'Jazz' Bands // p 5 of 7

Orchestra Baobab

Orchestra Baobab is a Senegalese band established in 1970 as the house band of the Baobab Club in Dakar. Many of the band's original members had previously played with Star Band de Dakar in the 1960s. Directed by timbalero and vocalist Balla Sidibe, the group features saxophonists Issa Cissoko and Thierno Koité, two singers, two guitarists and a rhythm section with drums, congas and bass guitar. Since their formation, the band has predominantly played a mix of son cubano, Wolof music, and to a lesser extent Mande musical traditions.

Orchestra Baobab became one of the dominant African bands of the 1970s, recording 20 albums before their breakup in 1987, which occurred as a result of the increase in popularity of mbalax, a more contemporary genre of Senegalese music. In the years following their disbandment, World Circuit released several of their albums on CD, making the band very popular among world music fans in the UK and the rest of Europe. This prompted their reformation in 2001, which was followed by the recording of a new album, Specialist in All Styles. The group continues to tour extensively and has released two more studio albums, Made in Dakar (2007) and Tribute to Ndiouga Dieng (2017).

Many of the original members were veterans of the famous Star Band, whose alumni later included the Étoile de Dakar, El Hadji Faye and Youssou N’Dour. Star Band were the resident band of the upscale Dakar Miami Club. When the Baobab Club opened in Dakar in 1970, six musicians, led by saxophonist Baro N'Diaye, were lured from Star Band and the Orchestra Baobab was born. The club, in turn, is named for the baobab tree (Adansonia).

The original frontmen of the band were the Casamance singers Balla Sidibe and Rudy Gomis, who came from the melting pot of Casamance musical styles, and most famously Laye M'Boup, who provided vocals in the Wolof griot style. His Wolof language lyrics and his soaring, nasal voice defined the sound of Baobab's early hits. Togolese guitarist and arranger Barthélémy Attisso was a law student in Dakar, and a self-taught musician, whose arpeggiated runs became instantly recognizable. With the saxophone of N'Diaye, this was the first core of the band. After touring Cameroon in 1971, N'Diaye was replaced by tenor saxophonist Issa Cissoko, who became leader of the band, and was joined by clarinettist Peter Udo. Both Cissoko and drummer Mountaga Koité were from Maninka griot families, from Mali and eastern Senegal, respectively. The group's lineup was rounded out by the slow groove Latin styles of Latfi Benjeloum (rhythm guitar), who came from a Moroccan family exiled to Saint-Louis, Senegal, and Charlie N'Diaye (bass) from Casamance.

The group's first recodings were released as Orchestre Saf Mounadem on a split album with Orchestre Laye Thiam, another band of ex-Star Band musicians. Attisso is credited as musical director, and singers Balla Sidibe and Medoune Diallo (who had stayed with the Star Band a bit longer than the others), along with Issa Cissoko are also credited on the cover. Like most of the recordings by Star Band, the album was produced by Ibrahim Kassé, and was later reissued in France under the title Star Band de Dakar Vol. 7.

Their first two albums under the name Orchestra Baobab, were recorded at the Baobab Club between 1970 and 1972, and self-produced by the band. Both bear the title Orchestre du Baobab.

^{Source Wikipedia}

Pat Metheny

PAT METHENY was born in Kansas City on August 12, 1954 into a musical family. Starting on trumpet at the age of 8, Metheny switched to guitar at age 12. By the age of 15, he was working regularly with the best jazz musicians in Kansas City, receiving valuable on-the-bandstand experience at an unusually young age. Metheny first burst onto the international jazz scene in 1974. Over the course of his three-year stint with vibraphone great Gary Burton, the young Missouri native already displayed his soon-to-become trademarked playing style, which blended the loose and flexible articulation customarily reserved for horn players with an advanced rhythmic and harmonic sensibility - a way of playing and improvising that was modern in conception but grounded deeply in the jazz tradition of melody, swing, and the blues. With the release of his first album, Bright Size Life (1975), he reinvented the traditional "jazz guitar" sound for a new generation of players. Throughout his career, Pat Metheny has continued to re-define the genre by utilizing new technology and constantly working to evolve the improvisational and sonic potential of his instrument. METHENY'S versatility is almost nearly without peer on any instrument. Over the years, he has performed with artists as diverse as Steve Reich to Ornette Coleman to Herbie Hancock to Jim Hall to Milton Nascimento to David Bowie.  Metheny's body of work includes compositions for solo guitar, small ensembles, electric and acoustic instruments, large orchestras, and ballet pieces, with settings ranging from modern jazz to rock to classical.

