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'African' Bands // p 1 of 4

Darren's favorite bands for his Song Of The Day filtered by African
436 Bands
Africa Express

Africa Express

Africa Express was founded in 2006 to promote the concept of musical collaboration that breaks down boundaries and borders, whether between geographical regions, genres or generations. It has hosted a series of remarkable adventures that have won praise from artists, audiences and critics alike. These include five trips bringing together artists in Africa, four acclaimed albums and a series of inventive and highly-original shows in Britain, Europe and Africa. Past projects include a train tour around the United Kingdom as part of the 2012 Olympic festivites, playing the New Shrine in Lagos, performing to 50,000 people on a beach in Spain, staging the first show in front of Paris’s Hotel de Ville, reforming a 50-strong Syrian orchestra and recording the only African version of Terry Riley’s contemporary classic In C.

Source africaexpress.co.uk

 'Morals'

'Morals'
Friday, July 19, 2019

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Ahmoudou Madassane

Ahmoudou Madassane

Ahmoudou Madassane is an actor and writer, known for Zerzura (2017) and Akounak tedalat taha tazoughai (2015).

Source imdb.com

 'Zerzura Theme I'

'Zerzura Theme I'
Friday, October 15, 2021

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 'Igrawahi Assouf'

'Igrawahi Assouf'
Wednesday, April 8, 2020

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Ali Farka Toure

Ali Farka Toure

Ali Ibrahim "Ali Farka" Touré (31 October 1939 – 6 March 2006) was a Malian singer and multi-instrumentalist, and one of the African continent's most internationally renowned musicians. His music is widely regarded as representing a point of intersection of traditional Malian music and its North American cousin, the blues. The belief that the latter is historically derived from the former is reflected in Martin Scorsese's often quoted characterization of Touré's tradition as constituting "the DNA of the blues". Touré was ranked number 76 on Rolling Stone's list of "The 100 Greatest Guitarists of All Time" and number 37 on Spin magazine's "100 Greatest Guitarists of All Time".

Source Wikipedia

 'Ledi Coumbe'

'Ledi Coumbe'
Wednesday, July 15, 2020

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 'Gomni'

'Gomni'
Tuesday, July 9, 2019

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 'Allah Uya'

'Allah Uya'
Monday, February 4, 2019

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 'Cinquante Six'

'Cinquante Six'
Saturday, August 4, 2018

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 'Inchana Massina'

'Inchana Massina'
Tuesday, July 10, 2018

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Amadou & Mariam

Amadou & Mariam

Amadou & Mariam are a musical duo from Mali, composed of the Bamako-born couple Amadou Bagayoko (guitar and vocals) (born 24 October 1954) and Mariam Doumbia (vocals) (born 15 April 1958).

Their album Welcome To Mali (2008) was nominated for a Grammy Award for Best Contemporary World Music Album.

Background
Amadou lost his vision at the age of 16, while Mariam became blind at age 5 as a consequence of untreated measles. Known as "the blind couple from Mali", they met at Mali's Institute for the Young Blind, where they both performed at the Institute’s Eclipse Orchestra, directed by Idrissa Soumaouro, and found they shared an interest in music. Between 1974 and 1980, Amadou played guitar in the West African band Les Ambassadeurs du Motel de Bamako.

In 1980 the couple married and by 1983 they began to play together while Amadou continued a successful solo career and ran the blind institute's music programme.

Amadou is a fan of Jimi Hendrix and Led Zeppelin.

Style
The duo's early recordings in the 1980s and 1990s featured sparse arrangements of guitar and voice. Since the late 1990s Amadou & Mariam have produced music that mixes traditional Mali sound with rock guitars, Syrian violins, Cuban trumpets, Egyptian ney, Indian tablas and Dogon percussion. In combination these elements have been called "Afro-blues".

Source Wikipedia

 'La Fête au Village'

'La Fête au Village'
Friday, September 10, 2021

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 'Djanfa'

'Djanfa'
Friday, December 13, 2019

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 'M'bifé'

'M'bifé'
Friday, September 28, 2018

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Ayub Ogada
 'Obiero'

'Obiero'
Thursday, November 29, 2018

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Baaba Maal

Baaba Maal

Baaba Maal (born 12 November 1953) is a Senegalese singer and guitarist born in Podor, on the Senegal River. He is well known in Africa and internationally and is one of Senegal's most famous musicians. In addition to acoustic guitar, he also plays percussion. He has released several albums, both for independent and major labels. In July 2003, he was made a UNDP Youth Emissary.

