'Boogaloo' Bands // p 1 of 1

Chico Hamilton

Foreststorn "Chico" Hamilton, (September 20, 1921 – November 25, 2013) was an American jazz drummer and bandleader. He came to prominence as sideman for Lester Young, Gerry Mulligan, Count Basie, and Lena Horne. Hamilton became a bandleader, first with a quintet featuring the cello as a lead instrument, an unusual choice for a jazz band in the 1950s, and subsequently leading bands that performed cool jazz, post bop, and jazz fusion.

Early life and career
Foreststorn Hamilton was born in Los Angeles, California, one of three brothers, one of whom was actor Bernie Hamilton.

Hamilton started his career in a band with Charles Mingus, Illinois Jacquet, Ernie Royal, Dexter Gordon, Buddy Collette and Jack Kelso before he had finished high school. Engagements with Lionel Hampton, Slim & Slam, T-Bone Walker, Lester Young, Count Basie, Duke Ellington, Charlie Barnet, Billy Eckstine, Nat King Cole, Sammy Davis Jr., Billie Holiday, Gerry Mulligan and Lena Horne established his career.

Hamilton appeared in You'll Never Get Rich (1941) as part of the backing group supporting Fred Astaire. Hamilton also performed on the soundtrack of the Bing Crosby and Bob Hope film Road to Bali (1952).

Bandleader
He recorded his first album as leader in 1955 with George Duvivier (double bass) and Howard Roberts (jazz guitar) for Pacific Jazz. In the same year Hamilton formed an unusual quintet in L.A. featuring cello, flute/saxes/clarinet, guitar, bass and drums. The quintet has been described as one of the last important West Coast jazz bands.

The original personnel included flutist/saxophonist/clarinetist Buddy Collette, guitarist Jim Hall, cellist Fred Katz and bassist Jim Aton, who was later replaced by Carson Smith. Hamilton continued to tour, using different personnel, from 1957 to 1960. A version of the quintet including flutist Paul Horn was featured in the film Sweet Smell of Success in 1957 and one including Eric Dolphy appeared in the film Jazz on a Summer's Day (1960), set at the 1958 Newport Jazz Festival.

Hamilton revamped his group in 1961 with Charles Lloyd, Gabor Szabo, George Bohanon and Albert Stinson, playing what has been described as chamber jazz, with "a moderate avant-gardism." The group recorded for Columbia, Reprise and Impulse Records and also recorded the soundtrack for the industrial film Litho in 1962, the first American film to be shown behind the Iron Curtain. Hamilton formed a commercial and film production company in 1965, and went on to score the feature films Repulsion (1965), Mr. Ricco (1975), Coonskin (1975), By Design (1982), the television programs Portrait of Willie Mays and Gerald McBoing Boing, and scored hundreds of commercials for TV and radio.

In 1996 Hamilton formed his sextet Chico Hamilton and the Young Alto's featuring Kenneth Lampl, Eric Person and Marc Bernstein. The group performed at the 1986 JVC Jazz Festival, the Apollo Theater, and Lincoln Center for the Performing Arts.

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Daniel Villarreal

Daniel Villarreal-Carrillo is a well known drummer, musician and DJ in the Chicago music scene. Originally from Panamá he fuses his pan-Latin style with influences of psychedelic rock, Cumbia, afro-beat, boogaloo, rock, free experimental jazz, hip-hop, and funk to create an original contemporary soundscape.

Daniel Villarreal has long been a widely known and beloved character on the Chicago music scene. On almost any night of the week, you’ll find him DJing at at least one spot on bustling 18th Street in his home neighborhood of Pilsen. If he’s not there, he’s playing drums with Dos Santos, Valebol, The Los Sundowns or Ida y Vuelta (all bands he co-leads), or sitting in with Wild Belle or Rudy De Anda.

Villarreal may be most known for his big style and magnetic personality, but to musicians on the scene, it’s as much for his talents as a malleable and reliable drummer, with a deep pocket in many styles and sounds...

As a DJ, Daniel specializes in groovy vintage Afro-diasporic sounds. His DJ sets (vinyl or digital) showcase his knowledge of world music, electronica,Tropicalia, vintage latin soul, Chicha, psychedelic Cumbia, Afrobeat, reggae, funk, and groovy deep cuts beats.

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Ray Barretto

Ray Barretto (April 29, 1929 – February 17, 2006) was an American percussionist and bandleader of Puerto Rican ancestry. Throughout his career as a percussionist, he played a wide variety of Latin music styles, as well as Latin jazz. His first hit, "El Watusi", was recorded by his Charanga Moderna in 1962, becoming the most successful pachanga song in the United States. In the late 1960s, Barretto became one of the leading exponents of boogaloo and what would later be known as salsa. Nonetheless, many of Barretto's recordings would remain rooted in more traditional genres such as son cubano. A master of the descarga (improvised jam session), Barretto was a long-time member of the Fania All-Stars. His success continued into the 1970s with songs such as "Cocinando" and "Indestructible." His last album for Fania Records, Soy dichoso, was released in 1990. He then formed the New World Spirit jazz ensemble and continued to tour and record until his death in 2006.