As well as being an accomplished musician, Metheny has also participated in the academic arena as a music educator. At 18, he was the youngest teacher ever at the University of Miami. At 19, he became the youngest teacher ever at the Berklee College of Music, where he also received an honorary doctorate more than twenty years later (1996). He has also taught music workshops all over the world, from the Dutch Royal Conservatory to the Thelonius Monk Institute of Jazz to clinics in Asia and South America. He has also been a true musical pioneer in the realm of electronic music, and was one of the very first jazz musicians to treat the synthesizer as a serious musical instrument. Years before the invention of MIDI technology, Metheny was using the Synclavier as a composing tool. He has also been instrumental in the development of several new kinds of guitars such as the soprano acoustic guitar, the 42-string Pikasso guitar, Ibanez's PM-100 jazz guitar, and a variety of other custom instruments.  He took the whole instrument development process into a different level with his mechanical, solenoid driven Orchestrion.

It is one thing to attain popularity as a musician, but it is another to receive the kind of acclaim Metheny has garnered from critics and peers. Over the years, Metheny has won countless polls as "Best Jazz Guitarist" and awards, including three gold records for Still Life (Talking), Letter from Home, and Secret Story. He has also won 20 Grammy Awards in 12 different categories including Best Rock Instrumental, Best Contemporary Jazz Recording, Best Jazz Instrumental Solo, Best Instrumental Composition. The Pat Metheny Group won an unprecedented seven consecutive Grammies for seven consecutive albums. Metheny has spent most of his life on tour, averaging between 120-240 shows a year since 1974. At the time of this writing, he continues to be one of the brightest stars of the jazz community, dedicating time to both his own projects and those of emerging artists and established veterans alike, helping them to reach their audience as well as realizing their own artistic visions.

^{Source PatMetheny.com}

Pharoah Sanders

Pharoah Sanders (born Farrell Sanders, October 13, 1940) is an American jazz saxophonist. A member of John Coltrane's groups of the mid-1960s, Sanders is known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound". He has released over 30 albums as a leader and has collaborated extensively with Leon Thomas, Alice Coltrane and Tisziji Muñoz, among others. Saxophonist Ornette Coleman described him as "probably the best tenor player in the world".

Sanders' music has been called "spiritual jazz" due his inspiration in religious concepts such as Karma and Tawhid, and his rich, meditative aesthetic. This style is seen as a continuation of Coltrane's work on albums such as A Love Supreme. As a result, Sanders is considered a disciple of Coltrane or, as Albert Ayler said, "Trane was the Father, Pharoah was the Son, I am the Holy Ghost".

Early life
Pharoah Sanders was born on October 13, 1940, in Little Rock, Arkansas. His mother worked as a cook in a school cafeteria, and his father worked for the City of Little Rock. An only child, Sanders began his musical career accompanying church hymns on clarinet. His initial artistic accomplishments were in the visual arts, but when he was at Scipio Jones High School in North Little Rock, Sanders began playing the tenor saxophone. The band director, Jimmy Cannon, was also a saxophone player and introduced Sanders to jazz. When Cannon left, Sanders, although still a student, took over as the band director until a permanent director could be found.

During the late 1950s, Sanders would often sneak into African-American clubs in downtown Little Rock to play with acts that were passing through. At the time, Little Rock was part of the touring route through Memphis, Tennessee, and Hot Springs for R&B and jazz musicians. Sanders found himself limited by the state's segregation and the R&B and jazz standards that dominated the Little Rock music scene.

After finishing high school in 1959, Sanders moved to Oakland, California, and lived with relatives. He briefly attended Oakland Junior College and studied art and music. Once outside the Jim Crow South, Sanders could play in both black and white clubs. His Arkansas connection stuck with him in the Bay Area with the nickname of "Little Rock." It was also during this time that he met and befriended John Coltrane.

^{Source Wikipedia}

Ray Barretto

Ray Barretto (April 29, 1929 – February 17, 2006) was an American percussionist and bandleader of Puerto Rican ancestry. Throughout his career as a percussionist, he played a wide variety of Latin music styles, as well as Latin jazz. His first hit, "El Watusi", was recorded by his Charanga Moderna in 1962, becoming the most successful pachanga song in the United States. In the late 1960s, Barretto became one of the leading exponents of boogaloo and what would later be known as salsa. Nonetheless, many of Barretto's recordings would remain rooted in more traditional genres such as son cubano. A master of the descarga (improvised jam session), Barretto was a long-time member of the Fania All-Stars. His success continued into the 1970s with songs such as "Cocinando" and "Indestructible." His last album for Fania Records, Soy dichoso, was released in 1990. He then formed the New World Spirit jazz ensemble and continued to tour and record until his death in 2006.

Life and career

Early years

Barretto (his real name, "Barreto", was misspelled on his birth certificate) was born on April 29, 1929, in New York City. His parents moved to New York from Puerto Rico in the early 1920s, looking for a better life. His father left their family when Barretto was four, and his mother Delores moved the family to the Bronx, and from a young age he was influenced by his mother's love of music and by the jazz of Duke Ellington and Count Basie.

In 1946, when Barretto was 17 years old, he joined the Army. While stationed in Germany, he met Belgian vibraphonist Fats Sadi. However, it was when he heard Dizzy Gillespie's "Manteca" with Gil Fuller and Chano Pozo that he realized his calling.

