'Reggae' Bands // p 2 of 2

Ken Boothe

Ken Boothe OD (born 22 March 1948) is a Jamaican vocalist known for his distinctive vibrato and timbre. Boothe achieved an international reputation as one of Jamaica's finest vocalists through a series of crossover hits that appealed to both reggae fans and mainstream audiences.

Biography

Ken Boothe was born in Denham Town, Kingston. He attended Denham Primary Elementary School and during this period developed an interest in music after receiving encouragement from his eldest sister, Hyacinth Clover, who was an established vocalist. Boothe cites singer Owen Gray as a major influence, particularly after hearing Gray perform the Leiber and Stoller rhythm and blues version of the 1920s blues standard, "Kansas City Blues", written by E L Bowman and notably performed by Jim Jackson in 1927. Stranger Cole, who was an established artist and neighbor to Boothe, had already worked with Boothe on the Sir Percy sound system as well as recording two songs for independent producer Sir Mike though Boothe's major breakthrough came in 1963 after Cole arranged an audition at Duke Reid's studio. The audition with Cole and Boothe performing the song "Uno Dos Tres" was a success and Boothe and Cole formed the duo 'Stranger & Ken' with the first track released by them being "Hush Baby" on the B-side of Cole's Island Records single "Last Love". This was followed by the singles "Thick in Love" both released in 1963 on R&B Records. They released several more popular singles between 1963 and 1965, including "World's Fair", "Hush", and "Artibella". Boothe also recorded as a duo with Roy Shirley (as Roy & Ken), which resulted in the release of the single "Paradise" in 1966.

Boothe's first solo tracks were recorded in 1966 after Clement "Coxsone" Dodd had signed him to his Studio One Label. He also recorded material for Phil Pratt and Sonia Pottinger the same year. He had almost immediate success with songs including "The Train Is Coming" (on which he was backed by the Wailers), the first, ska version, of later reggae song You're No Good with Soulettes (the group Bob Marley's future wife Rita Anderson was in) on B-side, and "Lonely Teardrops". The following year, Boothe and Alton Ellis had a successful UK tour with the Studio One session group, the Soul Vendors. Boothe was promoted as "Mr. Rock Steady" by Dodd during this period. The rocksteady classic "Moving Away" was released in 1967 or 1968 on the Coxsone label. "Moving Away" is a song still popular today, and covered or sampled by many artists, among them Dennis Brown, Jackie Mittoo ("Macka Fat"), Jack Radics I-Roy, U-Roy ("African Message"), Janet Key, Jaime Hinckson, Romain des Bois, Bruno Mars, Al Campbell ("Dress Black" Garnett Silk ("It's Growing"), Half Pint ("Substitute Lover"), Wayne Wonder ("Time To Say Good Bye"), Leroy Smart ("Talk About Friends"), Sanchez ("Don't Worry"), Admiral Tibet ("Nuthin Nah Run" among many others. Many of Boothe's songs have been reused in one way or another. On the B-side of the single "Moving Away" was the instrumental "Streets Of Gold" by the Skatalites. Boothe continued to record for Dodd until 1970, when he switched to producer Leslie Kong's Beverley's Records and reggae, where his success continued with hits such as "Freedom Street" and "Why Baby Why".

After Kong died, Boothe recorded for many of Jamaica's top producers during the early 1970s, including Keith Hudson, Herman Chin Loy, Vincent "Randy" Chin, and Phil Pratt. He then formed the group Conscious Minds with B. B. Seaton.

Under a new direction from record producer Lloyd Charmers, Boothe released "Everything I Own" on Trojan Records, which reached Number One in the UK Singles Chart in 1974. The song, written by David Gates, was given a sympathetic light reggae feel and it received airplay and an appreciative audience in the West Indies and was regularly played on the radio stations of the UK due to its "crossover" appeal. David Gates' own group, Bread, had had a minor UK hit with the song in the spring of 1972, but it had only reached No. 32. Boothe's reggae version of the song "Everything I Own" reached Number One in the UK Singles Chart on 26 October 1974, and stayed at the top of the charts for three weeks. It featured Lloyd Parks on bass guitar, Paul Douglas a.k.a. Paul Williams on drums, Willie Lindo on guitar, and Lloyd Charmers on organ, piano and percussion. The recording was produced by Lloyd Charmers.

