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'Funk' Bands // p 3 of 3

Darren's favorite bands for his Song Of The Day filtered by Funk
503 Bands
Rejoicer

Rejoicer

Yuval Havkin aka Rejoicer is one of Tel Aviv’s busiest producers and founder of the Raw Tapes label, home to Israel’s own beat movement.

He was born in London and moved to Tel Aviv at the age of 5. He began collecting vinyl at the age of 14, and started his way in the music world as a Jungle/Drum&Bass artist in 2006. He later moved on to hip hop, and produced beat tapes under the Guadaloop moniker.

After finding a crew of like minded beat makers from around the city, Rejoicer founded the Raw Tapes Label in 2009.

Since then he released more then 20 albums under all different aliases. In 2011 Rejoicer started the band Buttering Trio with KerenDun and Beno Hendler and released Toast LP. the trio played shows with Oh No & DJ Romes, Black Milk, Peanut Butter Wolf, Hudson Mohawke and more. He has collaborated with Free The Robots, Dudley Perkins & Georgia Anne Muldrow, Bajka, Balkan Beat Box, Ester Rada, Cohenbeats and many more, and continues to be one of Tel Aviv’s most interesting artists

Source rawtapesrecords.com

 'Double Astral Move'

'Double Astral Move'
Monday, March 14, 2022

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 'Ptd'

'Ptd'
Monday, January 11, 2021

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Ruth Brown

Ruth Brown

Ruth Alston Brown (née Weston, January 12, 1928 – November 17, 2006) was an American singer-songwriter and actress, sometimes known as the "Queen of R&B". She was noted for bringing a pop music style to R&B music in a series of hit songs for Atlantic Records in the 1950s, such as "So Long", "Teardrops from My Eyes" and "(Mama) He Treats Your Daughter Mean". For these contributions, Atlantic became known as "the house that Ruth built" (alluding to the popular nickname for the old Yankee Stadium). Brown was a 1993 inductee into the Rock and Roll Hall of Fame.

Following a resurgence that began in the mid-1970s and peaked in the 1980s, Brown used her influence to press for musicians' rights regarding royalties and contracts; these efforts led to the founding of the Rhythm and Blues Foundation. Her performances in the Broadway musical Black and Blue earned Brown a Tony Award, and the original cast recording won a Grammy Award. Brown was a recipient of the Grammy Lifetime Achievement Award in 2016. In 2017, Brown was inducted into National Rhythm & Blues Hall of Fame. She is also the aunt to legendary hip hop MC Rakim.

Early life

Born in Portsmouth, Virginia, Brown was the eldest of seven siblings. She attended I. C. Norcom High School, which was then legally segregated. Brown's father was a dockhand. He also directed the local church choir at Emmanuel African Methodist Episcopal Church, but the young Ruth showed more interest in singing at USO shows and nightclubs, rebelling against her father. She was inspired by Sarah Vaughan, Billie Holiday, and Dinah Washington.

In 1945, aged 17, Brown ran away from her home in Portsmouth along with the trumpeter Jimmy Brown, whom she soon married, to sing in bars and clubs. She then spent a month with Lucky Millinder's orchestra.

Early Career

Ruth Brown performs at the Mambo Club in Wichita, Kansas, 1957
Blanche Calloway, Cab Calloway's sister, also a bandleader, arranged a gig for Brown at the Crystal Caverns, a nightclub in Washington, D.C., and soon became her manager. Willis Conover, the future Voice of America disc jockey, caught her act with Duke Ellington and recommended her to Atlantic Records bosses Ahmet Ertegun and Herb Abramson. Brown was unable to audition as planned because of a car crash, which resulted in a nine-month stay in the hospital. She signed with Atlantic Records from her hospital bed.

In 1948, Ertegun and Abramson drove from New York City to Washington, D.C., to hear Brown sing. Her repertoire was mostly popular ballads, but Ertegun convinced her to switch to rhythm and blues.

