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'Alternative Rock' Bands // p 1

Darren's favorite bands for his Song Of The Day filtered by Alternative Rock
352 Bands
Beck

Beck

Beck Hansen (born Bek David Campbell; July 8, 1970), known professionally as Beck, is an American musician, singer, songwriter, rapper, record producer, and multi-instrumentalist. He rose to fame in the early 1990s with his experimental and lo-fi style, and became known for creating musical collages of wide genre styles. Today, he musically encompasses folk, funk, soul, hip hop, electronic, alternative rock, country, and psychedelia. He has released 13 studio albums (3 of which were independently released), as well as several non-album singles and a book of sheet music.

Born in Los Angeles in 1970, Beck grew towards hip-hop and folk in his teens and began to perform locally at coffeehouses and clubs. He moved to New York City in 1989 and became involved in the city's small and fiery anti-folk movement. Returning to Los Angeles in the early 1990s, he cut his breakthrough single "Loser," which became a worldwide hit in 1994, and released his first major album, Mellow Gold, the same year. Odelay, released in 1996, topped critic polls and won several awards. He released the psychedelic Mutations in 1998, and the funk-infused Midnite Vultures in 1999. The soft-acoustic Sea Change in 2002 showcased a more serious Beck, and 2005's Guero returned to Odelay's sample-based production. The Information in 2006 was inspired by electro-funk, hip hop, and psychedelia; 2008's Modern Guilt was inspired by '60s pop music; and 2014's folk-infused Morning Phase won Album of the Year at the 57th Grammy Awards on February 8, 2015. His thirteenth studio album, Colors, was released in October 2017 after a long production process.

With a pop art collage of musical styles, oblique and ironic lyrics, and postmodern arrangements incorporating samples, drum machines, live instrumentation and sound effects, Beck has been hailed by critics and the public throughout his musical career as being among the most idiosyncratically creative musicians of 1990s and 2000s alternative rock. Two of Beck's most popular and acclaimed recordings are Odelay and Sea Change, both of which were ranked on Rolling Stone's list of the 500 greatest albums of all time. The four-time platinum artist has collaborated with several artists and has made several contributions to soundtracks.

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 'Ramshackle'

'Ramshackle'
Thursday, January 31, 2019

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Blonde Redhead

Blonde Redhead

Blonde Redhead is an alternative rock band composed of Kazu Makino (vocals, keys/rhythm guitar) and twin brothers Simone and Amedeo Pace (drums/keys and lead guitar/keys/vocals, respectively) that formed in New York City in 1993. The band's earliest albums were noted for their noise rock influences, though their sound evolved by the early 2000s with the releases of Misery is a Butterfly (2004) and 23 (2007), which both incorporated elements of dream pop, shoegaze and other genres. They have released nine regular studio albums and have toured internationally.

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 'Messenger'

'Messenger'
Thursday, April 25, 2019

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Citizen Cope

Citizen Cope

Ask him how he knew it was time to record a new studio album and Clarence Greenwood, the trailblazing artist and producer better known as Citizen Cope, has a simple answer: “It was time.”

Cope has built an entire career on trusting his gut and following his muse, and if his new album, ‘Heroin & Helicopters,’ is any indication, his instincts are sharper now than ever before. As technically innovative as it is emotionally resonant, the record arrives at a uniquely challenging moment in modern American culture, when profound political polarization and social divisions seem to grow deeper by the day. Rather than dwell on our differences, though, Cope tunes in to what unites us here, drawing on everything from Chuck Brown and The Beatles to Randy Newman and Bill Withers, aiming his unique brand of urban-folk inwards to reflect on the personal journeys we all undertake to embrace ourselves despite our flaws.

“I think we’re all on a mission to find some inner peace,” he reflects. “We’re all going towards this collective consciousness, and even though it’s dark right now, I believe we’re going to reach that place together. Peace and harmony and understanding, that’s how you combat the darkness, and that’s what this record is all about.”

While ‘Heroin & Helicopters’ feels particularly timely, the record’s themes have been fixtures of Cope’s music since the release of his self-titled debut in 2002. That album was the culmination of years of pursuing his passion. Cope got his musical start in DC before moving to Brooklyn, where he wrote songs while supporting himself on the streets, buying and selling concert and sporting tickets with a cast of characters outside arenas and stadiums. His music spread from fan-to-fan via word of mouth, and over the course of time his songs have become the soundtrack of his fans lives.

