'Rock' Bands // p 19 of 20

This Is the Kit

This Is the Kit is the alias of British musician Kate Stables, as well as the band she fronts.

Critical attention

This Is The Kit were a long-time favourite among various BBC Radio 6 Music DJs, which is where the musician and presenter Guy Garvey discovered them, playing their music frequently. Fellow 6 Music DJs Lauren Laverne, Radcliffe & Maconie, Cerys Matthews, and Mary Anne Hobbs have also been major supporters; DJ Marc Riley has hosted the band for three BBC live sessions to date. BBC Radio 1 has offered the band spot plays via DJs Huw Stephens, Jen & Ally, and Phil Taggart.

As the band prepared to release their third album Bashed Out in late 2014 and early 2015, they began to receive more attention from online and print critics. Uncut, Drowned in Sound, The Line of Best Fit and The 405 awarded the album 8/10 ratings. The Mancunion rated a live show a 9/10. Finally, the American blog Stereogum wrote that "Kate Stables has been recording music as This Is The Kit for years now, but this is probably one of the first times you’re reading about her. "Bashed Out" will be her third full-length album, and…it will also likely be her breakout."

The band received a boost in attention in August 2015 when BBC iPlayer debuted an episode of the documentary series Music Box devoted to This Is The Kit's music and influences. The show was hosted by Garvey, who argued that their second album, Wriggle Out the Restless, deserved a Mercury Prize nomination.

The band also appeared in the BBC One television series Wanderlust, playing in a night club that Toni Colette's character Joy attended.

Recording history

In 2006, record label Sunday Best Recordings included the band's song "Two Wooden Spoons" in its Folk Off compilation album alongside artists including Animal Collective, Tunng and Vashti Bunyan. Their song was noted as a standout with Drowned in Sound stating: "its personal touch is largely what makes This Is The Kit the British highlight, not to mention that of the compilation as a whole". Following that, Sunday Best went on to release "Two Wooden Spoons" as a 7" single with the B side "Come a Cropper" in 2006.

This Is The Kit's first album, Krülle Bol (2008), was produced in Bristol by John Parish, a musician best known as PJ Harvey's longtime producer. It was originally released on the French label Microbe but has since been reissued on the band's own imprint.

The band's second album, Wriggle Out the Restless, was originally released by Dreamboat Records in 2010 and later reissued by the band's own Disco-ordination Records. In 2013 distribution began migrating to Brassland Records. The recording sessions drew on the talents of the Stables' extended musical community including Rozi Plain, Jim Barr, Francois & the Atlas Mountains and The Liftmen. The album was produced by longtime collaborator and partner Jesse D. Vernon.

In 2014, the band began work on their third studio LP Bashed Out with Aaron Dessner of The National. The band's usual members contributed to the recording as did studio musicians recruited by Aaron Dessner, including his brother Bryce Dessner, Benjamin Lanz, Thomas Bartlett, and Matt Barrick, amongst others. Brassland released the album in April 2015. It received attention as the band's "breakthrough" recording, and as one of the best British recordings of 2015.

July 2017 brought the release of the band's fourth LP Moonshine Freeze. The record was well received and chosen as the Rough Trade Album of the Month for July.

In October 2020, the band released their fifth LP Off Off On, again with Rough Trade.

^{Source Wikipedia}

Tiana Major9 & Earthgang

Tiana Major9 & Earthgang Deliver Enchanting 'Collide' Performance at 2019 Billboard Women in Music

Tiana Major9 is one to watch in 2020, and she made that clear with a breathtaking performance at Billboard's 2019 Women in Music ceremony.

She was introduced by President of Motown Records Ethiopia Habtemariam, who remembered when Queen & Slim director Melina Matsoukas approached her, asking for an "incredible soundtrack" for the film. The soundtrack, and Major9's contribution, Habtemariam noted are "an accompaniment to a triggering and provoking film that allows you see us, love us, understand us."

