'c' Bands // p 4 of 29

Billie Holiday

Eleanora Fagan (April 7, 1915 – July 17, 1959), better known as Billie Holiday, was an African American jazz singer with a career spanning nearly thirty years. Nicknamed "Lady Day" by her friend and music partner Lester Young, Holiday had a seminal influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. She was known for her vocal delivery and improvisational skills.

After a turbulent childhood, Holiday began singing in nightclubs in Harlem, where she was heard by the producer John Hammond, who commended her voice. She signed a recording contract with Brunswick in 1935. Collaborations with Teddy Wilson yielded the hit "What a Little Moonlight Can Do", which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia and Decca. By the late 1940s, however, she was beset with legal troubles and drug abuse. After a short prison sentence, she performed at a sold-out concert at Carnegie Hall, but her reputation deteriorated because of her drug and alcohol problems.

She was a successful concert performer throughout the 1950s with two further sold-out shows at Carnegie Hall. Due to personal struggles and an altered voice, her final recordings were met with mixed reaction, but were mild commercial successes. Her final album, Lady in Satin, was released in 1958. Holiday died of cirrhosis on July 17, 1959.

She won four Grammy Awards, all of them posthumously, for Best Historical Album. She was inducted into the Grammy Hall of Fame in 1973. Lady Sings the Blues, a film about her life, starring Diana Ross, was released in 1972. She is the primary character in the play (later made into a film) Lady Day at Emerson's Bar and Grill; the role was originated by Reenie Upchurch in 1986, and was played by Audra McDonald on Broadway and in the film. In 2017 Holiday was inducted into the National Rhythm & Blues Hall of Fame.

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Bim Sherman

Jarret Lloyd Vincent (12 February 1950 – 17 November 2000), better known by one of his stage aliases Bim Sherman (others include Jarrett Tomlinson, Jarrett Vincent, Lloyd Vincent, J. L. Vincent, Bim Shieman and Lloyd Tomlinson), was a Jamaican musician and singer-songwriter.

Biography

Rooted in reggae, his music developed in later years in many directions, combining influences from all around the world, notably India. Sherman was also hailed as "reggae's sweetest voice". In the mid 1970s, he recorded a small body of roots tunes as a young struggling singer in Jamaica. He later moved to London where, as part of the post-punk reggae infatuation, he made a name for himself recording with Adrian Sherwood's On-U Sound label. He became part of various musical collectives associated with On-U Sound, such as New Age Steppers (alongside Ari Up, formerly of The Slits), Singers & Players (with Congo Ashanti Roy and the late Prince Far-I ), Dub Syndicate and Justice League of Zion.

Sherman also recorded a handful of solo reggae LPs. Towards the end of his life, Bim Sherman took a whole new musical direction. He went to India and re-recorded his classic 70s roots tunes alongside a full Indian classical orchestra in Bombay, creating his masterpiece LP, Miracle. This opened Sherman up to an entire new audience and he seemed at last to be emerging from the reggae underworld. It Must Be A Dream, an entire remix of Miracle was released with dance mixes by top UK DJs, followed by another notable Indian/reggae crossover LP What Happened? Bim Sherman was diagnosed with cancer and died in November 2000, within weeks of his diagnosis. He received an obituary in The Times, a rare accolade for an underground reggae singer

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Björk

jörk Guðmundsdóttir (/bjɜːrk/; Icelandic: pjœr̥k]; born 21 November 1965) is an Icelandic singer, songwriter, composer, actress, record producer, and DJ. Over her four-decade career, she has developed an eclectic musical style that draws on a range of influences and genres spanning electronic, pop, experimental, classical, trip hop, IDM, and avant-garde music.

Born and raised in Reykjavík, she began her music career at age 11 and first gained international recognition as the lead singer of the alternative rock band the Sugarcubes, whose 1987 single "Birthday" was a hit on US and UK indie stations and a favorite among music critics. After the band's breakup, Björk embarked on a solo career in 1993, coming to prominence as a solo artist with albums such as Debut (1993), Post (1995), and Homogenic (1997), while collaborating with a range of artists and exploring a variety of multimedia projects.

