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'England' Bands // p 1

Darren's favorite bands for his Song Of The Day filtered by England
411 Bands
Beabadoobee

Beabadoobee

Beatrice Laus[a] (born 3 June 2000), known professionally as Beabadoobee (/biːbəduːbiːˈ/; stylized in all lowercase), is a Filipino-born British singer-songwriter. Since 2018, she has released four extended plays under the independent label Dirty Hit including Lice (2018), Patched Up (2018), Loveworm (2019) and Space Cadet (2019). Her debut studio album, Fake It Flowers, was released in October 2020.

Beabadoobee served as a supporting act for labelmates The 1975 during several legs of their Music for Cars Tour, as well as American singer Clairo during her Immunity Tour. She was nominated for the Rising Star Award at the 2020 Brit Awards, and was presented with the Radar Award at the 2020 NME Awards. Beabadoobee was also predicted as a breakthrough act for 2020 in an annual BBC poll of music critics, Sound of 2020.

Early life

Laus was born in Iloilo City, Philippines on 3 June 2000 and moved to London with her parents at the age of 3. She grew up in West London listening to original pinoy music as well as pop and rock music from the 1980s. While she was a teenager, she listened to indie rock including Karen O, Yeah Yeah Yeahs, Florist and Alex G. She was expelled from Sacred Heart High School before completing her thirteenth year at Hammersmith Academy. Laus spent seven years learning to play the violin, before getting her first guitar second-hand at the age of 17. She taught herself how to play the instrument using YouTube tutorials. She was inspired by Kimya Dawson and the Juno soundtrack to start making music.

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 'How Was Your Day'

'How Was Your Day'
Monday, October 19, 2020

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Cymande

Cymande

Cymande (pronounced sah-mahn-day) is a British funk group that was originally active in the early 1970s. The band name derives from a calypso word for "dove", which symbolises peace and love; it is also the title of one of their best-known songs. With a membership deriving from several Caribbean nations, Cymande were noted for an eclectic mix of funk, soul, reggae, rock, African music, calypso, and jazz that they called "nyah-rock". The band formed in 1971 and released three albums before disbanding in 1974. After gaining newfound popularity when their music was sampled by many notable rap artists, Cymande reformed in the 2010s.

History

Original incarnation

Cymande was formed by bassist Steve Scipio and guitarist Patrick Patterson in London, England in 1971. Scipio and Patterson had previously played together in a jazz fusion group called Meta, in which they picked up additional influences from a Nigerian bandmate. Cymande variously had either eight or nine members in its original incarnation, and also included singer/percussionist Ray King, saxophonist Derek Gibbs, conga player Pablo Gonsales, singer/percussionist Joey Dee, saxophonist Peter Serreo, drummer Sam Kelly, and flautist/percussionist Mike Rose. All were members of the Afro-Caribbean diaspora community in London, originating in nations including Guyana, Jamaica, and Saint Vincent.

Cymande was discovered by British R&B producer John Schroeder while they played in a basement club in Soho in 1971. Schroeder recorded some demos and convinced Janus Records to sign the group. Their first single "The Message" reached the Billboard Hot 100 and Hot R&B charts in the United States. Their self-titled debut album was released in 1972 and also reached the Billboard pop and R&B albums charts in the United States. During this period the group toured the United States successfully; their wide-ranging sound was illustrated by invitations to tour with soul singer Al Green, funk-rock band Mandrill, and jazz musician Ramsey Lewis.

In 1973 they made history as the first British band to headline the Apollo Theater in New York, and they also performed on Soul Train. However they achieved little notice in their home country. The album Second Time Round, featuring newly politicized lyrics, was released in 1973, and their third album Promised Heights was released in 1974. A lack of notice from the British music industry caused the group to break up in 1974. A fourth album titled Arrival was recorded during this period but was not released until 1981.