Tiana Major9 and her collaborator Earthgang wrote "Collide" specifically for Queen & Slim, and the duo delivered a smooth, intimate performance of the tune. Their chemistry was flowing strong, holding hands and looking into each other's eyes as they sang the touching chorus. It was a beautiful representation of the "black love story" Habtemariam praised Queen & Slim for being.

by Rania Aniftos

^{Source billboard.com}

Timber Timbre

Timber Timbre is a Canadian music group, featuring Taylor Kirk, Simon Trottier, Mathieu Charbonneau and Mark Wheaton. The moniker refers to an early series of recordings made in a timber-framed cabin set in the wooded outskirts of Bobcaygeon, Ontario.

Timber Timbre released two albums independently before releasing their self-titled album on Out of This Spark in January 2009. They were subsequently signed to Arts & Crafts, who re-released the album on June 30 in Canada and July 28 internationally. The album was named as a longlist nominee for the 2009 Polaris Music Prize on June 15, 2009, and was deemed album of the year by Eye Weekly.

The band's song "Magic Arrow" was featured in the television show Breaking Bad, in the episode "Caballo Sin Nombre", as well as in the TV series The Good Wife, in the episode "Bitcoin for Dummies". "Black Water" features on the soundtrack for the 2012 comedy, For a Good Time, Call..., as well Bottom of the World (2017). Their song "Demon Host" was featured in the end credits to the 2013 film The Last Exorcism Part II, and in the movie The Gambler (2014).

The band's fourth album, Creep On Creepin' On, was released in April 2011. It was named as one of ten shortlisted nominees for the 2011 Polaris Music Prize, losing to Arcade Fire's The Suburbs. In 2012, the band supported British folk singer Laura Marling on her UK tour and Canadian singer Feist on her tour of America.

The band's fifth record, Hot Dreams, was released April 1, 2014. It was a shortlisted nominee for the 2014 Polaris Music Prize, but lost to Tanya Tagaq's Animism. The song "Run From Me" is featured in the Netflix documentary Wild Wild Country, and in the sixth season of Netflix TV series Orange is the New Black.

Timber Timbre's sixth album, Sincerely, Future Pollution, was released on April 7, 2017, on City Slang Records. The album's first single, "Sewer Blues", was released in January 2017. The second single, "Velvet Gloves & Spit", was released on February 15, 2017.

^{Source Wikipedia}

Tindersticks

Tindersticks are an English alternative rock band formed in Nottingham in 1991. They released six albums before singer Stuart A. Staples embarked on a solo career. The band reunited briefly in 2006 and more permanently the following year. The band recorded several film soundtracks, and have a long-standing relationship collaborating with French director Claire Denis.

History

Staples, Boulter, Fraser, Macauley and Hinchliffe, all former members of Asphalt Ribbons, formed the band in 1991. The final line-up for the Old Horse mini-LP (1991) was: Stuart Staples (vocals), Dave Boulter (organ and accordion), Neil Fraser (guitar), Dickon Hinchliffe (guitar and strings), Al Macauley (percussion and drums), and John Thompson (bass). Mark Colwill was recruited when Thompson left the Asphalt Ribbons, but it is not known if he played any gigs under the Asphalt Ribbons name. They then changed their name to Tindersticks after Staples discovered a box of German matches on a Greek beach.

Tindersticks started recording demo tapes in 1992, and formed their own label Tippy Toe Records to release their first single, "Patchwork", in the same year.

Their self-titled first and second albums established their signature sound and received widespread critical acclaim. Their live performances, often augmented by large string sections and even, on occasion, a full orchestra, were well received. The live album The Bloomsbury Theatre 12.3.95 is a recording of one such concert. By the time of the third album, Curtains, however, it was clear that a change of direction was called for.

The fourth album, Simple Pleasure, lived up to its title with a series of snappy, direct songs influenced by soul music. The female backing vocals on several tracks, and the respectful cover of Odyssey's "If You're Looking for a Way Out", signalled the band's wish to move towards lighter, more soulful material. However, the inner sleeve's documentation of the number of takes each track went through was evidence that the band continued to adopt a painstaking approach to recording.

