'Jazz' Bands // p 3 of 7

Gonzalo Bergara

Gonzalo Bergara has emerged a virtuoso composer and lead guitarist, mixing a cascade of arpeggios with the sounds of Paris and his native Argentina, to forge his own style of progressive Gypsy Jazz.

Gonzalo began playing professionally at age 16 in Buenos Aires. By 17 he was already fronting his own blues trio on National Television. In 2000, at age 19, he arrived in America. Just 30 years old, Gonzalo has toured worldwide with John Jorgenson Quintet, as well as performed and recorded with hundreds of artists including Tim Hausser from Manhattan Transfer, Sylvie Vartan, Dan Hicks and The Hot Licks, Howard Alden and more. His touring resume covers Croatia, Canada, Italy, France, Germany, Hungary, Argentina, Brazil, England, Scotland and the U.S. with notable appearances at Playboy Jazz Fest, Sweet and Hot Jazz Fest, The Montreal Jazz Fest, Django Reinhardt Fest (Germany), Suev Guitar Fest (Italy), Merle Fest, Strawberry Fest, most Django-style Fests in the US and countless more.

The Gonzalo Bergara Quartet (GBQ) explores a modern variant of the 1930s Django Reinhardt-inspired sound. The Quartet's first CD, Porteña Soledad, was Editor’s Pick in Guitar Player Magazine, and Vintage Guitar Magazine called it a "masterpiece." The music is heavily influenced by Django Reinhardt and the Hot Club of France, as well as the traditional jazz and music of Bergara's true home, Buenos Aires. "Gonzalo Bergara’s music exists in a way that very little music does. He has lavished such care on every phrase, built each arrangement with such lapidary precision and pared away anything extraneous, the music becomes sculpture. It has weight, density, gravity. This is serious….and deeply moving."

^{Source https://www.gonzalobergara.com}

Grant Green

Grant Green (June 6, 1935 – January 31, 1979) was an American jazz guitarist and composer.

Recording prolifically and mainly for Blue Note Records as both leader and sideman, Green performed in the hard bop, soul jazz, bebop, and Latin-tinged idioms throughout his career. Critics Michael Erlewine and Ron Wynn write, "A severely underrated player during his lifetime, Grant Green is one of the great unsung heroes of jazz guitar ... Green's playing is immediately recognizable – perhaps more than any other guitarist." Critic Dave Hunter described his sound as "lithe, loose, slightly bluesy and righteously groovy". He often performed in an organ trio, a small group with an organ and drummer.

Apart from guitarist Charlie Christian, Green's primary influences were saxophonists, particularly Charlie Parker, and his approach was therefore almost exclusively linear rather than chordal. He thus rarely played rhythm guitar except as a sideman on albums led by other musicians. The simplicity and immediacy of Green's playing, which tended to avoid chromaticism, derived from his early work playing rhythm and blues and, although at his best he achieved a synthesis of this style with bop, he was essentially a blues guitarist and returned almost exclusively to this style in his later career.

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Gregory Porter

Gregory Porter (born November 4, 1971) is an American singer, songwriter, and actor. He won the Grammy Award for Best Jazz Vocal Album in 2014 for Liquid Spirit and in 2017 for Take Me to the Alley.

Early life and education

Gregory Porter was born in Sacramento, California, and was raised in Bakersfield, California, where his mother Ruth was a minister. Porter has seven siblings. His mother was a large influence on his life, having encouraged him to sing in church at an early age. His father, Rufus, was largely absent from his life. Says Porter, "Everybody had some issues with their father, even if he was in the house. He may have been emotionally absent. My father was just straight-up absent. I hung out with him just a few days in my life. And it wasn't a long time. He just didn’t seem to be completely interested in being there. Maybe he was, I don't know."

A 1989 graduate of Highland High School, he received a full athletic scholarship as a football lineman to San Diego State University (SDSU Aztecs), but a shoulder injury during his junior year cut short his football career.

Porter's mother died from cancer when he was 21 years old. From her death bed, she entreated him: "Sing, baby, sing."