Beginnings as a sideman

In 1949, when Barretto returned home from military service, he started to visit clubs and participated in jam sessions, where he perfected his conga playing. On one occasion Charlie Parker heard Barretto play and invited him to play in his band. Later, he was asked to play for José Curbelo and Tito Puente, for whom he played for four years. It was in 1958, while playing for Puente, that Barretto received his first recoding credit. Barretto developed a unique style of playing the conga and soon he was sought by other jazz band leaders. Latin percussionists started to appear in jazz groups with frequency as a consequence of Barretto's musical influence.

Charanga Moderna and rise to fame

In 1960, Barretto was a house musician for the Prestige, Blue Note, and Riverside labels. He also recorded on Columbia Records with Jazz flautist Herbie Mann. New York had become the center of Latin music in the United States and a musical genre called pachanga was the Latin music craze of the early 1960s. In 1962, Barretto formed his first group, Charanga La Moderna, and recorded his first hit, "El Watusi" for Tico Records. He was quite successful with the song and the genre, to the point of being typecast (something that he disliked).

Boogaloo and early salsa

In 1965, Barretto signed with the Latin division of United Artists, UA Latino, and began recording a series of albums in the boogaloo genre, which merges rhythm and blues with Latin music. On his album El Ray Criollo, Barretto explored the modern Latin sounds of New York, combining features of charanga and conjunto to birth a new style which would later be known as salsa. After recording four albums for the United Artists label, Barretto joined the Fania record label in 1967, and his first recording for the new label was the 1968 album Acid, which is often cited as one of the most enduring boogaloo albums, with songs such as "A Deeper Shade of Soul" and the title track was included in the soundtrack of the video game Grand Theft Auto: Vice City Stories on the fictitious Latin music radio station "Radio Espantoso". During this period, Adalberto Santiago was the band's lead vocalist.

^{Source Wikipedia}

Rejoicer

Yuval Havkin aka Rejoicer is one of Tel Aviv’s busiest producers and founder of the Raw Tapes label, home to Israel’s own beat movement.

He was born in London and moved to Tel Aviv at the age of 5. He began collecting vinyl at the age of 14, and started his way in the music world as a Jungle/Drum&Bass artist in 2006. He later moved on to hip hop, and produced beat tapes under the Guadaloop moniker.

After finding a crew of like minded beat makers from around the city, Rejoicer founded the Raw Tapes Label in 2009.

Since then he released more then 20 albums under all different aliases. In 2011 Rejoicer started the band Buttering Trio with KerenDun and Beno Hendler and released Toast LP. the trio played shows with Oh No & DJ Romes, Black Milk, Peanut Butter Wolf, Hudson Mohawke and more. He has collaborated with Free The Robots, Dudley Perkins & Georgia Anne Muldrow, Bajka, Balkan Beat Box, Ester Rada, Cohenbeats and many more, and continues to be one of Tel Aviv’s most interesting artists

^{Source rawtapesrecords.com}

Rotterdam Ska-Jazz Foundation

“Der Name ist Programm”, they say in Germany. Indeed, loaded with drums, bass, guitar, piano, organs, and a wide range of horns, the Rotterdam Ska-Jazz Foundation (RSJF) takes the music of the sixties as a starting point. But be careful! The RSJF is NOT a retro band in any perspective. They start where others have left and persistently refined their mix of ska, jazz, reggae, soul and rock & roll over the past 16 years. In the meantime, the RSJF has recorded two EP's and three full-length studio albums. Furthermore, their music appears on various samplers throughout the world. However, the best way to experience this lubricated off-beat locomotive is live on stage...

Rockin' and Rollin' Ska-Jazz with a Rough Edge!

The RSJF hits the road pretty constantly and played on many big Dutch festivals like Bevrijdingsfestivals, Metropolis, Oerol, Noorderzon and the Parade, as well as major International festivals like Summer Jam, Oulala, Popkomm, Three Floors of Ska at the Knitting Factory NYC, and many other, festival or venue, varying from big to small, in e.g. The Netherlands, Germany, France, Italy, Hungary, Denmark, Luxembourg, Czech Republic, Slovenia, Spain, Austria, Croatia, Serbia, Macedonia, Romania, Albania, Bulgaria, Portugal, Belgium, Switzerland, United States, Latvia, Poland, Lithuania, Russia, and will most likely play in your neighborhood soon!

Don't worry about a language barrier, let the music of the RSJF do the talking...

Recently, the RSJF joined forces with the horn section from the BOSCO small big band. Result: RSJF "En Grand", a paradigm shift in contemporary music. The first milestone exhibiting the extraordinary potential of this ultimately powerful combination will be the forthcoming 4-track EP "Big Horns" to be released on WTF records later in 2016. Ska-Jazz anno 2036 recorded in 2016. Beware of the big horns!

