Goat is a Swedish alternative and experimental fusion music group. The band originates—according to its own publicity—from Korpilombolo, Norrbotten County. Their first album World Music, was released on 20 August 2012 by Rocket Recordings, and in North America on the Sub Pop label. The group released their third studio album, Requiem, in October 2016.
Source Wikipedia
Habib Koité (Bambara: Habib Kuwate, born 1958 in Thiès, Senegal) is a Malian musician, singer, songwriter based in Mali. His band, Bamada, is a supergroup of West African musicians, which included Kélétigui Diabaté on balafon until his death in 2012.
Koité is known primarily for his unique approach to playing the guitar by tuning it on a pentatonic scale and playing on open strings as one would on a kamale n'goni. Other pieces of his music sound more like the blues or flamenco which are two styles he learned under Khalilou Traore.
Koité's vocal style is intimate and relaxed, emphasizing calm, moody singing rather than operatic technical prowess. Members of Bamada play talking drum, guitar, bass, drum set, harmonica, violin, calabash, and balafon. Koité composes and arranges all songs, singing in English, French, and Bambara.
Source Wikipedia
Hailu Mergia & His Classical Instrument (Amharic:ኃይሉ መርጊያና የመሣረያ ቅንብሮቹ), also known as Shemonmuanaye, is a 1985 studio album by Ethiopian jazz musician Hailu Mergia, formerly of the Walias Band. After the band split up in 1983, Mergia moved to the United States and began studying music at Howard University, during which time he discovered an accordion and began playing it. Initially intending to record a cassette of himself playing the accordion in a small studio belonging to an acquaintance at Howard, he also incorporated other instruments in the studio, such as a Rhodes piano and synthesiser.
Using all three instruments and a drum machine, he recorded His Classical Instrument to showcase his mastery of the accordion, an instrument which reminded him of his youth – and which had lost popularity in Ethiopia since the 1950s – with the hopes of bringing it back to prominence. Via the inclusion of modern instruments, the album was also intended to mix the old accordion style with the modern technology of the United States. Originally released in Ethiopia on cassette by Kaifa Records, the album was a surprise hit when listeners warmed to its unusual sound, though, as was often the case with Mergia's music, the album was unheard outside of the country, and he soon slipped into obscurity.
When Brian Shimkovitz, founder of American reissue label Awesome Tapes From Africa, discovered a copy of the album in Ethiopia in 2013, he hoped to re-release it on his label, and contacted Mergia, who greenlit the project. Upon its re-release in various formats by the label that same year, the album received critical acclaim, with Western critics complimenting its uniquely psychedelic and dreamy sound. The success of the album relaunched Mergia's international touring career, which had ceased several decades earlier, and brought him international recognition. The label would later re-release further cassettes of Mergia's music.
Source Wikipedia
The 101 Strangest Records on Spotify: Har-You Percussion Group - Har-You Percussion Group
Forming after the Harlem Riots of 1964, Har-You make Afro-Cuban sounds with furious and hip-shakingly groovesome rhythms
If you've ever wondered whether the world has changed a bit since the late summer of 1969, or whether it's basically the same, your answer will lie in this record and one of its contemporary reviews. "Here is a young, unknown group of musicians from Harlem," US music industry bible Billboard wrote in the last August of the 1960's. "[They've] pooled their talents to prove to the world that ghettos can produce more than shiftless undesirables." Wow, well there's a phrase to conjure with. Of course, it's hard to tell whether the unnamed writer was going for humour, but - either way - there's nothing funny about this LP. Funky, yes. Furious, yes. Hip-shakingly groovesome, yes. Awesomely enthusiastic, yes. Funny? Not so much.