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H Hunt

Recorded in one comfortably-seated take at Studio Ferber, Paris, France in 2015 - h hunt’s ‘playing piano for dad’ was initially conceived as a Christmas gift to the composer’s father. Intimately recorded, ‘playing piano for dad’ is a heartbreakingly gorgeous & sincere work of eleven vignettes which capture even the most nuanced sounds of the recording session - the composer’s breath, the shifting sounds of the piano pedals, the ambient noise and conversation within the studio. With minimalist tendencies, h hunt’s compositions are earnest and heartfelt, evoking both the jazz sensibilities of Bill Evans as much as Emahoy Tsegué-Maryam Guèbrou’s classical piano works - with pieces from the album having even been championed by Ryuichi Sakamoto for his Kajitsu Restaurant playlist.

What is the story behind the title of h hunt’s album Playing Piano for Dad? Are these really songs he would play for his father?

Harry (tasty morsels co-founder, AKA artist h hunt) and I were in Studio Ferber (Paris) doing something, I can’t remember exactly what. He told me his dad played piano and is a fan of jazz, and he didn’t know Harry could play. So he wanted to record himself to give to his dad as a Christmas present. The piano in Ferber is probably my favorite piano, so I set up some mics and left him to record it.

He sent me it after he’d given it to his dad and it was very obvious to me we should release it. I love it and I know plenty of others who do too. It’s a bit like seeing a non-actor in a film, it’s so shocking because sometimes actually being normal and not “acting.” He really at no point in the process realized we were making an album, so it really is very sincerely not trying. That’s extremely rare, I think.

By Austin Kleon

^{Source tumblr.austinkleon.com}

Hailu Mergia

Hailu Mergia & His Classical Instrument (Amharic:ኃይሉ መርጊያና የመሣረያ ቅንብሮቹ), also known as Shemonmuanaye, is a 1985 studio album by Ethiopian jazz musician Hailu Mergia, formerly of the Walias Band. After the band split up in 1983, Mergia moved to the United States and began studying music at Howard University, during which time he discovered an accordion and began playing it. Initially intending to record a cassette of himself playing the accordion in a small studio belonging to an acquaintance at Howard, he also incorporated other instruments in the studio, such as a Rhodes piano and synthesiser.

Using all three instruments and a drum machine, he recorded His Classical Instrument to showcase his mastery of the accordion, an instrument which reminded him of his youth – and which had lost popularity in Ethiopia since the 1950s – with the hopes of bringing it back to prominence. Via the inclusion of modern instruments, the album was also intended to mix the old accordion style with the modern technology of the United States. Originally released in Ethiopia on cassette by Kaifa Records, the album was a surprise hit when listeners warmed to its unusual sound, though, as was often the case with Mergia's music, the album was unheard outside of the country, and he soon slipped into obscurity.

When Brian Shimkovitz, founder of American reissue label Awesome Tapes From Africa, discovered a copy of the album in Ethiopia in 2013, he hoped to re-release it on his label, and contacted Mergia, who greenlit the project. Upon its re-release in various formats by the label that same year, the album received critical acclaim, with Western critics complimenting its uniquely psychedelic and dreamy sound. The success of the album relaunched Mergia's international touring career, which had ceased several decades earlier, and brought him international recognition. The label would later re-release further cassettes of Mergia's music.

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Har-You Percussion Group

The 101 Strangest Records on Spotify: Har-You Percussion Group - Har-You Percussion Group

Forming after the Harlem Riots of 1964, Har-You make Afro-Cuban sounds with furious and hip-shakingly groovesome rhythms

If you've ever wondered whether the world has changed a bit since the late summer of 1969, or whether it's basically the same, your answer will lie in this record and one of its contemporary reviews. "Here is a young, unknown group of musicians from Harlem," US music industry bible Billboard wrote in the last August of the 1960's. "[They've] pooled their talents to prove to the world that ghettos can produce more than shiftless undesirables." Wow, well there's a phrase to conjure with. Of course, it's hard to tell whether the unnamed writer was going for humour, but - either way - there's nothing funny about this LP. Funky, yes. Furious, yes. Hip-shakingly groovesome, yes. Awesomely enthusiastic, yes. Funny? Not so much.