^{Source RSJF.nl}

Ruby Friedman

Ruby Friedman is an American singer/songwriter/composer, with roots in New Orleans, New York, and Los Angeles. She is the leader of the Ruby Friedman Orchestra.

Career

The Ruby Friedman Orchestra has been in studio in New Orleans, in New York City with Josh Valleau at The Glass Wall, with Peter Malick at OCL Studios in Calgary, and at his studio in Los Angeles. Final recording, production and mixing were done by Alex Elena and Topher Mohr at Beethoven Studios in Culver City. The band released their debut album, Gem on November 11, 2016. The first single from the album I'm Not Your Friend was released in June 2016.

Late 2019 Ruby Friedman was in the studio recording with legend Mitchell Froom for her upcoming release entitled Late Afternoon Highs. The single entitled “Teardrop Trailer” has been released and first premiered on KCSN by DJ Nic Harcourt on radio and buzzbands.la in online media.

The version of "You'll Never Leave Harlan Alive", was featured in the Season Five finale of Justified. Graham Yost, creator and Executive Producer of the series, discussed the use of the Ruby Friedman version in the show.

Her version of the song was also selected for use in the Emmy-winning Reveal documentary, The Dead Unknown, an investigative report on a 1969 cold case regarding the disappearance and murder of a young woman, in Harlan, Kentucky, in June 1969.

In late 2015, The Golden Globe Award and Emmy Award winning Amazon Studios TV show Transparent selected the arrangement featuring her vocals on the Gina Villalobos/Eric Colvin produced version of the Sly and the Family Stone hit Family Affair for use in the trailer promoting the launch of Season 2.

In 2015, Ruby Friedman performed the vocals on the song, Hunt You Down for the CLIO award-winning advertising campaign for the launch of the Sony PS4 game, Bloodborne. The song is a collaboration with The Hit House Music, and was written by Scott Miller and William Hunt. It was recorded by Wyn Davis in Los Angeles, and by Ruby Friedman at Word of Mouth Recording Studios in New Orleans. The Petrol Advertising campaign using the song won the Golden Trailer Award for best Video Game TV Spot. The song was released as a single in conjunction with availability of the game.

In March 2015, the EP, Song of the Demimonde was released, containing 7 tracks of her most-requested cover material. "House of the Rising Sun", the last song on the EP,> was recorded at Word of Mouth Recording Studios in New Orleans with New Orleans piano player Tom McDermott, and Smashing Pumpkins violinist, Ysanne Spevack.

She has also performed with McDermott, and Ysanne Spevack, in New Orleans, Emmy Award and Grammy Award-nominated TV series Treme), In both April 2015 and 2016, she performed at Buffa's and at the Lagnaippe Stage for Jazzfest with McDermott and others.

She has been retained by the estate of 20th Century Academy Award film song composer Harry Warren to re-imagine and record some of the extensive Harry Warren catalog. The catalog consists of hundreds of songs, from Academy Award winners to unfinished works in process. Several of these recordings, "Rose Tattoo", "Ungrateful Heart", and "Welcome to the Party" are included on the Song of the Demimonde EP.

In 2014, Ruby Friedman was commissioned to perform two songs, including the title track, on a tribute album, Life, honoring the life and music of Tarka Cordell, (produced by Alex Elena). Other contributing vocalists on the album include Lily Allen, Imani Coppola, and Evan Dando.

Her original songs have been selected for promotional use on NBC and have been licensed internationally for continued use in the Got Talent franchise. Her songs or vocals have also been licensed for use by Fox Sports and numerous movie and video game trailers, recently in 2017 trailers for the film Marshall and Netflix miniseries Godless. The original song, Drowned, was also featured in Season Three of the television show Sons of Anarchy. She composed extensive original score for the 2018 World Cup special Phenoms on Fox Sports. She was commissioned to compose and perform the official theme song for author Kim Michele Richardson's New York Times bestseller The Book Woman of Troublesome Creek to be used in various advertising platforms and future media. She has recently been co-writing compositions for the upcoming Wynonna Judd album. Her original music is regularly supported by KCRW as well many other independent radio stations.

Ruby Friedman Orchestra has toured with Brian Wilson and Jeff Bridges She has also provided live backup vocals for many legends as well including Donovan and Heart. When in Los Angeles, she has headlined at the House of Blues, The Troubadour, The Viper Room, Hotel Café, Los Globos, Echoplex, and Pershing Square. She has made numerous invited guest appearances, including performances with Bernard Fowler, with Grammy Award nominee Scott Healy, with the Jeff Goldblum jazz ensemble, and at many events at the Sayers Club. She performed an acoustic invitation only show, at the Turn Gallery in Soho, accompanied by Imani Coppola, Matthew Steer, Maiya Sykes, Ben Crippin Taylor, and Conor Brendan.

