'Post-Rock' Bands // p 1 of 1

Broken Social Scene

Broken Social Scene is a Canadian indie rock band, a musical collective including as few as six and as many as nineteen members, formed by Kevin Drew and Brendan Canning. Most of its members play in various other groups and solo projects, mainly in the city of Toronto. These associated acts include Metric, Feist, Stars, Apostle of Hustle, Do Make Say Think, KC Accidental, Emily Haines & The Soft Skeleton, Amy Millan, and Jason Collett.

The group's sound combines elements of all of its members' respective musical projects, and is occasionally considered baroque pop. It includes grand orchestrations featuring guitars, horns, woodwinds, and violins, unusual song structures, and an experimental, and sometimes chaotic production style from David Newfeld, who produced the second and third albums.

Stuart Berman's This Book Is Broken (2009) covers the band from its inception to its critical acclaim. In 2010, Bruce McDonald made This Movie Is Broken, a movie about the band's Harbourfront show during the 2009 Toronto strike.

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Dirty Three

Dirty Three is an Australian instrumental rock band, consisting of Warren Ellis (violin and bass guitar), Mick Turner (electric and bass guitars) and Jim White (drums), which formed in 1992. Their 1996 album Horse Stories was voted by Rolling Stone as one of the top three albums of the year. Two of their albums have peaked into the top 50 on the ARIA Albums Chart, Ocean Songs (1998) and Toward the Low Sun (2012). During their career they have spent much of their time overseas when not performing together. Turner is based in Melbourne, White lives in New York, and Ellis in Paris. Australian rock music historian Ian McFarlane described them as providing a "rumbling, dynamic sound incorporated open-ended, improvisational, electric rock ... minus the jazz-rock histrionics". In October 2010, Ocean Songs was listed in the book 100 Best Australian Albums.

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Emma Ruth Rundle

Emma Ruth Rundle is an American singer-songwriter, guitarist and visual artist based in Louisville, Kentucky. Formerly of the Nocturnes, she has released three solo albums and is a current member of Red Sparowes and Marriages.

Career
Rundle was born and raised in Los Angeles, California, United States, together with her sister in a household where a lot of folk music was played. She has cited Kate Bush and David Lynch as influences.

With her first band, the Nocturnes, she released the Wellington EP (2008) and two albums, A Year of Spring (2009) and Aokigahara (2011). Rundle also joined Red Sparowes and played on their third album, The Fear Is Excruciating, But Therein Lies the Answer, released by Sargent House on April 6, 2010.

She self-released an ambient guitar album, Electric Guitar: One, in 2011. It was later reissued in 2014 by Errant Child Recordings.

In 2012, she formed the trio Marriages, who have released the Kitsune EP (2012) and Salome full-length (2015).

On January 7, 2013, she self-released the album Somnambulant, attributed to the Headless Prince of Zolpidem, which she described as "my somewhat anonymous downtempo, somewhat creepy electronic dark wave project".

Rundle's official debut solo studio album, Some Heavy Ocean, was released on May 20, 2014 by Sargent House. It was co-produced by Chris Common and recorded at the Sargent House studio. Rundle lived at the studio complex as an artist-in-residence for the period. The release was accompanied by a US tour with King Buzzo.

Rundle suffers from adenomyosis, which in part inspired the material on her second album, Marked for Death, produced by Sonny DiPerri. It was released in October 2016 on Sargent House.

In January 2017, a split EP with Jaye Jayle, titled The Time Between Us, was announced, and the song "The Distance" was made available on streaming platforms. The EP was released by Sargent House on February 24.

Rundle's third studio album, On Dark Horses, was released on September 14, 2018. It featured contributions by Jay Jayle members Evan Patterson and Todd Cook as well as Dylan Nadon of Wovenhand. Also in 2018, Rundle provided backing vocals for "Just Breathe", a song on American rock band Thrice's 2018 album Palms.

In August 2019, Roadburn Festival announced that Rundle was one of two curators for the 2020 edition.

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Sam Prekop

Sam Prekop’s boundless imagination is guided by his strong sense of melody. For more than 25 years, as a solo artist or as part of The Sea and Cake, Prekop creates a singular sound inventive and warm. His distinctive vocals, guitar playing and work on modular analog synthesizers are inventive, delicate, and always bear his signature sense of melody. Comma finds Sam Prekop for the first time working extensively with beat programming, focusing his enveloping synthesizer pieces around a newfound rhythmic pulse.

Prekop’s creative process is a combination of preparation and improvisation. Writing sessions for Comma began with an open-ended exploration of sounds and textures from which the first fragments of songs would reveal themselves. The introduction of drum machines and additional synthesizer units to his modular setup shifted things in surprising new directions as he worked to bend them into more traditional pop song structures. Drum tracks and emergent rhythms provided the frameworks and narrative sketches to be fleshed out with lustrous widescreen synth pads and ribboning melodies. In approaching his writing with a completely open mind and letting himself be guided by the music, Prekop maintains a delicate balance between composition and chance, control and spontaneity. Comma embraces the analogue synthesizer’s often unpredictable nature, imbuing the record with a decidedly organic feel even while working within the relative rigidity of beat architectures.

Prekop’s wide-eyed sense of discovery guides his exploration of beat-driven music, pushing him to use rhythm as a narrative tool and to embrace electronic music’s romantic and emotional qualities. “Park Line” and “Circle Line” evoke the relentless forward motion of public transit and commuter routine, one propelled by juddering machine-drums, the other illuminated in glistening neon. “Summer Places” and title track “Comma” are utterly transportive in their intoxicating tropical futurism, aqueous electronic loops cascading over melodic percussion. “September Remember” is notable precisely for its lack of drum track, opening up the field of sound and obliterating all but the faintest after-echoes of skittering percussion in its astral melancholy. “Approaching” achieves an incredible depth of sound and feeling using minimal constituent parts, interlocking synth-lines revealing surprising new sonorities with every repetition. With Comma, Prekop compiles an incredible breadth of ideas into a surprisingly coherent sound-world.

Comma is Prekop’s modern minimal pop album that taps into the experimental heritage of the synthesizer. The album places Sam Prekop’s work squarely in the tradition of electronic music pioneers like Brian Eno and Yellow Magic Orchestra who brought together the unrestrained ambition of the avant-garde with the immediacy and accessibility of pop music.

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