Produced by legendary Jamaican jazz percussionist and drummer Roger "Montego Joe" Sanders and released by ESP Disk, this is a fantastically dynamic blend of Afro-Cuban rhythms with richly melodic jazz overtones, capturing the sound of people on the cusp of becoming great players. The horn-section in Tico is together and on the beat, but not quite confident enough to stretch out, while the gloriously full-steam-ahead attack of Santa Cruz threatens to derail itself but never does. Har-You began life as Harlem Youth Unlimited, a community group put together by Sanders after the Harlem Riots of 1964. On the audio track that accompanies this edition of the LP he described the group as "emotionally unstable young men with no inspiration and no place to go" and the record was meant to show those who held the city's purse strings that many people who had been written off and ignored would be much better listened to and appreciated. You have to hope that, after a showing like this, they were. Of course, despite the goodwill, the stinging Latin percussion and the powerful R&B horn riffs, no one really bought it, but the track Welcome To The Party - thanks to its ebullient brilliance and insane rarity - grew into a huge rare-groove club hit, one big enough to ensure this wonderful album was never forgotten. An original will cost you £500, by the way. So up yours, anonymous critic.
Source theguardian.com
Homeshake (stylized as HOMESHAKE) is the solo musical project of Montreal-based singer-songwriter and musician Peter Sagar.
Featuring contributions from Mark Goetz, Greg Napier, and Brad Loughead, the project started in 2012. In 2014, he left Mac DeMarco's live band to focus on the Homeshake project; Fixture Records released his debut cassette, The Homeshake Tape, in January 2013 with a second, titled Dynamic Meditation released in October 2013 . This was followed by his debut full-length album, In the Shower (2014) and his second album, Midnight Snack (2015). His third album under the project, Fresh Air, was released in 2017.
Hossam Ramzy (Arabic: حسام رمزي; born in Cairo, Egypt) is an Egyptian percussionist and composer. He has worked with Western artists like Jimmy Page and Robert Plant as well as with Arabic music artists like Rachid Taha and Khaled.
Ramzy was born into a wealthy Cairo family. He began playing the darbuka and tabla at an early age. He moved to Saudi Arabia for a time and learned traditional Bedouin music styles. In the 1970s he moved to London and began playing with saxophonist Andy Sheppard. His collaborations with jazz musicians earned him the nickname "The Sultan of Swing". In 1989 he worked with Peter Gabriel on the soundtrack to Martin Scorsese's The Last Temptation of Christ. This brought him to the attention of artists such as Frank Asher and the Gipsy Kings.
In 1994 he returned to his roots and formed a ten piece Egyptian ensemble that performed on the album No Quarter: Jimmy Page and Robert Plant Unledded. Ramzy and his ensemble also gained exposure by touring with Plant and Page throughout 1995 in support of their album. The next year Ramzy released the first of three collaborations with English arranger Phil Thornton, Eternal Egypt. The success of Eternal Egypt's blend of Arabic music prompted the follow up albums Immortal Egypt and Enchanted Egypt. In 1996, Hossam and his percussion section played with Big Country in Dingwalls club. From this event was recorded "Eclectic". In 1998, he performed with Rachid Taha, Khaled and Faudel at their 1,2,3 Soleils concert and backed Khaled again for the Claude Challe album Flying Carpet.
In 2000, Jay-Z sampled his version of "Khosara" for "Big Pimpin'". After 2000 Ramzy increasingly began to work arranging music for pop stars. In 2005 he arranged some songs for Ricky Martin's album Life and he worked with Shakira on her album She Wolf. He also contributed two songs to the soundtrack for the film Prince of Persia and one to the soundtrack for Conan The Barbarian.
His latest album titled Rock the Tabla released on 30 August 2011. It features Indian composer A.R. Rahman, Omar Faruk Tekbilek, Manu Katché and Billy Cobham.
Source Wikipedia
Jungle Fire’s highly infectious and explosive sound draws inspiration from the groundbreaking rhythm sections behind James Brown, Fela Kuti, Ray Barretto and Irakere; a musical recipe consisting of West African and Afro-Caribbean styles layered with heavy break-beat funk, all spiced with a dose of uniquely Angeleno grit.
Originally conceived as a one-off project back in 2011, JF quickly gained attention and thus proved its place among the thriving LA funk/soul scene by lighting up local clubs, venues and underground warehouse parties. The buzz grew and word of mouth spread eventually linking up the band with the Ohio-based indie soul label Colemine Records to cut their first 7” single “Comencemos” (a cover of Fela’s “Let’s Start”). Lauded by DJ’s, radio stations, tastemakers and rabid funk fans across the globe “Comencemos” sold out internationally paving the way for the second 7” Colemine release “Firewalker”.