Life and career

Early years

Barretto (his real name, "Barreto", was misspelled on his birth certificate) was born on April 29, 1929, in New York City. His parents moved to New York from Puerto Rico in the early 1920s, looking for a better life. His father left their family when Barretto was four, and his mother Delores moved the family to the Bronx, and from a young age he was influenced by his mother's love of music and by the jazz of Duke Ellington and Count Basie.

In 1946, when Barretto was 17 years old, he joined the Army. While stationed in Germany, he met Belgian vibraphonist Fats Sadi. However, it was when he heard Dizzy Gillespie's "Manteca" with Gil Fuller and Chano Pozo that he realized his calling.

Beginnings as a sideman

In 1949, when Barretto returned home from military service, he started to visit clubs and participated in jam sessions, where he perfected his conga playing. On one occasion Charlie Parker heard Barretto play and invited him to play in his band. Later, he was asked to play for José Curbelo and Tito Puente, for whom he played for four years. It was in 1958, while playing for Puente, that Barretto received his first recoding credit. Barretto developed a unique style of playing the conga and soon he was sought by other jazz band leaders. Latin percussionists started to appear in jazz groups with frequency as a consequence of Barretto's musical influence.

Charanga Moderna and rise to fame

In 1960, Barretto was a house musician for the Prestige, Blue Note, and Riverside labels. He also recorded on Columbia Records with Jazz flautist Herbie Mann. New York had become the center of Latin music in the United States and a musical genre called pachanga was the Latin music craze of the early 1960s. In 1962, Barretto formed his first group, Charanga La Moderna, and recorded his first hit, "El Watusi" for Tico Records. He was quite successful with the song and the genre, to the point of being typecast (something that he disliked).

Boogaloo and early salsa

In 1965, Barretto signed with the Latin division of United Artists, UA Latino, and began recording a series of albums in the boogaloo genre, which merges rhythm and blues with Latin music. On his album El Ray Criollo, Barretto explored the modern Latin sounds of New York, combining features of charanga and conjunto to birth a new style which would later be known as salsa. After recording four albums for the United Artists label, Barretto joined the Fania record label in 1967, and his first recording for the new label was the 1968 album Acid, which is often cited as one of the most enduring boogaloo albums, with songs such as "A Deeper Shade of Soul" and the title track was included in the soundtrack of the video game Grand Theft Auto: Vice City Stories on the fictitious Latin music radio station "Radio Espantoso". During this period, Adalberto Santiago was the band's lead vocalist.

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Willie Bobo

William Correa (February 28, 1934 – September 15, 1983), better known by his stage name Willie Bobo, a Latin and jazz percussionist of Puerto Rican ancestry.

Career

Correa became a noted timbales performer in Latin Jazz, specifically Afro-Cuban jazz, in the 1960s and 1970s. He met Mongo Santamaría shortly after his arrival in New York and studied with him while acting as his translator, and later at the age of 19 joined Tito Puente for four years.

The nickname Bobo is said to have been originated by the jazz pianist Mary Lou Williams in the early 1950s.

Correa joined George Shearing's band on the album The Shearing Spell. After leaving Shearing, Cal Tjader asked Bobo and Santamaría to become part of the Cal Tjader Modern Mambo Quintet, who released several albums as the mambo craze reached fever pitch in the late 1950s. Reuniting with his mentor Santamaría in 1960, the pair released the album Sabroso! for the Fantasy label. Bobo later formed his own group, releasing Do That Thing/Guajira with Tico and Bobo's Beat and Let's Go Bobo for Roulette, without achieving huge penetration.

After the success of Tjader's Soul Sauce, in which he was heavily involved, Correa formed a new band with the backing of Verve Records, releasing Spanish Grease, the title track being perhaps his most well known tune. Highly successful at this attempt, Correa released a further six albums with Verve.

In the early 1970s, he moved to Los Angeles. He again met up with his longtime friend Richard Sanchez Sr. and his son Richard Jr. and began recording in the studio. Bobo then worked as a session musician for Carlos Santana among others, as well as being a regular in the band for Bill Cosby's variety show Cos. Santana covered Willie Bobo's Latin song "Evil Ways" in 1969 on their debut album. In the late 1970s, Bobo recorded albums for Blue Note and Columbia Records.

Personal life

His youngest son, Eric Bobo (Eric Correa), is a percussionist with crew Cypress Hill. He also performed on the Beastie Boys' 1994 album Ill Communication,. His grandson, William Valen Correa, is co-founder of the music-based non-profit organization HNDP Los Angeles.

After a period of ill health, he died at the age of 49, succumbing to cancer.

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