Boothe had one more hit in the UK Singles Chart during the 1970s, "Crying Over You", which made No. 11, with Trojan Records' collapse and a split with Charmers losing much of the momentum built up by his two hits. Boothe recorded a reggae version of the standard "When I Fall In Love" which was released in 1974 on the Studio One label.

In 1978, along with Dillinger, Leroy Smart, and Delroy Wilson, Boothe was referenced by lyricist Joe Strummer in the Clash's song, "(White Man) In Hammersmith Palais". Boothe reunited with Charmers in the late 1970s when a revived Trojan Records released the albums Blood Brothers (first issued on LTD in 1976) and Who Gets Your Love, but the reunion proved to be short-lived. He continued to record during the 1980s and had a few hits during 1986 and 1987.

In more recent times, Boothe has recorded for Bunny Lee, Phil Pratt, King Jammy, Pete Weston, Jack Ruby, Hugh "Red Man" James, Castro Brown and Tappa Zukie. In 1995 a version of "The Train Is Coming", re-worked with Shaggy, was used in the soundtrack for the film Money Train.

A two-disc set of Boothe's recordings for Trojan, Crying Over You, was released in 2001.

Boothe was awarded the Order of Distinction for his contribution to Jamaican music by the Jamaican government in 2003.

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Manu Chao

Manu Chao (Spanish pronunciation: [ˈmanu ˈtʃao]; born José-Manuel Thomas Arthur Chao, June 21, 1961) is a French musician of Spanish descent. He sings in French, Spanish, English, Italian, Arabic, Catalan, Galician, Portuguese, Greek and occasionally in other languages. Chao began his musical career in Paris, busking and playing with groups such as Hot Pants and Los Carayos, which combined a variety of languages and musical styles. With friends and his brother Antoine Chao, he founded the band Mano Negra in 1987, achieving considerable success, particularly in Europe. He became a solo artist after its breakup in 1995, and since then tours regularly with his live band, Radio Bemba.

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Marcia Aitken

Aitken's break into the music industry came while she was still a student at Excelsior High School - in her own words: "I was singing at a school concert, and Lloyd Parks and the We the People Band was backing us. They said they liked the sound of my voice, and I became a member of the band after that. Then I began to do recordings for Joe Gibbs". She concentrated on lovers rock and recorded a popular version of the Alton Ellis song "I'm Still in Love With You" (as "I'm Still in Love with You Boy", recorded while still at Excelsior), which was a number one hit in Jamaica and successful UK and US reggae charts, and also formed the basis of Trinity's "Three Piece Suit" and Althea & Donna's "Uptown Top Ranking". She had another Jamaican number one single in 1978 with "My Man", a combination record with Trinity. She also recorded songs by Ansel Cridland of The Meditations, including "Narrow Minded Man", a response to The Meditations' chauvinistic "Woman is Like a Shadow". Aitken recorded a single album, Reggae Impact, produced by Gibbs and Willie Lindo.

After completing high school in 1981, Aitken retired from music and moved to Brooklyn, where she opened the Norstrand Eatery with her husband in 1985. In the 2000s she studied for a degree in Business Management. She subsequently moved into nursing for over twenty years.

Aitken returned to recording with the 2014 album Conception to Redemption, which featured gospel versions of some of her earlier songs

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Pachyman

As a young, university-trained musician looking to find his way in this tropical space, Pachy García (a/k/a Pachyman) became obsessed with old Jamaican dub records like the ones from King Tubby and Scientist and is determined to re-create the vibe in his own way. “The recordings of the early roots stuff really got to me, the raw-ness of the sound and how the distortion and the drive that come out of these recordings come out sounding like the root of the sound,” said García. “They were kind of like the old Delta blues recordings, like super-raw, people and their instruments rehearse this song and it sounds so perfect.”

Garcia is perhaps best known as the drummer/vocalist for the L.A.-based band Prettiest Eyes, a unique pop-noise project that reflects his other formative interest, synth punk. He thinks of his new recording, called The Return of Pachyman, the way King Tubby would, an “x-ray” of reggae music, breaking it down to its bare bones. Originally a guitarist, he moved to Los Angeles in the early 2010s and developed his passion for dub. From there, he started recording bass, drums, and piano and collecting recording equipment in his basement studio, which he calls 333 House.