Maal sings primarily in Pulaar and is the foremost promoter of the traditions of the Pulaar-speaking people, who live on either side of the Senegal River in the ancient Senegalese kingdom of Futa Tooro.

Early life and education
Maal was expected to follow in his father's profession and become a fisherman. However, under the influence of his lifelong friend and family gawlo, blind guitarist Mansour Seck, Maal devoted himself to learning music from his mother and his school's headmaster. He went on to study music at the university in Dakar before leaving for postgraduate studies on a scholarship at Beaux-Arts in Paris.

Source Wikipedia

 'Baayo'

'Baayo'
Monday, October 18, 2021

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 'Bouyel'

'Bouyel'
Saturday, February 8, 2020

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Cheikh Lô

Cheikh Lô

He was born in the late 1950s to Senegalese parents in Bobo Dioulasso in Burkina Faso and began playing drums and singing at an early age.

He joined Orchestre Volta Jazz, a Bobo variety band that played Cuban and Congolese pop songs as well as traditional Burkinabé music. Lô moved to Senegal in 1978, performing in several mbalax outfits. By then, the Zairean sound was in full flower, Camerounian makossa was coming on strong, and reggae had entered the mix, and Lô absorbed everything. In 1985, he was playing guitar with numerous Côte d'Ivoire and French musicians, which led him to record material in Paris in 1987. After his band dissolved, Lô remained in Paris as a session musician, developing his own sound, described as a mix of mbalax, reggae and soukous influences. He spent most of his time in recording studios, and he picked up as much as he could. His casual contacts with Zaire's most successful progressive singer, Papa Wemba, were especially memorable. "I was a drummer. So when there was a group who came and didn't have a drummer, I would practice with them. Papa Wemba's drummer was also a businessman, so if he wasn't there, I would help out. He's from the school of Tabu Ley, and when I was young, I listened to Tabu Ley a lot."

In 1995, Youssou N'Dour offered to produce Lô's debut album, Ne La Thiass, which became a success worldwide.

In 2000, Lô sang alongside Ibrahim Ferrer on "Choco's Guajira", from Cuban pianist Rubén González's, (Buena Vista Social Club) album Chanchullo.

In 2002, he appeared on two tracks of the Red Hot Organization's tribute album to Fela Kuti, Red Hot and Riot. He collaborated with Les Nubians and Manu Dibango on one of the tracks, "Shakara / Lady (Part Two)."

Source Wikipedia

 'Doxandeme'

'Doxandeme'
Wednesday, April 1, 2020

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 'Sou'

'Sou'
Thursday, February 21, 2019

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 'Né La Thiass'

'Né La Thiass'
Monday, September 10, 2018

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Cymande

Cymande

Cymande (pronounced sah-mahn-day) is a British funk group that was originally active in the early 1970s. The band name derives from a calypso word for "dove", which symbolises peace and love; it is also the title of one of their best-known songs. With a membership deriving from several Caribbean nations, Cymande were noted for an eclectic mix of funk, soul, reggae, rock, African music, calypso, and jazz that they called "nyah-rock". The band formed in 1971 and released three albums before disbanding in 1974. After gaining newfound popularity when their music was sampled by many notable rap artists, Cymande reformed in the 2010s.

History

Original incarnation

Cymande was formed by bassist Steve Scipio and guitarist Patrick Patterson in London, England in 1971. Scipio and Patterson had previously played together in a jazz fusion group called Meta, in which they picked up additional influences from a Nigerian bandmate. Cymande variously had either eight or nine members in its original incarnation, and also included singer/percussionist Ray King, saxophonist Derek Gibbs, conga player Pablo Gonsales, singer/percussionist Joey Dee, saxophonist Peter Serreo, drummer Sam Kelly, and flautist/percussionist Mike Rose. All were members of the Afro-Caribbean diaspora community in London, originating in nations including Guyana, Jamaica, and Saint Vincent.

