'Avant-garde' Bands // p 1 of 1

Björk

jörk Guðmundsdóttir (/bjɜːrk/; Icelandic: pjœr̥k]; born 21 November 1965) is an Icelandic singer, songwriter, composer, actress, record producer, and DJ. Over her four-decade career, she has developed an eclectic musical style that draws on a range of influences and genres spanning electronic, pop, experimental, classical, trip hop, IDM, and avant-garde music.

Born and raised in Reykjavík, she began her music career at age 11 and first gained international recognition as the lead singer of the alternative rock band the Sugarcubes, whose 1987 single "Birthday" was a hit on US and UK indie stations and a favorite among music critics. After the band's breakup, Björk embarked on a solo career in 1993, coming to prominence as a solo artist with albums such as Debut (1993), Post (1995), and Homogenic (1997), while collaborating with a range of artists and exploring a variety of multimedia projects.

Several of Björk's albums have reached the top 20 on the Billboard 200 chart, the most recent being Vulnicura (2015). Björk has had 31 singles reach the top 40 on pop charts around the world, with 22 top 40 hits in the UK, including the top 10 hits "It's Oh So Quiet", "Army of Me", and "Hyperballad". She is reported to have sold between 20 and 40 million records worldwide as of 2015. She has won the 2010 Polar Music Prize from the Royal Swedish Academy of Music in recognition of her "deeply personal music and lyrics, her precise arrangements and her unique voice." Björk was included in Time's 2015 list of the 100 most influential people in the world. She was ranked both sixtieth and eighty-first in Rolling Stone's 100 greatest singers and songwriters lists respectively. Björk also won five BRIT Awards, and has been nominated for 15 Grammy Awards.

Outside her music career, Björk starred in the 2000 Lars von Trier film Dancer in the Dark, for which she won the Best Actress Award at the 2000 Cannes Film Festival, and was nominated for Academy Award for Best Original Song for "I've Seen It All". Her 2011 album Biophillia was marketed as an interactive app album with its own education program. Björk has also been an advocate for environmental causes in her home country Iceland. A full-scale retrospective exhibition dedicated to Björk was held at the New York Museum of Modern Art in 2015.

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Captain Beefheart

Don Van Vliet (/væn ˈvliːt/, born Don Glen Vliet; January 15, 1941 – December 17, 2010) was an American singer, songwriter, multi-instrumentalist, and visual artist best known by the stage name Captain Beefheart. He conducted a rotating ensemble called the Magic Band, with whom he recorded 13 studio albums between 1964 and 1982. His music blended elements of blues, free jazz, rock, and the avant-garde with idiosyncratic rhythms, absurdist wordplay, and his wide vocal range. Known for his enigmatic persona, Beefheart frequently constructed myths about his life and was known to exercise an almost dictatorial control over his supporting musicians. Although he achieved little commercial success, he sustained a cult following as a "highly significant" and "incalculable" influence on an array of new wave, punk, and experimental rock artists.

An artistic prodigy in his childhood, Van Vliet developed an eclectic musical taste during his teen years in Lancaster, California, and formed "a mutually useful but volatile" friendship with musician Frank Zappa, with whom he sporadically competed and collaborated. He began performing with his Captain Beefheart persona in 1964 and joined the original Magic Band line-up, initiated by Alexis Snouffer, the same year. The group released their debut album Safe as Milk in 1967 on Buddah Records. After being dropped by two consecutive record labels they signed to Zappa's Straight Records, where they released 1969's Trout Mask Replica; the album would later rank 58th in Rolling Stone magazine's 2003 list of the 500 greatest albums of all time. In 1974, frustrated by lack of commercial success, he pursued a more conventional rock sound, but the ensuing albums were critically panned; this move, combined with not having been paid for a European tour, and years of enduring Beefheart's abusive behavior, led the entire band to quit.

Beefheart eventually formed a new Magic Band with a group of younger musicians and regained critical approval through three final albums: Shiny Beast (1978), Doc at the Radar Station (1980) and Ice Cream for Crow (1982). Van Vliet made few public appearances after his retirement from music in 1982. He pursued a career in art, an interest that originated in his childhood talent for sculpture, and a venture which proved to be his most financially secure. His expressionist paintings and drawings command high prices, and have been exhibited in art galleries and museums across the world. Van Vliet died in 2010, having suffered from multiple sclerosis for many years.

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Dead Can Dance

Australian music historian Ian McFarlane described Dead Can Dance's style as "constructed soundscapes of mesmerising grandeur and solemn beauty; African polyrhythms, Gaelic folk, Gregorian chant, Middle Eastern mantras, and art rock."

Having disbanded in 1998, they reunited briefly in 2005 for a world tour and reformed in 2011 when they released and toured a new album, Anastasis.