^{Source Wikipedia}

Ruth Brown

Ruth Alston Brown (née Weston, January 12, 1928 – November 17, 2006) was an American singer-songwriter and actress, sometimes known as the "Queen of R&B". She was noted for bringing a pop music style to R&B music in a series of hit songs for Atlantic Records in the 1950s, such as "So Long", "Teardrops from My Eyes" and "(Mama) He Treats Your Daughter Mean". For these contributions, Atlantic became known as "the house that Ruth built" (alluding to the popular nickname for the old Yankee Stadium). Brown was a 1993 inductee into the Rock and Roll Hall of Fame.

Following a resurgence that began in the mid-1970s and peaked in the 1980s, Brown used her influence to press for musicians' rights regarding royalties and contracts; these efforts led to the founding of the Rhythm and Blues Foundation. Her performances in the Broadway musical Black and Blue earned Brown a Tony Award, and the original cast recording won a Grammy Award. Brown was a recipient of the Grammy Lifetime Achievement Award in 2016. In 2017, Brown was inducted into National Rhythm & Blues Hall of Fame. She is also the aunt to legendary hip hop MC Rakim.

Early life

Born in Portsmouth, Virginia, Brown was the eldest of seven siblings. She attended I. C. Norcom High School, which was then legally segregated. Brown's father was a dockhand. He also directed the local church choir at Emmanuel African Methodist Episcopal Church, but the young Ruth showed more interest in singing at USO shows and nightclubs, rebelling against her father. She was inspired by Sarah Vaughan, Billie Holiday, and Dinah Washington.

In 1945, aged 17, Brown ran away from her home in Portsmouth along with the trumpeter Jimmy Brown, whom she soon married, to sing in bars and clubs. She then spent a month with Lucky Millinder's orchestra.

Early Career

Ruth Brown performs at the Mambo Club in Wichita, Kansas, 1957
Blanche Calloway, Cab Calloway's sister, also a bandleader, arranged a gig for Brown at the Crystal Caverns, a nightclub in Washington, D.C., and soon became her manager. Willis Conover, the future Voice of America disc jockey, caught her act with Duke Ellington and recommended her to Atlantic Records bosses Ahmet Ertegun and Herb Abramson. Brown was unable to audition as planned because of a car crash, which resulted in a nine-month stay in the hospital. She signed with Atlantic Records from her hospital bed.

In 1948, Ertegun and Abramson drove from New York City to Washington, D.C., to hear Brown sing. Her repertoire was mostly popular ballads, but Ertegun convinced her to switch to rhythm and blues.

In her first audition, in 1949, she sang "So Long", which became a hit. This was followed by "Teardrops from My Eyes" in 1950. Written by Rudy Toombs, it was the first upbeat major hit for Brown. Recorded for Atlantic Records in New York City in September 1950 and released in October, it was Billboard's R&B number one for 11 weeks. The hit earned her the nickname "Miss Rhythm", and within a few months, she became the acknowledged queen of R&B.

She followed up this hit with "I'll Wait for You" (1951), "I Know" (1951), "5-10-15 Hours" (1953), "(Mama) He Treats Your Daughter Mean" (1953), "Oh What a Dream" (1954), "Mambo Baby" (1954), and "Don't Deceive Me" (1960), some of which were credited to Ruth Brown and the Rhythm Makers. Between 1949 and 1955, her records stayed on the R&B chart for a total of 149 weeks; she would go on to score 21 Top 10 hits altogether, including five that landed at number one. Brown ranked No. 1 on The Billboard 1954 Disk Jockey Poll for Favorite R&B Artists.

Brown played many racially segregated dances in the southern states, where she toured extensively and was immensely popular. She claimed that a writer had once summed up her popularity by saying, "In the South Ruth Brown is better known than Coca-Cola."

Brown performed at the famed tenth Cavalcade of Jazz concert held at Wrigley Field in Los Angeles which was produced by Leon Hefflin, Sr. on June 20, 1954. She performed along with The Flairs, Count Basie and his Orchestra, Lamp Lighters, Louis Jordan and His Tympany Five, Christine Kittrell, and Perez Prado and his Orchestra.

Her first pop hit came with "Lucky Lips", a song written by Jerry Leiber and Mike Stoller and recorded in 1957. The single reached number 6 on the R&B chart and number 25 on the U.S. pop chart. The 1958 follow-up was "This Little Girl's Gone Rockin'", written by Bobby Darin and Mann Curtis. It reached number 7 on the R&B chart and number 24 on the pop chart.

She had further hits with "I Don't Know" in 1959 and "Don't Deceive Me" in 1960, which were more successful on the R&B chart than on the pop chart. During the 1960s, Brown faded from public view and lived as a housewife and mother.

^{Source Wikipedia}

Sade

Helen Folasade Adu CBE (Yoruba: Fọláṣadé Adú [fɔ̄láʃādé ādú]; born January 16, 1959), known professionally as Sade Adu or simply Sade (/ʃɑːˈdeɪ/ shah-DAY), is a Nigerian-British singer, songwriter, and actress, known as the lead singer of her eponymous band.

