive No. 1 studio albums in the US. In 2008, the band ranked 10th on the Billboard Hot 100 All-Time Top Artists chart. In 2012, the band celebrated its 50th anniversary. The band still continues to release albums to brisk sales and critical acclaim; their most recent album Blue & Lonesome was released in December 2016 and reached No. 1 on the UK Album Charts and No. 4 in the U.S. and won a Grammy Award for Best Traditional Blues Album. The band also continues to sell out venues, they have been on their No Filter Tour since September, 2017 and will wrap up the tour with a North American leg over Summer 2019.

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The Shouting Matches

The Shouting Matches is a three-piece blues band consisting of Bon Iver’s Justin Vernon, Brian Moen of Peter Wolf Crier and Laarks, and Phil Cook of Megafaun, DeYarmond Edison, and Gayngs. The band was started in 2006 in Eau Claire, Wisconsin. Their album “Grownass Man” was released in 2013.

^{Source thevogue.com}

The Wood Brothers

From early in their childhood in Boulder, Colorado, Chris and Oliver were steeped in American roots music. Their father, a molecular biologist, performed classic songs at camp fires and family gatherings, while their mother, a poet, instilled a passion for storytelling and turn of phrase. The brothers bonded over bluesmen such as Jimmy Reed and Lightnin' Hopkins, but their paths, musical and otherwise, would diverge.

Oliver moved to Atlanta, where he played guitar in cover bands before earning a spot in Tinsley Ellis’s touring act. At Ellis’s behest, Oliver began to sing and then founded King Johnson, a hard-touring group that released six albums of blues-inflected R&B, funk and country over the next 12 years. Chris, meanwhile, studied jazz bass at the New England Conservatory of Music, moved to New York City and, in the early 1990s, formed Medeski Martin & Wood (MMW), which over the next two decades would become a cornerstone of contemporary jazz and abstract music.

After pursuing separate musical careers for some 15 years, the brothers performed together at a show in North Carolina: Oliver sat in with MMW following King Johnson’s opening set. "I realized we should be playing music together," Chris recalled.

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Tom Waits

Thomas Alan Waits (born December 7, 1949) is an American singer, songwriter, musician, composer, and actor. His music is characterized by his distinctive deep, gravelly voice and lyrics focusing on the underside of society. During the 1970s, he worked primarily in jazz, but since the 1980s his music has reflected greater influence from blues, vaudeville, and experimental genres.

Waits was born and raised in a middle-class family in California. He was inspired by the work of Bob Dylan and the Beat Generation as a teenager, so he began singing on the San Diego folk music circuit, relocating to Los Angeles in 1972. He worked there as a songwriter before signing a recording contract with Asylum Records. His first albums were the jazz-oriented Closing Time (1973) and The Heart of Saturday Night (1974), which reflected his lyrical interest in nightlife, poverty, and criminality. He has repeatedly toured the U.S., Europe, and Japan and has attracted greater critical recognition and commercial success with Small Change (1976), which he followed with Blue Valentine (1978) and Heartattack and Vine (1980). He produced the soundtrack for Francis Ford Coppola's 1981 film One from the Heart and subsequently made cameo appearances in several Coppola films.

In 1980, Waits married Kathleen Brennan, broke from his manager and record label, and moved to New York City. Under his wife's encouragement, he pursued a new, more experimental and eclectic musical aesthetic influenced by the work of Harry Partch and Captain Beefheart. This was reflected in a series of albums released by Island Records, including Swordfishtrombones (1983), Rain Dogs (1985), and Franks Wild Years (1987). He continued appearing in film, taking a leading role in Jim Jarmusch's Down by Law (1986). In the 1990s, his albums Bone Machine (1992), The Black Rider (1993), and Mule Variations (1999) earned him increasing critical acclaim and various Grammy Awards. In the late 1990s, he switched to the record label Anti-, which released Blood Money (2002), Alice (2002), Real Gone (2004), and Bad as Me (2011).