The success of Cope’s music has always been a slow burn, rather than a flash in the pan. His single “Let The Drummer Kick” eventually went Platinum without any support from commercial radio. The Washington Post has hailed him as “DC’s finest export since Marvin Gaye,” while Rolling Stone raved that his “uncommon chords and harmonies combine delicate dissonance with unexpected flashes of beauty.” In 2004, Cope followed up his self-titled debut with ‘The Clarence Greenwood Recordings,’ an album Vibe praised as “flawless throughout,” gushing that Cope “makes music that feeds your soul…this is one of those CDs you hear at a friend’s house and rush out to buy.” The collection was largely ignored by mainstream media and never charted, yet the grassroots swell of support kept sales rolling year after year, to the tune of 700,000 copies, and opened the doors to film and television syncs with tracks appearing in Entourage, Sons of Anarchy, Alpha Dog, and more. Songs from the record would go on to be covered by everyone from Carlos Santana and Sheryl Crow to Richie Havens and Rhymefest, and in the years that followed, Cope has headlined all 50 states and shared stages with superstars like Eric Clapton. He cracked the Billboard 200 for the first time with 2006’s ‘Every Waking Moment,’ and then launched his own label to release 2010’s ‘The Rainwater LP’ and 2012’s ‘One Lovely Day,’ his highest charting album to date.

As Cope’s career grew, his style of urban-folk never settled into any particular genre in an industry fixated on arbitrary distinctions like radio formats. “I can understand why it didn’t go into the cookie-cutter. The music and my life were influenced by growing up in very distinct but different American cultures.” Born in Memphis, spending summer months with his great aunt and uncle in a small west Texas town, while being primarily raised in Washington, DC, Cope grew up equally influenced by the production techniques of George Martin, Dr. Dre and Willie Mitchell while listening to everything from Willie Nelson, to John Lennon, Bob Marley, Outkast and A Tribe Called Quest. Artistic boundaries meant nothing.

The 2011 birth of his daughter proved to be an ideal moment to step away from it all and reevaluate what mattered most, both as a songwriter and a man. “It was really important for me to be there with my daughter as she grew up,” says Cope. “I took these past several years off of recording mostly just to spend time with her. People say it’s not rocket science making records, but there really is a science to making a piece of art that’s going to touch people emotionally and have an impact on their lives, and if you’re not feeling it, you can’t fake it.”

Cope’s time away from music was also a moment to deal with reflecting and addressing the turmoil he faced surrounding the death of his estranged biological father, who had been physically abusive before abandoning his responsibilities decades earlier. “He was sick and I was able to have a sit down with him before he died,” Cope told Lance Armstrong in a poignant conversation for The Forward Podcast. “I had a lot of fear surrounding my father, and when I saw him, I realized I wasn’t scared of him as a person. He was just a flawed individual and I saw him in a whole different light. I didn’t want to go through life having this anger or hatred, and I don’t even know what forgiveness is in that realm, but maybe it’s a little bit of forgiving yourself and giving love to yourself.”

That kind of self-reflection is at the heart of ‘Heroin & Helicopters,’ which actually draws its title from a warning Santana shared with Cope one night backstage at The Fillmore. “Stay away from the two H’s, Heroin and Helicopters” he said, because they all too often prove fatal for musicians and celebrities. The message resonated with Cope, who saw parallels with a broader culture fixated on shortcuts over self-improvement, on mass production over quality, on greed over empathy.

“We’re living in an addicted society,” says Cope, “and not just addicted to drugs or alcohol or substances. We’re addicted to conflict and fame and social media. We’re addicted to getting what we want without working for it, without paying the price.”

‘Heroin & Helicopters opens with “Duck Confit,” a slow-burning and arresting spoken-word meditation that finds Cope looking in as much as he looks out, channeling the uneasy feeling that comes with recognizing your own role in perpetuating the very same social constructs you wish to change. “Where crimes of humanity are concealed and condoned / By self preservation and biblical prophecy...Where you know deep down inside / That something’s not right / Like a man killing the mother of his son / Cleaning his shotgun” he says over a simmering organ punctuated with 808 kicks. The track plays out like an overheard prayer, spiritual in its intimacy, and it sets the stage beautifully for a record unafraid to push boundaries and ask uncomfortable questions, questions that transcend any political party or movement and cut to the heart of what it means to be human.