Rediscovery and reunions

After a period of obscurity, Cymande's music was rediscovered in the 1980s and 1990s. Some of their songs were deconstructed and used as breakbeats by early hip-hop DJs Kool Herc and Grandmaster Flash. The British rare groove scene of the 1980s was openly influenced by Cymande. By the late 1980s they were being sampled regularly by rap artists, starting with De La Soul on their 3 Feet High and Rising album, plus EPMD, The KLF, MC Solaar, Heavy D, and many others. An unauthorized sample of "Dove" by The Fugees resulted in a lucrative copyright infringement settlement for Scipio and Patterson. Additional recognition arrived in 1994 when Spike Lee used the Cymande song "Bra" in his film Crooklyn; Lee used the same song in his 2002 film 25th Hour.

Thanks to ongoing recognition of their early 1970s original works by more modern fans, Cymande reformed with most of its original members for a one-off show in 2006. A fuller reunion commenced in 2012. Their original producer John Schroeder was recruited as well, and plans were announced for a new album. The group completed several one-off shows in the next few years, with all nine original members eventually contributing at various times, alongside some new sidemen. Cymande released A Simple Act of Faith in 2015 – the band's first new album in 41 years. In 2016 the group completed a short tour of the United States, where it had not played since 1973.

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 'One More'

'One More'
Wednesday, January 27, 2021

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Janet Kay

Janet Kay

Janet Kay (born 17 January 1958) is an English actor and vocalist, best known for her 1979 lovers rock hit "Silly Games".

Biography

Janet Kay Bogle was born in Willesden, North West London. She was discovered singing impromptu at a rehearsal studio by Tony "Gad" Robinson, the keyboardist from Aswad, who recommended Kay to Alton Ellis. The Jamaican-born Ellis, a successful rocksteady vocalist, had relocated permanently to London, where he continued to be involved with reggae music and was looking for a female vocalist to record a reggae cover of Minnie Riperton's song "Lovin' You". In 1978 Kay recorded "I Do Love You" and "That's What Friends Are For". The single "Silly Games", written and produced by Dennis Bovell, was released in 1979 and became a hit across Europe, reaching No. 2 in the UK Singles Chart. The chart success of "Silly Games" led to Kay appearing on Top of the Pops, then the BBC's flagship music programme. She played the character Angel in the UK sitcom No Problem!, created by the Black Theatre Co-operative (now NitroBeat) and broadcast on Channel 4 (1983–85). While on the programme, she enjoyed a further club hit with "Eternally Grateful" in 1984, which also reached the UK top 100.

Kay has recorded, and co-produced her seventh album for Sony Music Japan. It was released on 18 June 2003, and is entitled Lovin' You … More. The popularity of the song "Lovin' You" in Japan is so strong that she was asked to record it again for this album (for the third time). That version was produced by Omar.

"Silly Games" first hit the UK charts in 1979, and appeared again in 1990 as a re-recording, billed as by Lindy Layton featuring Janet Kay, which reached No. 22. A remix version of Kay's original recording spent three weeks in the UK Singles Chart, peaking at No. 62.

Kay is credited as producer on "Missing You", recorded by Aswad.

She was a founding member of BiBi Crew, Britain's first theatre troupe made up entirely of Black women.

Kay was included on the 2003 list of "100 Great Black Britons".

Source Wikipedia

 'Silly Games'

'Silly Games'
Saturday, January 23, 2021

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John McLaughlin

John McLaughlin

John McLaughlin (born 4 January 1942), also known as "Mahavishnu John", is an English guitarist, bandleader and composer. His music includes many genres of jazz, combined with elements of rock, Indian classical music, Western classical music, flamenco, and blues. He is one of the pioneering figures in fusion.

After contributing to several key British groups of the early 1960s, McLaughlin made Extrapolation, his first album as a bandleader, in 1969. He then moved to the U.S., where he played with Tony Williams's group Lifetime and then with Miles Davis on his electric jazz-fusion albums In a Silent Way, Bitches Brew, Jack Johnson, and On the Corner. His 1970s electric band, the Mahavishnu Orchestra, performed a technically virtuosic and complex style of music that fused electric jazz and rock with Indian influences.