The fifth album, Can Our Love..., continued the band's soulful direction, in particular evidence on the tender "Sweet Release" and in the nod to The Chi-Lites in the title of "Chilitetime".

The sixth album, Waiting for the Moon, was more stripped down and introspective in nature, particularly on the harrowing "4.48 Psychosis" (based on the play of the same name by the British playwright Sarah Kane) and "Sometimes It Hurts". Only the bouncy "Just a Dog" lightened the otherwise melancholy mood of the album.

In 2005, Staples embarked on a solo career and there was resultant speculation that the band had split. Staples has so far produced two solo albums, Lucky Dog Recordings 03-04 and Leaving Songs. The title of the second album, and Staples' notes on it, indicated that change was in the air: "These are songs written on the verge of leaving the things I loved and stepping into a new unknown life, both musically and personally. I was always aware that these songs were the end of something, a kind of closing a circle of a way of writing that I started so long ago and I knew I had to move on from."

In September 2006, the band played a one-off concert at London's Barbican Centre, performing their second album in full with a nine-member string section and two brass players, including former collaborator Terry Edwards on trumpet.

Staples later acknowledged that this show, while being a happy triumph, was also "tinged with sadness of the knowledge that the six of us had made all the new music we were going to make together." However, it also rekindled his determination to make a new album.

In 2007, a stripped-down line-up of three of the original band, Staples, Boulter and Fraser, spent time writing and recording in a newly equipped studio in Limousin, France. They were joined by Thomas Belhom on drums and Dan McKinna on bass, with Ian Caple engineering. The resulting album, The Hungry Saw, was released on Beggars Banquet in April 2008. Tindersticks played a number of other European dates during the summer festival season and also announced a winter 2008 European tour.

In 2010, the eighth studio album Falling Down a Mountain was released on 4AD/Constellation Records with a changed band line-up, with Earl Harvin replacing Belhom on drums and David Kitt, a solo artist in his own right, joining the band on guitar and vocals.

The group's ninth studio album The Something Rain was released in February 2012. The following tours in spring, summer (festival concerts) and autumn, showed the band now touring in their again reduced 5-member core line-up (Stuart Staples, David Boulter, Neil Fraser, Dan McKinna and Earl Harvin), supported at selected gigs by Terry Edwards on horns.

In October 2013, after missing the band's 20th anniversary the years before, the band released their tenth studio album, the retrospective Across Six Leap Years, containing ten re-recorded songs from their back-catalog and from Stuart A. Staples solo album period. In the autumn of 2013 they toured several European capital cities in their Across Six Leap Years anniversary tour, supported by Terry Edwards on saxophone and horns and Gina Foster on backing vocals.

In 2016 they released their eleventh studio album The Waiting Room, followed by an extensive tour in February to May 2016.

Their 12th studio album, No Treasure But Hope, was released in later 2019 to positive reviews, with a tour planned for 2020. Ahead of these tour dates, the band released the four-song See My Girls EP along with a video for the title track.

U.S. and European tour dates were cancelled due to the COVID-19 pandemic, which is why the core band focused on working on a new album during 2020. In January 2021, the band announced their thirteenth regular album Distractions, which was released on February 19th and charted at number 15 in the Offizielle Deutsche Charts' Album Top 100 in Germany.

^{Source Wikipedia}

Tom Waits

Thomas Alan Waits (born December 7, 1949) is an American singer, songwriter, musician, composer, and actor. His music is characterized by his distinctive deep, gravelly voice and lyrics focusing on the underside of society. During the 1970s, he worked primarily in jazz, but since the 1980s his music has reflected greater influence from blues, vaudeville, and experimental genres.