“People try to politicize my music sometimes, but I don’t write political records,” Cope says definitively. “My music has always been built around consciousness.”

The first single “Justice” challenges our very notion of the concept, wondering if we’ve ever even seen what true righteousness looks like in this world. “The River” castigates and identifies a system built to devalue our lives… “They’ll take you down to the river / Leave you down by the river / They’ll shoot you down by the river / Leave you to drown by the river.” The heavy drum and piano-laden swing of “Sally Walks” is clothed in the story of a lover who’s swallowed whole by addiction, but it’s not clear if Sally is the lover or the substance itself. Though it would be easy to despair in the face of it all, ‘Heroin & Helicopters’ insists on defiance, on standing up to power and resisting the force of the invisible hands that seem to guide our every move. “Yella” could almost be a country song, with Cope singing over acoustic guitar and a drum shuffle played by Abe Laboreal, Jr. With lyrics touching on the migration of people from small towns to big cities, Cope uses the analogy of a little league baseball player striking out, ultimately realizing that strength and redemption are gained through struggle, loss and failure. “And the baseball rolls slowly off the pitcher’s mound / As I stood in the batter’s box once they struck me out / I showed a sign a weakness and I swung my bat / And the fire that once burned yella turned to ash”

“Government / counterfeit / dollar bill / you worship it,” Cope sings on “War,” an infectious track produced by XZ, who worked closely with him in the studio. The song is a perfect distillation of Cope’s brand of wordplay and lyricism, where war not only represents a battlefield, but also alludes to an individual’s self-inflicted inner turmoil, moving between the mandated laws of religion and society, and how we reconcile choices within the human psyche.

“Essentially, I’m trying to connect an emotion and lyrics and wrap them up in heavy drums,” he explains. “The music isn’t hip hop, it isn’t reggae, it isn’t pop, and it isn’t rock and roll. It doesn’t necessarily have a home, genre-wise, but it lives in all of those places, it pays respect to all those places.”

Respect is ultimately what it all comes down to for Cope: respect for the art, respect for each other, respect for ourselves, respect for our instincts. At the end of the day, we all want the same things, and no matter how much the culture conditions us to believe that peace and happiness can be bought and sold, there’s no price tag because they come from within. Change, growth, and satisfaction require patience, work, and love. Seven years in the making, ‘Heroin & Helicopters’ is proof of that.

Source citizencope.com

 'Summertime'

'Summertime'
Tuesday, April 14, 2020

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 'If There’s Love'

'If There’s Love'
Sunday, September 8, 2019

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 'Holdin' On'

'Holdin' On'
Friday, May 17, 2019

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 'Somehow'

'Somehow'
Saturday, September 8, 2018

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Dan Auerbach

Dan Auerbach

Daniel Quine Auerbach (born May 14, 1979) is an American musician, singer-songwriter, and record producer, best known as the guitarist and vocalist of the Black Keys, a blues rock band from Akron, Ohio. As a member of the group, Auerbach has recorded and co-produced eleven studio albums with his bandmate Patrick Carney. Auerbach has also released two solo albums, Keep It Hid (2009) Waiting on a Song (2017), and formed a side project, the Arcs, which released the album Yours, Dreamily, in 2015.

Auerbach owns the Easy Eye Sound recording studio in Nashville, Tennessee, as well as a record label of the same name. He has produced records by artists such as Cage the Elephant, Dr. John, Lana Del Rey, Ray LaMontagne, Jake Bugg, and the Pretenders. In addition to winning several Grammy Awards as a member of the Black Keys, Auerbach received the 2013 Grammy Award for Producer of the Year, Non-Classical.

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 'King of a One Horse Town'

'King of a One Horse Town'
Thursday, December 12, 2019

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Danger Mouse

Danger Mouse

Brian Joseph Burton (born July 29, 1977), better known by his stage name Danger Mouse, is an American musician, songwriter and record producer. He came to prominence in 2004 when he released The Grey Album, which combined vocal performances from Jay-Z's The Black Album with instrumentals from The Beatles' The Beatles (aka the White Album).