McLaughlin's solo on "Miles Beyond" from his album Live at Ronnie Scott's won the 2018 Grammy Award for the Best Improvised Jazz Solo. He has been awarded multiple "Guitarist of the Year" and "Best Jazz Guitarist" awards from magazines such as DownBeat and Guitar Player based on reader polls. In 2003, he was ranked 49th in Rolling Stone magazine's list of the "100 Greatest Guitarists of All Time". In 2009, DownBeat included McLaughlin in its unranked list of "75 Great Guitarists", in the "Modern Jazz Maestros" category. In 2012, Guitar World magazine ranked him 63rd on its top 100 list. In 2010, Jeff Beck called McLaughlin "the best guitarist alive," and Pat Metheny has also described him as the world's greatest guitarist.

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 'Waltz for Bill Evans'

'Waltz for Bill Evans'
Sunday, December 22, 2019

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King Crimson

King Crimson

King Crimson are an English progressive rock band formed in London in 1968. King Crimson have been influential both on the early 1970s progressive rock movement and many contemporary artists. Although the band has undergone numerous formations throughout its history, Robert Fripp is the only constant member of the group and is considered the band's leader and driving force. The band has earned a large cult following. They were ranked No. 87 on VH1's 100 Greatest Artists of Hard Rock. Although considered to be a seminal progressive rock band (a genre characterised by extended instrumental sections and complex song structures), they have often distanced themselves from the genre: as well as influencing several generations of progressive and psychedelic rock bands, they have also been an influence on subsequent alternative metal, hardcore and experimental/noise musicians.

Developed from the unsuccessful psychedelic pop trio Giles, Giles and Fripp, the initial King Crimson were key to the formation of early progressive rock, strongly influencing and altering the music of contemporaries such as Yes and Genesis. Their debut album, In the Court of the Crimson King (1969), remains their most successful and influential release, with its elements of jazz, classical and experimental music. Their success increased following an opening act performance for the Rolling Stones at Hyde Park, London, in 1969. Following In the Wake of Poseidon (1970) and the less successful chamber jazz-inspired Lizard (1970), and Islands (1971), the group reformatted and changed their instrumentation (swapping out saxophone in favour of violin and unusual percussion) in order to develop their own take on European rock improvisation, reaching a new creative peak on Larks' Tongues in Aspic (1973), Starless and Bible Black (1974) and Red (1974). Fripp disbanded the group in 1974.

In 1981, King Crimson reformed with another change in musical direction and instrumentation (incorporating, for the first time, a mixture of British and American personnel plus doubled guitar and influences taken from gamelan, post-punk and New York minimalism). This lasted for three years, resulting in the trio of albums Discipline (1981), Beat (1982) and Three of a Perfect Pair (1984). Following a decade-long hiatus, Fripp revived the group as an expanded "Double Trio" sextet in 1994, mingling its mid-‘70s and 1980s approaches with new creative options available via MIDI technology. This resulted in another three-year cycle of activity including the release of Thrak (1995). King Crimson reunited again in 2000 as a more alternative metal-oriented quartet (or "Double Duo"), releasing The Construkction of Light in 2000 and The Power to Believe in 2003: after further personnel shuffles, the band expanded to a double-drummer quintet for a 2008 tour celebrating their 40th anniversary.

Following another hiatus between 2009 and 2012, King Crimson reformed once again in 2013; this time as a septet (and, later, octet) with an unusual three-drumkit frontline and the return of saxophone/flute to the lineup for the first time since 1972. This current version of King Crimson has continued to tour and to release live albums, significantly rearranging and reinterpreting music from across the band's career.

Since 1997, several musicians have pursued aspects of the band's work and approaches through a series of related bands collectively referred to as ProjeKcts.

Formation

In August 1967, brothers Michael Giles (drums) and Peter Giles (bass), who had been professional musicians in various jobbing bands since their mid-teens in Dorset, England, advertised for a singing organist to join their new group. Fellow Dorset musician Robert Fripp – a guitarist who did not sing – responded and the trio formed the band Giles, Giles and Fripp. Based on a format of eccentric pop songs and complex instrumentals, the band recorded several unsuccessful singles and one album, The Cheerful Insanity of Giles, Giles and Fripp. The band hovered on the edge of success, with several radio sessions and a television appearance, but never scored the hit that would have been crucial for a commercial breakthrough.