Waits' albums have met with mixed commercial success in the U.S., while they have occasionally achieved gold status in other countries. He has a cult following and has influenced many singer-songwriters, despite having little radio or music video support. In 2011, he was inducted into the Rock and Roll Hall of Fame. He was included among the 2010 list of Rolling Stone's 100 Greatest Singers, as well as the 2015 Rolling Stone's 100 Greatest Songwriters of All Time.

Tony Holiday

There are many young players on the current international blues scene and Tony Holiday is one that stands out amongst the finest!

Tony Holiday, a Vocalist and Harmonica player hailing from Memphis TN has been recognized by peers such as Charlie Musselwhite and James Harman as a rising star in the community and Holiday included both, amongst many others, on his latest release of field recordings Tony Holiday’s Porch Sessions where Holiday and Partner Landon Stone have criss-crossed the country recording famous blues musicians and playing with them on their front porches, out with the Vizztone Label January 2019.

Tony, on vocals and harp, brings out that old school voice that is sometimes missing from the Blues scene today. It harkens back to when the Blues were just finding their way in the new electric age. In that transition, the sounds that were coming out of the local independent record labels in Memphis and that you might of heard from the King Biscuit Hour in its later years or on one of the other many stations that spotted the value of the Blues. His passion and vocal strength with a soulman’s heart and wicked sense of impish humor blend to let you enjoy those deep blues and then chuckle when you might not otherwise have done so at the sometimes dark current of Blues. He has the ability to make you laugh in the face of pain so that you can take that next step by turning on your heel and walking into the light where he’s got a tune for you there for you to meet your next ex-wife on the dance floor and make some memories.
With him on guitar is Landon Stone. Tall and lean with the brooding face of so many guitarists who have melded with the instrument, he places a perfect counterpoint to Tony’s harp. When the two play off of one another, well… frankly… you forget your damp and tired and hungry after a long rainy day of festival music, and you just have fun!

Holiday fearlessly crosses the line between traditional Blues and Soul and modern day Americana with brilliant writing expressing Holiday’s poetic side, humor and touching on issues like Love, Heartache and Stories from Holiday’s traveling lifestyle. A combination of a family man and a road dog, Holiday finds the balance in his life as well as his music.Keeping a tight leash on his vocal control and harmonica tone Holiday has been named in the top 10 young harmonica players in the country via Rick Estrin and Blues Harmonica Player Forum.

Tony Holiday’s Porch Sessions out with the Vizztone Label is reminiscent of Alan Lomax’s landmark field recordings and the live recordings that have surfaced from Chicago’s famed Maxwell St era.

^{Source tonyholidaymusic.com}

Ugly Valley Boys

I first met upright bassist Braxton Brandenburg from the two-piece Ugly Valley Boys when he was touring with JB Beverley through Texas in December, and then saw him again with JB at The Muddy Roots Festival, when he handed me this CD from his “other band.” Yeah, everyone is in a band these days, and most have “other bands” as well, and they all have well-intentioned, but not always good CD’s to peddle. Braxton seemed like a great guy, but when I looked at this album, with yet another standup bass, yet another guitar player who sits down at a bass drum in a band that has “Valley” and “Boys” in the name I thought, “Yep, I’ve heard this before.”

And then when the album started off with a track about running moonshine, the pigeon-holing was just about complete. That’s when the song “Raven” hit my ears, and the genius behind the Ugly Valley Boys revealed itself, separating them far from the herd.

From Salt Lake City, The Ugly Valley Boys evoke the lonesome sound of the desert, the classic soul of country, and the open space of the West in original songs that are wickedly engaging and smartly crafted. So many bands try to imbibe their music with a vintage feel and Western space by using copious amounts of chorus or reverb, or blowing wads of cash on vintage gear. Ugly Valley’s guitar player, singer, and songwriter Ryan Eastlyn takes the road less traveled with the use of moaning, melodic chorus lines that are so excellent, they vault this band from a relative unknown to one responsible for one of the better albums put out so far in 2011.

The melodic chorus-driven songs with punk undertones are counterbalanced by dark and gritty deep roots songs that could be considered just as much blues as country. As impressed as I am by Eateryn’s ear in crafting the vocals in these songs, without any message or meaning behind the lyrics, the experience would be shallow. The Ugly Valley Boys pull you in with Braxton’s engaging rhythm and Ryan’s voice, but what keeps you engaged is the soul embedded in the songwriting.