Dead Can Dance formed in Melbourne, Australia in August 1981 with Paul Erikson on bass guitar, Lisa Gerrard (ex-Microfilm) on vocals, Simon Monroe (Marching Girls) on drums and Brendan Perry (also of Marching Girls) on vocals and guitar. Gerrard and Perry were a couple who met as members of Melbourne's little band scene. In May 1982, the band left Monroe in Australia and moved to London, England, where they signed with alternative rock label 4AD. With the duo, the initial United Kingdom line-up were Paul Erikson and Peter Ulrich.

The group's debut album, Dead Can Dance, was released in February 1984. The artwork, which depicts a ritual mask from New Guinea, "provide[s] a visual reinterpretation of the meaning of the name Dead Can Dance", set in a faux Greek typeface. The album featured "drum-driven, ambient guitar music with chanting, singing and howling", and fit in with the ethereal wave style of label mates Cocteau Twins. They followed with a four-track extended play, Garden of the Arcane Delights in August. AllMusic described their early work as "as goth as it gets" (despite the group themselves rejecting the label), while the EP saw them "plunging into a wider range of music and style".

For their second album, Spleen and Ideal, the group comprised the core duo of Gerrard and Perry with cello, trombone and tympani added in by session musicians. Released in November 1985, it was co-produced by the duo and John A. Rivers. Raggett describes it as "a consciously medieval European sound like it was recorded in an immense cathedral". The group built a following in Europe, and the album reached No. 2 on the UK indie charts. By 1989, Gerrard and Perry had separated domestically – Gerrard returned to Australia and Perry moved to Ireland – but still wrote, recorded and performed as Dead Can Dance.

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Elvin Jones

Elvin Ray Jones (September 9, 1927 – May 18, 2004) was an American jazz drummer of the post-bop era.

Most famously a member of John Coltrane’s quartet, with whom he recorded from late 1960 to late 1965, Jones appeared on such widely celebrated albums as My Favorite Things, A Love Supreme, Ascension and Live at Birdland. After 1966, Jones led his own trio, and later larger groups under the name The Elvin Jones Jazz Machine. His brothers Hank and Thad were also celebrated jazz musicians with whom he occasionally recorded. Elvin was inducted into the Modern Drummer Hall of Fame in 1995. In his The History of Jazz, jazz historian and critic Ted Goia calls Jones "one of the most influential drummers in the history of jazz."

Early Life

Elvin Jones was born in Pontiac, Michigan, United States, to parents Henry and Olivia Jones, who had moved to Michigan from Vicksburg, Mississippi. His elder brothers were pianist Hank Jones and trumpeter Thad Jones, both highly regarded musicians as well. By age two he said drums held a special fascination for him. He would watch the circus parades go past his home as a child, and was particularly excited by the marching band drummers.

Following this early passion, Elvin joined his high school's black marching band, where he developed his foundation in rudiments. Jones served in the United States Army from 1946 to 1949. With his mustering-out pay (and an additional $35.00 borrowed from his sister), Jones purchased his first drumset.

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Jack DeJohnette

Jack DeJohnette (born August 9, 1942) is an American jazz drummer, pianist, and composer.

An important figure of the fusion era of jazz, DeJohnette is one of the most influential jazz drummers of the 20th century, given his extensive work as leader and sideman for musicians including Charles Lloyd, Freddie Hubbard, Keith Jarrett, Bill Evans, John Abercrombie, Alice Coltrane, Sonny Rollins, Miles Davis, Joe Henderson, Michael Brecker, Herbie Hancock and John Scofield. He was inducted into the Modern Drummer Hall of Fame in 2007.

Early life and musical beginnings
DeJohnette was born in Chicago, Illinois. He began his musical career as a pianist, studying from age four and first playing professionally at age fourteen He later switched focus to the drums. DeJohnette credits his uncle, Roy I. Wood Sr., a Chicago disc jockey and vice president of the National Network of Black Broadcasters, as his inspiration to play music.

DeJohnette played R&B, hard bop, and avant-garde music in Chicago. He led his own groups in addition to playing with Richard Abrams, Roscoe Mitchell and other eventual core members of the Association for the Advancement of Creative Musicians (founded in 1965). He also occasionally performed with Sun Ra and his Arkestra (and later in New York as well). In the early 1960s, DeJohnette had the opportunity to sit in for three tunes with John Coltrane and his quintet, an early foray into playing with big-name jazz musicians.