“Few bands live up to their name in the way Jungle Fire do; fusing Cumbia, Afrobeat and traditional funk, each JF jam blazes the floor with real power” as described by Juno Records UK, best sums up the Jungle Fire live show. Serving up a healthy dose of originals and deep latin/afro funk covers all cooked up together in a live mixtape style set ensuring an energy that is nothing short of fire.
Since their inception Jungle Fire has played an impressive amount of club dates and festivals both domestic and abroad having shared the stage with Shuggi Otis, The Blackbyrds, Lee Fields, Charles Wright, The Budos Band and even performing for Los Angeles’ recent mayoral inauguration.
Currently, JF has been supporting their first full-length record “Tropicoso” via the Los Angeles heavyweight Latin Alternative label Nacional. Focused on taking their show international Jungle Fire embarked on a massively successful U.K. tour playing to packed venues at every stop including headlining Craig Charles’ Funk Club (Band On The Wall) and BBC 6 Radio. Not stopping there, the band also made their South American debut at the Mompox Jazz Festival in Colombia.
Source facebook.com
The kora is the most popular instrument of the griots - the musical caste of west Africa's Wolof and Fula peoples. A cross between a harp and a lute, with 21 to 25 strings, its striking appearance - a gourd-shaped base, which players rest in their groin, and a long, thin, bridged neck - and its beautiful ringing sound have made it west Africa's most revered instrument. Kaouding Cissokho, who has died of tuberculosis aged 38, was internationally acclaimed as one of its masters.
Kaouding was born in Tamba Counda, eastern Senegal, the son of the famous oral historian and kora player Banna Cissokho. Being born into a griot family would normally have meant he was studying kora at the feet of his father. Yet his parents sent him to a vocational school to be a carpenter.
But Kaouding's desire to play the instrument led him, with his brother's kora, to take lessons from his uncle Cheick Diabate, a fine guitarist. As a result he turned into a more experimental musician than the tradition-bound players in his family - and, when touring the world, he added double bass pickups to make his kora's ringing tone heard above the electric guitars and keyboards.
Kaouding began by accompanying griot praise singers - reciting the histories and accomplishments of their employers - with his fluid finger work creating exquisite melodies. He came into his own when he teamed up with Baaba Maal, who is ranked second in terms of international following only to Youssou N'Dour among Senegalese singers.
Soon Kaouding was playing in Europe, the United States and Asia. His energy and joy fitted well into Maal's show, while his desire to experiment - he is remembered as a funky, boundary-crossing player by aficionados - found him playing on recordings with Senegalese rappers Positive Black Soul, the late Pakistani qawwali singer Nusrat Fateh Ali Khan and on Jamaican jazz guitarist Ernest Ranglin's acclaimed In Search Of The Lost Riddim (1998). On this last, his light melodic touch provided the perfect accompaniment to Ranglin's dazzling lead guitar.
Kaouding was a co-founder of Afro-Celt Sound System, formed in 1996 at a Real World recording week. This musical collaboration, at Peter Gabriel's Real World label's Wiltshire studios, follows each summer's Womad festival. Mixing west African and Celtic instrumentation over electronic dance rhythms suggested a mess in the making, but the result was Real World's bestselling album. The Afro-Celts became a summer festival fixture and, while Kaouding's commitment to Maal kept him from becoming an Afro-Celt fulltimer, he contributed much to their development.
In November 1998, Kaouding joined Maal in New York for the Red, Hot And Rhapsody George Gershwin tribute concerts and recording. The kora lines on Bess, You Is My Woman sparkle and shimmer. Maal's 2001 album Missing You (Mi Yeewnii) was hailed as a triumph, and a good deal of that glory must be shared with Kaouding and his exquisite kora rhythms and melodies. His solo album Kora Revolution was released in 1999.
