'Post-Punk' Bands // p 1 of 1

Algiers

Algiers is an American rock band from Atlanta, Georgia formed in 2012. The band consists of multi-instrumentalists Franklin James Fisher, Ryan Mahan, Lee Tesche, and Matt Tong. Algiers pulls from a divergent number of musical (and nonmusical) influences; the most notable of which being post-punk, gospel, Southern Gothic literature, Hip hop, and the concept of the Other. Their sound has been described as dystopian soul due to its somber mood, afrofolk inspired vocal approach, and heavy emphasis on atonal textures.

History
Fisher, Mahan, and Tesche met and grew up playing music together in Atlanta, Georgia but officially formed in London in 2012 with the release of their first single. They chose the name Algiers in reference to a key historical site of anti-colonial struggle, symbolizing a contested space where violence, racism, resistance, and religion commingle.

The group released their first single “Blood” in January 2012 via Atlanta based label Double Phantom. Byron Coley for The Wire wrote “Although the fusion may have been touched upon in recordings related to both The Birthday Party and The Gun Club, Algiers are dedicated to grafting gospel music onto post-punk guitar-cuzz...this record is mesmerising and really sucks you in with its weird power.”

The band's self-titled debut album was released through Matador on June 2, 2015. Ahead of their eponymous release, the band opened for Interpol, during their North American Tour. Matt Tong, formerly of Bloc Party, began playing drums for Algiers at this time.

In the spring of the following year, the band premiered and toured the Eastern US screening the sixth installment of Brendan Canty of Fugazi and Christoph Green’s Burn to Shine film series. Burn to Shine Atlanta was curated by Lee Tesche of Algiers and filmed in the summer of 2007. This was followed by a live installation with renowned Japanese flower artist Makoto Azuma that saw the band performing in the Californian desert underneath a palm tree suspended in mid air.

On June 23, 2017, Algiers released their second studio album, The Underside of Power. The album was produced by Adrian Utley of Portishead and Ali Chant and mixed by Randall Dunn. This coincided with a European stadium tour that found the band opening up for Depeche Mode and remixing the lead single from their Spirit album. At the same time, it was revealed that Algiers had also been working in the studio with Massive Attack and were releasing an experimental tape and zine series. Much of 2018 saw the band on the road with Young Fathers, a DIY tour with Downtown Boys, and a special set at the Black Cat 25th anniversary party.

Their live show has been described as "recalling at various points PIL’s dub-style expansions, Afrobeat, industrial, no wave, free jazz, Suicide, the XTC of “Travels in Nihilon,” Nick Cave’s fire and brimstone, and musique concrète."

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Dead Can Dance

Australian music historian Ian McFarlane described Dead Can Dance's style as "constructed soundscapes of mesmerising grandeur and solemn beauty; African polyrhythms, Gaelic folk, Gregorian chant, Middle Eastern mantras, and art rock."

Having disbanded in 1998, they reunited briefly in 2005 for a world tour and reformed in 2011 when they released and toured a new album, Anastasis.

Dead Can Dance formed in Melbourne, Australia in August 1981 with Paul Erikson on bass guitar, Lisa Gerrard (ex-Microfilm) on vocals, Simon Monroe (Marching Girls) on drums and Brendan Perry (also of Marching Girls) on vocals and guitar. Gerrard and Perry were a couple who met as members of Melbourne's little band scene. In May 1982, the band left Monroe in Australia and moved to London, England, where they signed with alternative rock label 4AD. With the duo, the initial United Kingdom line-up were Paul Erikson and Peter Ulrich.

The group's debut album, Dead Can Dance, was released in February 1984. The artwork, which depicts a ritual mask from New Guinea, "provide[s] a visual reinterpretation of the meaning of the name Dead Can Dance", set in a faux Greek typeface. The album featured "drum-driven, ambient guitar music with chanting, singing and howling", and fit in with the ethereal wave style of label mates Cocteau Twins. They followed with a four-track extended play, Garden of the Arcane Delights in August. AllMusic described their early work as "as goth as it gets" (despite the group themselves rejecting the label), while the EP saw them "plunging into a wider range of music and style".

For their second album, Spleen and Ideal, the group comprised the core duo of Gerrard and Perry with cello, trombone and tympani added in by session musicians. Released in November 1985, it was co-produced by the duo and John A. Rivers. Raggett describes it as "a consciously medieval European sound like it was recorded in an immense cathedral". The group built a following in Europe, and the album reached No. 2 on the UK indie charts. By 1989, Gerrard and Perry had separated domestically – Gerrard returned to Australia and Perry moved to Ireland – but still wrote, recorded and performed as Dead Can Dance.

