'Classical' Bands // p 1 of 1

Anoushka Shankar

Anoushka Shankar (born 9 June 1981 is a British Indian sitar player and composer. She is the daughter of Pandit Ravi Shankar and Sukanya Rajan, and the half-sister of Norah Jones.

Early life

Shankar was born in London and her childhood was divided between London and Delhi. She is the daughter of Sukanya Shankar and Indian sitar maestro Ravi Shankar, who was 61 when she was born. Through her father, she is also the half-sister of American singer Norah Jones (born Geetali Norah Shankar), and Shubhendra "Shubho" Shankar, who died in 1992.

As a teenager, Shankar lived in Encinitas, California, and attended San Dieguito High School Academy. A 1999 honors graduate and Homecoming Queen, Anoushka decided to pursue a career in music rather than attend college.

Career

Shankar began training on the sitar with her father Ravi Shankar at the age of seven. As part of her training, she began accompanying him on the tanpura at his performances from the age of ten, soaking up the music and becoming acclimated to the stage. She gave her first public sitar performance on 27 February 1995 at the age of 13, at Siri Fort in New Delhi as part of her father's 75th birthday celebration concert. For this solo debut, she was accompanied by tabla maestro Zakir Hussain. Her first experience in the recording studio came that same year when Angel Records released a special four-CD box set called In Celebration, to mark her father's birthday. By the age of fourteen, she was accompanying her father at concerts around the world. At fifteen, she assisted her father on the landmark album Chants of India, produced by George Harrison. Under both their guidance, she was in charge of notation and eventually of conducting the performers who took part in the record. After this experience, the heads of Angel Records came to her parents' home to ask to sign her, and Shankar signed her first exclusive recording contract with Angel/EMI when she was sixteen.

She released her first album, Anoushka, in 1998, followed by Anourag in 2000. In 1999 Shankar graduated from high school with honors, but decided against university in favour of beginning to tour as a solo artist. Both Shankar and her half-sister Norah Jones were nominated for Grammy awards in 2003 when Anoushka became the youngest nominee in the World Music category for her third album, Live at Carnegie Hall.

Having released three albums of Indian classical music, Shankar took several years away from recording and focused her energy on establishing herself as a solo concert performer outside of her father's ensemble. In that time, she toured worldwide, playing an average of 50–60 concerts per year. 2005 brought the release of her fourth album RISE, her first self-produced, self-composed, non-classical album, earning her another Grammy nomination in the Best Contemporary World Music category. In February 2006 she became the first Indian to play at the Grammy Awards, playing material from RISE.

Shankar, in collaboration with Karsh Kale, released Breathing Under Water on 28 August 2007. It is a mix of classical sitar and electronica beats and melodies. Notable guest vocals included her paternal half-sister Norah Jones, Sting, and her father, who performed a sitar duet with her.

In 2011 Shankar signed with record label Deutsche Grammophon as an exclusive artist. This marked the beginning of a prolific recording and creative period for Shankar, during which time she continued to refine the sitar sound and musical ideas she had become known for. She earned a third Grammy Award nomination in 2013 for Traveller, an exploration of the shared history between flamenco and Indian classical music, which was produced by Javier Limón and featured artists such as Buika, Pepe Habichuela and Duquende. As Shankar had begun to do with Rise, she created a specially handpicked ensemble of musicians with whom to perform this cross-genre music, and played over a hundred concerts worldwide in support of Traveller. In 2013 she released a personal album called Traces of You, which was released several months after the passing of her father Ravi Shankar. Produced by Nitin Sawhney, and featuring her half-sister Norah Jones as the sole vocal performer, Traces of You earned Shankar a fourth Grammy nomination in the World Music category. In July 2015 Shankar released Home, her first purely classical album of Indian Ragas. Self-composed and produced, Home was recorded over a week in October 2014 in Shankar's new, purpose-built home-studio.

Shankar has made many guest appearances on recordings by other artists, among them Sting, Lenny Kravitz, Thievery Corporation and Nitin Sawhney. Recently, Shankar has collaborated with Herbie Hancock on his latest record The Imagine Project, and with Rodrigo y Gabriela on their album Area 52.