As a teenager, García was drawn to guitar as a fan of bands like Nirvana, hardcore Dischord label bands, and Puerto Rican hardcore pioneers Tropiezo and Juventud Crasa. Yet he was also busily imbibing electronic dance music, drum and bass, and, at Universidad Interamericana, jazz, fusion, and Wes Montgomery. “At the same time, I was discovering the Wailers, The Easy All Stars from New York—when they did that Dub Side of the Moon Thing [dub versions of Pink Floyd classics] it was a big thing for me,” said García.

In the early 2000s, Cultura Profética was the dominant force in Puerto Rican reggae, and García was drawn like a moth to the flame. “When their third record came, it was a live one, and it was all over the radio,” said García. After moving to LA, García found a niche group called Dub Club and started crate-diving classic records, old microphones and reel-to-reel tape machines in his quest to achieve an old-school reggae sound.

With The Return of Pachyman, García wants to show how the Caribbean flow is transnational, a vibe that resounds from Jamaica to San Juan to Southern California. “With this project, I was looking to make positive music and radiate good energy; something to kinda disconnect from the negative things that were happening at the moment,” Garcia explains. “I am trying to make this project a service for humanity in the sense that I just wanted to shine a positive light.”

Pachyman’s planet is a world between worlds, where exiled multi-instrument basement studio composers stand and deliver.

^{Source atorecords.com}

Roots Radics + Bravo

The Roots Radics Band was formed in 1978 by bass player Errol "Flabba" Holt, guitarist Eric "Bingy Bunny" Lamont and drummer Lincoln "Style" Scott. They were joined by many musicians, including guitarist Noel "Sowell" Bailey, Dwight Pinkney and Steve Golding, keyboard player Wycliffe "Steelie" Johnson, Pianist Gladstone "Gladdy" Anderson and saxophonist Headley Bennett. As a combined force the Roots Radics became a well-respected studio and stage band, which dominated the sound in the first half of the 1980s. They supported artists like Bunny Wailer, Gregory Isaacs, Michael Prophet, Eek-A-Mouse, and Israel Vibration and have released several albums to their name as well. As an aside, the English word 'Radical' is derived from the Latin word 'Radix', which is the Latin word for 'Root'.

Somewhere late in 1979 the band recorded the riddims for Barrington Levy's first songs for producer Henry "Junjo" Lawes, credited at the time as the Channel One Stars. With hindsight these riddims are now considered the birth of Jamaican dancehall music.

As a sought after studio lineup, Roots Radics backed several well known reggae stars in the studio and on tour. For example, they appear on several Eek-A-Mouse albums: Bubble Up Yu Hip (1980), Wa-Do-Dem (1981), Skidip (1982), The Mouse and the Man (1983) and Assassinator (1983). They backed reggae superstar Gregory Isaacs on his classic album Night Nurse (1982), and are often credited on releases by Prince Far I, both on his solo recording work, and as part of producer Adrian Sherwood's studio supergroup Singers and Players.

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The Aggrolites

The Aggrolites are an amalgamation of two previous Los Angeles reggae and ska bands, the Vessels and the Rhythm Doctors. They formed in 2002 as a live backing band for reggae icon Derrick Morgan, and were asked to record music for a new Morgan album. The project was never released, but the recording sessions inspired the Aggrolites to become a permanent band. They have served as the backing band for Phyllis Dillon, Scotty, Joseph Hill of Culture, Prince Buster, and Tim Armstrong.

Regarding their musical style, Aggrolites organist Roger Rivas has stated that a combination of the sounds of 1960s soul music, funk, and skinhead reggae (also known simply as early reggae) constitutes what the band has dubbed "Dirty Reggae."

In 2003, the Aggrolites released their debut album, Dirty Reggae, on local reggae label Axe Records. The album was recorded at Signet Studios in Los Angeles in one day, with each song recorded in one take, and with many lyrics improvised on the spot. In November 2004, the Aggrolites were featured on Hellcat Records compilation Give 'Em the Boot IV, and were officially signed to Hellcat in October 2005. The Aggrolites' self-titled Hellcat debut was released on May 9, 2006. In December 2006 they toured the UK as the support band for Madness. The Aggrolites finished a collaboration with Rancid frontman Tim Armstrong for his new solo album, A Poet's Life. They are providing the instrumentals with Tim as lead singer.

