'African' Bands // p 1 of 4

Africa Express

Africa Express was founded in 2006 to promote the concept of musical collaboration that breaks down boundaries and borders, whether between geographical regions, genres or generations. It has hosted a series of remarkable adventures that have won praise from artists, audiences and critics alike. These include five trips bringing together artists in Africa, four acclaimed albums and a series of inventive and highly-original shows in Britain, Europe and Africa. Past projects include a train tour around the United Kingdom as part of the 2012 Olympic festivites, playing the New Shrine in Lagos, performing to 50,000 people on a beach in Spain, staging the first show in front of Paris’s Hotel de Ville, reforming a 50-strong Syrian orchestra and recording the only African version of Terry Riley’s contemporary classic In C.

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Ahmoudou Madassane

Ahmoudou Madassane is an actor and writer, known for Zerzura (2017) and Akounak tedalat taha tazoughai (2015).

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Ali Farka Toure

Ali Ibrahim "Ali Farka" Touré (31 October 1939 – 6 March 2006) was a Malian singer and multi-instrumentalist, and one of the African continent's most internationally renowned musicians. His music is widely regarded as representing a point of intersection of traditional Malian music and its North American cousin, the blues. The belief that the latter is historically derived from the former is reflected in Martin Scorsese's often quoted characterization of Touré's tradition as constituting "the DNA of the blues". Touré was ranked number 76 on Rolling Stone's list of "The 100 Greatest Guitarists of All Time" and number 37 on Spin magazine's "100 Greatest Guitarists of All Time".

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Alice Phoebe Lou

Alice Phoebe Lou (born 19 July 1993) is a Berlin-based South African singer-songwriter. She has released three EPs and four studio albums. In December 2017 her song "She" from the film Bombshell: The Hedy Lamarr Story was included on the Oscars shortlist for Best Original Song. Since 2019 she had also been active in her side project Strongboi.

She has released four studio albums to date — Orbit (2016), Paper Castles (2019), Glow (2021) and Child's Play (2021) — alongside two live albums and various singles.

Early life

Lou spent her childhood in Kommetjie on west coast of the Cape Peninsula in South Africa and attended a Waldorf school. Her parents are documentary filmmakers. She took piano and guitar lessons as a child. When she was 14 years old she was fond of trance music and started to take photographs from concerts, sometimes even getting paid for them. In 2010 she spent her summer holiday in Paris living first with her aunt but soon moved to live with a friend and started earning money by fire-dancing.

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Amadou & Mariam

Amadou & Mariam are a musical duo from Mali, composed of the Bamako-born couple Amadou Bagayoko (guitar and vocals) (born 24 October 1954) and Mariam Doumbia (vocals) (born 15 April 1958).

Their album Welcome To Mali (2008) was nominated for a Grammy Award for Best Contemporary World Music Album.

Background
Amadou lost his vision at the age of 16, while Mariam became blind at age 5 as a consequence of untreated measles. Known as "the blind couple from Mali", they met at Mali's Institute for the Young Blind, where they both performed at the Institute’s Eclipse Orchestra, directed by Idrissa Soumaouro, and found they shared an interest in music. Between 1974 and 1980, Amadou played guitar in the West African band Les Ambassadeurs du Motel de Bamako.

In 1980 the couple married and by 1983 they began to play together while Amadou continued a successful solo career and ran the blind institute's music programme.

Amadou is a fan of Jimi Hendrix and Led Zeppelin.

Style
The duo's early recordings in the 1980s and 1990s featured sparse arrangements of guitar and voice. Since the late 1990s Amadou & Mariam have produced music that mixes traditional Mali sound with rock guitars, Syrian violins, Cuban trumpets, Egyptian ney, Indian tablas and Dogon percussion. In combination these elements have been called "Afro-blues".

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Baaba Maal

Baaba Maal (born 12 November 1953) is a Senegalese singer and guitarist born in Podor, on the Senegal River. He is well known in Africa and internationally and is one of Senegal's most famous musicians. In addition to acoustic guitar, he also plays percussion. He has released several albums, both for independent and major labels. In July 2003, he was made a UNDP Youth Emissary.