Born in Ibadan, Nigeria, but brought up in Essex, England, Sade gained modest recognition as a fashion designer and part-time model, prior to joining the band Pride in the early 1980s. After gaining attention as a performer, she formed the band Sade, and secured a recording contract with Epic Records in 1983. The band then released the album Diamond Life a year later, which became one of the best-selling albums of the era, and the best-selling debut ever by a British female vocalist. It also gained widespread critical acclaim and is included in the reference book 1001 Albums You Must Hear Before You Die. In July 1985, Sade was among the performers at the Live Aid charity concert at Wembley Stadium. In late 1985, they released Promise, which was also a resounding critical and commercial success, topping the UK Albums Chart and becoming the band's first album to debut atop the Billboard 200. It later earned quadruple platinum certification in the U.S., and reached platinum across Europe. It also earned the group the Grammy Award for Best New Artist in 1986. Their following two releases, 1988's Stronger Than Pride and 1992's Love Deluxe, were also critically and commercially successful; however, the band would go on hiatus after the birth of Sade's child, while the singer experienced widespread media coverage during the period for unsubstantiated claims of mental health and addiction issues.

After a spell of eight years without an album, which came after Sade appeared in the film Absolute Beginners (1986), the band reunited in 1999, and released Lovers Rock in 2000. The album departed from the jazz-inspired inflections of their previous work, featuring mellower sounds and pop compositions, and was critically praised, earning the group the Grammy Award for Best Pop Vocal Album. The band would then undergo another term of hiatus, not producing music for another ten years until the release of Soldier of Love. The album was another commercial success, although critical reception remained divided, but won the group the Grammy Award for Best R&B Performance by a Duo or Group with Vocals. Following the album's release, the band entered a third period of hiatus, and have only released two new songs (2018's "Flower of the Universe" for the soundtrack of Disney's A Wrinkle in Time and "The Big Unknown", part of the soundtrack for Steve McQueen's film Widows) to date.

Sade is widely considered a musical influence, and her contributions to music have made her a global figure in popular culture for over two decades. She has been credited as one of the most successful British female artists in history. Her services to music were also recognised with an award of the Officer of the Order of the British Empire chivalry honour in 2002, and later the rank of the Commander of the same order in 2017.

^{Source Wikipedia}

Sam Prekop

Sam Prekop’s boundless imagination is guided by his strong sense of melody. For more than 25 years, as a solo artist or as part of The Sea and Cake, Prekop creates a singular sound inventive and warm. His distinctive vocals, guitar playing and work on modular analog synthesizers are inventive, delicate, and always bear his signature sense of melody. Comma finds Sam Prekop for the first time working extensively with beat programming, focusing his enveloping synthesizer pieces around a newfound rhythmic pulse.

Prekop’s creative process is a combination of preparation and improvisation. Writing sessions for Comma began with an open-ended exploration of sounds and textures from which the first fragments of songs would reveal themselves. The introduction of drum machines and additional synthesizer units to his modular setup shifted things in surprising new directions as he worked to bend them into more traditional pop song structures. Drum tracks and emergent rhythms provided the frameworks and narrative sketches to be fleshed out with lustrous widescreen synth pads and ribboning melodies. In approaching his writing with a completely open mind and letting himself be guided by the music, Prekop maintains a delicate balance between composition and chance, control and spontaneity. Comma embraces the analogue synthesizer’s often unpredictable nature, imbuing the record with a decidedly organic feel even while working within the relative rigidity of beat architectures.

Prekop’s wide-eyed sense of discovery guides his exploration of beat-driven music, pushing him to use rhythm as a narrative tool and to embrace electronic music’s romantic and emotional qualities. “Park Line” and “Circle Line” evoke the relentless forward motion of public transit and commuter routine, one propelled by juddering machine-drums, the other illuminated in glistening neon. “Summer Places” and title track “Comma” are utterly transportive in their intoxicating tropical futurism, aqueous electronic loops cascading over melodic percussion. “September Remember” is notable precisely for its lack of drum track, opening up the field of sound and obliterating all but the faintest after-echoes of skittering percussion in its astral melancholy. “Approaching” achieves an incredible depth of sound and feeling using minimal constituent parts, interlocking synth-lines revealing surprising new sonorities with every repetition. With Comma, Prekop compiles an incredible breadth of ideas into a surprisingly coherent sound-world.

Comma is Prekop’s modern minimal pop album that taps into the experimental heritage of the synthesizer. The album places Sam Prekop’s work squarely in the tradition of electronic music pioneers like Brian Eno and Yellow Magic Orchestra who brought together the unrestrained ambition of the avant-garde with the immediacy and accessibility of pop music.

^{Source thrilljockey.com}

Santana

Santana is an American rock band formed in San Francisco in 1966 by Mexican-American guitarist and songwriter Carlos Santana. The band has undergone multiple recording and performing line-ups in its history, with Santana the only consistent member. Santana had early success with their appearance at Woodstock in 1969 and their first three albums, Santana (1969), Abraxas (1970), and Santana III (1971). Other important core members during this period include Gregg Rolie, Mike Carabello, Michael Shrieve, David Brown, and José "Chepito" Areas, forming the "classic" line-up.