Waits was born and raised in a middle-class family in California. He was inspired by the work of Bob Dylan and the Beat Generation as a teenager, so he began singing on the San Diego folk music circuit, relocating to Los Angeles in 1972. He worked there as a songwriter before signing a recording contract with Asylum Records. His first albums were the jazz-oriented Closing Time (1973) and The Heart of Saturday Night (1974), which reflected his lyrical interest in nightlife, poverty, and criminality. He has repeatedly toured the U.S., Europe, and Japan and has attracted greater critical recognition and commercial success with Small Change (1976), which he followed with Blue Valentine (1978) and Heartattack and Vine (1980). He produced the soundtrack for Francis Ford Coppola's 1981 film One from the Heart and subsequently made cameo appearances in several Coppola films.

In 1980, Waits married Kathleen Brennan, broke from his manager and record label, and moved to New York City. Under his wife's encouragement, he pursued a new, more experimental and eclectic musical aesthetic influenced by the work of Harry Partch and Captain Beefheart. This was reflected in a series of albums released by Island Records, including Swordfishtrombones (1983), Rain Dogs (1985), and Franks Wild Years (1987). He continued appearing in film, taking a leading role in Jim Jarmusch's Down by Law (1986). In the 1990s, his albums Bone Machine (1992), The Black Rider (1993), and Mule Variations (1999) earned him increasing critical acclaim and various Grammy Awards. In the late 1990s, he switched to the record label Anti-, which released Blood Money (2002), Alice (2002), Real Gone (2004), and Bad as Me (2011).

Waits' albums have met with mixed commercial success in the U.S., while they have occasionally achieved gold status in other countries. He has a cult following and has influenced many singer-songwriters, despite having little radio or music video support. In 2011, he was inducted into the Rock and Roll Hall of Fame. He was included among the 2010 list of Rolling Stone's 100 Greatest Singers, as well as the 2015 Rolling Stone's 100 Greatest Songwriters of All Time.

Tommy Guerrero

Tommy Guerrero may be better known in the world of skateboarding than music. Born in San Francisco, Guerrero joined the skate company Powell Peralta in 1984 and became one of the original members of the legendary "Bones Brigade" team. TG has been playing music since the late 70's with his brother Tony  -both raised on a steady diet of DIY punk music/ethos and skateboarding-which informed and shaped the person he is today. Since then, Guerrero has become an accomplished bassist and guitarist with influences as diverse as John Coltrane, Bad brains, Joy division Gabor Szabo and on and on... 

^{Source tommyguerrero.com}

Tommy McCook & The Supersonics

Tommy McCook (3 March 1927 – 5 May 1998) was a Jamaican saxophonist. A founding member of The Skatalites, he also directed The Supersonics for Duke Reid, and backed many sessions for Bunny Lee or with The Revolutionaries at Channel One Studios in the 1970s.

Biography
McCook was born in Havana, Cuba, and moved to Jamaica in 1933. He took up the tenor saxophone at the age of eleven, when he was a pupil at the Alpha School, and eventually joined Eric Dean’s Orchestra.

In 1954 he left for an engagement in Nassau, Bahamas, after which he ended up in Miami, Florida, and it was here that McCook first heard John Coltrane and fell in love with jazz. McCook returned to Jamaica in early 1962, where he was approached by a few local producers to do some recordings. Eventually he consented to record a jazz session for Clement "Coxson" Dodd, which was issued on the album as "Jazz Jamaica". His first ska recording was an adaptation of Ernest Gold’s "Exodus", recorded in November 1963 with musicians who would soon make up the Skatalites.

During the 1960s and 1970s McCook recorded with the majority of prominent reggae artists of the era, working particularly with producer Bunny Lee and his house band, The Aggrovators, as well as being featured prominently in the recordings of Yabby You and the Prophets (most notably on version sides and extended disco mixes), all while still performing and recording with the variety of line ups under the Skatalites name. When McCook was bandleader for The Supersonics, the band included bassist Jackie Jackson and drummer Paul Douglas, who became the rhythm section for Toots and the Maytals when the era of reggae emerged from rocksteady.

McCook died of pneumonia and heart failure, aged 71, on 5 May 1998.