In her first audition, in 1949, she sang "So Long", which became a hit. This was followed by "Teardrops from My Eyes" in 1950. Written by Rudy Toombs, it was the first upbeat major hit for Brown. Recorded for Atlantic Records in New York City in September 1950 and released in October, it was Billboard's R&B number one for 11 weeks. The hit earned her the nickname "Miss Rhythm", and within a few months, she became the acknowledged queen of R&B.

She followed up this hit with "I'll Wait for You" (1951), "I Know" (1951), "5-10-15 Hours" (1953), "(Mama) He Treats Your Daughter Mean" (1953), "Oh What a Dream" (1954), "Mambo Baby" (1954), and "Don't Deceive Me" (1960), some of which were credited to Ruth Brown and the Rhythm Makers. Between 1949 and 1955, her records stayed on the R&B chart for a total of 149 weeks; she would go on to score 21 Top 10 hits altogether, including five that landed at number one. Brown ranked No. 1 on The Billboard 1954 Disk Jockey Poll for Favorite R&B Artists.


Brown played many racially segregated dances in the southern states, where she toured extensively and was immensely popular. She claimed that a writer had once summed up her popularity by saying, "In the South Ruth Brown is better known than Coca-Cola."

Brown performed at the famed tenth Cavalcade of Jazz concert held at Wrigley Field in Los Angeles which was produced by Leon Hefflin, Sr. on June 20, 1954. She performed along with The Flairs, Count Basie and his Orchestra, Lamp Lighters, Louis Jordan and His Tympany Five, Christine Kittrell, and Perez Prado and his Orchestra.

Her first pop hit came with "Lucky Lips", a song written by Jerry Leiber and Mike Stoller and recorded in 1957. The single reached number 6 on the R&B chart and number 25 on the U.S. pop chart. The 1958 follow-up was "This Little Girl's Gone Rockin'", written by Bobby Darin and Mann Curtis. It reached number 7 on the R&B chart and number 24 on the pop chart.

She had further hits with "I Don't Know" in 1959 and "Don't Deceive Me" in 1960, which were more successful on the R&B chart than on the pop chart. During the 1960s, Brown faded from public view and lived as a housewife and mother.

Source Wikipedia

 'I Don't Know'

'I Don't Know'
Wednesday, August 26, 2020

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Scone Cash Players

Scone Cash Players

The Scone Cash Players are on a mission...

The Scone Cash Players arrive with force and fury. It is a mission to bring the purist, most soulful, dynamic and funky organ music to the people of the world. During a breakout performance at the Funky Sole Weekender in Los Angeles alongside Lee Fields & The Expressions, Breakestra, The Monophonics and Jungle Fire they were propelled on to the international scene. Incredible tours followed to Brazil, New York City, California, Midwest US as well as hometown shows in Miami. The Scone Cash Players are eager for more. There was an unforgettable performance at the Miami Downtown Jazz Fest. Brooklyn Vegan choose to premier "Blast Furnace! LP" and "Scone Cold Christmas 7" Single and Video. Scone Cash Players were chosen in the top ten Funk 45's by Flea Market Funk, as well as "Top Vinyl LP and 7" single by Nostalgia King of the year.

Adam Scone draws from his vast experience working with soul legends The Sugarman Three, Lee Fields, Naomi Shelton & Sharon Jones. He has also backed up Jazz and Boogaloo legends Lou Donaldson, Melvin Sparks and Ben Dixon. Over the years he has appeared on over 50 recordings. It is this unique experience that fuels the hard driving soul psychedelia that is certain to make any audience jump up and get into it.

Where is the bass player? That is Scone playing the bass with the deepest pocket around. The tradition of organ low end is of paramount importance in this band. The left foot mixed with left hand bass truly are the nastiest and funkiest sound in town. Adam Scone is steeped in the organ bass tradition of fellow players and mentors Dr. Lonnie Smith, Dr. Jack McDuff, Big John Patton and Jimmy Smith.