Several of Björk's albums have reached the top 20 on the Billboard 200 chart, the most recent being Vulnicura (2015). Björk has had 31 singles reach the top 40 on pop charts around the world, with 22 top 40 hits in the UK, including the top 10 hits "It's Oh So Quiet", "Army of Me", and "Hyperballad". She is reported to have sold between 20 and 40 million records worldwide as of 2015. She has won the 2010 Polar Music Prize from the Royal Swedish Academy of Music in recognition of her "deeply personal music and lyrics, her precise arrangements and her unique voice." Björk was included in Time's 2015 list of the 100 most influential people in the world. She was ranked both sixtieth and eighty-first in Rolling Stone's 100 greatest singers and songwriters lists respectively. Björk also won five BRIT Awards, and has been nominated for 15 Grammy Awards.

Outside her music career, Björk starred in the 2000 Lars von Trier film Dancer in the Dark, for which she won the Best Actress Award at the 2000 Cannes Film Festival, and was nominated for Academy Award for Best Original Song for "I've Seen It All". Her 2011 album Biophillia was marketed as an interactive app album with its own education program. Björk has also been an advocate for environmental causes in her home country Iceland. A full-scale retrospective exhibition dedicated to Björk was held at the New York Museum of Modern Art in 2015.

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Blake Mills

Blake Mills (born September 21, 1986) is an American songwriter, guitarist, producer, and composer based in California.

Biography

Blake Mills was born in Santa Monica, California, United States, and grew up in Malibu, where he attended Malibu High School with Taylor Goldsmith. Mills and Goldsmith began their musical careers in a band they co-founded called Simon Dawes. Simon Dawes released its debut EP What No One Hears in 2005, and its first LP Carnivore in September 2006 via Record Collection. After the band broke up in 2007, Goldsmith and his younger brother, Griffin, formed the band Dawes with Simon Dawes bassist, Wylie Gelber, and Mills went on to serve as a touring guitarist for Jenny Lewis. He went on to tour with Band of Horses, Cass McCombs, Julian Casablancas and Lucinda Williams. As a session musician, Mills has collaborated with Conor Oberst, Kid Rock, Weezer, The Avett Brothers, Paolo Nutini, Norah Jones, Carlene Carter, Jesca Hoop, Dixie Chicks, Zucchero, Pink, Lana Del Rey, Dangermouse, Vulfpeck and more.

In 2010, Mills released his first solo LP, Break Mirrors, via Record Collection. The original intent for the album was to serve as a calling card for Mills to get session work. Break Mirrors was touted as the album of the year by many websites and fellow musicians, despite its limited release. In late 2011, after spending back-to-back years on tour and in the studio playing on other people’s records, Mills made the decision to begin producing in order to explore musical concepts beyond guitar. Analog Edition Records released a Blake Mills double A side 7" in 2011, featuring the songs "Hey Lover" and "Wintersong" in 2011.

In January 2012, Mills appeared on Conan O’Brien for his first national televised performance as a solo artist. He covered Bob Dylan’s “Heart Of Mine,” which he had recently played at an Amnesty International benefit. Later that year, he went on to co-produce Jesca Hoop's album The House that Jack Built, produced Sara Watkins' album Sun Midnight Sun, wrote and produced "Sad Dream" on Sky Ferreira's latest EP Ghost and an additional two tracks on her upcoming LP I'm Not Alright. Mills was featured on electric slide guitar on the track '"Go Home" from the 2013 debut album from the group Lucius. For the compilation album Just Tell Me That You Want Me: A Tribute to Fleetwood Mac, he co-produced and played with Billy Gibbons and Matt Sweeney on the track "Oh Well". Mills also served as the opening act and guitarist for Fiona Apple during her 2012 tour through North America. Mills co-produced the track "Artifact 1" on Conor Oberst's album, Upside Down Mountain, which was released in May 2014. He also produced the forthcoming untitled release from Jesca Hoop and Mt. Egypt's III.

Mills released his second full length album, Heigh Ho, on September 16, 2014. This self-produced album combines a range of genres. Along with friends and inspirations including Fiona Apple, Jim Keltner, Don Was, Benmont Tench, Jon Brion, and Mike Elizondo, Mills recorded Heigh Ho at the legendary Ocean Way Recording studios in a room built for Frank Sinatra. He also produced the sophomore release from Alabama Shakes. Recording took place at Sound Emporium in Nashville, a studio originally built for Sun Records house producer Cowboy Jack Clement.