Attempting to expand their sound, the three recruited Ian McDonald on keyboards, reeds and woodwinds. McDonald brought along his then-girlfriend, former Fairport Convention singer Judy Dyble, whose brief tenure with the group ended when the two split. McDonald brought in lyricist, roadie, and art strategist Peter Sinfield, with whom he had been writing songs – a partnership initiated when McDonald had said to Sinfield, regarding his 1968 band Creation, "Peter, I have to tell you that your band is hopeless, but you write some great words. Would you like to get together on a couple of songs?" Fripp, meanwhile, saw Clouds perform at the Marquee Club in London which inspired him to incorporate classical melodies and jazz-like improvisation in his songwriting. No longer interested in pursuing Peter Giles' more whimsical pop style, Fripp recommended his friend, singer, and guitarist Greg Lake, join and replace either Peter Giles or Fripp himself. Peter Giles later called it one of Fripp's "cute political moves". But he had become disillusioned with the band's lack of success and departed, leaving Lake to become bassist and singer.

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 'Exiles'

'Exiles'
Sunday, December 27, 2020

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 'Starless'

'Starless'
Wednesday, August 12, 2020

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Lianne La Havas

Lianne La Havas

Lianne Charlotte Barnes (born 23 August 1989), known professionally as Lianne La Havas, is a British singer and songwriter. Her career began after being introduced to various musicians, including singer Paloma Faith, for whom she sang backing vocals. In 2010, La Havas signed to Warner Bros. Records, spending two years developing her songwriting, before releasing any music. La Havas' debut studio album, Is Your Love Big Enough? (2012), was released to positive reviews from critics and earned her a nomination for the BBC's Sound of 2012 poll and awards for the iTunes Album of The Year 2012.

La Havas was born and raised in London, England, to a Greek father and Jamaican mother. She was raised in Tooting and Streatham, spending the majority of her time with her grandparents after her parents separated. La Havas began singing at seven, and cites her parents' diverse musical tastes as having the biggest influence on her music. Her father, an accomplished multi-instrumentalist, taught her the basics of guitar and piano. Lianne wrote her first song at the age of 11, but did not learn to play the guitar until she was 18 years old. Lianne sang in her school choir. She attended Norbury Manor Business and Enterprise College for Girls in Thornton Heath where she studied art A-level, and had planned to take an art foundation course before she decided to leave college to pursue a career in music full-time. Her birth name is Lianne Barnes, and her stage name is an adaptation of her Greek father Henry Vlahavas's surname. She lives in London.

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 'Bittersweet'

'Bittersweet'
Tuesday, July 21, 2020

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 'Good Goodbye'

'Good Goodbye'
Thursday, May 30, 2019

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Maribou State

Maribou State

Maribou State are an English electronic music duo consisting of Chris Davids and Liam Ivory. To date, they have released eight EPs and two studio albums, Portraits (2015) and Kingdoms In Colour (2018). Besides their own material, the two producers have also done remixes for the likes of Alpines and Lana Del Rey. The duo perform internationally and are signed to Counter Records, an imprint of UK independent label Ninja Tune.

Originally from Hertfordshire, Davids and Ivory met at school, where they first developed an interest in music. After writing music and being in local bands for a number of years, they were offered the opportunity to create a remix for the band Hadouken! at the age of 16. They made their debut as Maribou State in 2011 with the five-track EP Habitat on FatCat Records. They released several EPs and singles on Norman Cook's Southern Fried Records in 2012 and 2013, and did a number of remixes for Fatboy Slim, Lana Del Rey, Ultraísta, Kelis, and others. Their 2013 EP Truths featured vocals by Jimi Nxir, Holly Walker, and Nubiya Brandon.