^{Source Wikipedia}

Toots & The Maytals

Toots and the Maytals, originally called The Maytals, are a Jamaican musical group and one of the best known ska and rocksteady vocal groups. The Maytals were formed in the early 1960s and were key figures in popularizing reggae music. Frontman Toots Hibbert's soulful vocal style has been compared to Otis Redding, and led him to be named one of the 100 Greatest Singers by Rolling Stone. Their 1968 single "Do the Reggay", was the first song to use the word "reggae", naming the genre and introducing it to a global audience. As Island Records founder Chris Blackwell says, "The Maytals were unlike anything else ... sensational, raw and dynamic."

^{Source Wikipedia}

Triggers & Slips

Not being down with the Utah scene, I hung out in cyberspace with ‘Triggers and Slips’ a while and first stop was the Small Lake City Concert Series and a version of Alice in Chains’ ‘Rooster’. Mormon descendent Morgan Snow takes a pinch of that grungy flavour and the ‘Slips’ sneeze dirty country vibes all over it, resulting in kind of a cross between Son Volt and Pearl Jam. It’s a virus that one can only imagine is going to spread rapidly as the rest of the album hits our shelves, venues and, yes, online platforms of choice.

To dig further into the ethos of ‘Triggers and Slips’ reveals that in fact the band leadership, songwriting and roots are very much intertwined with John Davies. Davies is vocal wingman, multi-instrumentalist and owner of a delightfully simple name considering his trade. Here is a band that carry themselves like men and play their music with redoubtable authority. Don’t let that fool you that it’s not fun though. Good production can sound very spontaneous when done right. The title track is all the proof you need of that, as a slow distorted intro gives way to honky-tonk piano, Hammond organ and duelling guitars, fading in and out over an outlaw country shuffle while Snow, for all the world a 21st Century Waylon, holds court as master of ceremonies. “We’ve been pushing our luck/We’re bound to fuck up…” his voice is a finely tuned country music weapon in peak condition. There are elements of border country in ‘Natchez Trace’, the dusty desert fandango style strongly vying with the rock n roll of Uncle Sam for prominence. ‘Old Friends’, which first appeared on the band’s 2012 self-titled EP is a bromance reunion epic, replete with spectacular fiddle and toe-tapping piano solo work by the band’s honky tonkin’ electro dj, the ‘Time Chimp’ – Greg Midgley. It’s been dragged from the gutter, polished to a shining star of a song and given centre stage on ‘The Stranger’. The combination of country and slow bluesy Jeff Beck overtones on ‘I’m Not Your Baby’ hints at the broad horizons that ‘Triggers And Slips’ have embraced while Snow clings to his love of grunge with that overhaul of ‘Rooster’.

Morgan Snow was a drug and alcohol therapist when he stumbled on the name for his band, Triggers and Slips was the heading of some notes on a group session one of his co-workers was leading. Much of this album concentrates, in the great traditions, on matters of the heart and of the soul. Described as songs that will “hit you in the gut” the blend of skilful delivery, first-class production and songcraft of the highest standard makes ‘The Stranger’ a game-changer for these men of Utah.

^{Written by Tim Merricks}

^{Source americana-uk.com}

TV On The Radio

TV on the Radio is an American indie rock band from Brooklyn, New York, formed in 2001. The bands core members include Tunde Adebimpe (vocals, loops), David Andrew Sitek (guitars, keyboards, loops), Kyp Malone (vocals, guitars, bass, loops) Jaleel Bunton (drums, vocals, loops, guitars) and Gerard Smith (bass, keyboards, loops) until his death in 2011. Other contributors have included David Bowie, Nick Zinner of Yeah Yeah Yeahs, Trent Reznor of Nine Inch Nails, Kazu Makino of Blonde Redhead, Martin Perna of Antibalas, Colin Stetson, and Katrina Ford of Celebration. The group has released several EPs including their debut Young Liars (2003), and five studio albums: Desperate Youth, Blood Thirsty Babes (2004), Return to Cookie Mountain (2006), Dear Science (2008), Nine Types of Light (2011), and Seeds (2014).