Produced by legendary Jamaican jazz percussionist and drummer Roger "Montego Joe" Sanders and released by ESP Disk, this is a fantastically dynamic blend of Afro-Cuban rhythms with richly melodic jazz overtones, capturing the sound of people on the cusp of becoming great players. The horn-section in Tico is together and on the beat, but not quite confident enough to stretch out, while the gloriously full-steam-ahead attack of Santa Cruz threatens to derail itself but never does. Har-You began life as Harlem Youth Unlimited, a community group put together by Sanders after the Harlem Riots of 1964. On the audio track that accompanies this edition of the LP he described the group as "emotionally unstable young men with no inspiration and no place to go" and the record was meant to show those who held the city's purse strings that many people who had been written off and ignored would be much better listened to and appreciated. You have to hope that, after a showing like this, they were. Of course, despite the goodwill, the stinging Latin percussion and the powerful R&B horn riffs, no one really bought it, but the track Welcome To The Party - thanks to its ebullient brilliance and insane rarity - grew into a huge rare-groove club hit, one big enough to ensure this wonderful album was never forgotten. An original will cost you £500, by the way. So up yours, anonymous critic.

^{Source theguardian.com}

Hiatus Kaiyote

Hiatus Kaiyote (/haɪˈeɪtəs keɪˈjoʊti/) is a future soul quartet formed in Melbourne in 2011. The members are Naomi "Nai Palm" Saalfield (vocals, guitar), Paul Bender (bass), Simon Mavin (keyboards) and Perrin Moss (drums, percussion). They have been nominated twice for Grammy Awards.

In 2013, they were nominated for a Grammy Award for Best R&B Performance for their song "Nakamarra", performed with Q-Tip. The song appears on their debut album, Tawk Tomahawk.

The band released their second album, Choose Your Weapon, on 1 May 2015. The review aggregator Metacritic has given the album a normalised rating of 88 out of 100, based on 6 reviews. On 9 May 2015, Choose Your Weapon debuted at number 22 on the Australian albums chart.

The song "Breathing Underwater" from Choose Your Weapon was nominated for Best R&B Performance at the 58th Grammy Awards.

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Jack DeJohnette

Jack DeJohnette (born August 9, 1942) is an American jazz drummer, pianist, and composer.

An important figure of the fusion era of jazz, DeJohnette is one of the most influential jazz drummers of the 20th century, given his extensive work as leader and sideman for musicians including Charles Lloyd, Freddie Hubbard, Keith Jarrett, Bill Evans, John Abercrombie, Alice Coltrane, Sonny Rollins, Miles Davis, Joe Henderson, Michael Brecker, Herbie Hancock and John Scofield. He was inducted into the Modern Drummer Hall of Fame in 2007.

Early life and musical beginnings
DeJohnette was born in Chicago, Illinois. He began his musical career as a pianist, studying from age four and first playing professionally at age fourteen He later switched focus to the drums. DeJohnette credits his uncle, Roy I. Wood Sr., a Chicago disc jockey and vice president of the National Network of Black Broadcasters, as his inspiration to play music.

DeJohnette played R&B, hard bop, and avant-garde music in Chicago. He led his own groups in addition to playing with Richard Abrams, Roscoe Mitchell and other eventual core members of the Association for the Advancement of Creative Musicians (founded in 1965). He also occasionally performed with Sun Ra and his Arkestra (and later in New York as well). In the early 1960s, DeJohnette had the opportunity to sit in for three tunes with John Coltrane and his quintet, an early foray into playing with big-name jazz musicians.

In 1966 DeJohnette moved to New York City, where he became a member of the Charles Lloyd Quartet. A band that recognized the potential influence of rock and roll on jazz, Lloyd's group was where DeJohnette first encountered pianist Keith Jarrett, who would work extensively with him throughout his career. However, DeJohnette left the group in early 1968, citing Lloyd's deteriorating, "flat" playing as his main reason for leaving. While Lloyd's band was where he received international recognition for the first time, it was not the only group DeJohnette played with during his early years in New York, as he also worked with groups including Jackie McLean, Abbey Lincoln, Betty Carter, and Bill Evans. DeJohnette joined Evans' trio in 1968, the same year the group headlined the Montreux Jazz Festival and produced the album Bill Evans at the Montreux Jazz Festival. In November 1968 he worked briefly with Stan Getz and his quartet, which led to his first recordings with Miles Davis.