While the duo were preparing their first full-length album, their former record-company FatCat Records released the compilation Beginnings, which contained eight tracks and seven remixes by other artists. In June 2015, Maribou State released their debut album Portraits, under the Ninja Tune imprint Counter Records, preceded by the single "The Clown" featuring North Downs (Pedestrian).

In 2018, the band returned with Kingdoms in Colour, which included the track "Feel Good" featuring Khruangbin; vocals from long-standing collaborators Holly Walker, (who previously sang on fan favourites "Midas", "Steal", and "Tongue"); a collaboration with North Downs (Pedestrian); and the standout single "Turnmills" (named after the London club which closed in 2008).

The record earned them a #25 spot on the UK album charts (and #4 on the UK Record Store chart), was BBC 6 Music’s 'Album of the Day', and received huge support from Annie Mac, Nick Grimshaw, Gilles Peterson, Tom Ravenscroft, Lauren Laverne, Steve Lamacq, Pete Tong, Nemone, and many more, with the band also performing live on Lauren Laverne’s show. Press support came from the likes of NME, Complex, GQ, and Crack Magazine, with Mixmag naming them as one of their 'Artists of the Year' in 2018.

In 2019, Maribou State completed a sold-out UK & EU tour, which included a show at London’s O2 Brixton Academy, with the 5-piece band joined on stage by a string quartet and choir. They have also played to sold-out crowds in cities across Europe and North America, with shows in Manchester, Bristol, Cologne, Berlin, Prague, Warsaw, Hamburg, Copenhagen, Amsterdam, Zurich, and Brussels. They also played a run of sold-out North American shows in New York, Los Angeles, San Francisco, Toronto, Montreal, Vancouver, Seattle, and Portland.

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 'Feel Good'

'Feel Good'
Wednesday, November 27, 2019

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Nick Mulvey

Nick Mulvey

Nick Mulvey (born 4 November 1984) is an English musician, singer and songwriter. He played the hang as a founding member of the band Portico Quartet. In 2011 started his career as a singer-songwriter releasing the EPs The Trellis (2012) and Fever to the Form (2013) and his studio album First Mind in 2014 which received a Mercury Music Prize nomination. His second album, Wake Up Now, was released on 8 September 2017.

Beginnings

Mulvey grew up in Cambridge and attended Chesterton Community College and Long Road Sixth Form College. At the age of 19 he moved to Havana, Cuba, to study music and art. On returning to the UK, Mulvey enrolled at the University of London's School of Oriental and African Studies to study Ethnomusicology.

Portico Quartet

While studying ethnomusicology at the School of Oriental and African Studies, Mulvey met the other members of Portico Quartet. The band consisted of Cambridge school friend Duncan Bellamy (drums), Jack Wyllie (soprano and tenor saxophone), and Milo Fitzpatrick (double bass). Their debut album Knee-deep in the North Sea, was nominated for the 2008 Mercury Prize alongside Radiohead, Elbow, and Adele. The album's title was mentioned in the closing words to Alt-J's song Dissolve Me. Portico Quartet released their second album Isla on 9 October 2009 through Real World Records.

Solo career

Mulvey left Portico Quartet in 2011 to focus on a solo career as a singer-songwriter. Some critics noted his change in style, Mulvey states that his style of music stays consistent. "I'm always drawn to the same principles in music. Beneath each genre, at a certain level, they hold the same principles".

As a solo artist, Mulvey released his first EP The Trellis in November 2012, and his second, Fever to the Form in July 2013. On his autumn 2013 tour with Laura Marling, he performed in symphony halls across the UK, naming Marling as a great influence to his solo music.

In 2014, Mulvey played Wonderfruit in Thailand.

On 16 May 2017, Mulvey announced a new track, Unconditional, and on 20 May 2017 announced the album Wake Up Now, to be released on 8 September 2017. Two further singles were released: Myela (about the European migrant crisis) and Mountain to Move.