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Ian Dury

Ian Robins Dury (12 May 1942 – 27 March 2000) was an English singer-songwriter and actor who rose to fame during the late 1970s, during the punk and new wave era of rock music. He was the lead singer of Ian Dury and the Blockheads and before that of Kilburn and the High Roads.

Dury was born at his parents' home at 43 Weald Rise, Harrow Weald, Middlesex (though he often pretended that he had been born in Upminster, Essex, which all but one of his obituaries in the UK national press stated as fact). His father, William George Dury (born 23 September 1905, Southborough, Kent; died 25 February 1968), was a bus driver and former boxer, while his mother Margaret (known as "Peggy", born Margaret Cuthbertson Walker, 17 April 1910, Rochdale, Lancashire; d. January 1995) was a health visitor, the daughter of a Cornish doctor and the granddaughter of an Irish landowner.

William Dury trained with Rolls-Royce to be a chauffeur, and was then absent for long periods, so Peggy Dury took Ian to stay with her parents in Cornwall. After the Second World War, the family moved to Switzerland, where his father chauffeured for a millionaire and the Western European Union. In 1946 Peggy brought Ian back to England and they stayed with her sister, Mary, a doctor in Cranham, a small village in Essex. Although he saw his father on visits, they never lived together again.

At the age of seven, he contracted polio, most likely, he believed, from a swimming pool at Southend on Sea during the 1949 polio epidemic. After six weeks in a full plaster cast in the Royal Cornwall Infirmary, Truro, he was moved to Black Notley Hospital, Braintree, Essex, where he spent a year and a half before going to Chailey Heritage Craft School, East Sussex, in 1951.

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Kid Congo Powers

Brian Tristan (born March 27, 1959) better known by his stage name Kid Congo Powers , is an American rock guitarist and singer, best known as a member of The Gun Club, the Cramps and Nick Cave and the Bad Seeds. He has also played with the Divine Horsemen, the Angels of Light, Die Haut, and Knoxville Girls.

As of January 2015, Powers' primary musical project is the band The Pink Monkey Birds.

Early life

Born in La Puente, California, Powers is a second generation Mexican American. His earliest childhood influences were the Southern California Chicano rock band Thee Midniters. In 1976, he was president of The Ramones fan club, then ran a fanzine for The Screamers.

Music

1979–1987: The Gun Club and The Cramps
After traveling to London and New York City he returned to L.A. and in 1979 met Jeffrey Lee Pierce. Pierce taught him to play guitar using open tuning, and they formed The Creeping Ritual, which became The Gun Club. Powers left that group before their recording debut, instead joining New York-based band The Cramps in December 1980.

Powers rejoined the Gun Club briefly in 1983, touring with Pierce's band in Australia the following year, and then again between 1985 and 1988.

1986–1996: Nick Cave and The Bad Seeds, and The Gun Club
Powers joined Nick Cave and the Bad Seeds in Berlin, Germany, September 1986 for several albums and corresponding tours. Powers recorded the Tender Prey and The Good Son albums with Cave and his band, and he said in early 2015 that he "loved" the "primaeval element of rock'n'roll" that they had a firm grasp of. During April 1990, it was amicably decided with Nick Cave that he leave The Bad Seeds and concentrate on The Gun Club band that he had reconvened with Jeffery Lee Pierce during downtime in 1989.

1997–2009: JLP tribute albums, The Pink Monkey Birds and Dracula Boots
For his next project, The Pink Monkey Birds, Powers initially collaborated with New York City guitarist Jack Martin, who he has also collaborated with for the Congo Norvell and Knoxville Girls projects. Then, in 2009, Powers recruited Kiki Solis on bass, Ron Miller on drums, and Jesse Roberts on guitar and keyboards. The band moved to In The Red Records and released the much acclaimed debut studio album, Dracula Boots, which was called a "return to form."

Dracula Boots was coproduced by Jason Ward and recorded in a former high school gymnasium in Harveyville, Kansas, which is now an artists' retreat called "The Harveyville Project." Dracula Boots consists of numerous genres, including southern soul, 60s Chicano rock, and psychedelic imagery. British magazine N.M.E. wrote: "In short, on Dracula Boots Kid Congo Powers has once again found the juicy jugular of soul-fired, funked-up rock'n'roll. You'd be foolish not to take a bite."

2010–present: Gorilla Rose
In 2011, Kid Congo and The Pink Monkey Birds released their second album, Gorilla Rose, which was also on the In The Red Records label. Eamon Carr of The Dublin Evening Herald said of Gorilla Rose, "Having a working band is paying off. Gorilla Rose elevates seedy go-go weirdness to the level of high art."