Kaouding had been ill for a few weeks and, thinking he had been cursed, visited various witchdoctors. At Maal's urging, he finally sought hospital treatment - expensive in Senegal - where he was diagnosed. Kaouding was, as his tour manager observed, "one of the kindest and most generous people that you could meet".
He is survived by his second wife and three children.
· Kaouding Cissokho, musician, born November 2 1964; died July 18 2003.
Source theguardian.com
Kokoroko (stylised as KOKOROKO) is a London-based eight-piece musical group led by Sheila Maurice-Grey, playing a fusion of Jazz and Afrobeat. In February 2019 they were named "ones to watch" by the Guardian, after their track "Abusey Junction" garnered 23 million views on YouTube. In February 2020 they won Best Group at the Urban Music Awards. In September 2020 they played BBC Proms at the Royal Albert Hall.
Source Wikipedia
Kurt Samuel Vile (born January 3, 1980) is an American singer, songwriter, multi-instrumentalist, and record producer. He is known for his solo work and as the former lead guitarist of rock band The War on Drugs, both in the studio and during live performances, Vile is accompanied by his backing band, The Violators, which currently includes Jesse Trbovich (bass, guitar, saxophone), Rob Laakso (guitar, bass) and Kyle Spence (drums).
Influenced by Pavement, Neil Young, Tom Petty, and John Fahey, Vile began his musical career creating lo-fi home recordings with frequent collaborator Adam Granduciel in Philadelphia, with whom he has participated in early work by The War on Drugs as well as various solo projects. Focusing on his solo career, Vile released two albums, Constant Hitmaker (2008) and God Is Saying This to You... (2009), compiling various home recordings dating back to 2003. Vile signed to Matador Records in 2009, and released his third album, Childish Prodigy, that same year. The album was his first recorded in a studio and with the full participation of The Violators.
In 2011, Vile released his fourth studio album, Smoke Ring for My Halo, which significantly increased his exposure. His fifth studio album, Wakin on a Pretty Daze, was released in 2013, with Laakso replacing Granduciel in his backing band. In 2015, Vile released his sixth studio album, b'lieve I'm goin down.... The lead single from the album, "Pretty Pimpin", was Vile's best performing song to date, topping the Billboard Adult Alternative Songs chart in March 2016. His 2017 release, Lotta Sea Lice, is a collaboration with Australian singer and guitarist Courtney Barnett. His latest album, Bottle It In, was released on October 12, 2018.
Source Wikipedia
Little Hurricane is an American rock and blues band, based out of San Diego, California, United States. Formed in 2010, the band consists of front man Anthony "Tone" Catalano and drummer Celeste "C.C." Spina. They are a male/female duo with minimalist blues approach to a rocking, indie sound. It is a perfect blueprint for the Little Hurricane's sound. Influences include Van Morrison, Dead Weather, Gorillaz, James Taylor, Paul Simon, and The Beatles.
In 2010, Chicago-born Spina (a cook and bartender) got back on drums after eight years away from a set and put an advertisement on the website Craigslist looking for like-minded musicians. Guitarist Anthony “Tone” Catalano (former studio engineer) caught her attention when he mentioned his jazz-band days in high school. “I’ve been writing songs for years, looking for drummers,” says Tone (who relocated from Santa Cruz to San Diego). “I think it’s unique to have a girl drummer.” says Tone, who makes custom guitar slides from wine- and whiskey-bottle necks.
Formed in early 2010, Little Hurricane began when front man Tone, and drummer CC met via Craigslist and have been creating blues[citation needed] together since. Little Hurricane’s bluesy soul stems from Santa Cruz, where Tone was educated by his musical surroundings, and Chicago, where CC first created her back breaking beats” (Boikdaddy, 2011). “By coincidence, both members lived on the 30th Street in North Park, San Diego. They also found a common interest in unique and vintage equipment and a love of blues. Little Hurricane released their debut album Homewrecker, in April 2011.
The band has toured in direct support for multiple North American tours for the English ska band The Specials, as well as supported Manchester Orchestra, White Denim, and The Heartless Bastards.
In 2013 Little Hurricane toured as direct support for The John Butler Trio, who are an Australian roots and jam band led by guitarist and vocalist John Butler.