Following its initial success Santana experimented with elements of jazz fusion on Caravanserai (1972), Welcome (1973), and Borboletta (1974). Santana reached a new peak of commercial and critical success with Supernatural (1999) and its singles "Smooth", featuring singer Rob Thomas, and "Maria Maria". The album reached No. 1 in eleven countries and sold 12 million copies in the US. In 2014, the "classic" line-up reunited for Santana IV (2016) and the group continue to perform and record.

Santana is one of the best-selling groups of all time with 43.5 million certified albums sold the US, and an estimated 100 million sold worldwide. Its discography include 25 studio albums, 14 of which reached the US top 10. In 1998, the line-up of Santana, Rolie, Carabello, Shrieve, Brown, and Areas was inducted into the Rock and Roll Hall of Fame. In 2000, the band won six Grammy Awards in one night, a record tied with Michael Jackson, and three Latin Grammy Awards.

^{Source Wikipedia}

Scree

First full-length album from the Brooklyn experimental trio Scree. Jasmine on a Night in July features a collection music that draws on the work of the great Palestinian poet Mahmoud Darwish

"The sky opened a window for me. I looked and found nothing
save myself outside itself, as it has always been,
and my desert-haunted visions.

There is no tomorrow in this desert, save what we saw yesterday,
so let me brandish my ode to break the cycle of time,
and let there be beautiful days!
How much past tomorrow holds."

Ryan El-Solh: Guitar, Keyboards
Carmen Rothwell: Bass
Jason Burger: Drums, Percussion, Kalimba
Ari Chersky: loops

^{Source bandcamp.com}

Sister Rosetta Tharpe

Sister Rosetta Tharpe (March 20, 1915 – October 9, 1973) was an American singer, songwriter, guitarist, and recording artist. She attained popularity in the 1930s and 1940s with her gospel recordings, characterized by a unique mixture of spiritual lyrics and electric guitar that was extremely important to the origins of rock and roll. She was the first great recording star of gospel music and among the first gospel musicians to appeal to rhythm-and-blues and rock-and-roll audiences, later being referred to as "the original soul sister" and "the Godmother of rock and roll". She influenced early rock-and-roll musicians, including Little Richard, Johnny Cash, Carl Perkins, Chuck Berry, Elvis Presley and Jerry Lee Lewis.

Tharpe was a pioneer in her guitar technique; she was among the first popular recording artists to use heavy distortion on her electric guitar, presaging the rise of electric blues. Her guitar playing technique had a profound influence on the development of British blues in the 1960s; in particular a European tour with Muddy Waters in 1964 with a stop in Manchester on 7 May is cited by prominent British guitarists such as Eric Clapton, Jeff Beck, and Keith Richards.

Willing to cross the line between sacred and secular by performing her music of "light" in the "darkness" of nightclubs and concert halls with big bands behind her, Tharpe pushed spiritual music into the mainstream and helped pioneer the rise of pop-gospel, beginning in 1938 with the recording "Rock Me" and with her 1939 hit "This Train". Her unique music left a lasting mark on more conventional gospel artists such as Ira Tucker, Sr., of the Dixie Hummingbirds. While she offended some conservative churchgoers with her forays into the pop world, she never left gospel music.

Tharpe's 1944 release "Down by the Riverside" was selected for the National Recording Registry of the U.S. Library of Congress in 2004, which noted that it "captures her spirited guitar playing and unique vocal style, demonstrating clearly her influence on early rhythm-and-blues performers" and cited her influence on "many gospel, jazz, and rock artists". ("Down by the Riverside" was recorded by Tharpe on December 2, 1948, in New York City, and issued as Decca single 48106.) Her 1945 hit "Strange Things Happening Every Day", recorded in late 1944, featured Tharpe's vocals and electric guitar, with Sammy Price (piano), bass and drums. It was the first gospel record to cross over, hitting no. 2 on the Billboard "race records" chart, the term then used for what later became the R&B chart, in April 1945. The recording has been cited as a precursor of rock and roll, and alternatively has been called the first rock and roll record. In May 2018, Tharpe was inducted into the Rock and Roll Hall of Fame as an Early Influence.

^{Source Wikipedia}

Skúli Sverrisson

Skúli Sverrisson (born 23 October 1966) is an Icelandic composer and bass guitarist.

He has worked with musicians Wadada Leo Smith, Derek Bailey, Lou Reed, Jon Hassel, David Sylvian, Arto Lindsay, and composers Ryuichi Sakamoto, Jóhann Jóhannsson, and Hildur Guðnadóttir. He is known for his work as artistic director for Ólöf Arnalds, recordings with Blonde Redhead, and as musical director for Laurie Anderson.