The first release from TV on the Radio (initially just founding members Adebimpe and Sitek) was the self-released OK Calculator (the title being a reference to Radiohead's album OK Computer). They were later joined by Kyp Malone, and released the Young Liars EP in 2003. This was followed by the full-length Desperate Youth, Blood Thirsty Babes which earned the band the 2004 Shortlist Music Prize. They released a second EP, New Health Rock, later that year.

Their second album, Return to Cookie Mountain, leaked in early 2006 and garnered pre-release praise from Pitchfork Media before its official release in July overseas. U.S. and Canadian release was in September on Interscope. Spin magazine named Return to Cookie Mountain its Album of the Year for 2006. The album features guest appearances from David Bowie, Omega Moon, Celebration, Dragons of Zynth, Martin Perna and Stuart D. Bogie of Antibalas, Blonde Redhead, Yeah Yeah Yeahs' Nick Zinner. Bowie contributed back-up vocals on the song "Province". In promotion of the album, the band performed " Wolf Like Me" on the Late Show with David Letterman, which has garnered over 2 million views on YouTube. During the U.S. tour, the band performed a few covers with Bauhaus singer Peter Murphy and Nine Inch Nails frontman Trent Reznor.

The band's third album, Dear Science, was released September 23, 2008 on Interscope. It was made available for streaming on their Myspace page and subsequently leaked onto the internet on September 6, 2008. The album was named the best album of 2008 by Rolling Stone, The Guardian, Spin magazine, The A.V. Club, MTV, Entertainment Weekly, the Pitchfork Media's readers poll as well as the Pazz and Jop critic's poll. It was also named the second best album of 2008 by NME and the fourth best album of 2008 by Planet Sound.

^{Source Wikipedia}

Twain

Twain is the singer/songwriter project of multi-instrumentalist Mat Davidson, onetime member of the Low Anthem and Spirit Family Reunion. Consistently melodic and brittle, Twain's material has spanned experimental lo-fi and intimate indie folk.

Smart FleshHailing from Franklin County, Virginia, Davidson began recording as Twain in the mid-2000s. He self-released the albums Sleeping Tree and Almanack before joining indie folk group the Low Anthem in 2009 as bassist/multi-instrumentalist. Still making time for Twain, he put out Love Is All Around in July 2010, then appeared on the Low Anthem's 2011 LP, Smart Flesh, before leaving the group later that year. While with the Low Anthem, he also joined Americana outfit Spirit Family Reunion on fiddle, leaving that band in early 2014 to refocus on Twain.

Recorded straight to tape and mastered in analog, 2014's Life Labors in the Choir channeled blues-like rawness into wounded folk. Also released in 2014, Twain-Tone Rally-Race: Collected Recordings 2005-2008 repackaged Sleeping Tree and Almanack. Intended as a full-length in progress with demos and live performances, the Sir Kitchen Boy EP followed in 2015, and the Alternator EP, released in 2016, featured all new songs.

Rare FeelingIn 2017, Twain signed with Austin, Texas-based Keeled Scales and toured in support of acts such as Big Thief, Langhorne Slim, and the Deslondes. With bassist Ken Woodward and drummer Peter Pezzimenti credited as bandmembers, their label debut, Rare Feeling, arrived that October.

^{Source allmusic.com}

Ugly Valley Boys

I first met upright bassist Braxton Brandenburg from the two-piece Ugly Valley Boys when he was touring with JB Beverley through Texas in December, and then saw him again with JB at The Muddy Roots Festival, when he handed me this CD from his “other band.” Yeah, everyone is in a band these days, and most have “other bands” as well, and they all have well-intentioned, but not always good CD’s to peddle. Braxton seemed like a great guy, but when I looked at this album, with yet another standup bass, yet another guitar player who sits down at a bass drum in a band that has “Valley” and “Boys” in the name I thought, “Yep, I’ve heard this before.”

And then when the album started off with a track about running moonshine, the pigeon-holing was just about complete. That’s when the song “Raven” hit my ears, and the genius behind the Ugly Valley Boys revealed itself, separating them far from the herd.