In 2016, the band signed their first record deal with Mascot Records. Their fourth studio album and first on Mascot, Same Sun Same Moon, was released on April 14, 2017, and became their second album to appear on the Billboard Heatseekers Albums Chart.
Source Wikipedia
Manu Chao (Spanish pronunciation: [ˈmanu ˈtʃao]; born José-Manuel Thomas Arthur Chao, June 21, 1961) is a French musician of Spanish descent. He sings in French, Spanish, English, Italian, Arabic, Catalan, Galician, Portuguese, Greek and occasionally in other languages. Chao began his musical career in Paris, busking and playing with groups such as Hot Pants and Los Carayos, which combined a variety of languages and musical styles. With friends and his brother Antoine Chao, he founded the band Mano Negra in 1987, achieving considerable success, particularly in Europe. He became a solo artist after its breakup in 1995, and since then tours regularly with his live band, Radio Bemba.
Source Wikipedia
Mdou Moctar (also known as M.dou Mouktar; born c. 1986) is a Tuareg songwriter and musician based in Agadez, Niger, and is one of the first musicians to perform modern electronic adaptations of Tuareg guitar music. He first became famous through a subtle trading network of cellphones and memory cards in West Africa.
Mdou Moctar is a popular wedding performer and sings about Islam, education, love and peace in Tamasheq. He plays a left-handed Fender in a takamba and assouf style. He is originally from Abalak and has also lived in Tchintabaraden and Libya.
His first album, Anar, was recorded in Sokoto, Nigeria in 2008 and prominently featured "spaced-out" autotuned vocals and the influence of Hausa music. The album was not officially released at the time but the songs became hugely popular across the Sahel when they went viral through cell-phone music trading networks. They reached a global audience when Sahel Sounds released his music on the Music from Saharan Cellphones: Volume 1 compilation. Two songs were covered with English homophone lyrics by Brainstorm, an American band from Portland, Oregon. Anar was released on vinyl in 2014 with a high price, due to "predatory business practices" from Sixt on Moctar's first European tour.
His next album, Afelan, was recorded live in Tchintabaraden and features "rusty-edged jams and sun-weathered ballads". The title track is named after a celebrated historical/folkloric hero of the Azawough of Western Niger. It contains a cover of "Chet Boghassa" by Tinariwen.
On his first realizations and interest of an audience outside of the Saharan region, Moctar said in late 2014: "“I first met (Christopher Kirkley of Sahel Sounds) on the mobile phone as he had called me ... It was a weird conversation, as I thought my cousin was pulling a joke on me so I hung up. This American guy calling me, saying he wanted to work with me for my music, it just couldn’t be real. He called me again and we talked. He came to visit me in my village and also sent me a lefthanded guitar, which is very hard to find in Niger. This guitar has crossed several African countries to arrive in my hands, I have been playing it ever since!
Source Wikipedia
Menahan Street Band is a Brooklyn, New York-based instrumental band formed in 2007, that plays funk and soul music. The band features musicians from Antibalas, El Michels Affair, Sharon Jones & The Dap-Kings and the Budos Band. The group was founded by Thomas Brenneck while living in an apartment on Menahan St. in the Brooklyn neighborhood of Bushwick. Their debut album, Make the Road by Walking, was released in 2008 on Dunham, a sublabel of Daptone Records.
Various songs from Make the Road by Walking have been sampled by hip hop artists, including the title track, which was sampled by Jay-Z on the track "Roc Boys (And the Winner Is)...", "Going The Distance", which was sampled by Kid Cudi on his song "Solo Dolo Pt.II" featuring Kendrick Lamar on Cudi's third studio album Indicud, and "The Traitor," sampled by 50 Cent on his mixtape War Angel LP and by Cudi on his debut album Man on the Moon: The End of Day. In addition, the song "Tired of Fighting" is used as a primary sample in Kendrick Lamar's "Faith" from his eponymous 2009 EP, as well as YBN Cordae's 2019 track "Family Matters" from his debut album The Lost Boy.
Source Wikipedia