In 2015 Mills was nominated for a Grammy in the category of Producer of the Year, Non-Classical for his work on Alabama Shakes breakthrough album Sound & Color.

Mills' 2016 producer credits include albums from former bandmates Dawes, along with upcoming albums from John Legend, Laura Marling, Jim James and Perfume Genius. In the same year, he also performed guitar and various other instruments on Andrew Bird's album Are You Serious. In 2017, Mills took part in Randy Newman's Dark Matter as a guitarist.

In November of 2018, Mills quietly released an almost-entirely-instrumental EP entitled "Look" on his own label imprint New Deal Music. The album was created almost entirely using Roland guitar synthesizers from the 1970s with collaboration from saxophonist Sam Gendel, singer Natalie Mering of Weyes Blood, and violin and string-arrangement virtuoso, Rob Moose, who has appeared on nearly every release Mills has produced. "Look" was the second release on New Deal Music. The first New Deal release, in September of 2018, was a soundtrack by Colin Stetson, Canadian-American saxophonist, multireedist, and composer based in Montreal, for the short-lived dramatic television series The First (TV series).

On December 5th, 2019 Mills teased a clip of a new song via an NPR piece by Grayson Haver Currin titled "Songs In An Emergency" that centers around the urgency of climate change. The new song, from his upcoming and yet-to-be-titled third full-length album, is titled "Summer All Over." It is a piano-based ballad musing on the Malibu fires of 2018 and co-written with Cass McCombs. When describing the spacious sound-landscape that the song embodies and the title, Mills commented that "writing about the season of summer inherently evokes a Beach Boys vibe, maybe because I'm in Los Angeles, but the implication of the warmest season happening all over the world at the same time is an 'endless summer." The third full-length is expected to be released in 2020 on New Deal Music with management support by Record Collection and distribution by Verve Label Group, a division of UMG Recordings, Inc.

In 2020, Blake Mills played guitar on Bob Dylan's album Rough and Rowdy Ways.

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Blaze Foley

Michael David Fuller (December 18, 1949 – February 1, 1989), better known by his stage name Blaze Foley, was an American country music singer-songwriter, poet, and artist active in Austin, Texas.

Background

Foley was born Michael David Fuller in Malvern, Arkansas on December 18, 1949. He grew up in San Antonio, Texas and performed in a gospel band called The Singing Fuller Family with his mother, brother, and sisters. As a child, Blaze contracted polio, and as a consequence, one of his legs was shorter than the other, causing him to drag his foot while walking. He was nicknamed "Deputy Dawg" early in his career. In the spring of 1975, he was living in a small artists' community just outside Whitesburg, Georgia when he met Sybil Rosen. Rosen and Foley were in a relationship and decided to leave the artist community together to support his music. He went on the road and performed in Atlanta, Chicago, Houston, and, finally, Austin, Texas. Together, they ended up in Austin. Foley tried to get into songwriting, but after the move, he experienced a lot of career pressure. Foley started drinking more and the bar scene complicated his relationship with Rosen, which eventually ended.

Foley was close friends with Townes Van Zandt and was greatly influenced by him. Foley's stage name was inspired by his admiration of musician Red Foley and the stripper and burlesque performer Blaze Starr.

Music and lyrics

The master tapes from his first studio album were confiscated by the DEA when the executive producer was caught in a drug bust. Another studio album disappeared when the master copies were stolen with his belongings from a station wagon that Foley had been given and lived in.  A third studio album, Wanted More Dead Than Alive, was thought to have disappeared until, many years after Blaze died, a friend who was cleaning out his car discovered what sounded like the Bee Creek recording sessions on which he and other musicians had performed. This was Foley's last studio album, and he was scheduled to tour the UK with Townes Van Zandt in support of the album. When Foley died, his attorney immediately nullified the recording contract and the master tapes subsequently disappeared (reportedly lost in a flood).

Foley worked with Gurf Morlix, Townes Van Zandt, Guy Schwartz, Billy Block, Calvin Russell, and others.