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 'Imogen'

'Imogen'
Wednesday, December 23, 2020

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Peter Green

Peter Green

Peter Green (born Peter Allen Greenbaum; 29 October 1946 – 25 July 2020) was an English blues rock singer-songwriter and guitarist. As the founder of Fleetwood Mac, he was inducted into the Rock and Roll Hall of Fame in 1998. Green's songs, such as "Albatross", "Black Magic Woman", "Oh Well", "The Green Manalishi (With the Two Prong Crown)" and "Man of the World", appeared on singles charts, and several have been adapted by a variety of musicians.

Green was a major figure in the "second great epoch" of the British blues movement. B.B. King commented, "He has the sweetest tone I ever heard; he was the only one who gave me the cold sweats." Eric Clapton praised his guitar playing; he was interested in expressing emotion in his songs, rather than showing off how fast he could play and used string bending, vibrato, and economy of style.

Rolling Stone ranked Green at number 58 in its list of the "100 Greatest Guitarists of All Time". His tone on the instrumental "The Super-Natural" was rated as one of the 50 greatest of all time by Guitar Player. In June 1996, Green was voted the third-best guitarist of all time in Mojo magazine.

Early years

Peter Allen Greenbaum was born in Bethnal Green, London, on 29 October 1946, into a Jewish family, the youngest of Joe and Ann Greenbaum's four children. His brother, Michael, taught him his first guitar chords and by the age of 11 Green was teaching himself. He began playing professionally by the age of 15, while working for a number of East London shipping companies. He first played bass guitar in a band called Bobby Dennis and the Dominoes, which performed pop chart covers and rock 'n' roll standards, including Shadows covers. He later stated that Hank Marvin was his guitar hero and he played The Shadows' song "Midnight" on the 1996 tribute album Twang. He went on to join a rhythm and blues outfit, the Muskrats, then a band called The Tridents in which he played bass. By Christmas 1965 Green was playing lead guitar in Peter Bardens' band "Peter B's Looners", where he met drummer Mick Fleetwood. It was with Peter B's Looners that he made his recording début with the single "If You Wanna Be Happy" with "Jodrell Blues" as a B-side. His recording of "If You Wanna Be Happy" was an instrumental cover of a song by Jimmy Soul.

John Mayall's Bluesbreakers

In October 1965, before joining Bardens' group, Green had the opportunity to fill in for Eric Clapton in John Mayall & the Bluesbreakers for four gigs. Soon afterwards, when Clapton left the Bluesbreakers, Green became a full-time member of Mayall's band from July 1966.

Mike Vernon, a producer at Decca Records recalls Green's début with the Bluesbreakers:

As the band walked in the studio I noticed an amplifier which I never saw before, so I said to John Mayall, "Where's Eric Clapton?" Mayall answered, "He's not with us anymore, he left us a few weeks ago." I was in a shock of state [sic] but Mayall said, "Don't worry, we got someone better." I said, "Wait a minute, hang on a second, this is ridiculous. You've got someone better? Than Eric Clapton?" John said, "He might not be better now, but you wait, in a couple of years he's going to be the best." Then he introduced me to Peter Green.

Green made his recording debut with the Bluesbreakers in 1966 on the album A Hard Road (1967), which featured two of his own compositions, "The Same Way" and "The Supernatural". The latter was one of Green's first instrumentals, which would soon become a trademark. So proficient was he that his musician friends bestowed upon him the nickname "The Green God". In 1967, Green decided to form his own blues band and left the Bluesbreakers.

Fleetwood Mac

Green's new band, with former Bluesbreaker Mick Fleetwood on drums and Jeremy Spencer on guitar, was initially called "Peter Green's Fleetwood Mac featuring Jeremy Spencer". Bob Brunning was temporarily employed on bass guitar (Green's first choice, Bluesbreakers' bassist John McVie, was not yet ready to join the band). Within a month they played at the Windsor National Jazz and Blues Festival in August 1967 and were quickly signed to Mike Vernon's Blue Horizon label. Their repertoire consisted mainly of blues covers and originals, mostly written by Green, but some were written by slide guitarist Jeremy Spencer. The band's first single, Spencer's "I Believe My Time Ain't Long" with Green's "Rambling Pony" as a B-side, did not chart but their eponymous debut album made a significant impression, remaining in the British charts for over a year. By September 1967, John McVie had replaced Brunning.