Scone learned the ropes traveling the world with various Daptone recording artists. He has brought the organ business at the worlds top music festivals including Bonnaroo, Glastonbury, North Sea Jazz Festival, Montreux Jazz Festival, Umbria Jazz Festival, Nice Jazz Festival, New Orleans Jazz and Heritage Festival & the Monterey Jazz Festival. He has also brought the business in many seedy lounges all across the US, Europe, South and Central America, Africa and the Middle East. Scone has manipulated the plastic keys and thrown Leslie switches at iconic NYC venues such as The Village Vanguard, The Blue Note, The Apollo Theater, The Bowery Ballroom and many others. In addition, you can see and hear him playing organ in the recently released Daptone Records concert film “Living on Soul!” Do you want to do the Boogaloo? Enjoy the Scone Cash Players.

Source sconecashplayers.com

Swantourage

Swantourage

Swantourage is a four piece instrumental band based out of Salt Lake City, Utah. The band, apply named after their founder, Dustin Swan, has been shaking booties across the rockies for several years now.

Dustin has been a big part of the music scene in Utah performing with local bands like Samuel Smith Band and PIG EON.

Three singles by Swantourage have been released in 2019 and there is more expected to come this year. Keep an eye and an ear out for this group.

Source Darren Farnsworth

 'Leftovers'

'Leftovers'
Wednesday, September 16, 2020

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 'Preppy Chicks'

'Preppy Chicks'
Tuesday, January 7, 2020

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The Heliocentrics

The Heliocentrics

The Heliocentrics are an English, London-based musical collective that combines funk, jazz, psych, and library influences. The group is based around drummer and producer Malcolm Catto, bassist Jake Ferguson, guitarist Adrian Owusu, and multi-instrumentalist Jack Yglesias.

HISTORY

The Heliocentrics released their debut album Out There in 2007 on Now-Again Records. This was followed by collaborations with Ethiopian musician Mulatu Astatke on the album Inspiration Information (2009), which was awarded that year's Gilles Peterson Worldwide Winner Album of the Year award, Lloyd Miller & The Heliocentrics (OST) (2010), and Orlando Julius.

The Heliocentrics appeared on the track "Skullfuckery" on the UK release of the DJ Shadow album The Outsider, which was released in 2006.

In 2013, they released their second full album, 13 Degrees of Reality also on Stones Throw. The 2009 album with Astatke was included in a list of 'Five Essential Jazz Albums' chosen by pianist Jamie Cullum in 2013.

In 2017, they released A World of Masks with vocals by Barbora Patkova,[12] as well as The Sunshine Makers OST, the score they wrote for the 2015 British documentary The Sunshine Makers, directed by Cosmo Feilding-Mellen. Both records were released on Soundway Records.

Source Wikipedia

The Lewis Express

The Lewis Express

Primarily based in Leeds, The Lewis Express is comprised of many of the musicians that have graced previous ATA releases: George Cooper, Piano (Abstract Orchestra) Neil Innes, Bass (The Sorcerers, The Magnificent Tape Band, Tony Burkill), Sam Hobbs, Drums (Dread Supreme, Tony Burkill, Matthew Bourne) and Pete Williams, Percussion (The Sorcerers, The Magnificent Tape Band, Tony Burkill). Recorded over an intense two-day session by the band of the same name, “The Lewis Express” is a nod to the classic soul jazz recordings of The Young Holt Trio / Young Holt Unlimited and Ramsey Lewis, from who this group take their name. But, delivered with a distinctly European feel. As with many of the classic Ramsey Lewis cuts this album was recorded live, capturing the rich inter-relationship between the players and leaving in some of that chunky room noise, lending the album a sound that’s as thick as a steak and raw as a carrot.

Kicking off the album is Love Can Turn A Man, a slow burner introducing you to the piano of George Cooper as he works over a rock solid backbeat from drummer Sam Hobbs. The addition of a rising brass line conjures up memories of love lost, or indeed love never found.