Death and legacy

On February 1, 1989, Foley was at a house in the Bouldin Creek neighborhood of Austin, Texas when he was shot in the chest and killed by Carey January, the son of Foley's friend Concho January. Foley had confronted Carey January accusing him of stealing his father's veteran pension and welfare checks. Carey January was acquitted of first-degree murder by reason of self-defense. He and his father presented completely different versions of the shooting at trial. Concho January, who has since died, liked to drink and proved an unreliable witness even though he tried to testify against his son.

At his funeral, Foley's casket was coated with duct tape by his friends. Townes Van Zandt told a story where he and his musicians went to Foley's grave to dig up his body because they wanted the pawn ticket that Foley had for Townes' guitar.

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Blonde Redhead

Blonde Redhead is an alternative rock band composed of Kazu Makino (vocals, keys/rhythm guitar) and twin brothers Simone and Amedeo Pace (drums/keys and lead guitar/keys/vocals, respectively) that formed in New York City in 1993. The band's earliest albums were noted for their noise rock influences, though their sound evolved by the early 2000s with the releases of Misery is a Butterfly (2004) and 23 (2007), which both incorporated elements of dream pop, shoegaze and other genres. They have released nine regular studio albums and have toured internationally.

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Blue Lab Beats

Following their appearance on the acclaimed 2020 project Blue Note Re:imagined and the release their 2021 EP We Will Rise, the London duo Blue Lab Beats—producer NK-OK and multi-instrumentalist Mr DM—make their full-length Blue Note Records debut with Motherland Journey.

The vibes are strong on everything this pair cook up inside Blue Lab HQ, including their sublime take on vibist Bobby Hutcherson’s 1975 classic “Montara” which appeared on the 2020 collection Blue Note Re:imagined. “To be affiliated with Blue Note, whose artists we’ve grown up with, and whose music and politics have influenced us, was exciting,” says Mr DM.

One of the fastest-rising production duos in the world right now, with a Grammy nomination for their work on the Angelique Kidjo album Mother Nature, and a MOBO nomination for ‘Best Jazz Act’ in 2021 testament to their rise, Blue Lab Beats craft a supple, wide-ranging sound that blends boom-bap grooves and jazz-funk hooks are wide-ranging influences inspired by the pioneers of hip-hop and the music of the African diaspora; a sound that tells of London, of today, while hinting at the future.

^{Source Bluenote.com}

Bob Dylan

Bob Dylan (born Robert Allen Zimmerman; May 24, 1941) is an American singer-songwriter, author and visual artist. Often regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture during a career spanning nearly 60 years. Much of his most celebrated work dates from the 1960s, when songs such as "Blowin' in the Wind" (1963) and "The Times They Are a-Changin'" (1964) became anthems for the civil rights and anti-war movements. His lyrics during this period incorporated a range of political, social, philosophical, and literary influences, defying pop music conventions and appealing to the burgeoning counterculture.

Following his self-titled debut album in 1962, which mainly comprised traditional folk songs, Dylan made his breakthrough as a songwriter with the release of The Freewheelin' Bob Dylan the following year. The album features "Blowin' in the Wind" and the thematically complex "A Hard Rain's a-Gonna Fall". Many of his songs adapted the tunes and phraseology of older folk songs. He went on to release the politically charged The Times They Are a-Changin' and the more lyrically abstract and introspective Another Side of Bob Dylan in 1964. In 1965 and 1966, Dylan drew controversy when he adopted electrically amplified rock instrumentation, and in the space of 15 months recorded three of the most important and influential rock albums of the 1960s: Bringing It All Back Home (1965), Highway 61 Revisited (1965) and Blonde on Blonde (1966). Commenting on the six-minute single "Like a Rolling Stone" (1965), Rolling Stone wrote: "No other pop song has so thoroughly challenged and transformed the commercial laws and artistic conventions of its time, for all time".