Although classic blues covers and blues-styled originals remained prominent in the band's repertoire through this period, Green rapidly blossomed as a songwriter and contributed many successful original compositions from 1968 onwards. The songs chosen for single release showed Green's style gradually moving away from the group's blues roots into new musical territory. Their second studio album Mr. Wonderful was released in 1968 and continued the formula of the first album. In the same year they scored a hit with Green's "Black Magic Woman" (later covered by Santana), followed by the guitar instrumental "Albatross" (1969), which reached number one in the British singles charts. More hits written by Green followed, including "Oh Well", "Man of the World" (both 1969) and the ominous "The Green Manalishi" (1970). The double album Blues Jam in Chicago (1969) was recorded at the Chess Records Ter-Mar Studio in Chicago. There, under the joint supervision of Vernon and Marshall Chess, they recorded with some of their American blues heroes including Otis Spann, Big Walter Horton, Willie Dixon, J. T. Brown and Buddy Guy.

In 1969, after signing to Immediate Records for one single ("Man of the World", prior to that label's collapse) the group signed with Warner Bros. Records' Reprise Records label and recorded their third studio album Then Play On, prominently featuring the group's new third guitarist, 18-year-old Danny Kirwan. Green had first seen Kirwan in 1967 playing with his blues trio Boilerhouse, with Trevor Stevens on bass and Dave Terrey on drums. Green was impressed with Kirwan's playing and used the band as a support act for Fleetwood Mac before recruiting Kirwan to his own band in 1968 at the suggestion of Mick Fleetwood. Spencer, however, made virtually no contribution to Then Play On, owing to his reported refusal to play on any of Green's original material.

Beginning with "Man of the World"'s melancholy lyric, Green's bandmates began to notice changes in his state of mind. He was taking large doses of LSD, grew a beard and began to wear robes and a crucifix. Mick Fleetwood recalls Green becoming concerned about accumulating wealth: "I had conversations with Peter Green around that time and he was obsessive about us not making money, wanting us to give it all away. And I'd say, 'Well you can do it, I don't wanna do that, and that doesn't make me a bad person.'"

While touring Europe in late March 1970, Green took LSD at a party at a commune in Munich, an incident cited by Fleetwood Mac manager Clifford Davis as the crucial point in his mental decline. Communard Rainer Langhans mentions in his autobiography that he and Uschi Obermaier met Green in Munich, where they invited him to their Highfisch-Kommune. Fleetwood Mac roadie Dinky Dawson remembers that Green went to the party with another roadie, Dennis Keane, and that when Keane returned to the band's hotel to explain that Green would not leave the commune, Keane, Dawson and Mick Fleetwood travelled there to fetch him. By contrast, Green stated that he had fond memories of jamming at the commune when speaking in 2009: "I had a good play there, it was great, someone recorded it, they gave me a tape. There were people playing along, a few of us just fooling around and it was... yeah it was great." He told Jeremy Spencer at the time "That's the most spiritual music I've ever recorded in my life." After a final performance on 20 May 1970, Green left Fleetwood Mac.

Source Wikipedia

 'A Fool No More'

'A Fool No More'
Sunday, July 26, 2020

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Piers Faccini

Piers Faccini

Piers Faccini was born in London, England to an Italian father and an English mother. His family moved to France when he was five years old. His brother is the writer Ben Faccini.

Faccini first appeared on the music scene in London in 1997, co-founding Charley Marlowe with performance poet Francesca Beard, percussionist Frank Byng and guitarist Luc Suarez; the band split in 2001 when Faccini decided to pursue a solo career. His first solo album Leave no Trace was released in 2004 by French Independent label Label Bleu. His second album was released by Los Angeles label Everloving Records in 2006; Tearing Sky was produced by JP Plunier, and featured Ben Harper, who Faccini would tour with between 2006 and 2008. His third album released by French Independent 'Tot ou Tard' in 2009 was co-produced by Faccini and Renaud Letang. His fourth album, My Wilderness, was released in late 2011 on Six Degrees Records. His fifth album, Between dogs and wolves 2013 and sixth album I Dreamed an Island 2016 were released on his own label Beating Drum.