He formed Gnarls Barkley with CeeLo Green and produced its albums St. Elsewhere and The Odd Couple. In 2009 he collaborated with James Mercer of the indie rock band The Shins to form the band Broken Bells. In addition, Burton worked with rapper MF Doom as Danger Doom and released the album The Mouse and the Mask.

As a producer Danger Mouse produced the second Gorillaz album, 2005's Demon Days, as well as Beck's 2008 record Modern Guilt and four albums with The Black Keys (Attack & Release, Brothers, El Camino and Turn Blue). In 2016, Danger Mouse produced, performed on and co-wrote songs for the eleventh studio album by the Red Hot Chili Peppers titled The Getaway. Danger Mouse has also produced and co-written albums by Norah Jones (Little Broken Hearts), Electric Guest (Mondo), Portugal. The Man (Evil Friends), Adele (25), and ASAP Rocky's (At.Long.Last.ASAP (ALLA)). He has been nominated for 19 Grammy Awards and has won six. He's been nominated in the Producer of the Year category five times, and won the award in 2011.

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 'Season's Trees'

'Season's Trees'
Monday, January 27, 2020

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 'Revenge'

'Revenge'
Tuesday, May 28, 2019

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Finley Quaye

Finley Quaye

Finley Quaye (born 25 March 1974, Edinburgh, Scotland) is a Scottish musician. He won the 1997 Mobo Award for best reggae act, and the 1998 BRIT Award for Best Male Solo Artist.

Quaye made a solo recording contract with Polydor Records and moved to New York City. He began working with Epic/Sony when Polydor let him out of contract, and in late 1997 he reached the UK Top 20 twice, with "Sunday Shining" and "Even After All". His reputation was established by Maverick A Strike, released in September 1997. It went gold less than three weeks later, and led directly to the BRIT Award victory. The album is now certified multi platinum. In 1998, Quaye performed George Gershwin's "It Ain't Necessarily So" for the Red Hot Organization's compilation album Red Hot + Rhapsody, a tribute to George Gershwin, which raised money for various charities devoted to increasing AIDS awareness and fighting the disease.

Two more albums were released on Epic, Vanguard (2000) and Much More Than Much Love (2004). "Spiritualized" became his last single to score a top 40 landing in the UK chart when it was released in September 2000, reaching number 26. In 2004 the single "Dice" was released in collaboration with William Orbit and featuring Beth Orton. The song featured in Fox Network's The OC and on the season 1 soundtrack, becoming a minor hit.

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 'Hey Now'

'Hey Now'
Sunday, April 28, 2019

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 'The Emperor'

'The Emperor'
Sunday, September 2, 2018

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Kaleo

Kaleo

Icelandic rock band KALEO – led by frontman/songwriter JJ Julius Son - quickly rose to the upper ranks of contemporary alternative rock with the global success of their 2016 breakthrough album, A/B - which went on to be certified Gold in the U.S. with its trio of hit singles - the chart-topping, 2x Platinum-certified “Way Down We Go,” Gold-certified follow-up “All The Pretty Girls”, and Grammy-nominated “No Good”. Known for their electrifying live performances, KALEO completely sold out their first U.S. headline tour and was a standout at Coachella, Lollapalooza, and Bonnaroo. Amassing over 1 Billion global streams, 39 international certifications, and countless sold-out headline shows spanning from London to Moscow, KALEO has proven to be a worldwide phenomenon. 

Source officialkaleo.com

 'Broken Bones'

'Broken Bones'
Tuesday, November 19, 2019

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Kid Congo Powers

Kid Congo Powers

Brian Tristan (born March 27, 1959) better known by his stage name Kid Congo Powers , is an American rock guitarist and singer, best known as a member of The Gun Club, the Cramps and Nick Cave and the Bad Seeds. He has also played with the Divine Horsemen, the Angels of Light, Die Haut, and Knoxville Girls.

As of January 2015, Powers' primary musical project is the band The Pink Monkey Birds.

Early life

Born in La Puente, California, Powers is a second generation Mexican American. His earliest childhood influences were the Southern California Chicano rock band Thee Midniters. In 1976, he was president of The Ramones fan club, then ran a fanzine for The Screamers.

Music

1979–1987: The Gun Club and The Cramps
After traveling to London and New York City he returned to L.A. and in 1979 met Jeffrey Lee Pierce. Pierce taught him to play guitar using open tuning, and they formed The Creeping Ritual, which became The Gun Club. Powers left that group before their recording debut, instead joining New York-based band The Cramps in December 1980.