They released a new album on June 5, 2007 called Reggae Hit L.A., which won an IGN award for Best Reggae Album of 2007.

The Aggrolites made an appearance on the Nick Jr. show Yo Gabba Gabba!, created by Christian Jacobs, lead singer of The Aquabats.

In mid-2007, original bassist J Bonner quit the band and played his last show on August 12, 2007 in Washington DC. He was replaced by Hepcat bassist David Fuentes. Fuentes died on September 23, 2007.

The band entered the studio in early 2009 to record their fourth album. It was released June 9, 2009 and titled IV.

The band is kicking off a US tour in October 2009 before joining Slightly Stoopid for a run of dates in November 2009.

The band released their fifth studio album, Rugged Road, on February 22, 2011. It is their first album for Young Cub Records.

In 2015 the band released three new songs on Bandcamp. Later that songs were re-recorded for their sixth studio album, REGGAE NOW!, released on May 24, 2019. It is their first album for Pirates Press Records.

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The Dublife Soundsystem

Bronté James was a great person and a local reggae star in Salt Lake City with his band Afro Omega.

Bronte Michele James of Eugene, OR passed away on Wednesday, December 6, 2017 at the age of 40 due to complications from cancer. Bronte was born to Laura Ann Hubych (Sasson) and Harding Lewis James on July 31, 1977 in Salt Lake City Utah. He attended East High School, and then went on to attend Orange Coast College. On June 10, 2005 he married Elisa Vasquez in Salt Lake City after being together since November 1998. Bronte loved sports and being active. He played high school football, track, and baseball. Once he finished college football, he started his love of music. He played his first live show as Afro Omega in December 2002, and recorded 5 albums during his music career. He also started up an electronic music project: Dublife Music. Bronte continued performing, writing, collaborating, and influencing the music community until his disease advanced. Bronte fought strongly and courageously until the very end. Bronte was preceded in death by his father Lewis James. He is survived by his wife of 19 years Elisa James (Vasquez); mother Laura Hubych and stepfather John William Hubych; son Tahriq James (18), son Ahmadi James (15), daughter Nia James (9), and daughter Ade James (4), all of Eugene, OR; brother Delano James of Seattle, WA; sister Adrian James of Atlanta, GA; and many aunts, uncles, cousins, nieces, and nephews who loved him dearly.

^{Source legacy.com}

The Good, the Bad & the Queen

The Good, the Bad & the Queen was a supergroup composed of singer Damon Albarn of Blur and Gorillaz, bassist Paul Simonon of the Clash, guitarist Simon Tong of the Verve, and Fela Kuti drummer Tony Allen. They released their self-titled debut album in 2007. Their second album, Merrie Land, coproduced with Tony Visconti, was released in 2018.

Formation and debut album
Albarn first met Simonon at the wedding of Clash singer Joe Strummer in 1997, where Simonon. Allen contacted Albarn after hearing the 2000 Blur single "Music Is My Radar", which contains a reference to Allen. In 2002, following the departure of guitarist Graham Coxon, Tong joined Blur on their Think Tank tour.

The Good, the Bad & the Queen began as a solo project by Albarn with production by Danger Mouse. However, by July 2006, the project had become a band. They played their debut gig in a village pub in Devon on 20 October, followed by a performance at the London Roundhouse on 26 October as part of the BBC Electric Proms. They released their first single "Herculean" on 30 October. On 12 December, the band performed a secret launch gig exclusive to 300 chosen fans for Myspace's new feature The List in Wilton’s Music Hall, East London.

On 12 January 2007, the band released the second single "Kingdom of Doom", which became their first Top 20 single. On 2 April 2007, the third single "Green Fields", which was at No. 51 in the first week after its debut.

The band released their self-titled debut album The Good, The Bad & The Queen on 22 January 2007. This album was voted by the Observer Music Magazine as the Best Album of 2007. At this point, Albarn said that The Good The Band And The Queen was the album title and not the band name, saying that the band was "nameless". Simonon said "we didn't properly name the band, because a name is for a marriage".