In July 1966, a motorcycle accident led to Dylan's withdrawal from touring. During this period, he recorded a large body of songs with members of the Band, who had previously backed him on tour. These recordings were released as the collaborative album The Basement Tapes in 1975. In the late 1960s and early 1970s, Dylan explored country music and rural themes in John Wesley Harding (1967), Nashville Skyline (1969), and New Morning (1970). In 1975, he released Blood on the Tracks, which many saw as a return to form. In the late 1970s, he became a born-again Christian and released a series of albums of contemporary gospel music before returning to his more familiar rock-based idiom in the early 1980s. Dylan's 1997 album Time Out of Mind marked the beginning of a renaissance for his career. He has released five critically acclaimed albums of original material since then, the most recent being Rough and Rowdy Ways (2020). He also recorded a series of three albums in the 2010s comprising versions of traditional American standards, especially songs recorded by Frank Sinatra. Backed by a changing lineup of musicians, he has toured steadily since the late 1980s on what has been dubbed the Never Ending Tour.

Since 1994, Dylan has published eight books of drawings and paintings, and his work has been exhibited in major art galleries. He has sold more than 125 million records, making him one of the best-selling musicians of all time. He has received numerous awards, including the Presidential Medal of Freedom, ten Grammy Awards, a Golden Globe Award and an Academy Award. Dylan has been inducted into the Rock and Roll Hall of Fame, Nashville Songwriters Hall of Fame and the Songwriters Hall of Fame. The Pulitzer Prize Board in 2008 awarded him a special citation for "his profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power". In 2016, Dylan was awarded the Nobel Prize in Literature "for having created new poetic expressions within the great American song tradition".

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Bobby Long

Bobby Long (born Robert Thomas Long, 18 September 1985) is a British singer-songwriter, whose largely acoustic body of work has its roots in folk. Born in Wigan, Greater Manchester, England, he moved at the age of four to Calne, Wiltshire, where he grew up, though he still holds deep roots in Wigan. He currently resides in New York.

Long learned cello and guitar and started writing songs when he was 18. His earliest performing experience was as lead guitarist in a local grunge band. Long moved to London in 2005 to attend London Metropolitan University where he studied sound and media for film. He began playing open-mic nights at local clubs, meeting a coterie of likeminded young musicians, among them Sam Bradley, Marcus Foster and Robert Pattinson, whose career as an actor was just beginning. Long’s career trajectory took a major leap when Pattinson performed the song "Let Me Sign," co-written by Long and Foster, in the 2008 blockbuster vampire film Twilight.

Long graduated from college in June, 2009 (earning a degree in music for film after writing his senior thesis on the social impact of American folk music) and commenced performing full-time. A spring series of showcase dates introduced him to American audiences in New York, Los Angeles and Nashville, and, by July, he embarked on the critically well-received "Dangerous Summer" tour. Long fans, who first discovered his music via the "Twilight" soundtrack, turned out for shows throughout the U.S. and Canada and pushed his MySpace page well over one million page views. He recorded the 10-song collection Dirty Pond Songs to be available at his shows. Recorded in his London bedroom, it included traffic noises and all. "Left to Lie" from Dirty Pond Songs, became an iTunes favorite, topping the site’s "Unsigned" chart and reaching #8 its folk music chart. "The Bounty of Mary Jane" from Dirty Pond Songs and a live version of his "Being a Mockingbird," recorded at Arlene’s Grocery in New York City, were also released via iTunes. "The Dangerous Summer" tour continued until the end of 2009, logging some 80 performances in all.

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Bodywash

On the song “Sunspots”, Bodywash vocalists Chris Steward and Rosie Long Decter sing, “When everything is so serene, it’s hard to see/We miss the cracks that open up beneath our feet.” It’s the perfect distillation of the Montreal band’s new full-length record, Comforter, both in mood and sound. Long Decter and Steward’s harmonies rise over an icy sheet of programmed drums and a fog of synth and guitar, deceptively peaceful on the surface, hiding the roiling chaos underneath.

Bodywash was formed in 2014 when Chris Steward and Rosie Long Decter began jamming in a basement rehearsal room at McGill University. Bonding over a shared affection for shoegaze and dream pop, the two found an immediate chemistry. “There is an excitement that comes from having people of diverse backgrounds and personalities in one room,” says Steward, “trying to make something beautiful together.” Tom Gould joined soon after on bass, and they recorded an EP in 2016.

When it came time to make a full-length album, Bodywash enlisted Nigel Ward to record the LP. However, the road to Comforter wasn’t easy. The recording process spanned two years and five recording studios, with the band constantly rewriting, reworking, and rearranging songs, until every note and tone felt exactly right. Drummer Ryan White joined the band mid-way through the recording process. “The album evolved as we were evolving as a band,” says Long Decter. “You can hear us grow and change with each song.” The final product was mixed by Taylor Smith and Austin Tufts of the band Braids, and was mastered by Evan Tighe.