If Love Can’t Turn A Man shows the band in their most introspective of moods then Cancao De Momento sees them at the other end of the spectrum, the swinging end. This is a latin-tinged stormer with a driving piano line and one of the toughest rhythm section workouts on the whole album. Add to this Pete Williams’ punctuating percussion and you are looking at a track squarely aimed at the dancefloor. Brother Move On is probably the most recognizable as being in the soul jazz vein, with nods to such classics as Ramsey Lewis’ The ‘In’ Crowd and Soulful Strut by Young Holt Unlimited, particularly the latter. Moving into Hawkshaw Philly (their nod to session music legend and leader of The Mohawks, Alan Hawkshaw) the band create what sounds like a rare library cut and something diggers would give their back teeth for. Pinned to the floor by Neil Innes’ heavy work on the double bass and Chris Dawkins’ guitar there is some fantastic slow stabbing piano. The overall feel is something funky but slightly sinister. ATA Records has a solid history of putting out releases with a cinematic feel and Theme From The Watcher is a nod to this, conjuring up the sort of imagery that coincides with the black and white spy thrillers of the 1960s. Last Man In The Chain Gang has a very strong Ramsey Lewis feel and offers some of the most powerful piano playing of the whole album. The final track, Straight Seven Strut, is the only vocal track of the album. The staccato swing and French words lend it some of the qualities of 60s yé-yé music but with a far jazzier backbone, spiced with percussive handclaps.

Source thelewisexpress.bandcamp.com

The Meters

The Meters

The Meters are an American funk band formed in 1965 in New Orleans by Zigaboo Modeliste (drums), George Porter Jr. (bass), Leo Nocentelli (guitar) and Art Neville (keyboards). The band performed and recorded their own music from the late 1960s until 1977 and played an influential role as backing musicians for other artists, including Lee Dorsey, Robert Palmer, Dr. John, and Allen Toussaint. Their original songs "Cissy Strut" and "Look-Ka Py Py" are considered funk classics.

While they rarely enjoyed significant mainstream success, they are considered originators of funk along with artists like James Brown, and their work is influential on many other bands, both their contemporaries and modern musicians. Their sound is defined by a combination of tight melodic grooves and syncopated New Orleans "second line" rhythms under highly charged guitar and keyboard riffing. The band has been nominated four times for induction into the Rock and Roll Hall of Fame, most recently in 2017. In 2018 the band was presented the Grammy Lifetime Achievement Award.

History

1960s–1970s
Art Neville, the group's frontman, launched a solo career around the New Orleans area in the mid-1950s while still in high school. The Meters formed in 1965 with a line-up of keyboardist and vocalist Art Neville, guitarist Leo Nocentelli, bassist George Porter Jr. and drummer Joseph "Zigaboo" Modeliste. They were later joined by percussionist-vocalist Cyril Neville. The Meters became the house band for Allen Toussaint and his record label, Sansu Enterprises.

In 1969 the Meters released "Sophisticated Cissy" and "Cissy Strut", both major R&B chart hits. "Look-Ka Py Py" and "Chicken Strut" were their hits the following year. After a label shift in 1972, the Meters had difficulty returning to the charts, but they worked with Dr. John, Paul McCartney, King Biscuit Boy, Labelle, Robert Palmer and others.

In 1975 Paul McCartney invited the Meters to play at the release party for his Venus and Mars album aboard the Queen Mary in Long Beach, California. Mick Jagger of The Rolling Stones was in attendance at the event and was greatly taken with the Meters and their sound. The Rolling Stones invited the band to open for them on their Tour of the Americas '75 and Tour of Europe '76. That same year, the Meters recorded one of their most successful albums, Fire on the Bayou. From 1976 to 77 they played in The Wild Tchoupitoulas with George and Amos Landry and The Neville Brothers.

Art and Cyril Neville left the band in early 1977, but The Meters still appeared on Saturday Night Live on March 19, 1977, during the show's second season. After the Nevilles' departure, David Batiste Sr. took over on keyboards while Willie West joined as the band's lead singer. Porter left the group later that year and by 1980 The Meters had officially broken up.

After the break-up, Neville continued his career as part of The Neville Brothers, Modeliste toured with Keith Richards and Ron Wood, while Nocentelli and Porter "became in-demand session players and formed new bands.

