'Latin' Bands // p 2 of 2

Ray Barretto

Ray Barretto (April 29, 1929 – February 17, 2006) was an American percussionist and bandleader of Puerto Rican ancestry. Throughout his career as a percussionist, he played a wide variety of Latin music styles, as well as Latin jazz. His first hit, "El Watusi", was recorded by his Charanga Moderna in 1962, becoming the most successful pachanga song in the United States. In the late 1960s, Barretto became one of the leading exponents of boogaloo and what would later be known as salsa. Nonetheless, many of Barretto's recordings would remain rooted in more traditional genres such as son cubano. A master of the descarga (improvised jam session), Barretto was a long-time member of the Fania All-Stars. His success continued into the 1970s with songs such as "Cocinando" and "Indestructible." His last album for Fania Records, Soy dichoso, was released in 1990. He then formed the New World Spirit jazz ensemble and continued to tour and record until his death in 2006.

Life and career

Early years

Barretto (his real name, "Barreto", was misspelled on his birth certificate) was born on April 29, 1929, in New York City. His parents moved to New York from Puerto Rico in the early 1920s, looking for a better life. His father left their family when Barretto was four, and his mother Delores moved the family to the Bronx, and from a young age he was influenced by his mother's love of music and by the jazz of Duke Ellington and Count Basie.

In 1946, when Barretto was 17 years old, he joined the Army. While stationed in Germany, he met Belgian vibraphonist Fats Sadi. However, it was when he heard Dizzy Gillespie's "Manteca" with Gil Fuller and Chano Pozo that he realized his calling.

Beginnings as a sideman

In 1949, when Barretto returned home from military service, he started to visit clubs and participated in jam sessions, where he perfected his conga playing. On one occasion Charlie Parker heard Barretto play and invited him to play in his band. Later, he was asked to play for José Curbelo and Tito Puente, for whom he played for four years. It was in 1958, while playing for Puente, that Barretto received his first recoding credit. Barretto developed a unique style of playing the conga and soon he was sought by other jazz band leaders. Latin percussionists started to appear in jazz groups with frequency as a consequence of Barretto's musical influence.

Charanga Moderna and rise to fame

In 1960, Barretto was a house musician for the Prestige, Blue Note, and Riverside labels. He also recorded on Columbia Records with Jazz flautist Herbie Mann. New York had become the center of Latin music in the United States and a musical genre called pachanga was the Latin music craze of the early 1960s. In 1962, Barretto formed his first group, Charanga La Moderna, and recorded his first hit, "El Watusi" for Tico Records. He was quite successful with the song and the genre, to the point of being typecast (something that he disliked).

Boogaloo and early salsa

In 1965, Barretto signed with the Latin division of United Artists, UA Latino, and began recording a series of albums in the boogaloo genre, which merges rhythm and blues with Latin music. On his album El Ray Criollo, Barretto explored the modern Latin sounds of New York, combining features of charanga and conjunto to birth a new style which would later be known as salsa. After recording four albums for the United Artists label, Barretto joined the Fania record label in 1967, and his first recording for the new label was the 1968 album Acid, which is often cited as one of the most enduring boogaloo albums, with songs such as "A Deeper Shade of Soul" and the title track was included in the soundtrack of the video game Grand Theft Auto: Vice City Stories on the fictitious Latin music radio station "Radio Espantoso". During this period, Adalberto Santiago was the band's lead vocalist.

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Ry Cooder

Ryland Peter "Ry" Cooder (born March 15, 1947) is an American musician, songwriter, film score composer, and record producer. He is a multi-instrumentalist but is best known for his slide guitar work, his interest in roots music from the United States, and his collaborations with traditional musicians from many countries

Cooder's solo work draws upon many genres. He has played with John Lee Hooker, Captain Beefheart, Ali Farka Touré, Eric Clapton, The Rolling Stones, Van Morrison, Neil Young, Randy Newman, David Lindley, The Chieftains, The Doobie Brothers, and Carla Olson & the Textones (on record and film). He formed the band Little Village. He also produced the Buena Vista Social Club album (1997), which became a worldwide hit. Wim Wenders directed the documentary film of the same name (1999), which was nominated for an Academy Award in 2000.

Cooder was ranked eighth on Rolling Stone magazine's 2003 list of "The 100 Greatest Guitarists of All Time" (David Fricke's Picks). A 2010 ranking by Gibson placed him at number 32.

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Santana

Santana is an American rock band formed in San Francisco in 1966 by Mexican-American guitarist and songwriter Carlos Santana. The band has undergone multiple recording and performing line-ups in its history, with Santana the only consistent member. Santana had early success with their appearance at Woodstock in 1969 and their first three albums, Santana (1969), Abraxas (1970), and Santana III (1971). Other important core members during this period include Gregg Rolie, Mike Carabello, Michael Shrieve, David Brown, and José "Chepito" Areas, forming the "classic" line-up.

Following its initial success Santana experimented with elements of jazz fusion on Caravanserai (1972), Welcome (1973), and Borboletta (1974). Santana reached a new peak of commercial and critical success with Supernatural (1999) and its singles "Smooth", featuring singer Rob Thomas, and "Maria Maria". The album reached No. 1 in eleven countries and sold 12 million copies in the US. In 2014, the "classic" line-up reunited for Santana IV (2016) and the group continue to perform and record.

Santana is one of the best-selling groups of all time with 43.5 million certified albums sold the US, and an estimated 100 million sold worldwide. Its discography include 25 studio albums, 14 of which reached the US top 10. In 1998, the line-up of Santana, Rolie, Carabello, Shrieve, Brown, and Areas was inducted into the Rock and Roll Hall of Fame. In 2000, the band won six Grammy Awards in one night, a record tied with Michael Jackson, and three Latin Grammy Awards.