Albarn said the group had "permanently finished" in 2007; however, they reunited to perform at the 2008 Love Music Hate Racism carnival. Tong and Simonon appeared on Albarn's next project, the third Gorillaz album Plastic Beach (2010), and Allen collaborated with Albarn again on the 2012 album Rocket Juice & the Moon. In November 2011, the Good, the Bad & the Queen played a show at London's Coronet Theatre for the 40th anniversary of Greenpeace, the first time they had played together in almost three years. Tong and Simonon appeared on Albarn's next project, the third Gorillaz album Plastic Beach, and participated in the tour in support of the album. Allen and Tong appeared on Albarn's soundtrack for the opera Dr Dee (2012).

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The Melodians

The Melodians are a rocksteady band formed in the Greenwich Town area of Kingston, Jamaica, in 1963, by Tony Brevett (born 1949, nephew of The Skatalites bassist, Lloyd Brevett), Brent Dowe and Trevor McNaughton. Renford Cogle assisted with writing and arranging material.

Career

Trevor McNaughton had the idea of putting a group together and contacted the then 14-year-old Tony Brevett, who had already had success in local talent shows. Brevett recruited his friend Brent Dowe and the group was formed, with Brevett taking on lead vocal duties. Bramwell Brown and Renford Cogle also had short stints in the group in its early days, and Cogle became one of the group's main songwriters.

The group recorded some material with Prince Buster before Ken Boothe introduced them to Coxsone Dodd's Studio One label where in 1966 they recorded "Lay It On" (one of the first records to reflect the shift from ska to rocksteady), "Meet Me", "I Should Have Made It Up" and "Let's Join Hands (Together)". Lead vocal duties were now shared between Brevett and Dowe. From 1967 to 1968 they had a number of hits on Duke Reid's Treasure Isle label, including "You Have Caught Me", "Expo 67", "I'll Get Along Without You", and "You Don't Need Me". After recording "Swing and Dine" for record producer Sonia Pottinger, they had further hits with "Little Nut Tree" before recording their biggest hit, "Rivers of Babylon" for Leslie Kong. This song became an anthem of the Rastafarian movement, and was featured on the soundtrack of the movie The Harder They Come. In the early 1970s Brevett also recorded as a solo artist, having his greatest success with "Don't Get Weary". After Kong's death in 1971, they recorded for Lee Perry and Byron Lee's Dynamic Studios. In 1973, Brent Dowe left the group for a solo career. The group reformed briefly a few years later, and again in the early 1980s.

The Melodians regrouped again in the 1990s as part of the roots revival. In 1992 they recorded "Song of Love", which was issued on the Tappa Zukie label. Throughout the later 1990s they continued touring internationally, including appearing at the Sierra Nevada World Music Festival in California in 2002. In 2005 The Melodians embarked on a West Coast tour.

The death of Tony Brevett in 2013 left McNaughton as the only surviving original member. McNaughton toured as a solo artist in 2014 and subsequently recruited Taurus Alphonso (formerly of the Mellow Tones) and Winston Dias (formerly of The Movers) to form a new Melodians line-up. As of February 2015, the group were recording a new album in Florida with producer Willie Lindo. The Return of the Melodians was released in May 2017 and went on to reach no. 19 on the Billboard Reggae Albums chart.

In February 2017, the Melodians received an 'Iconic Award' from the Jamaica Reggae Industry Association (JaRIA).

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The Police

The Police were a British rock band formed in London in 1977. For most of their history the line-up consisted of primary songwriter Sting (lead vocals, bass guitar), Andy Summers (guitar), and Stewart Copeland (drums, percussion). The Police became globally popular in the late 1970s and early 1980s. Emerging in the British new wave scene, they played a style of rock influenced by punk, reggae, and jazz. Considered one of the leaders of the Second British Invasion of the U.S., in 1983 Rolling Stone labelled them "the first British New Wave act to break through in America on a grand scale, and possibly the biggest band in the world." The Police disbanded in 1986, but reunited in early 2007 for a one-off world tour that ended in August 2008.