Powers rejoined the Gun Club briefly in 1983, touring with Pierce's band in Australia the following year, and then again between 1985 and 1988.

1986–1996: Nick Cave and The Bad Seeds, and The Gun Club
Powers joined Nick Cave and the Bad Seeds in Berlin, Germany, September 1986 for several albums and corresponding tours. Powers recorded the Tender Prey and The Good Son albums with Cave and his band, and he said in early 2015 that he "loved" the "primaeval element of rock'n'roll" that they had a firm grasp of. During April 1990, it was amicably decided with Nick Cave that he leave The Bad Seeds and concentrate on The Gun Club band that he had reconvened with Jeffery Lee Pierce during downtime in 1989.

1997–2009: JLP tribute albums, The Pink Monkey Birds and Dracula Boots
For his next project, The Pink Monkey Birds, Powers initially collaborated with New York City guitarist Jack Martin, who he has also collaborated with for the Congo Norvell and Knoxville Girls projects. Then, in 2009, Powers recruited Kiki Solis on bass, Ron Miller on drums, and Jesse Roberts on guitar and keyboards. The band moved to In The Red Records and released the much acclaimed debut studio album, Dracula Boots, which was called a "return to form."

Dracula Boots was coproduced by Jason Ward and recorded in a former high school gymnasium in Harveyville, Kansas, which is now an artists' retreat called "The Harveyville Project." Dracula Boots consists of numerous genres, including southern soul, 60s Chicano rock, and psychedelic imagery. British magazine N.M.E. wrote: "In short, on Dracula Boots Kid Congo Powers has once again found the juicy jugular of soul-fired, funked-up rock'n'roll. You'd be foolish not to take a bite."

2010–present: Gorilla Rose
In 2011, Kid Congo and The Pink Monkey Birds released their second album, Gorilla Rose, which was also on the In The Red Records label. Eamon Carr of The Dublin Evening Herald said of Gorilla Rose, "Having a working band is paying off. Gorilla Rose elevates seedy go-go weirdness to the level of high art."

Powers returned to Australia for the first time in 25 years—when he toured with Cave's Bad Seeds project—at the end of January 2015. The band played at Melbourne's "Summersalt Festival" and the Sydney Festival. In a promotional interview for the Australian shows, Powers spoke in regard to his new band:

"I think the Pink Monkey Birds conjures up all the best aspects of primal rock'n'roll ... Lyrically, I'm speaking in images, and from a very skewed viewpoint, whatever the subject may be. I still have the passion and the incentive to make music that's different, but still within the confines of a punk rock language people will know and understand."

The Pink Monkey Birds, whose name Kid credits to inspiration from David Bowie, has been an evolving unit since their earliest albums, and as of 2016 the touring members are bassist Kiki Solis, drummer Ron Miller, and guitarist Mark Cisneros.

Kid Congo Powers was profiled by Vogue in late April 2016 while promoting their fourth album, where he was noted for his iconic sense of punk style. In his Vogue interview he mentions the aesthetic importance of tying the look of the band to match the music.

"For me, the whole art of being a band—and I do think it's an art—is to create a whole world, a whole language, that is every aspect. The Gun Club, we kind of made it up as we went along, but what I learned from The Cramps and Nick Cave & the Bad Seeds is that they created a whole uncompromising world, and it's all kind of sprung out of that. You want to communicate with people, and I think through all aesthetics—artwork, the look, and music—you get to keep your world, and you get to let people enter your world and live in your world with you."

Source Wikipedia

 'I Don't Like'

'I Don't Like'
Friday, July 3, 2020

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My Morning Jacket

My Morning Jacket

My Morning Jacket is an American rock band formed in Louisville, Kentucky in 1998. The band currently consists of vocalist/guitarist Jim James, bassist Tom Blankenship, drummer Patrick Hallahan, guitarist Carl Broemel, and keyboardist Bo Koster. The band's sound, rooted in rock and country, is often experimental and psychedelic. The group amassed a following beginning in the 2000s in part due to their live performances.