Source Wikipedia

 'Stormy'

'Stormy'
Sunday, March 7, 2021

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The Olympians

The Olympians

In 2008 while Olympic athletes competed half a world away in Beijing, Toby Pazner (Lee Fields & The Expressions, El Michels Affair) and a group of some of New York City's most sought after musicians were locked in Pazner’s bedroom in Brooklyn with a Tascam 388 tape machine, recording what would be the first 45 by a group he would fatefully call The Olympians. Both this and a follow-up 45 would be released on now defunct Truth & Soul Records. However, it was not until a night years later while on tour with a band in the Greek Islands that Pazner’s true vision would come to him…

After playing the famous Acropolis in Athens and swimming in the Aegean Sea, Pazner dreamed he was visited by a toga-clad, curly-haired figure who told him to travel back across the great sea to his home and build a "Temple of Sound". In this temple he was to retell the great tales of Ancient Greece through the immortal language of music. When he awoke, he tried to dismiss the strange dream, but each night the the vision would return to him, and each night he would proclaim his duty more forcefully, until he could no longer deny the calling.

Panzer returned to New York City with a singular focus on completing an album he now saw as his destiny. He immediately commenced building his “Temple of Sound” from the floor up, acquiring the best microphones, tape machines and recording equipment he could lay his hands on. As a member of the Daptone Family, it was not difficult for him to call in favors from some of the world’s greatest musicians to help him bring his vision to life. For years they played alongside him as he relentlessly toiled toward his ends, crafting lush arrangements of strings, harp, vibes, guitar and a plethora of keyboards, all laced by blazing horns. Finally in the Spring of 2016, The Olympians was wholly manifested.

Pazner shared the the fruit of his long venture with long time friends and co-owners of Daptone Records Gabriel Roth and Neal Sugarman who jumped at the opportunity to release it. From the cascading harps which open the Sirens of Jupiter to the driving horn coda of Sagittarius By Moonlight, The Olympians deliver a new sound all of it’s own: an ancient dream of far away Greece painted out in lush cinematic arrangements over the tough rhythm sounds that have become synonymous with the Daptone Stable of Musicians.

Featuring the talents of Aaron Johnson (Antibalas), Dave Guy (Tonight Show Band, The Dap-Kings,) Leon Michels (The Arcs, Lee Fields, El Michels Affair,) Nicholas Movshon (The Arcs, Lee Fields, El Michels Affair,) Homer Steinweiss (The Dap-Kings, The Arcs), Michael Leonhart (Musical Director for Steely Dan), Neal Sugarman (The Dap-Kings, Sugarman 3), Evan Pazner (Lee Fields), and the maniacal wizardry of Toby Pazner.

Source daptonerecords.com

 'Apollo's Mood'

'Apollo's Mood'
Monday, September 7, 2020

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The Whitefield Brothers

The Whitefield Brothers

The Whitefield Brothers are a German funk band. The band, which consists of brothers Jan and Max Weissenfeldt, was previously known as the "'Poets of Rhythm"' beginning in 1991. Under this name, they were signed to the Quannum Projects label after they were discovered by Lyrics Born. As the Whitefield Brothers, they released their debut album In the Raw in 2001 and their second album, Earthology, in 2010. The making of Earthology took 15 years, and the album received generally favorable reviews from music critics.

Source Wikipedia

 'Taisho'

'Taisho'
Wednesday, December 4, 2019

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Tommy Guerrero

Tommy Guerrero

Tommy Guerrero may be better known in the world of skateboarding than music. Born in San Francisco, Guerrero joined the skate company Powell Peralta in 1984 and became one of the original members of the legendary "Bones Brigade" team. TG has been playing music since the late 70's with his brother Tony  -both raised on a steady diet of DIY punk music/ethos and skateboarding-which informed and shaped the person he is today. Since then, Guerrero has become an accomplished bassist and guitarist with influences as diverse as John Coltrane, Bad brains, Joy division Gabor Szabo and on and on... 