In 1966 DeJohnette moved to New York City, where he became a member of the Charles Lloyd Quartet. A band that recognized the potential influence of rock and roll on jazz, Lloyd's group was where DeJohnette first encountered pianist Keith Jarrett, who would work extensively with him throughout his career. However, DeJohnette left the group in early 1968, citing Lloyd's deteriorating, "flat" playing as his main reason for leaving. While Lloyd's band was where he received international recognition for the first time, it was not the only group DeJohnette played with during his early years in New York, as he also worked with groups including Jackie McLean, Abbey Lincoln, Betty Carter, and Bill Evans. DeJohnette joined Evans' trio in 1968, the same year the group headlined the Montreux Jazz Festival and produced the album Bill Evans at the Montreux Jazz Festival. In November 1968 he worked briefly with Stan Getz and his quartet, which led to his first recordings with Miles Davis.

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Jim O'Rourke

Jim O'Rourke (born January 18, 1969) is an American musician and record producer. He was long associated with the Chicago experimental and improv scene. Around 2000, he relocated to New York before moving on to Tokyo, Japan, where he currently resides. O’Rourke is best known for his numerous solo and collaborative projects, many of which are entirely instrumental, and for his tenure as a member of Sonic Youth from 1999 to 2005.

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John Fahey

John Aloysius Fahey (/ˈfeɪhi/ FAY-hee; February 28, 1939 – February 22, 2001) was an American fingerstyle guitarist and composer who played the steel-string acoustic guitar as a solo instrument. His style has been enormously influential and has been described as the foundation of American Primitive Guitar, a term borrowed from painting and referring mainly to the self-taught nature of the music and its minimalist style. Fahey borrowed from the folk and blues traditions in American roots music, having compiled many forgotten early recordings in these genres. He would later incorporate 20th-century classical, Portuguese, Brazilian, and Indian influences into his work.

Fahey spent many of his later years in poverty and poor health, but enjoyed a minor career resurgence in the late 1990s, with a turn towards the avant-garde. He also created a series of abstract paintings in his final years. Fahey died in 2001 from complications from heart surgery. In 2003, he was ranked 35th on Rolling Stone magazine's "100 Greatest Guitarists of All Time" list.

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Kaada

John Erik Kaada (born 28 July 1975 in Stavanger, Norway), also known by the mononym Kaada, is a Norwegian singer-songwriter, producer and multi-instrumentalist. Kaada's career spans a string of solo albums, motion picture soundtracks, high-profile collaborations with key players such as Mike Patton, as well as numerous live appearances at home and abroad.

Kaada´s debut in a recorded format came with his 2001 solo album Thank You for Giving Me Your Valuable Time. A musical blend of woo-wop, show tunes and jungle rhythms into a coherent mix of live instrumentation and electronic elements, fusing elements of five decades of popular music. Thank You for Giving Me Your Valuable Time firmly established Kaada as a key voice on Norway´s blossoming music scene. The album was named as one of the ten most important releases of the year by Billboard (magazine)

2006 saw the release of Music for Moviebikers (Ipecac Recordings), a collection of lush arrangements set as soundtracks for imaginary films. The album features an evocative quality as it sets out to bring the two musical worlds of Kaada together; the one of the recording artist with the cinematic film music one. The albums´s 22-strong ensemble consists of traditional instrumentation with strings, vocals and electric guitars as well as homemade instruments and some exotic folk music performers hailing from various corners of Europe. The strings were recorded in the Vigeland mausoleum in Oslo.

2009 ´s outing Junkyard Nostalgias with its myriad sounds and instruments. The album was conceived as a self-proclaimed homage to the thousands of Polish workers that have come to Norway to earn a better living and to fuel the country´s economy with cheap labour. Junkyard Nostalgias featured Kaada playing all of the instruments on the album, solidifying his very personal universe of sound. Kaada have said about the album that he made it to justify buying hundreds of instruments on eBay

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Kenny Wheeler

Kenneth Vincent John Wheeler, OC (14 January 1930 – 18 September 2014) was a Canadian composer and trumpet and flugelhorn player, based in the U.K. from the 1950s onwards.

Most of his performances were rooted in jazz, but he was also active in free improvisation and occasionally contributed to rock music recordings. Wheeler wrote over one hundred compositions and was a skilled arranger for small groups and large ensembles.

Wheeler was the patron of the Royal Academy Junior Jazz course.

Early life

Wheeler was born in Toronto, Ontario, on 14 January 1930. Growing up in Toronto, he began playing the cornet at age 12 and became interested in jazz in his mid-teens. Wheeler spent a year studying composition at The Royal Conservatory of Music in 1950. In 1952 he moved to Britain. He found his way into the London jazz scene of the time, playing in groups led by Tommy Whittle, Tubby Hayes, and Ronnie Scott.