Their 1978 debut album, Outlandos d'Amour, reached No. 6 in the UK Albums Chart. Their second album Reggatta de Blanc (1979), became the first of four consecutive No. 1 studio albums in the UK and Australia with its lead single, "Message in a Bottle", their first UK number one. Their next two albums, Zenyatta Mondatta (1980) and Ghost in the Machine (1981), featuring "Don't Stand So Close to Me" and "Every Little Thing She Does Is Magic", both UK number one singles, saw further critical and commercial success. Their final studio album, Synchronicity (1983), was No. 1 in both the UK and the US, selling over 9 million copies in the US alone. Its lead single, "Every Breath You Take", became their fifth UK number one, and first in the US. The Police have sold over 75 million records, making them one of the world's best-selling artists of all time. They were the world's highest-earning musicians in 2008, due to their reunion tour.

The Police won a number of music awards, including six Grammy Awards, two Brit Awards—winning Best British Group once, an MTV Video Music Award, and in 2003 were inducted into the Rock and Roll Hall of Fame. Four of their five studio albums appeared on Rolling Stone's list of the "500 Greatest Albums of All Time". The Police were included among both Rolling Stone's and VH1's lists of the "100 Greatest Artists of All Time".

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Tommy McCook & The Supersonics

Tommy McCook (3 March 1927 – 5 May 1998) was a Jamaican saxophonist. A founding member of The Skatalites, he also directed The Supersonics for Duke Reid, and backed many sessions for Bunny Lee or with The Revolutionaries at Channel One Studios in the 1970s.

Biography
McCook was born in Havana, Cuba, and moved to Jamaica in 1933. He took up the tenor saxophone at the age of eleven, when he was a pupil at the Alpha School, and eventually joined Eric Dean’s Orchestra.

In 1954 he left for an engagement in Nassau, Bahamas, after which he ended up in Miami, Florida, and it was here that McCook first heard John Coltrane and fell in love with jazz. McCook returned to Jamaica in early 1962, where he was approached by a few local producers to do some recordings. Eventually he consented to record a jazz session for Clement "Coxson" Dodd, which was issued on the album as "Jazz Jamaica". His first ska recording was an adaptation of Ernest Gold’s "Exodus", recorded in November 1963 with musicians who would soon make up the Skatalites.

During the 1960s and 1970s McCook recorded with the majority of prominent reggae artists of the era, working particularly with producer Bunny Lee and his house band, The Aggrovators, as well as being featured prominently in the recordings of Yabby You and the Prophets (most notably on version sides and extended disco mixes), all while still performing and recording with the variety of line ups under the Skatalites name. When McCook was bandleader for The Supersonics, the band included bassist Jackie Jackson and drummer Paul Douglas, who became the rhythm section for Toots and the Maytals when the era of reggae emerged from rocksteady.

McCook died of pneumonia and heart failure, aged 71, on 5 May 1998.

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Toots & The Maytals

Toots and the Maytals, originally called The Maytals, are a Jamaican musical group and one of the best known ska and rocksteady vocal groups. The Maytals were formed in the early 1960s and were key figures in popularizing reggae music. Frontman Toots Hibbert's soulful vocal style has been compared to Otis Redding, and led him to be named one of the 100 Greatest Singers by Rolling Stone. Their 1968 single "Do the Reggay", was the first song to use the word "reggae", naming the genre and introducing it to a global audience. As Island Records founder Chris Blackwell says, "The Maytals were unlike anything else ... sensational, raw and dynamic."

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Vieux Farka Touré

Often referred to as “The Hendrix of the Sahara”, Vieux Farka Touré was born in Niafunké, Mali in 1981. He is the son of legendary Malian guitar player Ali Farka Touré, who died in 2006. Ali Farka Touré came from a historical tribe of soldiers, and defied his parents in becoming a musician. When Vieux was in his teens, he declared that he also wanted to be a musician. His father disapproved due to the pressures he had experienced being a musician. Rather, he wanted Vieux to become a soldier. But with help from family friend the kora maestro Toumani Diabaté, Vieux eventually convinced his father to give him his blessing to become a musician shortly before Ali passed.

Vieux was initially a drummer / calabash player at Mali’s Institut National des Arts, but secretly began playing guitar in 2001. Ali Farka Touré was weakened with cancer when Vieux announced that he was going to record an album. Ali recorded a couple of tracks with him, and these recordings, which can be heard on Vieux’s debut CD, were amongst his final ones. It has been said that the senior Touré played rough mixes of these songs when people visited him in his final days, at peace with, and proud of, his son’s talent as a musician.