Duets with artists such as violinist Joshua Bell, in a sitar-cello duet with Mstislav Rostropovich, and with flautist Jean-Pierre Rampal, playing both sitar and piano, Shankar has championed her father's compositions. Shankar also performs Ravi Shankar's 1st and 2nd Concertos for Sitar and Orchestra, performing multiple times under legendary conductors such as Zubin Mehta. In January 2009 she was the sitar soloist alongside the Orpheus Chamber Orchestra premiering her father's 3rd Concerto for Sitar and Orchestra, and in July 2010 she premiered Ravi Shankar's first symphony for sitar and orchestra with the London Philharmonic Orchestra at London's Royal Festival Hall.

In April 2016, Shankar performed with violinist Patricia Kopatchinskaja during a concert in Konzerthaus Berlin, Germany. The Raga Piloo was originally composed, performed and recorded by Ravi Shankar as a duet with Yehudi Menuhin on the album West Meets East, Volume 2 in 1968.

‘Love Letters’ marks a different direction for the internationally celebrated artist; it offers a shift in intimacy and content and comes at a pivotal time in her career as she signs to her new record label, Mercury KX. A host of trail-blazing women feature on ‘Love Letters’ including singer and co-producer Alev Lenz, twin sister vocal duo Ibeyi, singer and cellist Ayanna Witter-Johnson, renowned Indian singer Shilpa Rao, Brooklyn-based mastering engineer Heba Kadry (Björk, Slowdive) and British audio mastering engineer Mandy Parnell (Aphex Twin, The XX).

On 13 November 2020, Shankar was featured on "Stop Crying Your Heart Out" as part of the BBC Radio 2's Allstars' Children in Need charity single. The single debuted at number 7 on the Official UK Singles Chart and number 1 on both the Official UK Singles Sales Chart and the Official UK Singles Download Chart

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H Hunt

Recorded in one comfortably-seated take at Studio Ferber, Paris, France in 2015 - h hunt’s ‘playing piano for dad’ was initially conceived as a Christmas gift to the composer’s father. Intimately recorded, ‘playing piano for dad’ is a heartbreakingly gorgeous & sincere work of eleven vignettes which capture even the most nuanced sounds of the recording session - the composer’s breath, the shifting sounds of the piano pedals, the ambient noise and conversation within the studio. With minimalist tendencies, h hunt’s compositions are earnest and heartfelt, evoking both the jazz sensibilities of Bill Evans as much as Emahoy Tsegué-Maryam Guèbrou’s classical piano works - with pieces from the album having even been championed by Ryuichi Sakamoto for his Kajitsu Restaurant playlist.

What is the story behind the title of h hunt’s album Playing Piano for Dad? Are these really songs he would play for his father?

Harry (tasty morsels co-founder, AKA artist h hunt) and I were in Studio Ferber (Paris) doing something, I can’t remember exactly what. He told me his dad played piano and is a fan of jazz, and he didn’t know Harry could play. So he wanted to record himself to give to his dad as a Christmas present. The piano in Ferber is probably my favorite piano, so I set up some mics and left him to record it.

He sent me it after he’d given it to his dad and it was very obvious to me we should release it. I love it and I know plenty of others who do too. It’s a bit like seeing a non-actor in a film, it’s so shocking because sometimes actually being normal and not “acting.” He really at no point in the process realized we were making an album, so it really is very sincerely not trying. That’s extremely rare, I think.

By Austin Kleon

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Henryk Górecki

Henryk Mikołaj Górecki (Polish: [ˈxɛnrɨk mʲiˈkɔwaj ɡuˈrɛtskʲi]; English pronunciation Goo-RET-ski; 6 December 1933 – 12 November 2010) was a Polish composer of contemporary classical music. According to critic Alex Ross, no recent classical composer has had as much commercial success as Górecki. Górecki became a leading figure of the Polish avant-garde during the post-Stalin cultural thaw. His Webernian-influenced serialist works of the 1950s and 1960s were characterized by adherence to dissonant modernism and drew influence from Luigi Nono, Karlheinz Stockhausen, Krzysztof Penderecki and Kazimierz Serocki. He continued in this direction throughout the 1960s, but by the mid-1970s had changed to a less complex sacred minimalist sound, exemplified by the transitional Symphony No. 2 and the hugely popular Symphony No. 3 (Symphony of Sorrowful Songs). This later style developed through several other distinct phases, from such works as his 1979 Beatus Vir, to the 1981 choral hymn Miserere, the 1993 Kleines Requiem für eine Polka and his requiem Good Night.