I could break down each song on this album, but I don’t see the point. There’s not a bad song here. At the moment, the track that most impresses me is “Alota Guns”, but this album shows all the earmarks of one whose best track changes by week, until every song has filled that slot and after a couple of months you look down and this CD is still stuck in the player.

The instrumentation is great as well, from Ryan and Braxton, and also from Mike Sasich and Brad Wheeler who they brought in to play some tasteful lead lines on various tracks. If I had a suggestion for the Ugly Valley Boys, it would be that there could be more breadth to the music. The stripped down approach is appreciated, but this music is just too good to be devoid of maybe another layer or two of instrumentation, at least in the recorded setting. The lead instruments in Double Down, though great, seem to be add-ons at times instead of intermixed with the rest of the music.

But the thing about great songwriting is that it trumps all. Any concerns about instrumentation or lineups or names of bands are all put to rest simply by songs that speak to the heart in universal themes, and that is exactly what The Ugly Valley Boys do. I was going to give this album 1 3/4 of the maximum 2 guns that I have the authority to afford an album, because I do think Double Down leaves some room for improvement, but in the end this album is just too good, has too many good individual songs to call it anything but great.

Two guns up!

^{Source savingcountrymusic.com}

Van Morrison

Sir George Ivan Morrison OBE (born 31 August 1945) is a Northern Irish singer-songwriter, instrumentalist and record producer. His professional career began as a teenager in the late 1950s playing a variety of instruments including guitar, harmonica, keyboards and saxophone for various Irish showbands, covering the popular hits of that time. Van Morrison rose to prominence in the mid-1960s as the lead singer of the Northern Irish R&B band Them, with whom he recorded the garage band classic "Gloria". His solo career began under the pop-hit oriented guidance of Bert Berns with the release of the hit single "Brown Eyed Girl" in 1967. After Berns's death, Warner Bros. Records bought out his contract and allowed him three sessions to record Astral Weeks (1968). Though this album gradually garnered high praise, it was initially a poor seller.

Moondance (1970) established Morrison as a major artist, and he built on his reputation throughout the 1970s with a series of acclaimed albums and live performances. He continues to record and tour, producing albums and live performances that sell well and are generally warmly received, sometimes collaborating with other artists, such as Georgie Fame and The Chieftains.

Much of Morrison's music is structured around the conventions of soul music and R&B, such as the popular singles "Brown Eyed Girl", "Jackie Wilson Said (I'm in Heaven When You Smile)", "Domino" and "Wild Night". An equal part of his catalogue consists of lengthy, loosely connected, spiritually inspired musical journeys that show the influence of Celtic tradition, jazz and stream-of-consciousness narrative, such as the album Astral Weeks and the lesser known Veedon Fleece and Common One. The two strains together are sometimes referred to as "Celtic soul". He has received two Grammy Awards, the 1994 Brit Award for Outstanding Contribution to Music, the 2017 Americana Music Lifetime Achievement Award for Songwriting and has been inducted into both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. In 2016, he was knighted for services to the music industry and to tourism in Northern Ireland. He is known by the nickname Van the Man to his fans.

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Vieux Farka Touré

Often referred to as “The Hendrix of the Sahara”, Vieux Farka Touré was born in Niafunké, Mali in 1981. He is the son of legendary Malian guitar player Ali Farka Touré, who died in 2006. Ali Farka Touré came from a historical tribe of soldiers, and defied his parents in becoming a musician. When Vieux was in his teens, he declared that he also wanted to be a musician. His father disapproved due to the pressures he had experienced being a musician. Rather, he wanted Vieux to become a soldier. But with help from family friend the kora maestro Toumani Diabaté, Vieux eventually convinced his father to give him his blessing to become a musician shortly before Ali passed.