“The joy of experimentation is everything,” says Steward. “The whole thing is alchemic, trying to combine a bunch of ingredients together to make gold, or whatever gold is.” Long Decter agrees. “We’re perfectionists,” she says, “but it comes from a place of feeling.”

The result is the perfect insomniac’s record, a late-night album of emotional extremes, from the enveloping warmth of shoegaze to the stark electronics of 90s trip-hop and IDM. Guitars blur in and out, melodies vanish and appear, synths blinking like lights in a fog. It’s an album of obsessive detail buried in a blur of reverb. It draws you in and pushes you away in equal measure.

Album standout “Twins” began as a thirty-second guitar loop, with Steward adding layer after layer of synths. It careens from despair to an exhilaration, a manic scream of a song that reaches a full catharsis. “We deal a lot in sonic moments of anxiety,” says Long Decter, “but the goal is to live in that space between extremes, between worry and comfort.” The band’s restless experimentation can best be seen on the shimmering “With Heat.” Initially a guitar-driven indie rock tune Steward wrote for a contest, the song took on new life when Long Decter broke the song into spare parts on a computer, slowing it down, changing the key, adding layer after layer until something entirely new emerged, and the song took its final form.

The album closes with the epic “Another Plane.” Built on a combination of krautrock-style rhythms and breakbeats with a haze of guitars and synths hovering above, it glimmers with possibility. The song is a harrowing account of the frantic moments when reality begins to blur, a gaze over the emotional edge of things. With its increasing emphasis on electronics, “Another Plane” is also a look into what sonic possibilities might lie ahead for the band.

Comforter is a document to a band’s own becoming, the exhilaration that comes from constant exploration, the drive for perfection and the joy of learning how to let things just be. It’s a mix of contradictions, the smothering warmth and the frigid cold, the chaotic and the peaceful. It’s a testament to the way that from many familiar ingredients something new can be formed, the joy and wonder of what’s possible when four people are in a room together, trying to make something beautiful.

– Jimmy Cajoleas

^{Source luminellerecs.com}

Bola Sete

Bola Sete (born Djalma de Andrade) (July 16, 1923 – February 14, 1987) was a Brazilian guitarist. Sete played jazz with Vince Guaraldi and Dizzy Gillespie.

History

Born in Rio de Janeiro, Bola Sete's name means "Seven Ball". In snooker, which is fairly popular in Brazil, the seven ball is the only black ball on the table (like the eight ball in pool), and Bola got this nickname when he was the only black member of a small jazz group.

Sete studied guitar at the Conservatory of Rio. He started performing with his own sextet and local samba groups while he was a student. His early influences were guitarists Django Reinhardt, Charlie Christian, Barney Kessel, George Van Eps, and Oscar Moore of the Nat King Cole Trio. He admired the big bands that were touring South America at that time, led by Dizzy Gillespie, Tommy Dorsey, and Woody Herman.

His career started in 1952 when he played clubs and hotels in Italy for four years. Then he returned to Brazil and started touring all of South America, during which time the manager of Sheraton Hotels noticed him and decided to bring him to the US to play in the hotels. He played for New York's Park Sheraton, then moved to San Francisco to play in the Sheraton Palace. Dizzy Gillespie was staying there at the time and listening to Sete playing every day. When Gillespie brought his pianist, Lalo Schifrin, to the hotel, he discovered that Schifrin and Sete had played together in Argentina. This meeting was the beginning of Sete's success in the US. In the fall of 1962, Gillespie took Sete to the Monterey Jazz Festival, where he enjoyed a huge success.

Sete toured with Gillespie, then returned to San Francisco, where he joined the Vince Guaraldi trio. He was well known in the US, and his partnership with Guaraldi yielded several well-received recordings. After staying for a couple of years with Guaraldi, Sete formed his own trio with Sebastião Neto on bass and Paulinho da Costa on drums. With this trio, he appeared at the Monterey Jazz Festival in 1966 and released an album of his performance, which peaked at No. 20 on the Billboard Jazz chart.