Powers returned to Australia for the first time in 25 years—when he toured with Cave's Bad Seeds project—at the end of January 2015. The band played at Melbourne's "Summersalt Festival" and the Sydney Festival. In a promotional interview for the Australian shows, Powers spoke in regard to his new band:

"I think the Pink Monkey Birds conjures up all the best aspects of primal rock'n'roll ... Lyrically, I'm speaking in images, and from a very skewed viewpoint, whatever the subject may be. I still have the passion and the incentive to make music that's different, but still within the confines of a punk rock language people will know and understand."

The Pink Monkey Birds, whose name Kid credits to inspiration from David Bowie, has been an evolving unit since their earliest albums, and as of 2016 the touring members are bassist Kiki Solis, drummer Ron Miller, and guitarist Mark Cisneros.

Kid Congo Powers was profiled by Vogue in late April 2016 while promoting their fourth album, where he was noted for his iconic sense of punk style. In his Vogue interview he mentions the aesthetic importance of tying the look of the band to match the music.

"For me, the whole art of being a band—and I do think it's an art—is to create a whole world, a whole language, that is every aspect. The Gun Club, we kind of made it up as we went along, but what I learned from The Cramps and Nick Cave & the Bad Seeds is that they created a whole uncompromising world, and it's all kind of sprung out of that. You want to communicate with people, and I think through all aesthetics—artwork, the look, and music—you get to keep your world, and you get to let people enter your world and live in your world with you."

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The National

The National is an American rock band from Cincinnati, Ohio, formed in 1999. The band consists of Matt Berninger (vocals), Aaron Dessner (guitar, piano, keyboards), Bryce Dessner (guitar), Scott Devendorf (bass) and Bryan Devendorf (drums).

Founded by Berninger, Aaron Dessner, and Scott and Bryan Devendorf, The National released their self-titled debut album, The National (2001), on Brassland Records, an independent record label founded by Dessner and his twin brother, Bryce Dessner. Bryce, who had assisted in recording the album, soon joined the band, participating as a full member in the recording of its follow-up, Sad Songs for Dirty Lovers (2003).

Leaving behind their day jobs, the National signed with Beggars Banquet Records and released their third studio album, Alligator (2005), to widespread critical acclaim. The band's fourth and fifth studio albums, Boxer (2007) and High Violet (2010), increased their exposure significantly. In 2013, the band released its sixth studio album, Trouble Will Find Me, which was nominated for Best Alternative Music Album at the 56th Annual Grammy Awards. In 2017 the band released the album Sleep Well Beast, which won the Grammy award for Best Alternative Music Album at the 60th Annual Grammy Awards. Their eighth studio album, I Am Easy to Find, was released on May 17, 2019.

Four of the band's albums were included on NME's 2013 list of the 500 greatest albums of all time.

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The Police

The Police were a British rock band formed in London in 1977. For most of their history the line-up consisted of primary songwriter Sting (lead vocals, bass guitar), Andy Summers (guitar), and Stewart Copeland (drums, percussion). The Police became globally popular in the late 1970s and early 1980s. Emerging in the British new wave scene, they played a style of rock influenced by punk, reggae, and jazz. Considered one of the leaders of the Second British Invasion of the U.S., in 1983 Rolling Stone labelled them "the first British New Wave act to break through in America on a grand scale, and possibly the biggest band in the world." The Police disbanded in 1986, but reunited in early 2007 for a one-off world tour that ended in August 2008.

Their 1978 debut album, Outlandos d'Amour, reached No. 6 in the UK Albums Chart. Their second album Reggatta de Blanc (1979), became the first of four consecutive No. 1 studio albums in the UK and Australia with its lead single, "Message in a Bottle", their first UK number one. Their next two albums, Zenyatta Mondatta (1980) and Ghost in the Machine (1981), featuring "Don't Stand So Close to Me" and "Every Little Thing She Does Is Magic", both UK number one singles, saw further critical and commercial success. Their final studio album, Synchronicity (1983), was No. 1 in both the UK and the US, selling over 9 million copies in the US alone. Its lead single, "Every Breath You Take", became their fifth UK number one, and first in the US. The Police have sold over 75 million records, making them one of the world's best-selling artists of all time. They were the world's highest-earning musicians in 2008, due to their reunion tour.

The Police won a number of music awards, including six Grammy Awards, two Brit Awards—winning Best British Group once, an MTV Video Music Award, and in 2003 were inducted into the Rock and Roll Hall of Fame. Four of their five studio albums appeared on Rolling Stone's list of the "500 Greatest Albums of All Time". The Police were included among both Rolling Stone's and VH1's lists of the "100 Greatest Artists of All Time".

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