Vieux was initially a drummer / calabash player at Mali’s Institut National des Arts, but secretly began playing guitar in 2001. Ali Farka Touré was weakened with cancer when Vieux announced that he was going to record an album. Ali recorded a couple of tracks with him, and these recordings, which can be heard on Vieux’s debut CD, were amongst his final ones. It has been said that the senior Touré played rough mixes of these songs when people visited him in his final days, at peace with, and proud of, his son’s talent as a musician.

In 2005, Eric Herman (still Vieux’s manager today) of Modiba Productions expressed an interest in producing an album for Vieux; this led to Vieux’s self-titled debut album, released by World Village in 2007. Ali Farka Touré’s work to tackle the problem of malaria is continued as 10% of proceeds are donated to Modiba’s “Fight Malaria” campaign in Niafunké through which over 3000 mosquito nets have been delivered to children and pregnant women in the Timbuktu region of Mali. On this first album, Vieux pays homage to his father and follows Ali’s musical tradition, giving new versions of the West African music that is echoed in the American blues. The album features Toumani Diabaté, as well as his late father. One of the tracks, ‘Courage’, is on the soundtrack of the film The First Grader (2010).

On his second record, Fondo on Six Degrees (2009), Vieux branched out and presented his own sound: while remaining true to the roots of his father’s music he uses elements of rock, Latin music, and other African influences. The album received a great deal of critical acclaim from across the globe, and Vieux was clearly moving out of his father’s shadow.

By June 2010, Vieux was performing at the opening concert for the FIFA World Cup in South Africa. That month Vieux also released his first live album, LIVE. His live performances are highly energized and Vieux is known for dazzling crowds with his speed and dexterity on the guitar, as well as his palpable charisma and luminous smile, both of which captivate audiences from all audiences in spite of any language barriers (though Vieux does speak 8 languages).

In 2011 Vieux released his 3rd studio album, The Secret, so named because the listener will hear the secret of the blues with a blend of generations from father to son. It was produced by guitarist Eric Krasno (of the Soulive trio) and features South African-born vocalist Dave Matthews, Derek Trucks on electric slide guitar and jazz guitarist John Scofield. The title track is the last collaboration between Vieux and his late father. With the heralded release of The Secret, Vieux Farka Touré has clearly established himself as one of the world’s rare musical talents and guitar virtuosos with a distinct style that always pays homage to the past while looking towards the future.

Vieux released The Tel Aviv Session (Cumbancha) in April 2012, a collaborative project with Israeli superstar Idan Raichel dubbed ‘The Touré-Raichel Collective’ that has been hailed by fans and critics alike as a masterpiece and one of the best collaborative albums in the history of international music, drawing comparisons to Ali Farka Touré and Ry Cooder’s legendary Talking Timbuktu album.

In 2013, Vieux Farka Touré’s beautiful and critically acclaimed latest album Mon Pays was released as an homage to his homeland. Being that his native Mali had recently been splintered by territorial fighting between Tuareg and Islamic rebels since January 2012, Mon Pays was devoted to reminding the world about the beauty and culture of his native Mali. Translated as ‘My Country,’ this predominantly acoustic undertaking transformed into an artifact of cultural preservation. Two songs on the project -Future’ and ‘Peace’ feature Sidiki Diabate’s kora leading an emotional charge complemented by Touré’s spectacular guitar work. Both tracks represent an important generational “passing of the torch” as Sidiki’s father, Toumani is considered one of the greatest living kora masters and was a close friend of Vieux’s father Ali. Mon Pays has been widely hailed as the most mature and lovely record yet from one of this generation’s most exciting artists to come out of Mali and one of world music’s true rising stars.

Vieux reunited with Idan Raichel in Paris to record, release and subsequently tour their 2nd collaborative album as The Touré-Raichel Collective in 2014. The result was yet another musical and critical triumph, titled 'The Paris Session' (Cumbancha) revered by many as not just a musical gem for the ages but a powerful testimonial to the power of art and fraternity to transcend vast cultural and political divides. In 2015, Vieux released another unexpected, genre-bending collaborative album, this time with New York-based singer Julia Easterlin, aptly titled 'Touristes'. The album shot to the top of the iTunes World chart and earned critical acclaim, including that of John Schaefer (NPR) who called it "brilliant." On April 7, 2017, Vieux released his latest album 'Samba', recorded live in front of a small audience at Applehead Studio in Woodstock, NY. The album was being hailed by critics as Vieux's finest, most well-rounded and mature album to date. With each new project, Vieux expands his horizons, embraces new challenges and further entrenches his reputation as one of the world’s most talented and innovative musicians.