Sverrisson released duo albums with Anthony Burr, Oskar Gudjonsson, and Hilmar Jensson. He has been a member of Pachora, Alas No Axis, the Allan Holdsworth group, and the Ben Monder group. His solo works include Seremonie in 1997 and Sería in 2006. Seria was chosen Best Album of the Year by the Icelandic Music Awards. Sverrisson plays dobro, double bass, and charango, in addition to bass guitar.

He has composed music for the Icelandic Dance Company (Open Source), the National Theatre of Iceland (Volva), and films and installations such as Welcome and Music for Furniture with Olafur Thordason, Spatial Meditation with Claudia Hill, and When it was Blue with filmmaker Jennifer Reeves.

Sverrisson founded Seria, an ensemble featuring Amedeo Pace, Ólöf Arnalds, David Thor Jonsson, Anthony Burr, Eyvind Kang, and Hildur Guðnadóttir in 2005. He released Seria in 2006 and Seria ll in 2010. Sverrisson has won five Icelandic Music Awards, including Icelandic Album of the Year for Seria in 2006.

He has appeared on over one hundred recordings and has performed with Hildur Guðnadóttir, Hilmar Jensson, Jim Black, Chris Speed, Anthony Burr, Laurie Anderson, Allan Holdsworth, Ryuichi Sakamoto, David Sylvian, Blonde Redhead, Yungchen Lhamo, Jamshied Sharifi, Ólöf Arnalds, Pachora, and Alas No Axis. He was a part of Mo Boma with Jamshied Sharifi and Carsten Tiedemann, releasing four albums on Extreme; "Jijimuge", "Myths of the Near Future - Part One", "Myths of the Near Future - Part Two" and "Myths of the Near Future - Part Three".

^{Source Wikipedia}

Sonny Sharrock

Warren Harding "Sonny" Sharrock (August 27, 1940 – May 25, 1994) was an American jazz guitarist. He was married to singer Linda Sharrock, with whom he recorded and performed.

One of few guitarists in the first wave of free jazz in the 1960s, Sharrock was known for his heavily chorded attack, his highly amplified bursts of feedback, and his use of saxophone-like lines played loudly on guitar.

Early life and career
Sharrock began his musical career singing doo wop in his teen years. He collaborated with Pharoah Sanders and Alexander Solla in the late 1960s, appearing first on Sanders's 1966 album, Tauhid. He made several appearances with flautist Herbie Mann and an uncredited appearance on Miles Davis's A Tribute to Jack Johnson.

He wanted to play tenor saxophone from his youth after hearing John Coltrane on Davis's Kind of Blue on the radio at age 19, but his asthma prevented this. Sharrock said repeatedly, however, that he still considered himself "a horn player with a really fucked up axe."

Three albums under Sharrock's name were released in the late 1960s through the mid-1970s: Black Woman (which has been described by one reviewer as bringing out the beauty in emotions rather than technical prowess), Monkey-Pockie-Boo, and an album co-credited to both Sharrock and his wife, Paradise (an album by which Sharrock was embarrassed and stated several times that it was not good and should not be reissued).

Career revival
After the release of Paradise, Sharrock was semi-retired for much of the 1970s, undergoing a divorce from his wife and occasional collaborator Linda in 1978. In the intermittent years until bassist Bill Laswell coaxed him out of retirement, he worked as both a chauffeur and a caretaker for mentally challenged children. At Laswell's urging, Sharrock appeared on Material's (one of Laswell's many projects) 1981 album, Memory Serves. In addition, Sharrock was a member of the punk/jazz band Last Exit, with Peter Brötzmann, Laswell and Ronald Shannon Jackson. During the late 1980s, he recorded and performed extensively with the New York-based improvising band Machine Gun, as well as leading his own bands. Sharrock flourished with Laswell's help, noting in a 1991 interview that "the last five years have been pretty strange for me, because I went twelve years without making a record at all, and then in the last five years, I've made seven records under my own name. That's pretty strange."

Laswell would often perform with the guitarist on his albums, and produced many of Sharrock's recordings, including the entirely solo Guitar, the metal-influenced Seize the Rainbow, and the well-received Ask the Ages, which featured John Coltrane's bandmates Pharoah Sanders and Elvin Jones. "Who Does She Hope To Be?" is a lyrical piece harkening back to the Coltrane/Davis Kind of Blue sessions that had inspired him to play. One writer described Ask the Ages as "hands down, Sharrock's finest hour, and the ideal album to play for those who claim to hate jazz guitar." Sharrock is perhaps best known for the soundtrack to the Cartoon Network program Space Ghost Coast to Coast with his drummer Lance Carter, one of the last projects he completed in the studio before his death. The season 3 episode "Sharrock" carried a dedication to him at the end, and previously unheard music that he had recorded for the show featured throughout most of the episode. "Sharrock" premiered as the 23rd episode on March 1, 1996 on Cartoon Network.

^{Source Wikipedia}