Maal sings primarily in Pulaar and is the foremost promoter of the traditions of the Pulaar-speaking people, who live on either side of the Senegal River in the ancient Senegalese kingdom of Futa Tooro.

Early life and education
Maal was expected to follow in his father's profession and become a fisherman. However, under the influence of his lifelong friend and family gawlo, blind guitarist Mansour Seck, Maal devoted himself to learning music from his mother and his school's headmaster. He went on to study music at the university in Dakar before leaving for postgraduate studies on a scholarship at Beaux-Arts in Paris.

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Celestine Ukwu

Celestine Ukwu (1940 – 7 May 1977) was a Nigerian Igbo highlife musician during the 1960s and 1970s, best known for his hit songs "Ije Enu", "Igede" and "Money Palava". Described as a "prolific and outstanding composer" by music critic Benson Idonije of Radio Nigeria Two, Ukwu's works have been featured on various world music compilations including The Rough Guide to Highlife and The Rough Guide to Psychedelic Africa.

Life

Ukwu was born in Enugu to music-oriented parents. His father was a local performer of the igede, ikpa and ode genres of Igbo music while his mother was lead singer in a women's musical group. At a young age, he began learning how to read music and play the harmonium with the help of his uncle. Upon completing his primary school education, he went to teacher training school for two years but dropped out to pursue music as a career. He went on to join Mike Ejeagha's group Paradise Rhythm Orchestra in 1962 at Enugu as a vocalist and maraca player before he left to join Mr. Picolo's band who were touring the Democratic Republic of the Congo at the time. He returned to Nigeria to form his own band known as Celestine Ukwu & His Music Royals of Nigeria in 1966 which was later disbanded in 1967 following the outbreak of the Nigerian Civil War, before releasing a song at the outbreak of the war titled 'Hail Biafra'. After the war, Ukwu formed another group, Celestine Ukwu & His Philosophers National; with whom he released several albums, including Igede Fantasia which did well commercially

Artistry

His songs were primarily composed in Igbo language with a bit of Efik. In a 1986 edition of Thisweek, a writer once wrote that his songs "gave a food for thought to its listeners".

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Cheikh Lô

He was born in the late 1950s to Senegalese parents in Bobo Dioulasso in Burkina Faso and began playing drums and singing at an early age.

He joined Orchestre Volta Jazz, a Bobo variety band that played Cuban and Congolese pop songs as well as traditional Burkinabé music. Lô moved to Senegal in 1978, performing in several mbalax outfits. By then, the Zairean sound was in full flower, Camerounian makossa was coming on strong, and reggae had entered the mix, and Lô absorbed everything. In 1985, he was playing guitar with numerous Côte d'Ivoire and French musicians, which led him to record material in Paris in 1987. After his band dissolved, Lô remained in Paris as a session musician, developing his own sound, described as a mix of mbalax, reggae and soukous influences. He spent most of his time in recording studios, and he picked up as much as he could. His casual contacts with Zaire's most successful progressive singer, Papa Wemba, were especially memorable. "I was a drummer. So when there was a group who came and didn't have a drummer, I would practice with them. Papa Wemba's drummer was also a businessman, so if he wasn't there, I would help out. He's from the school of Tabu Ley, and when I was young, I listened to Tabu Ley a lot."

In 1995, Youssou N'Dour offered to produce Lô's debut album, Ne La Thiass, which became a success worldwide.

In 2000, Lô sang alongside Ibrahim Ferrer on "Choco's Guajira", from Cuban pianist Rubén González's, (Buena Vista Social Club) album Chanchullo.

In 2002, he appeared on two tracks of the Red Hot Organization's tribute album to Fela Kuti, Red Hot and Riot. He collaborated with Les Nubians and Manu Dibango on one of the tracks, "Shakara / Lady (Part Two)."

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