^{Source VieuxFarkaToure.com}

Willie Nelson

Willie Hugh Nelson (born April 29, 1933) is an American musician, actor, and activist. The critical success of the album Shotgun Willie (1973), combined with the critical and commercial success of Red Headed Stranger (1975) and Stardust (1978), made Nelson one of the most recognized artists in country music. He was one of the main figures of outlaw country, a subgenre of country music that developed in the late 1960s as a reaction to the conservative restrictions of the Nashville sound. Nelson has acted in over 30 films, co-authored several books, and has been involved in activism for the use of biofuels and the legalization of marijuana.

Born during the Great Depression and raised by his grandparents, Nelson wrote his first song at age seven and joined his first band at ten. During high school, he toured locally with the Bohemian Polka as their lead singer and guitar player. After graduating from high school in 1950, he joined the U.S. Air Force but was later discharged due to back problems. After his return, Nelson attended Baylor University for two years but dropped out because he was succeeding in music. During this time, he worked as a disc jockey in Texas radio stations and a singer in honky-tonks. Nelson moved to Vancouver, Washington, where he wrote "Family Bible" and recorded the song "Lumberjack" in 1956. He also worked as a disc jockey at various radio stations in Vancouver and nearby Portland, Oregon. In 1958, he moved to Houston, Texas, after signing a contract with D Records. He sang at the Esquire Ballroom weekly and he worked as a disk jockey. During that time, he wrote songs that would become country standards, including "Funny How Time Slips Away", "Hello Walls", "Pretty Paper", and "Crazy". In 1960 he moved to Nashville, Tennessee, and later signed a publishing contract with Pamper Music which allowed him to join Ray Price's band as a bassist. In 1962, he recorded his first album, ...And Then I Wrote. Due to this success, Nelson signed in 1964 with RCA Victor and joined the Grand Ole Opry the following year. After mid-chart hits in the late 1960s and the early 1970s, Nelson retired in 1972 and moved to Austin, Texas. The ongoing music scene of Austin motivated Nelson to return from retirement, performing frequently at the Armadillo World Headquarters.

In 1973, after signing with Atlantic Records, Nelson turned to outlaw country, including albums such as Shotgun Willie and Phases and Stages. In 1975, he switched to Columbia Records, where he recorded the critically acclaimed album Red Headed Stranger. The same year, he recorded another outlaw country album, Wanted! The Outlaws, along with Waylon Jennings, Jessi Colter, and Tompall Glaser. During the mid-1980s, while creating hit albums like Honeysuckle Rose and recording hit songs like "On the Road Again", "To All the Girls I've Loved Before", and "Pancho and Lefty", he joined the country supergroup The Highwaymen, along with fellow singers Johnny Cash, Waylon Jennings, and Kris Kristofferson.

In 1990, Nelson's assets were seized by the Internal Revenue Service, which claimed that he owed $32 million. The difficulty of paying his outstanding debt was aggravated by weak investments he had made during the 1980s. In 1992, Nelson released The IRS Tapes: Who'll Buy My Memories?; the profits of the double album—destined to the IRS—and the auction of Nelson's assets cleared his debt. During the 1990s and 2000s, Nelson continued touring extensively, and released albums every year. Reviews ranged from positive to mixed. He explored genres such as reggae, blues, jazz, and folk.

Nelson made his first movie appearance in the 1979 film The Electric Horseman, followed by other appearances in movies and on television. Nelson is a major liberal activist and the co-chair of the advisory board of the National Organization for the Reform of Marijuana Laws (NORML), which is in favor of marijuana legalization. On the environmental front, Nelson owns the bio-diesel brand Willie Nelson Biodiesel, which is made from vegetable oil. Nelson is also the honorary chairman of the advisory board of the Texas Music Project, the official music charity of the state of Texas.

^{Source Wikipedia}