The group first found success in Europe after the release of its debut album, The Tennessee Fire (1999). Its next release, At Dawn (2001), led to a large stateside following and preceded several lineup changes. After signing to major label ATO Records, the group released two albums, It Still Moves (2003) and Z (2005), with the latter representing a critical breakthrough. The group's next release, Evil Urges (2008), was more polarizing for fans and critics, while Circuital (2011), its sixth album, saw a more measured response. After many years of side projects and touring, the band's seventh album, The Waterfall, was released in 2015.

The band's debut album, The Tennessee Fire, was released in May 1999. It was mildly successful in the U.S., though it became a surprise hit internationally, particularly in the Netherlands and Belgium. Soon, the group launched a European tour, where it received high marks from Dutch and Belgian press; the group also appeared in the Dutch documentary, This is NOT America. Danny Cash joined the band as keyboardist in 2000.

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 'Only Memories Remain'

'Only Memories Remain'
Monday, December 24, 2018

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R.E.M.

R.E.M.

R.E.M. was an American rock band from Athens, Georgia, that was formed in 1980 by drummer Bill Berry, guitarist Peter Buck, bassist/backing vocalist Mike Mills, and lead vocalist Michael Stipe. One of the first alternative rock bands, R.E.M. was noted for Buck's ringing, arpeggiated guitar style, Stipe's distinctive vocal quality and obscure lyrics, Mills' melodic basslines and backing vocals, and Berry's tight, economical style of drumming. R.E.M. released its first single—"Radio Free Europe"—in 1981 on the independent record label Hib-Tone. The single was followed by the Chronic Town EP in 1982, the band's first release on I.R.S. Records. In 1983, the group released its critically acclaimed debut album, Murmur, and built its reputation over the next few years through subsequent releases, constant touring, and the support of college radio. Following years of underground success, R.E.M. achieved a mainstream hit in 1987 with the single "The One I Love". The group signed to Warner Bros. Records in 1988, and began to espouse political and environmental concerns while playing large arenas worldwide.

By the early 1990s, when alternative rock began to experience broad mainstream success, R.E.M. was viewed by subsequent acts such as Nirvana and Pavement as a pioneer of the genre. The band then released its two most commercially successful albums, Out of Time (1991) and Automatic for the People (1992), which veered from the band's established sound and catapulted it to international fame. R.E.M.'s 1994 release, Monster, was a return to a more rock-oriented sound, but still continued its run of success. The band began its first tour in six years to support the album; the tour was marred by medical emergencies suffered by three of the band members.

In 1996, R.E.M. re-signed with Warner Bros. for a reported US$80 million, at the time the most expensive recording contract in history. Its 1996 release, New Adventures in Hi-Fi, though critically acclaimed, fared worse commercially than its predecessors. The following year, Bill Berry left the band, while Stipe, Buck, and Mills continued the group as a trio. Through some changes in musical style, the band continued its career into the next decade with mixed critical and commercial success, despite having sold more than 85 million albums worldwide and becoming one of the world's best-selling music artists of all time. In 2007, the band was inducted into the Rock and Roll Hall of Fame, in their first year of eligibility. R.E.M. disbanded amicably in September 2011, announcing the split on its website.

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 'Hairshirt'

'Hairshirt'
Wednesday, January 2, 2019

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Radiohead

Radiohead

Radiohead are an English rock band formed in Abingdon-on-Thames in 1985. The band consists of Thom Yorke (vocals, guitar, piano, keyboards), brothers Jonny Greenwood (lead guitar, keyboards, other instruments) and Colin Greenwood (bass), Ed O'Brien (guitar, backing vocals) and Philip Selway (drums, percussion). They have worked with producer Nigel Godrich and cover artist Stanley Donwood since 1994.

After signing to EMI in 1991, Radiohead released their debut single "Creep" in 1992. It became a worldwide hit after the release of their debut album, Pablo Honey (1993). Their popularity and critical standing rose in the United Kingdom with the release of their second album, The Bends (1995). Radiohead's third album, OK Computer (1997), brought them international fame; noted for its complex production and themes of modern alienation, it is often acclaimed as a landmark record of the 1990s and one of the best albums in popular music. The group's next albums Kid A (2000) and Amnesiac (2001), recorded simultaneously, marked a dramatic change in style, incorporating influences from experimental electronic music, 20th-century classical music, krautrock, and jazz. Kid A divided listeners but was named the best album of the decade by Rolling Stone, Pitchfork and the Times.