He was largely unknown outside Poland until the mid-to late 1980s, and his fame arrived in the 1990s. In 1992, 15 years after it was composed, a recording of his Third Symphony, Symphony of Sorrowful Songs—recorded with soprano Dawn Upshaw and released to commemorate the memory of those lost during the Holocaust—became a worldwide commercial and critical success, selling more than a million copies and vastly exceeding the typical lifetime sales of a recording of symphonic music by a 20th-century composer. As surprised as anyone at its popularity, Górecki said, "Perhaps people find something they need in this piece of music somehow I hit the right note, something they were missing. Something somewhere had been lost to them. I feel that I instinctively knew what they needed." This popular acclaim did not generate wide interest in Górecki's other works, and he pointedly resisted the temptation to repeat earlier success, or compose for commercial reward.

Apart from two brief periods studying in Paris and a short time living in Berlin, Górecki spent most of his life in southern Poland.

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Kaada

John Erik Kaada (born 28 July 1975 in Stavanger, Norway), also known by the mononym Kaada, is a Norwegian singer-songwriter, producer and multi-instrumentalist. Kaada's career spans a string of solo albums, motion picture soundtracks, high-profile collaborations with key players such as Mike Patton, as well as numerous live appearances at home and abroad.

Kaada´s debut in a recorded format came with his 2001 solo album Thank You for Giving Me Your Valuable Time. A musical blend of woo-wop, show tunes and jungle rhythms into a coherent mix of live instrumentation and electronic elements, fusing elements of five decades of popular music. Thank You for Giving Me Your Valuable Time firmly established Kaada as a key voice on Norway´s blossoming music scene. The album was named as one of the ten most important releases of the year by Billboard (magazine)

2006 saw the release of Music for Moviebikers (Ipecac Recordings), a collection of lush arrangements set as soundtracks for imaginary films. The album features an evocative quality as it sets out to bring the two musical worlds of Kaada together; the one of the recording artist with the cinematic film music one. The albums´s 22-strong ensemble consists of traditional instrumentation with strings, vocals and electric guitars as well as homemade instruments and some exotic folk music performers hailing from various corners of Europe. The strings were recorded in the Vigeland mausoleum in Oslo.

2009 ´s outing Junkyard Nostalgias with its myriad sounds and instruments. The album was conceived as a self-proclaimed homage to the thousands of Polish workers that have come to Norway to earn a better living and to fuel the country´s economy with cheap labour. Junkyard Nostalgias featured Kaada playing all of the instruments on the album, solidifying his very personal universe of sound. Kaada have said about the album that he made it to justify buying hundreds of instruments on eBay

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Nina Simone

She was one of the most extraordinary artists of the twentieth century, an icon of American music. She was the consummate musical storyteller, a griot as she would come to learn, who used her remarkable talent to create a legacy of liberation, empowerment, passion, and love through a magnificent body of works. She earned the moniker ‘High Priestess of Soul’ for she could weave a spell so seductive and hypnotic that the listener lost track of time and space as they became absorbed in the moment. She was who the world would come to know as Nina Simone.

When Nina Simone died on April 21, 2003, she left a timeless treasure trove of musical magic spanning over four decades from her first hit, the 1959 Top 10 classic “I Loves You Porgy,” to “A Single Woman,” the title cut from her one and only 1993 Elektra album. While thirty-three years separate those recordings, the element of honest emotion is the glue that binds the two together – it is that approach to every piece of work that became Nina’s uncompromising musical trademark.

By the end of her life, Nina was enjoying an unprecedented degree of recognition. Her music was enjoyed by the masses due to the CD revolution, discovery on the Internet, and exposure through movies and television. Nina had sold over one million CDs in the last decade of her life, making her a global catalog best-seller.

No one website can fully explore the many nuances and flavors that made up the more than 40 original albums in the Nina Simone library. This site and accompanying radio station contain many of Nina’s finest works. However, we might not have had the chance to witness the breathtaking range of material Nina could cover if she hadn’t taken the path she did.