In the 1970s, Sete became friends with guitarist John Fahey, who had been an admirer. In 1975, Sete's album Ocean was released on Fahey's label, Takoma Records.

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Bonobo

Simon Green (born 30 March 1976), known by his stage name Bonobo, is a British musician, producer and DJ based in Los Angeles. He debuted with a trip hop aesthetic, and has since explored more upbeat approaches as well as jazz and world music influences. His tranquil electronic sound incorporates the use of organic instrumentation, and is recreated by a full band in live performances.

Green's work has attained a cult following, and he has collaborated with a variety of other artists.

Green debuted in 1999 on the Tru Thoughts compilation When Shapes Join Together. His stage name Bonobo, is a reference to the Bonobo chimpanzee species. Following the releases of the EP Scuba and the single "Terrapin", Bonobo was offered label deals with XL recordings and Mute records, but he chose to remain in Tru Thoughts.

His first album Animal Magic was released on the same label in 2000. It received mixed reviews; Pitchfork stated that despite not being a ground-breaking chill-out album, Bonobo "[showcases] smooth breakbeat loops, synth sounds, and aforementioned dub effects. [And his] electronic music draws on live playing," according to PopMatters. Reviewer Dean Carlson also said that the album "slowly takes shape as a solid debut of narcoleptic downtempo." In spite of reactions, Animal Magic has given Bonobo a cult following. Its accompanying compilation album titled "One Offs...", was issued in 2002 and contains reworked songs and rarities.

In 2001, Bonobo was signed to Coldcut's label Ninja Tune and in 2003, he released Dial 'M' for Monkey. John Bush of Allmusic stated in a review that Bonobo's influences were drawn more towards alternative rock and world music rather than hip-hop or trip hop. The album tracks "Pick up" and "Flutter" were featured in the snowboarding game SSX on Tour.

In 2005, Bonobo contributed to the Solid Steel series, with It Came from the Sea. The mix features several exclusive tracks as well as remixes and re-edits. His third album, entitled Days to Come, was released on 2 October 2006. An AllMusic review states that "[Bonobo] breathes new life into a well-worn genre." With the album as well as his future work, he featured vocalists such as Bajka, thus "adding [an] organic and vibrant musicality that's rare in electronic music." Days to Come was voted Best Album of 2006 by Gilles Peterson's listeners. The song "Nightlite" appeared on UEFA Champions League 2006–2007, and "Recurring" was used in a surfing film broadcast on Fuel TV.

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Boogarins

Boogarins is a brazilian psychedelic rock e Neo-psychedelia band formed in 2012, in Goiânia, by members Fernando "Dinho" Almeida (vocals and rhythm guitar) and Benke Ferraz (lead guitar). To complete the quartet, later joined Hans Castro (drums) and Raphael Vaz (contrabass). In 2014, Ynaiã Benthroldo replaced Hans in the drums. The band played in a variety of international festivals, such as Rock in Rio Lisboa, Primavera Sound, Porão do Rock, Coquetel molotov, Coachella Valley Music and Arts Festival, Lollapalooza and South by Southwest.

History

Boogarins was formed by Benke and Dinho, two childhood friends who got together and recorded an EP at home (As Plantas Que Curam) while they were still at school. After the release of the EP, Boogarins signed a contract with Other Music, the debut album As Plantas Que Curam was released in 2013.

After the LP's release, the band toured and performed more than 70 shows across Europe, the United States, and in Latin America, plating in festivals such as South by Southwest, in Texas, and the Primavera Sound, in Barcelona. In 2015, the band played in the festival Lollapalooza, in São Paulo

After the long tour, the band recorded their new album, Manual, ou Guia Livre de Dissolução dos Sonhos, in Spain. The album had its release by the end of October in CD, vinil and all streaming platforms.

In 2016, the band participated in Rock in Rio Lisboa, played in Seattle's influential alternative radio [KEXP]] and also in the famous festival Levitation. In the same year, their album Manual was nominated in the Latin Grammy Award for Best Portuguese Language Rock or Alternative Album category.

In 2017, the band released a live album, called Desvio Onírico,. The album is composed by 4 tracks with more or less 10 minutes each, with jams, improvs on material recorded during their USA and Europe tour. In June of the same year, the band shared their new studio album, Lá Vem a Morte, by surprise in YouTube. The work was considered by the magazine Rolling Stone Brasil to be the 9th best Brazilian LP of 2017.