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Son Rompe Pera

Born and raised in the deep outskirts of Mexico City, the Gama brothers are keeping alive the rich legacy of marimba music running through their family with their latest project, Son Rompe Pera. While firmly rooted in the tradition of this historic instrument, their fresh take on the folk icon challenges its limits as never before, moving it into the garage/punk world of urban misfits and firmly planting it in the 21st century.

Originally performing alongside their father at local events as kids, they now find themselves at the forefront of the contemporary international cumbia scene with their sonic explorations of the classic marimba. Their absolutely unique blend comes from a typical youthful rebellion, when as teenagers they left behind their upbringing and began to play in various punk, rockabilly and ska bands. Now they’ve gone full circle with the return of the marimba on lead, and mixing all of their influences together with an energetic take on the popular instrument, giving it a new twist never before seen in Mexican folk music.

Their live shows are a sweaty mess of dancing fans, and this garage-cumbia-marimba-punk band (the only band of its kind in the world) never disappoints on stage. Their authenticity shines through as they give their modern interpretation of Mexican, Peruvian, and Colombian classics, as well as their own original material and some surprise covers. The contrast of the traditional marimba with their youthful attitude and street sense connects the audience to the past while dancing into the future.

Formed in 2017, Son Rompe Pera broke onto the potent cumbia scene of today as the marimba duo of brothers Jesús Ángel and Allan Gama (Kacho and Mongo), who inherited this tradition from their father, Batuco. A marimba player by trade, he taught them to play and understand the marimba, which they first used to revive old folk songs for their friends, family, and passers-by on the street. They then incorporated it into the performance of popular Mexican cumbia songs, while spicing things up with an animated identity of their own, creating rhythms of an imaginary repertoire that grows, spreads, and connects the Americas with every passing year.

Son Rompe Pera is currently made up of five musicians, (conga, percussion, güiro, drums, guitar, bass and marimba) who develop a full live sound with strong Pan-Latino representation. After a chance meeting in the La Lagunilla market in Mexico City, they were invited to Chile in 2017, where they played over forty gigs at some of the biggest festivals in the country, while also spending weekends at the famous Persa Bio-Bio street market, keeping alive their legacy as street musicians wherever they went. The band also grabbed the attention of major musicians working in this style, such as Café

Tacuba, Celso Piña, Fidel Nadal and the Chileans Sonora de Llegar, Santaferia, Anarkia Tropical and the singer Aldo Asenjo, AKA Macha, who has incorporated the Mexican musicians into his three bands Chico Trujillo, La Floripondio, and Bloque Depresivo.

In Chile they also took advantage of staying at the mythical Perros con Tiña studio, where they continued to develop their sound and were able to record their first record, loaded with famous guests from the current Chilean music scene. The album, Batuco, due out on the ZZK label imprint, AYA Records, on February 28th, 2020, is named after their recently deceased father, and is a representation of everything he taught them growing up, plus their first steps into a new, international career.

In their own words: “The basics of Son Rompe Pera have been developing since we were kids, and the music and streets are in our blood. We found the markets flooded with old, forgotten folk music, and so as kids we decided to carry the marimba with us and create this musical project from our own roots, mixing in rhythms which we thought would never be musical brothers, like cumbia, punk, and the sounds of our barrios and our everyday lives.”

The marimba is an idiophone percussion instrument, similar in form to a xylophone. Xylophones are widely used in central and western African music, and were taken to Latin America during the conquest and colonization. The term marimba comes from the Bantu marimba or malimba. The word is formed from ma, or “many”, and rimba “single-bar xylophone.” It consists of a series of wooden strips of different sizes, arranged from largest to smallest, which are struck with mallets to produce musical notes. Each key has its own resonator and the instrument as a whole is fixed into a frame with legs.

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Sonido Gallo Negro

Sonido Gallo Negro (Black Rooster Sound) is a stunning 9-piece, instrumental combo from east Mexico City that channels both the mystique and mysticism of 1960’s Peruvian cumbia. The band integrates styles like Amazonian cumbia, huayno, cumbia sonidera, boogaloo and chicha (Peruvian cumbia) with electric guitars, Farfisa organ, theremin, flute and of course fluid Latin percussion. Spaghetti western soundtracks, psychedelia and surf music also echo in their compositions.

Sonido Gallo Negro’s music proposal enrichens and cultivates this musical genre with its exotic sui generis version that integrates outstanding visuals performed live by designer Dr. Alderete, who illustrates in real time.

^{Source boaviagemmusic.com}

War

War (originally called Eric Burdon and War) is an American funk/rock/soul band from Long Beach, California, known for several hit songs (including "Spill the Wine", "The World Is a Ghetto", "The Cisco Kid", "Why Can't We Be Friends?", "Low Rider", and "Summer"). Formed in 1969, War is a musical crossover band that fuses elements of rock, funk, jazz, Latin, rhythm and blues, psychedelia, and reggae. According to music writer Colin Larkin, their "potent fusion of funk, R&B, rock and Latin styles produced a progressive soul sound", while Martin C. Strong calls them "one of the fiercest progressive soul combos of the '70s". Their album The World Is a Ghetto was Billboard's best-selling album of 1973. The band transcended racial and cultural barriers with a multi-ethnic line-up. War was subject to many line-up changes over the course of its existence, leaving member Leroy "Lonnie" Jordan as the only original member in the current line-up; four other members created a new group called the Lowrider Band.

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