Source tommyguerrero.com

 'Headin’ West'

'Headin’ West'
Thursday, September 5, 2019

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 'El Camino Negro'

'El Camino Negro'
Saturday, December 8, 2018

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Toots & The Maytals

Toots & The Maytals

Toots and the Maytals, originally called The Maytals, are a Jamaican musical group and one of the best known ska and rocksteady vocal groups. The Maytals were formed in the early 1960s and were key figures in popularizing reggae music. Frontman Toots Hibbert's soulful vocal style has been compared to Otis Redding, and led him to be named one of the 100 Greatest Singers by Rolling Stone. Their 1968 single "Do the Reggay", was the first song to use the word "reggae", naming the genre and introducing it to a global audience. As Island Records founder Chris Blackwell says, "The Maytals were unlike anything else ... sensational, raw and dynamic."

Source Wikipedia

 'It Must Be True Love'

'It Must Be True Love'
Monday, September 14, 2020

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 'Time Tough'

'Time Tough'
Friday, March 22, 2019

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Tower of Power

Tower of Power

Oakland, California music legends Tower of Power - the most dynamic and distinctive band of survivors in Soul Music – is roaring into its unprecedented 50th anniversary with a dynamic new disc of all new material that finds them as energized and inspired as ever. A labor of love, definitively titled Soul Side of Town, this package is charged with 14 filler-free songs. In the spirit of their enduring theme song “Oakland Stroke” – the bookending intro and outro “East Bay” shine a light on elemental instrumental ingredients within the band’s signature sound. This astounding and historical release (available June 1, 2018 in digital, vinyl, streaming & CD configurations) inaugurates Tower of Power’s fresh affiliation with Mack Avenue Records, a Detroit-based company renowned for its award-winning dedication to top-tier Jazz that is now extending its support to Soul and Funk giants, Tower of Power: a band so one-of-a-kind, it’s an institution.

As always, the songs on Tower of Power’s Soul Side of Town were primarily composed by the hitmaking team of founding members Emilio Castillo (Detroit-born on 2nd tenor sax) and Stephen “Doc” Kupka (Los Angeles-born on baritone sax) who also hold down the world famous 5-man Tower of Power Horns. For the special occasion of Tower of Power’s 50th anniversary, leader Emilio Castillo brought in a most-astute choice in co-producer, Joe Vannelli: an all-around production/engineering/keyboard master best known for the jazz-tinged Soul-Rock Grammy-winning work he performed behind the scenes with his international superstar brother, Gino Vannelli. Also insuring that the sound blasts powerful and clear from your speakers is the presence of mastering engineer Bernie Grundman in the mix. Along with the legendary rhythm section drums and bass lock of David Garibaldi and Francis Rocco Prestia, respectively, these decorated veterans have custom-crafted a hair-raising audio experience that longtime fans, music connoisseurs and a new generation of listeners will groove to for years to come.

In keeping with Tower of Power’s golden canon of classics, the new material picks up the torch in all of the time-tested styles fans respect and love. In line with hiply intricate, cranial-crushing funk classics such as “Down to the Nightclub” and “Soul Vaccination” are new jams “Do You Like That” and “On the Soul Side of Town.” In the tradition of heart-stopping balladry like their biggest chart hits “You’re Still a Young Man” and “So Very Hard to Go” are new love songs like “Let it Go” (Bruno Mars will want to cover this one) and “Can’t Stop Thinking About You.” Along the firing-on-all-cylinders line of instrumental anomalies such as “Squib Cakes,” “Walking Up Hip Street” and “Ebony Jam” are burnin’ offerings “Butter-Fried” and “After Hours.” Following up positivity primers such as “Knock Yourself Out,” “You’ve Got to Funkifize” and “Credit” are new spirit lifters “Selah,” “Love Must Be Patient and Kind” and “Do it With Soul,” along with T.O.P.’s singular approach to Pop-Rock on “When Love Takes Control.”