Faccini has collaborated over the years with many musicians and singers including Rokia Traore, Busi Mhlongo, Ben Harper, Ballake Sissoko, Vincent Segal, Camille, Francesca Beard, Luc Suarez, Seb Martel, Patrick Watson, Dawn Landes and Ibrahim Maalouf amongst others. In March 2011, Faccini contributed to the Patagonia Music Collective, contributing to the UK-based Environmental Justice Foundation.

Faccini has also produced several albums for other artists, most notably Ela by Brazilian cellist and singer Dom La Nena, Northern Folk by Jenny Lysander and Terre de Mon Poeme by Yelli Yelli. Faccini is also a poet and children's author, publishing his first book of poetry ‘No one’s here’ in 2016 and a children's book/cd 'La Plus Belle des Berceuses' which he also illustrated in 2017, published by the French publisher, Actes Sud.

in 2009 his album Two Grains Of Sand was nominated for the French independent music award, Le Prix Constantin and voted album of the year by the listeners of French national radio, France Inter. His album with the cellist Vincent Segal 'Songs of Time Lost' was in NPR’s top ten world music albums of 2014 and in Songlines top 10 albums of 2014 as well as in their Greatest World Music Albums of the last 5 years.

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 'We Come and Go'

'We Come and Go'
Monday, July 27, 2020

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 'Hope Dreams'

'Hope Dreams'
Thursday, November 28, 2019

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 'Say But Don't Stay'

'Say But Don't Stay'
Wednesday, October 17, 2018

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Portishead

Portishead

Portishead are an English band formed in 1991 in Bristol. They are often considered one of the pioneers of trip hop music. The band is named after the nearby town of the same name, eight miles west of Bristol, along the coast. Portishead consists of Geoff Barrow, Beth Gibbons and Adrian Utley, while sometimes citing a fourth member, Dave McDonald, an engineer on their first records.

Their debut album, Dummy, was met with critical acclaim in 1994. Two other studio albums have been issued: Portishead in 1997 and Third in 2008. In 1998, the band released a concert album, Roseland NYC Live.

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 'Deep Water'

'Deep Water'
Wednesday, July 29, 2020

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 'It Could Be Sweet'

'It Could Be Sweet'
Thursday, July 26, 2018

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Rain Tree Crow

Rain Tree Crow

Rain Tree Crow is the sole album released by English band Rain Tree Crow, a reunion project by the members of the new wave band Japan. Recorded in 1989 and 1990 and released in April 1991, it was the first time that members David Sylvian, Mick Karn, Steve Jansen and Richard Barbieri had collaborated as a four-piece since 1982.

The album peaked at number 24 on the UK Albums Chart.

Background and content

Trouser Press wrote: "the album doesn't sound drastically different from any of their previous work together, but successfully revives Japan's late-period neo-tribal rhythms and vaguely Asian feel."

The name Rain Tree Crow was chosen to mark a break from Japan's past, with the intention of creating a new long-term project. As the music turned out to be less commercial than originally envisaged, all members of the band aside from Sylvian became amenable to the idea of retaining the Japan moniker, in order to gain maximum exposure. Virgin records pressured the musicians to let them market the album under the name Japan; however, Sylvian was adamant that this would not take place. Sylvian’s opinion prevailed and the album was released as by Rain Tree Crow.

Release and reception

"Blackwater" was released as the album's only single and reached number 62 in the UK Singles Chart in March 1991. The album reached number 24 in the UK Albums Chart.

The album was remastered and reissued on CD in 2003. The B-side track from the "Blackwater" single, "I Drink To Forget", was included on this reissue, but omitted on the later vinyl reissue of March 2019.

Source Wikipedia

 'Blackwater'

'Blackwater'
Friday, October 16, 2020

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