Cymande was discovered by British R&B producer John Schroeder while they played in a basement club in Soho in 1971. Schroeder recorded some demos and convinced Janus Records to sign the group. Their first single "The Message" reached the Billboard Hot 100 and Hot R&B charts in the United States. Their self-titled debut album was released in 1972 and also reached the Billboard pop and R&B albums charts in the United States. During this period the group toured the United States successfully; their wide-ranging sound was illustrated by invitations to tour with soul singer Al Green, funk-rock band Mandrill, and jazz musician Ramsey Lewis.

In 1973 they made history as the first British band to headline the Apollo Theater in New York, and they also performed on Soul Train. However they achieved little notice in their home country. The album Second Time Round, featuring newly politicized lyrics, was released in 1973, and their third album Promised Heights was released in 1974. A lack of notice from the British music industry caused the group to break up in 1974. A fourth album titled Arrival was recorded during this period but was not released until 1981.

Rediscovery and reunions

After a period of obscurity, Cymande's music was rediscovered in the 1980s and 1990s. Some of their songs were deconstructed and used as breakbeats by early hip-hop DJs Kool Herc and Grandmaster Flash. The British rare groove scene of the 1980s was openly influenced by Cymande. By the late 1980s they were being sampled regularly by rap artists, starting with De La Soul on their 3 Feet High and Rising album, plus EPMD, The KLF, MC Solaar, Heavy D, and many others. An unauthorized sample of "Dove" by The Fugees resulted in a lucrative copyright infringement settlement for Scipio and Patterson. Additional recognition arrived in 1994 when Spike Lee used the Cymande song "Bra" in his film Crooklyn; Lee used the same song in his 2002 film 25th Hour.

Thanks to ongoing recognition of their early 1970s original works by more modern fans, Cymande reformed with most of its original members for a one-off show in 2006. A fuller reunion commenced in 2012. Their original producer John Schroeder was recruited as well, and plans were announced for a new album. The group completed several one-off shows in the next few years, with all nine original members eventually contributing at various times, alongside some new sidemen. Cymande released A Simple Act of Faith in 2015 – the band's first new album in 41 years. In 2016 the group completed a short tour of the United States, where it had not played since 1973.

Source Wikipedia

 'One More'

'One More'
Wednesday, January 27, 2021

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Ebo Taylor

Ebo Taylor

Ebo Taylor (born 1936) is a Ghanaian guitarist, composer, bandleader, producer and arranger focusing on highlife and afrobeat music.

Ebo Taylor has been a pivotal figure on the Ghanaian music scene for over six decades. In the late '50s he was active in the influential highlife bands the Stargazers and the Broadway Dance Band. In 1962, Taylor took his group, the Black Star Highlife Band, to London. In London, Taylor collaborated with Nigerian afrobeat star Fela Kuti as well as other African musicians in Britain at the time.

Returning to Ghana, Taylor worked as a producer, crafting recordings for Pat Thomas, C.K. Mann, and others, as well as exploring solo projects, combining traditional Ghanaian material with afrobeat, jazz, and funk rhythms to create his own recognizable sound in the '70s.

Taylor's work became popular internationally with hip-hop producers in the 21st century. In 2008, Ebo Taylor met the Berlin-based musicians of the Afrobeat Academy band, including saxophonist Ben Abarbanel-Wolff, which led to the release of the album Love and Death with Strut Records (his first internationally distributed album). In 2009, Usher used a sample from Taylor's song "Heaven" for "She Don’t Know."

The success of Love and Death prompted Strut to issue the retrospective Life Stories: Highlife & Afrobeat Classics 1973-1980, in the spring of 2011. A year later, in 2012, a third Strut album, Appia Kwa Bridge, was released. Appia Kwa Bridge showed that at 77 years old, Taylor remained creative, mixing traditional Fante songs and chants with children's rhymes and personal stories into his own sharp vision of highlife.

He performed at the 2015 edition of the annual Stanbic Jazz Festival along with Earl Klugh,Ackah Blay and others.

Source Wikipedia

 'Ankoma'm'

'Ankoma'm'
Wednesday, February 5, 2020

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 'Yen Ara'

'Yen Ara'
Friday, December 6, 2019

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Bands, p 1 of 4

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