Along with veteran members Castillo, Kupka, Garibaldi and Prestia, T.O.P. consists of guitarist Jerry Cortez, Hammond B3 organist/keyboardist Roger Smith, 1st tenor saxophonist Tom Politzer, and trumpeters Adolfo Acosta and Sal Cracchiolo. Soul Side of Town is also blessed with not one but two lead singers: outgoing Ray Greene (now in Santana) and incoming Marcus Scott (boldly introduced on several selections, including “Hanging with My Baby”). The 10-piece Tower of Power band is prepared to throw down next year with a celebratory tour that will include sweet spots around the globe.

Since its formation in Oakland, California in 1968, Tower of Power has forged a reputation as a crack band of high achieving musicians fluent in all realms of Soul, Rock and Pop music with a sophistication and punch like that of a Jazz big band. From their first album East Bay Grease (1970) on Rock impresario Bill Graham’s San Francisco Records label (distributed by Atlantic), the interracial band became pillars and signatures of The Bay Area Music Scene that included pioneering like-minded bands such as Sly & The Family Stone, Cold Blood, Graham Central Station, The Pointer Sisters and The Sons of Champlin plus rock-oriented outfits such as Santana, Betty Davis and Journey. Beginning with their sophomore release, Tower of Power came to prominence with a string of acclaimed albums on Warner Bros. Records: Bump City (1972), Tower of Power (1973), Back to Oakland (1974), Urban Renewal (1974), In the Slot (1975) and Live and in Living Color (1976). A move to Columbia Records resulted in three more major label releases and their last top-charting hit, “You Ought To Be Havin’ Fun.” Including all studio albums, live albums and rarities anthologies, T.O.P. has 24 previous releases in its burgeoning catalog.

Along with T.O.P.’s classic recordings, the 5-piece Tower of Power Horns – known for its power packed punch and fullness with two trumpets, two tenor saxophones plus a baritone sax on the bottom – became much in demand for studio sessions and live gigs. Among the hundreds of artists they have blessed with their presence are Rufus featuring Chaka Khan, Graham Central Station, Elton John, Little Feat, Billy Preston, John Lee Hooker, Coke Escovedo, Jose Feliciano, Al Kooper, Sammy Hagar, Rod Stewart, Peter Frampton, Jermaine Jackson, Harvey Mason, Lenny White, The Brothers Johnson, The Meters, Lee Oskar, Dionne Warwick, Melissa Manchester, Bobby Caldwell, Heart, Rick James, Santana, Smokey Robinson, Huey Lewis & The News, Toto, Paul Shaffer, Bonnie Raitt, Aaron Neville, Spyro Gyra, Terence Trent D’Arby, Luther Vandross, Candy Dulfer, Aerosmith, Phish, John Hiatt, Neil Diamond, P.Diddy, Bill Wyman, Eiko Shuri…and TV’s The Simpsons (Sing The Blues).

Source TowerOfPower.com

 'Knock Yourself Out'

'Knock Yourself Out'
Wednesday, October 31, 2018

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War

War

War (originally called Eric Burdon and War) is an American funk/rock/soul band from Long Beach, California, known for several hit songs (including "Spill the Wine", "The World Is a Ghetto", "The Cisco Kid", "Why Can't We Be Friends?", "Low Rider", and "Summer"). Formed in 1969, War is a musical crossover band that fuses elements of rock, funk, jazz, Latin, rhythm and blues, psychedelia, and reggae. According to music writer Colin Larkin, their "potent fusion of funk, R&B, rock and Latin styles produced a progressive soul sound", while Martin C. Strong calls them "one of the fiercest progressive soul combos of the '70s". Their album The World Is a Ghetto was Billboard's best-selling album of 1973. The band transcended racial and cultural barriers with a multi-ethnic line-up. War was subject to many line-up changes over the course of its existence, leaving member Leroy "Lonnie" Jordan as the only original member in the current line-up; four other members created a new group called the Lowrider Band.

Source Wikipedia

 'Four Cornered Room'

'Four Cornered Room'
Sunday, September 5, 2021

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Bands, p 3 of 3

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