Born Eunice Kathleen Waymon in Tryon, North Carolina on February 21st, 1933, Nina’s prodigious talent as a musician was evident early on when she started playing piano by ear at the age of three. Her mother, a Methodist minister, and her father, a handyman and preacher himself, couldn’t ignore young Eunice’s God-given gift of music. Raised in the church on the straight and narrow, her parents taught her right from wrong, to carry herself with dignity, and to work hard. She played piano – but didn’t sing – in her mother’s church, displaying remarkable talent early in her life. Able to play virtually anything by ear, she was soon studying classical music with an Englishwoman named Muriel Mazzanovich, who had moved to the small southern town. It was from these humble roots that Eunice developed a lifelong love of Johann Sebastian Bach, Chopin, Brahms, Beethoven and Schubert. After graduating valedictorian of her high school class, the community raised money for a scholarship for Eunice to study at Julliard in New York City before applying to the prestigious Curtis Institute of Music in Philadelphia. Her family had already moved to the City Of Brotherly Love, but Eunice’s hopes for a career as a pioneering African American classical pianist were dashed when the school denied her admission. To the end, she herself would claim that racism was the reason she did not attend. While her original dream was unfulfilled, Eunice ended up with an incredible worldwide career as Nina Simone – almost by default.

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Piero Umiliani

Piero Umiliani (17 July 1926 – 14 February 2001) was an Italian composer of film scores.

Umiliani was born in Florence, Tuscany. Like many of his Italian colleagues at that time, he composed the scores for many exploitation films in the 1960s and 1970s, covering genres such as Spaghetti Westerns, Eurospy, Giallo, and softcore sex films.

Biography

His composition "Mah Nà Mah Nà" (1968) was originally used in Sweden: Heaven and Hell, a 1968 Mondo documentary about Sweden. It was a minor charting single (spending 6 weeks on the Billboard chart and peaking at #55), popularized by The Muppets, who covered the song several times; starting on episode 0014 of Sesame Street on 27 November 1969, then The Ed Sullivan Show three days later, and again on the syndicated series The Muppet Show in 1977. The track was also a hit in the UK, reaching number 8 in the UK Singles Chart in May 1977.

Umiliani's other scores included Son of Django, Orgasmo, Gangster's Law, Death Knocks Twice, Five Dolls for an August Moon, Baba Yaga, The Slave and Sex Pot. His orchestra score "Arrivano I Marines" for War Italian Style, a 1966 comedy about two USMC soldiers in Italy, is used in the Armored Trooper Votoms series as "March of the Red Shoulders".

His composition "Crepuscolo Sul Mare" was later used in Ocean's Twelve.

Umiliani died in Rome in February 2001, at the age of 74

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Ryuichi Sakamoto

Ryuichi Sakamoto (坂本 龍一 Sakamoto Ryūichi, born January 17, 1952) (Japanese pronunciation: [sakamoto ɾʲɯːitɕi]) is a Japanese composer, singer, songwriter, record producer, activist, and actor who has pursued a diverse range of styles as a solo artist and as a member of Yellow Magic Orchestra (YMO). With his bandmates Haruomi Hosono and Yukihiro Takahashi, Sakamoto influenced and pioneered a number of electronic music genres.

Sakamoto began his career while at university in the 1970s as a session musician, producer, and arranger. His first major success came in 1978 as co-founder of YMO. He concurrently pursued a solo career, releasing the experimental electronic fusion album Thousand Knives in 1978. Two years later, he released the album B-2 Unit. It included the track "Riot in Lagos", which was significant in the development of electro and hip hop music. He went on to produce more solo records, and collaborate with many international artists, David Sylvian, Carsten Nicolai, Youssou N'Dour, and Fennesz among them. Sakamoto composed music for the opening ceremony of the 1992 Barcelona Olympics, and his composition "Energy Flow" (1999) was the first instrumental number-one single in Japan's Oricon charts history.

As a film-score composer, Sakamoto has won an Oscar, a BAFTA, a Grammy, and 2 Golden Globe Awards. Merry Christmas, Mr. Lawrence (1983) marked his debut as both an actor and a film-score composer; its main theme was adapted into the single "Forbidden Colours" which became an international hit. His most successful work as a film composer was The Last Emperor (1987), after which he continued earning accolades composing for films such as The Sheltering Sky (1990), Little Buddha (1993), and The Revenant (2015). On occasion, Sakamoto has also worked as a composer and a scenario writer on anime and video games. In 2009, he was awarded the Ordre des Arts et des Lettres from the Ministry of Culture of France for his contributions to music.