Career

In the late 1950s, he was a member of Buddy Featherstonhaugh's quintet together with Bobby Wellins. Throughout the sixties, he worked with John Dankworth, and also formed part of (Eric Burdon and) the Animals' Big Band that made its only public appearance at the 5th Annual British Jazz & Blues Festival in Richmond (1965) with tenors Stan Robinson, Dick Morrissey and Al Gay, baritone sax Paul Carroll, and fellow trumpets Ian Carr and Greg Brown. In 1968, Wheeler appeared on guitarist Terry Smith's first solo album, Fall Out.

Kenny Wheeler performing with the United Jazz + Rock Ensemble, 1992
Wheeler performed and recorded his own compositions with large jazz ensembles throughout his career, beginning with the first album under his own name, Windmill Tilter (1969), recorded with the John Dankworth band. BGO Records released a CD in September 2010. The big band album Song for Someone (1973) fused Wheeler's characteristic orchestral writing with passages of free improvisation provided by musicians such as Evan Parker and Derek Bailey, and was also named Album of the Year by Melody Maker magazine in 1975. It has subsequently been reissued on CD by Parker's Psi label.

In the mid-1960s, Wheeler became a close participant in the nascent free improvisation movement in London, playing with Parker, John Stevens, the Spontaneous Music Ensemble and the Globe Unity Orchestra. Despite the above-noted accomplishments, much of his reputation rests on his work with smaller jazz groups. Wheeler's first small group recordings to gain significant critical attention were Gnu High (1975) and Deer Wan (1977), both for the ECM label (Gnu High is one of the few albums to feature Keith Jarrett as a sideman since his tenure with Charles Lloyd). One exception from the ongoing collaboration with ECM was his rare album on CBC called Ensemble Fusionaire in 1976. This had three other Canadian musicians and was recorded in St. Mary's Church in Toronto for a different character to the sound than on the ECM recordings.

Wheeler was the trumpeter in the Anthony Braxton Quartet from 1971 to 1976. He was also a member of the chamber jazz trio Azimuth with John Taylor and Norma Winstone from 1977 to 2000. Their first release under this name was a 1977 album issued by ECM; two albums followed, with later albums coming in 1985 and 1995.

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Pharoah Sanders

Pharoah Sanders (born Farrell Sanders, October 13, 1940) is an American jazz saxophonist. A member of John Coltrane's groups of the mid-1960s, Sanders is known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound". He has released over 30 albums as a leader and has collaborated extensively with Leon Thomas, Alice Coltrane and Tisziji Muñoz, among others. Saxophonist Ornette Coleman described him as "probably the best tenor player in the world".

Sanders' music has been called "spiritual jazz" due his inspiration in religious concepts such as Karma and Tawhid, and his rich, meditative aesthetic. This style is seen as a continuation of Coltrane's work on albums such as A Love Supreme. As a result, Sanders is considered a disciple of Coltrane or, as Albert Ayler said, "Trane was the Father, Pharoah was the Son, I am the Holy Ghost".

Early life
Pharoah Sanders was born on October 13, 1940, in Little Rock, Arkansas. His mother worked as a cook in a school cafeteria, and his father worked for the City of Little Rock. An only child, Sanders began his musical career accompanying church hymns on clarinet. His initial artistic accomplishments were in the visual arts, but when he was at Scipio Jones High School in North Little Rock, Sanders began playing the tenor saxophone. The band director, Jimmy Cannon, was also a saxophone player and introduced Sanders to jazz. When Cannon left, Sanders, although still a student, took over as the band director until a permanent director could be found.

During the late 1950s, Sanders would often sneak into African-American clubs in downtown Little Rock to play with acts that were passing through. At the time, Little Rock was part of the touring route through Memphis, Tennessee, and Hot Springs for R&B and jazz musicians. Sanders found himself limited by the state's segregation and the R&B and jazz standards that dominated the Little Rock music scene.

After finishing high school in 1959, Sanders moved to Oakland, California, and lived with relatives. He briefly attended Oakland Junior College and studied art and music. Once outside the Jim Crow South, Sanders could play in both black and white clubs. His Arkansas connection stuck with him in the Bay Area with the nickname of "Little Rock." It was also during this time that he met and befriended John Coltrane.

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The Bad Plus

The Bad Plus came together at the end of the 20th century and has avoided easy categorization ever since, winning critical hosannas and a legion of fans worldwide with their creativity, unique sound and flair for live performance. The intensely collaborative trio has constantly searched for rules to break and boundaries to cross, bridging genres and techniques while exploring the infinite possibilities of three exceptional musicians working in perfect sync.

The band consists of founding members Reid Anderson (bass) and Dave King (drums) and new member Orrin Evans (piano) — a group of passionate collaborators with no single “leader.” Never Stop II is the first full-length release from this lineup, comprised entirely of original music with each member contributing fresh compositions. The New York Times calls it "an exhilarating document" that sparks an exciting new chapter for the iconic group.

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