Radiohead's sixth album, Hail to the Thief (2003), mixed rock and electronic music with lyrics inspired by the War on Terror, and was the band's final album for EMI. Their subsequent releases have pioneered alternative release platforms such as pay-what-you-want and BitTorrent; Radiohead self-released their seventh album, In Rainbows (2007), as a download for which customers could set their own price, to critical and chart success. Their eighth album, The King of Limbs (2011), an exploration of rhythm, was developed using extensive looping and sampling. A Moon Shaped Pool (2016) prominently featured Jonny Greenwood's orchestral arrangements.

Radiohead had sold more than 30 million albums worldwide by 2011. Their work places highly in both listener polls and critics' lists of the best music of the 1990s and 2000s. In 2005, they were ranked 73rd in Rolling Stone's list of "The Greatest Artists of All Time"; Jonny Greenwood and O'Brien were both included in Rolling Stone's list of greatest guitarists, and Yorke in their list of greatest singers. In 2009, Rolling Stone readers voted Radiohead the second-best artist of the 2000s. They will be inducted into the Rock and Roll Hall of Fame in 2019.

Source Wikipedia

 'House of Cards'

'House of Cards'
Saturday, May 2, 2020

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 'Codex'

'Codex'
Monday, September 9, 2019

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Red House Painters

Red House Painters

Red House Painters were an American rock band, formed in San Francisco, California in 1988. They were one of the most prominent acts associated with the slowcore/sadcore subgenre. Fronted by primary songwriter Mark Kozelek (vocals, guitar), the band also included drummer Anthony Koutsos and bass guitarist Jerry Vessel. Guitarists Gorden Mack and Phil Carney both performed with the band during separate six-year tenures.

In 2001, Red House Painters quietly dissolved, with Koutsos, Vessel and Carney continuing to record and perform with Kozelek under his new guise Sun Kil Moon until 2010.

While in Atlanta, Georgia, Ohio-born Kozelek became friends with Anthony Koutsos, a drummer. He then moved to San Francisco, California, adding guitarist Gorden Mack and bassist Jerry Vessel to complete the line-up for Red House Painters. After forming, the group played the San Francisco scene extensively, and recorded demos from 1989 to 1992. The band were signed to 4AD in 1992, on the strength of a demo tape passed to 4AD boss Ivo Watts-Russell by American Music Club frontman Mark Eitzel.

Journalist Martin Aston passed on a tape that Mark Eitzel had given to him. Never before or since had I received a demo that was 90 minutes long! In fact, it was quite some time before I actually listened to the whole thing all the way through. Every morning and evening, driving to and from work, I would start at the beginning, "24" (I know, I know, what more do you need to hear, right? What a song.), but only get about half way through that and whatever the second song on the tape was before arriving home/at 4AD. When I finally did listen to the full 90 minutes I called young Mark K. and left him a message. I learned later he was sitting in the bath listening to me talk. It was a perfect time for me to hear that brilliant band. — Ivo Watts-Russell

Between September 1992 and March 1995, the band released three LPs, one double LP, and one EP. Their first 4AD release was an album made up of demos entitled Down Colorful Hill. In 1993, the group came out with two self-titled records (now commonly referred to as Rollercoaster and Bridge because of their cover artwork).

In early 1994, they released an EP entitled Shock Me, featuring two cover versions of an Ace Frehley-written KISS song. The introspective Ocean Beach followed in spring 1995. Founding guitarist Gorden Mack left shortly after the album's release, and he was replaced shortly thereafter by Phil Carney.

While Kozelek was beginning work on a solo project, he parted ways with 4AD after a tumultuous relationship, so Songs for a Blue Guitar was eventually released on Island Records subsidiary Supreme Recordings/Polygram in summer 1996. The album featured lengthy guitar jams and cover songs, and was the band's biggest seller in the U.S. By early 1998, their sixth album was completed. However, the band was beginning to dissolve, and major label mergers during the late 1990s would leave the record in limbo; it was not until 2001 that Old Ramon was issued on the Sub Pop label. 

Source Wikipedia

 'Trailways'

'Trailways'
Saturday, December 7, 2019

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 'Smokey'

'Smokey'
Wednesday, February 27, 2019

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 'Cruiser'

'Cruiser'
Wednesday, February 6, 2019

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 'Song For A Blue Guitar'

'Song For A Blue Guitar'
Wednesday, August 29, 2018

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