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Yo-Yo Ma

Yo-Yo Ma’s multi-faceted career is testament to his enduring belief in culture’s power to generate trust and understanding. Whether performing new or familiar works from the cello repertoire, collaborating with communities and institutions to explore culture’s role in society, or engaging unexpected musical forms, Yo-Yo strives to foster connections that stimulate the imagination and reinforce our humanity.

Yo-Yo maintains a balance between engagements as a soloist with orchestras, recital and chamber music activities, and collaborations with a wide circle of artists and institutions. With partners from around the world and across disciplines, Yo-Yo creates programs that stretch the boundaries of genre and tradition to explore music-making as a means not only to share and express meaning, but also as a model for the cultural collaboration he considers essential to a strong society.

Expanding upon this belief, in 1998 Yo-Yo established Silkroad, a collective of artists from around the world who create music that engages their many traditions. In addition to presenting performances in venues from Suntory Hall to the Hollywood Bowl, Silkroad collaborates with museums and universities to develop training programs for teachers, musicians, and learners of all ages. Silkroad has commissioned more than 100 new works from composers and arrangers around the globe, and released seven albums, most recently a collection of music recorded for The Vietnam War, a documentary film from Ken Burns and Lynn Novick.

Through his work with Silkroad, as well as throughout his career, Yo-Yo Ma seeks to expand the classical cello repertoire, frequently performing lesser-known music of the 20th century and commissions of new concertos and recital pieces. He has premiered works by a diverse group of composers, among them Osvaldo Golijov, Leon Kirchner, Zhao Lin, Christopher Rouse, Esa-Pekka Salonen, Giovanni Sollima, Bright Sheng, Tan Dun, and John Williams.

In addition to his work as a performing artist, Yo-Yo partners with communities and institutions from Chicago to Guangzhou to develop programs that champion culture’s power to transform lives and forge a more connected world. Among his many roles, he is the Chicago Symphony Orchestra’s Judson and Joyce Green Creative Consultant, artistic director of the annual Youth Music Culture Guangdong festival, and UN Messenger of Peace. He is the first artist ever appointed to the World Economic Forum’s board of trustees.

Yo-Yo’s discography of over 100 albums (including 19 Grammy Award winners) reflects his wide-ranging interests. In addition to his many iconic renditions of the Western classical canon, he has made several recordings that defy categorization, among them “Appalachia Waltz” and “Appalachian Journey” with Mark O’Connor and Edgar Meyer, and two Grammy-winning tributes to the music of Brazil, “Obrigado Brazil” and “Obrigado Brazil – Live in Concert.” Yo-Yo’s recent recordings include: “Songs from the Arc of Life,” with pianist Kathryn Stott; “Sing Me Home,” with the Silkroad Ensemble, which won the 2016 Grammy for Best World Music Album; “Bach Trios,” with Edgar Meyer and Chris Thile; “Brahms: The Piano Trios,” with Emanuel Ax and Leonidas Kavakos; and “Six Evolutions – Bach: Cello Suites.”

In August 2018, Yo-Yo began a new journey, setting out to perform Johann Sebastian Bach’s six suites for solo cello in one sitting in 36 locations around the world, iconic venues that encompass our cultural heritage, our current creativity, and the challenges of peace and understanding that will shape our future. Each concert will be an example of culture’s power to create moments of shared understanding, as well as an invitation to a larger conversation about culture, society, and the themes that connect us all.

Yo-Yo Ma was born in 1955 to Chinese parents living in Paris. He began to study the cello with his father at age four and three years later moved with his family to New York City, where he continued his cello studies with Leonard Rose at the Juilliard School. After his conservatory training, he sought out a liberal arts education, graduating from Harvard University with a degree in anthropology in 1976. He has received numerous awards, including the Avery Fisher Prize (1978), the Glenn Gould Prize (1999), the National Medal of the Arts (2001), the Dan David Prize (2006), the Leonie Sonning Music Prize (2006), the World Economic Forum’s Crystal Award (2008), the Presidential Medal of Freedom (2010), Kennedy Center Honors (2011), the Polar Music Prize (2012), the Vilcek Prize in Contemporary Music (2013), and the J. Paul Getty Medal Award (2016). He has performed for eight American presidents, most recently at the invitation of President Obama on the occasion of the 56th Inaugural Ceremony.

Yo-Yo and his wife have two children. He plays three instruments, a 2003 Moes & Moes cello, made in the United States, a 1733 Montagnana cello from Venice, and the 1712 Davidoff Stradivarius.

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