From Salt Lake City, The Ugly Valley Boys evoke the lonesome sound of the desert, the classic soul of country, and the open space of the West in original songs that are wickedly engaging and smartly crafted. So many bands try to imbibe their music with a vintage feel and Western space by using copious amounts of chorus or reverb, or blowing wads of cash on vintage gear. Ugly Valley’s guitar player, singer, and songwriter Ryan Eastlyn takes the road less traveled with the use of moaning, melodic chorus lines that are so excellent, they vault this band from a relative unknown to one responsible for one of the better albums put out so far in 2011.

The melodic chorus-driven songs with punk undertones are counterbalanced by dark and gritty deep roots songs that could be considered just as much blues as country. As impressed as I am by Eateryn’s ear in crafting the vocals in these songs, without any message or meaning behind the lyrics, the experience would be shallow. The Ugly Valley Boys pull you in with Braxton’s engaging rhythm and Ryan’s voice, but what keeps you engaged is the soul embedded in the songwriting.

I could break down each song on this album, but I don’t see the point. There’s not a bad song here. At the moment, the track that most impresses me is “Alota Guns”, but this album shows all the earmarks of one whose best track changes by week, until every song has filled that slot and after a couple of months you look down and this CD is still stuck in the player.

The instrumentation is great as well, from Ryan and Braxton, and also from Mike Sasich and Brad Wheeler who they brought in to play some tasteful lead lines on various tracks. If I had a suggestion for the Ugly Valley Boys, it would be that there could be more breadth to the music. The stripped down approach is appreciated, but this music is just too good to be devoid of maybe another layer or two of instrumentation, at least in the recorded setting. The lead instruments in Double Down, though great, seem to be add-ons at times instead of intermixed with the rest of the music.

But the thing about great songwriting is that it trumps all. Any concerns about instrumentation or lineups or names of bands are all put to rest simply by songs that speak to the heart in universal themes, and that is exactly what The Ugly Valley Boys do. I was going to give this album 1 3/4 of the maximum 2 guns that I have the authority to afford an album, because I do think Double Down leaves some room for improvement, but in the end this album is just too good, has too many good individual songs to call it anything but great.

Two guns up!

^{Source savingcountrymusic.com}

Van Morrison

Sir George Ivan Morrison OBE (born 31 August 1945) is a Northern Irish singer-songwriter, instrumentalist and record producer. His professional career began as a teenager in the late 1950s playing a variety of instruments including guitar, harmonica, keyboards and saxophone for various Irish showbands, covering the popular hits of that time. Van Morrison rose to prominence in the mid-1960s as the lead singer of the Northern Irish R&B band Them, with whom he recorded the garage band classic "Gloria". His solo career began under the pop-hit oriented guidance of Bert Berns with the release of the hit single "Brown Eyed Girl" in 1967. After Berns's death, Warner Bros. Records bought out his contract and allowed him three sessions to record Astral Weeks (1968). Though this album gradually garnered high praise, it was initially a poor seller.

Moondance (1970) established Morrison as a major artist, and he built on his reputation throughout the 1970s with a series of acclaimed albums and live performances. He continues to record and tour, producing albums and live performances that sell well and are generally warmly received, sometimes collaborating with other artists, such as Georgie Fame and The Chieftains.

Much of Morrison's music is structured around the conventions of soul music and R&B, such as the popular singles "Brown Eyed Girl", "Jackie Wilson Said (I'm in Heaven When You Smile)", "Domino" and "Wild Night". An equal part of his catalogue consists of lengthy, loosely connected, spiritually inspired musical journeys that show the influence of Celtic tradition, jazz and stream-of-consciousness narrative, such as the album Astral Weeks and the lesser known Veedon Fleece and Common One. The two strains together are sometimes referred to as "Celtic soul". He has received two Grammy Awards, the 1994 Brit Award for Outstanding Contribution to Music, the 2017 Americana Music Lifetime Achievement Award for Songwriting and has been inducted into both the Rock and Roll Hall of Fame and the Songwriters Hall of Fame. In 2016, he was knighted for services to the music industry and to tourism in Northern Ireland. He is known by the nickname Van the Man to his fans.