In 2005, Eric Herman (still Vieux’s manager today) of Modiba Productions expressed an interest in producing an album for Vieux; this led to Vieux’s self-titled debut album, released by World Village in 2007. Ali Farka Touré’s work to tackle the problem of malaria is continued as 10% of proceeds are donated to Modiba’s “Fight Malaria” campaign in Niafunké through which over 3000 mosquito nets have been delivered to children and pregnant women in the Timbuktu region of Mali. On this first album, Vieux pays homage to his father and follows Ali’s musical tradition, giving new versions of the West African music that is echoed in the American blues. The album features Toumani Diabaté, as well as his late father. One of the tracks, ‘Courage’, is on the soundtrack of the film The First Grader (2010).

On his second record, Fondo on Six Degrees (2009), Vieux branched out and presented his own sound: while remaining true to the roots of his father’s music he uses elements of rock, Latin music, and other African influences. The album received a great deal of critical acclaim from across the globe, and Vieux was clearly moving out of his father’s shadow.

By June 2010, Vieux was performing at the opening concert for the FIFA World Cup in South Africa. That month Vieux also released his first live album, LIVE. His live performances are highly energized and Vieux is known for dazzling crowds with his speed and dexterity on the guitar, as well as his palpable charisma and luminous smile, both of which captivate audiences from all audiences in spite of any language barriers (though Vieux does speak 8 languages).

In 2011 Vieux released his 3rd studio album, The Secret, so named because the listener will hear the secret of the blues with a blend of generations from father to son. It was produced by guitarist Eric Krasno (of the Soulive trio) and features South African-born vocalist Dave Matthews, Derek Trucks on electric slide guitar and jazz guitarist John Scofield. The title track is the last collaboration between Vieux and his late father. With the heralded release of The Secret, Vieux Farka Touré has clearly established himself as one of the world’s rare musical talents and guitar virtuosos with a distinct style that always pays homage to the past while looking towards the future.

Vieux released The Tel Aviv Session (Cumbancha) in April 2012, a collaborative project with Israeli superstar Idan Raichel dubbed ‘The Touré-Raichel Collective’ that has been hailed by fans and critics alike as a masterpiece and one of the best collaborative albums in the history of international music, drawing comparisons to Ali Farka Touré and Ry Cooder’s legendary Talking Timbuktu album.

In 2013, Vieux Farka Touré’s beautiful and critically acclaimed latest album Mon Pays was released as an homage to his homeland. Being that his native Mali had recently been splintered by territorial fighting between Tuareg and Islamic rebels since January 2012, Mon Pays was devoted to reminding the world about the beauty and culture of his native Mali. Translated as ‘My Country,’ this predominantly acoustic undertaking transformed into an artifact of cultural preservation. Two songs on the project -Future’ and ‘Peace’ feature Sidiki Diabate’s kora leading an emotional charge complemented by Touré’s spectacular guitar work. Both tracks represent an important generational “passing of the torch” as Sidiki’s father, Toumani is considered one of the greatest living kora masters and was a close friend of Vieux’s father Ali. Mon Pays has been widely hailed as the most mature and lovely record yet from one of this generation’s most exciting artists to come out of Mali and one of world music’s true rising stars.

Vieux reunited with Idan Raichel in Paris to record, release and subsequently tour their 2nd collaborative album as The Touré-Raichel Collective in 2014. The result was yet another musical and critical triumph, titled 'The Paris Session' (Cumbancha) revered by many as not just a musical gem for the ages but a powerful testimonial to the power of art and fraternity to transcend vast cultural and political divides. In 2015, Vieux released another unexpected, genre-bending collaborative album, this time with New York-based singer Julia Easterlin, aptly titled 'Touristes'. The album shot to the top of the iTunes World chart and earned critical acclaim, including that of John Schaefer (NPR) who called it "brilliant." On April 7, 2017, Vieux released his latest album 'Samba', recorded live in front of a small audience at Applehead Studio in Woodstock, NY. The album was being hailed by critics as Vieux's finest, most well-rounded and mature album to date. With each new project, Vieux expands his horizons, embraces new challenges and further entrenches his reputation as one of the world’s most talented and innovative musicians.

^{Source VieuxFarkaToure.com}