In 2019, they released Sombrou Dúvida, which was considered one of the 25 best Brazilian albums of the first half of 2019 by the São Paulo Association of Art Critics.

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Brainstory

What is Buck?

Buck is a state of mind, a way of life, a demeanor that gets you through the good times and the bad. If you ask Brainstory, It is also the energy that permeates their debut album.

Kevin, Tony, and Eric are a trio of brothers bounded by blood, fate, and a small town with nothing to do. Their story begins in the long lost lands of the San Bernardino Valley, in the twilight zone known as Rialto, California: An arid wasteland of boredom and empty lots. Through punk rock and skateboarding they found temporary liberation from the local monotony. However, it wouldn’t be long before a hunger for more led them to explore musical realms beyond that of the hardcore punk they admired. After stints at music school and steady disappointment trying to navigate their local jazz scene they moved to Los Angeles and Brainstory was born.

Through a introduction from Chicano Batman’s bassist, Brainstory caught the ears of Big Crown head honchos Danny Akalepse and Leon Michels. Shortly thereafter they were on their way to Queens, to record at The Legendary Diamond Mine with Michels at the helm. An instant chemistry yielded 10 songs in 10 days and now Brainstory has gifted the world with one hell of an introduction to all things Buck. Highlights include the sublime slow burner, “Dead End” which was the A-side to their first 45 on Big Crown that sold out in a matter of days. With Kevin’s sublime falsetto floating atop Tony and Eric’s unflappable and unmistakable backbeat, this tune has become a favorite with the ballad heads, the low-riders, and the slowie collectors. “Breathe” showcases another side of their sound taking a page out of the Shuggie Otis playbook and flipping the script with some stoned out west coast swag. Kev and Tony’s father, Big Tone, an accomplished performer himself, steps in on “Peter Pan” to sing lead vocals over a chorus of friends and family. Bassist extraordinaire, Tony, takes over lead vocal duties on “Sorry”, a smoked out, G Funk groove that is just waiting to be sampled.

These guys have come a long way from their self released EPs and opening tours with Chicano Batman. Their musical growth is undeniable, and taking their California sunshine vibes and mixing them with Michels’ NYC aesthetic has proven to be an amazing combination. It’s a debut record that pulls influences from so many genres seamlessly it’s hard to nail down. Call it Funk, call it Rock, call it Soul, but over here at Big Crown HQ, we’ve decided to call it BUCK.

^{Source BainstoryMusic.com}

Brett Dennen

Brett Michael Dennen (born October 28, 1979) is an American folk/pop singer and songwriter from Central California. His sixth studio album, Por Favor, was released in May 2016.

Early life
Dennen grew up in Central Valley, California in a small farm town. As a child, Dennen was homeschooled, where he was given creative freedom by his parents. His father was an avid pickler, which Dennen attributes to his own love for briney foods. He spent much of his time learning to play music. After becoming proficient in the guitar, he started to write his own songs.

Dennen learned to play guitar while attending Camp Jack Hazard, a residential summer camp in the Sierra Nevada Mountains. His camp counselors played the music of Neil Young, John Denver, and Joni Mitchell, the same music that his parents listened to. As an adolescent, he worked there as a counselor. He has continued to help the camp, performing at a fundraiser in February 2012 for the Jack and Buena Foundation, which now runs Camp Jack Hazard.

He attended Oakdale High School. He graduated from the University of California, Santa Cruz in 2002, where he was a student at Kresge College. He majored in sociology and philosophy, with goals of becoming an educator, a teacher, or a community worker. He also led numerous anti-smoking campaigns on campus, and was instrumental in removing ash trays from building entrances. He also began writing music with friends, and he eventually established a jam band, playing mandolin alongside an acoustic guitarist, bassist, hand drummer, and flutist. He found writing music that everyone would like, however, "stifling and overwhelming."

After graduating college and remaining in Santa Cruz, Dennen moved to Los Angeles to perform. In late 2003 and early 2004, he began to record his first album, which he self-released. A year after the album's release, Universal signed on as a distributor.

^{Source Wikipedia}