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James Booker

James Carroll Booker III (December 17, 1939 – November 8, 1983) was a New Orleans rhythm and blues keyboardist born in New Orleans, Louisiana, United States. Booker's unique style combined rhythm and blues with jazz standards. Musician Dr. John described Booker as "the best black, gay, one-eyed junkie piano genius New Orleans has ever produced." Flamboyant in personality, he was known as "the Black Liberace".

Biography

Early life
Booker was the son and grandson of Baptist ministers, both of whom played the piano. He spent most of his childhood on the Mississippi Gulf Coast, where his father was a church pastor. Booker received a saxophone as a gift from his mother, but he was more interested in the keyboard. He played the organ in his father's churches.

After returning to New Orleans in his early adolescence, Booker attended the Xavier Academy Preparatory School. He learned some elements of his keyboard style from Tuts Washington and Edward Frank. Booker was highly skilled in classical music and played music by Bach and Chopin, among other composers. He also mastered and memorized solos by Erroll Garner and Liberace. His performances combined elements of stride, blues, gospel and Latin piano styles.

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Jed Keipp

Jed Keipp was the songwriter and frontman of JEBU.

"I've experimented with many different genres over the years and have learned from some amazing teachers. I mostly enjoy the process of songwriting and producing. The tracks you are hearing are songs I've put together over time and in most cases, performed all the instruments. I do on occasion use a couple choice samples that are near and dear to me on a nostalgic and creative level. And I most certainly give much credit and all my gratitude to the musicians who have contributed. Thanks for listening. Enjoy!"

^{Source SoundCloud.com}

Jimmy Scott

James Victor Scott (July 17, 1925 – June 12, 2014), known professionally as Little Jimmy Scott or Jimmy Scott, was an American jazz vocalist known for his high natural contralto voice and his sensitivity on ballads and love songs.

After success in the 1940s and 1950s, Scott's career faltered in the early 1960s. He slid into obscurity before a comeback in the 1990s. His unusual singing voice was due to Kallmann syndrome, a rare genetic disorder that limited his height to 4 feet 11 inches (150 cm) until the age of 37, when he grew by 8 inches (20 cm). The syndrome prevented him from reaching classic puberty and left him with a high voice and unusual timbre.

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Joan As Police Woman

Joan Wasser (born July 26, 1970), known by her stage name Joan As Police Woman, is an American musician, singer-songwriter and producer. She began her career playing violin with the Dambuilders and played with Black Beetle, Antony and the Johnsons, and Those Bastard Souls. Since 2004 she has released her solo material as Joan As Police Woman. She has released five regular studio albums, one EP, a number of singles and a collection of covers. Throughout her career, she has regularly collaborated with other artists as a writer, performer and arranger.

Born at the Saint Andre Home in Biddeford, Maine, to an unmarried teenage mother, Wasser was given up for adoption at infancy. She was raised in Norwalk, Connecticut, with her adoptive younger brother Dan, who is a visual artist. She credits her background as an adopted child with her "very extroverted" personality and dressing up a lot. She explained that "when you are in a situation where you're not blood-related to your family, it does become extremely obvious that you're born with your personality".

Wasser began piano lessons at age six and had her first violin lessons at age eight. She played violin in school and community orchestras before leaving Norwalk for her college studies. At the age of 18, Wasser began her music career during her studies at the College of Fine Arts, Boston University, where she was an early admittance student. She studied music under, among others, Yuri Mazurkevich and played with the Boston University Symphony Orchestra. Wasser soon grew disillusioned and found that she "didn't want to make classical music my life, the Beethoven symphonies have already been played a million times and I am not going to do it any better." Instead she joined a number of local punk bands trying "to bridge the gap between the guitar and the bass and play the violin really loud."