^{Source Wikipedia}

War

War (originally called Eric Burdon and War) is an American funk/rock/soul band from Long Beach, California, known for several hit songs (including "Spill the Wine", "The World Is a Ghetto", "The Cisco Kid", "Why Can't We Be Friends?", "Low Rider", and "Summer"). Formed in 1969, War is a musical crossover band that fuses elements of rock, funk, jazz, Latin, rhythm and blues, psychedelia, and reggae. According to music writer Colin Larkin, their "potent fusion of funk, R&B, rock and Latin styles produced a progressive soul sound", while Martin C. Strong calls them "one of the fiercest progressive soul combos of the '70s". Their album The World Is a Ghetto was Billboard's best-selling album of 1973. The band transcended racial and cultural barriers with a multi-ethnic line-up. War was subject to many line-up changes over the course of its existence, leaving member Leroy "Lonnie" Jordan as the only original member in the current line-up; four other members created a new group called the Lowrider Band.

^{Source Wikipedia}

Wax Machine

Surfing on a sun-drenched wave of psychedelia comes Brighton’s very own Merry Pranksters, Wax Machine. Primarily recorded and mixed in a closet room directly above a mortuary, their self-produced album Hermit’s Grove is a heady trip through progressive psychedelia, kitsch Italian library music and Brazilian tropicalia. Led off by the single Guardians of Eden, the album is set for release on 1st July via Batov Records (Şatellites, Sababa 5).

Wax Machine is the project of Brazilian-born, Italian/English-raised Lau Ro, who takes a deep dive into their Brazilian heritage on this LP, taking inspiration from 60s tropicalia music and movement and the likes of Os Mutantes, Caetano Veloso and Gal Costa.

“Brazil is where I was born and grew up until I was 8 years old, and it's where my family is from. We then immigrated to Europe and I was never able to visit Brazil after that as it's a very expensive flight. Instead I've opted for the next best thing which is connecting with the spirit and culture of Brazil via the medium of music.”

The album features a version of Canto De Iemanja from Vinicius De Moraes and Baden Powell's seminal 1966 Brazilian album Os Afro sambas. Canto De Iemanja is about the goddess of the sea Iemanja, a chant Lau has often found themselves singing to the sea in their hometown of Brighton.

“The ocean is a muse of mine. I go to the sea whenever I can, her presence enlivens, refreshes and brings me deeper awareness. This version is a homage both to my motherland and the great big blue that separates us.”

The first single and album opener Guardians of Eden is carried in on a cloud of flutes and birdsong. The first half celebrates the light and beauty of this world, while the second half is a reflection on the shadow of our existence here. The three minute, psychedelic explosion of Springtime is a "meditation on the cycles of nature, the dance of duality, the swinging of the cosmic pendulum.”

Two EPs in 2018 preceded their debut album Earthsong of Silence in 2020, with Clash Magazine declaring that Wax Machine “occupy a space somewhere in the gaps where English psych-folk, sun drenched West Coast sounds, Brazilian Tropicália and spiritual jazz overlap.” That year they also had a track featured on the Mr. Bongo Record Club 4 compilation.

Although there is constantly evolving line up both in studio and on stage, long time collaborators Toma Sapir (drums, percussions, samples/synths), Isobel Jones (Flute/Vocals) and Ella Russell (vocals in Canto De lemanja) all appear on both albums.

A tour de force live, the group have shared the stage with the likes of the Babe Rainbow, Kikagaku Moyo and Vanishing Twin. The band are currently in the midst of a UK and European tour, ending with a homecoming show in Brighton on 27th May.

On the album Isobel Jones plays Flute/Vocals, Toma Sapir - drums, percussions and samples/synths, Freddie Willatt – sax, Ella Russell vocals in “Canto De lemanja”, Kate Mager - bass in “...Iemanja”, Adam Campbell - electric piano, Marja Burchard(from Embryo/Karl Hector) - vibraphones on “Gaian Dream”.

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