While working with others, Wasser began to develop her own material, which she described as sounding "like old Al Green records." She focused on guitar and singing as "for a long time, I was really content with playing violin, and then all of a sudden it wasn't enough." The end of Black Beetle in June 2002 brought the beginning of Wasser's work as a solo artist and the creation of a new band, Joan as Police Woman. The name was a reference to the TV series Police Woman featuring Angie Dickinson. Wasser found the actress inspirational as "she was really powerful but sexy at the same time" in the role. She also preferred "the name to be funny because, although my music is serious, I like to laugh at tragedy." She formed a new trio in New York City together with Ben Perowsky on drums and Rainy Orteca on bass. Perowsky also co-produced the EP that also featured contributions by Oren Bloedow, Dave Derby and Erik Sanko. She co-wrote the song "My Gurl" with Michael Tighe. The group self-released a five-track eponymous EP in 2004, as Wasser had "decided to do it without a record deal because I wanted to make music on my own terms." In February 2004, Rufus Wainwright asked her to join his band on tour providing backing vocals and strings. In the second half of the year, she joined Joseph Arthur on tour as a violinist.

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Joe Henry

Joseph Lee Henry (born December 2, 1960) is an American singer-songwriter, guitarist, and producer. He has released 13 studio albums and produced multiple recordings for other artists, including three Grammy Award-winning albums.

Henry moved to Brooklyn, New York in 1985 and began performing in local music venues. He released his first album "Talk of Heaven" in 1986. The album earned him a recording contract with A&M, which subsequently released the albums Murder of Crows in 1989 and Shuffletown in 1990. Shuffletown, produced by T-Bone Burnett, represented a shift in musical direction towards the "alt country" genre. Henry's next two recordings, Short Man's Room (1992) and Kindness of the World (1993), featured members of the country-rock band the Jayhawks. The song "King's Highway" was recorded by Joan Baez in 2003 and Gov't Mule in 2005. For his 1996 album Trampoline, Henry incorporated guitarist Page Hamilton of Helmet and a reviewer at Trouserpress called the album "idiosyncratic broadmindedness."

1999's Fuse was recorded with producers Daniel Lanois and T-Bone Burnett. The album was called an "atmospheric marvel" by one reviewer and Ann Powers of the New York Times wrote: Henry has "found the sound that completes his verbal approach."

Scar, released in 2001, featured jazz musicians Marc Ribot, Brian Blade, Brad Mehldau and saxophonist Ornette Coleman on "Richard Pryor Addresses A Tearful Nation." According to Allmusic's Thom Jurek, the album is a "triumph not only for Henry—who has set a new watermark for himself—but for American popular music, which so desperately needed something else to make it sing again."

2003's self-produced Tiny Voices album was Henry's first recording on Epitaph's Anti label. Jurek described this album as "the sound of....electric guitars in an abandoned yet fully furnished Tiki bar in Raymond Chandler's Los Angeles."

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John Coltrane

John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist and composer. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes and was at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music took on an increasingly spiritual dimension. He remains one of the most influential saxophonists in music history. He received many posthumous awards, including canonization by the African Orthodox Church and a Pulitzer Prize in 2007. His second wife was pianist Alice Coltrane and their son, Ravi Coltrane, is also a saxophonist.

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John McLaughlin

John McLaughlin (born 4 January 1942), also known as "Mahavishnu John", is an English guitarist, bandleader and composer. His music includes many genres of jazz, combined with elements of rock, Indian classical music, Western classical music, flamenco, and blues. He is one of the pioneering figures in fusion.

After contributing to several key British groups of the early 1960s, McLaughlin made Extrapolation, his first album as a bandleader, in 1969. He then moved to the U.S., where he played with Tony Williams's group Lifetime and then with Miles Davis on his electric jazz-fusion albums In a Silent Way, Bitches Brew, Jack Johnson, and On the Corner. His 1970s electric band, the Mahavishnu Orchestra, performed a technically virtuosic and complex style of music that fused electric jazz and rock with Indian influences.

McLaughlin's solo on "Miles Beyond" from his album Live at Ronnie Scott's won the 2018 Grammy Award for the Best Improvised Jazz Solo. He has been awarded multiple "Guitarist of the Year" and "Best Jazz Guitarist" awards from magazines such as DownBeat and Guitar Player based on reader polls. In 2003, he was ranked 49th in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time". In 2009, DownBeat included McLaughlin in its unranked list of "75 Great Guitarists", in the "Modern Jazz Maestros" category. In 2012, Guitar World magazine ranked him 63rd on its top 100 list. In 2010, Jeff Beck called McLaughlin "the best guitarist alive," and Pat Metheny has also described him as the world's greatest guitarist.

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