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'Folk Rock' Bands // p 1

Darren's favorite bands for his Song Of The Day filtered by Folk Rock
267 Bands
Andrew Bird

Andrew Bird

Andrew Wegman Bird (born July 11, 1973) is an American indie rock multi-instrumentalist, singer, and songwriter. He was a member of the bands Squirrel Nut Zippers and Bowl of Fire before pursuing a solo career. His main instrument is violin, but he also plays guitar and glockenspiel and is an expert whistler. He wrote and performed "The Whistling Caruso" for The Muppets movie and composed the score for the television series Baskets.

Trained in the Suzuki method from the age of four, Bird graduated from Lake Forest High School in 1991 and Northwestern University with a bachelor's degree in violin performance in 1996. That same year he self-released his first solo album, Music of Hair. Vastly different from his later work, this album showcased his violin skills and paid tribute to his fascination with both American and European folk traditions, as well as jazz and blues. Following this, his initial commercial exposure came through collaborative work with the band Squirrel Nut Zippers, appearing on three of their albums (Hot, Sold Out, and Perennial Favorites) between 1996 and 1998.

Taking on the role of bandleader, Bird released Thrills on Rykodisc in 1998 with his group Andrew Bird's Bowl of Fire, shortly followed by second album Oh! The Grandeur in 1999. Both albums were heavily influenced by traditional folk, pre-war jazz, and swing, with Bird relying on the violin as his primary musical instrument, as well as providing vocals along with his trademark verbose lyrics. The Bowl of Fire featured musicians from Bird's home town of Chicago, including Kevin O'Donnell, Joshua Hirsch, Jon Williams, Nora O'Connor, Andy Hopkins, Jimmy Sutton, Colin Bunn, and Ryan Hembrey. During this period, Andrew Bird was a member of the jazz group Kevin O'Donnells Quality Six, for which he was the lead singer and violinist and contributed to arrangements and songwriting for the albums Heretic Blues (Delmark 1999) and Control Freak (Delmark 2000) (both Delmark albums were produced by Raymond Salvatore Harmon).

In 2001, the Bowl of Fire released their third album, The Swimming Hour, a dramatic departure from their previous recordings. It featured a mixture of styles, from the zydeco-influenced "Core and Rind" to more straightforward rock songs such as "11:11". Due to this eclectic nature, Bird has often referred to it as his "jukebox album". Although gaining critical praise (The Swimming Hour received a 9.0 from indie music website Pitchfork), the band failed to attain commercial success or recognition, playing to audiences as small as 40 people. In 2002, Bird was asked to open for a band in his hometown of Chicago, but fellow Bowl of Fire members were unavailable for the date. The reluctant Bird performed the gig alone, and the surprising success of this solo show suggested potential new directions for his music.

Source Wikipedia

 'Desperation Breeds'

'Desperation Breeds'
Wednesday, October 16, 2019

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 'Oh No'

'Oh No'
Sunday, February 17, 2019

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 'Not a Robot, But a Ghost'

'Not a Robot, But a Ghost'
Monday, December 31, 2018

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 'Sovay'

'Sovay'
Monday, August 27, 2018

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Andrew Duhon

Andrew Duhon

Andrew Duhon is a songwriter from New Orleans, a teller of stories with an undeniable voice, weighted and soulful. Duhon has released 3 recordings, the latest of which, ‘The Moorings’, was nominated for a Grammy in 2014 for ‘Best Engineered Album’. He has toured solo for much of his career, and that troubadour element is certainly present, an usher of modern day folklore.

Source AndrewDuhon.com

 'Growing Older Now'

'Growing Older Now'
Friday, September 6, 2019

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 'Comin’ Around'

'Comin’ Around'
Monday, January 7, 2019

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 'Gotta Know'

'Gotta Know'
Thursday, November 1, 2018

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 'Riverman'

'Riverman'
Thursday, October 11, 2018

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Andy Shauf

Andy Shauf

Shauf was a drummer in the Christian pop punk band Captain until 2006.

He released his debut album, Darker Days, in 2009, and followed up with the EPs Waiting for the Sun to Leave (2010) and Sam Jones Feeds His Demons (2012).

He released the album The Bearer of Bad News independently in 2012. The album was rereleased in 2015 on Tender Loving Empire and Party Damage Records.

In 2015, Shauf signed to Arts & Crafts Productions in Canada and ANTI- internationally, releasing the non-album single "Jenny Come Home" as his first release on both labels. "Jenny Come Home" was Shauf's breakthrough on Canadian radio, charting on both CBC Radio 2's Radio 2 Top 20 and CBC Radio 3.

Through early 2016, he toured Europe as an opening act for The Lumineers. He moved from Saskatchewan to Toronto in April, and his album, The Party, was released in May. After some experimental recordings with a group of musicians, Shauf ended up playing almost all of the instruments on the album himself, recording the tracks sequentially.

His song "Wendell Walker" from The Bearer of Bad News was shortlisted for the 2016 SOCAN Songwriting Prize, and The Party was a shortlisted finalist for the 2016 Polaris Music Prize. Following the release he toured throughout 2017 accompanied with a five-piece band that included multi-intrumentalist Karen Ng.

In 2018 Shauf recorded an album with D.A. Kissick, Avery Kissick and Dallas Bryson, under the band name Foxwarren. The album was released on November 30, 2018.

Source Wikipedia

 'The Magician'

'The Magician'
Friday, June 28, 2019

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Bobby Long

Bobby Long

Bobby Long (born Robert Thomas Long, 18 September 1985) is a British singer-songwriter, whose largely acoustic body of work has its roots in folk. Born in Wigan, Greater Manchester, England, he moved at the age of four to Calne, Wiltshire, where he grew up, though he still holds deep roots in Wigan. He currently resides in New York.

Long learned cello and guitar and started writing songs when he was 18. His earliest performing experience was as lead guitarist in a local grunge band. Long moved to London in 2005 to attend London Metropolitan University where he studied sound and media for film. He began playing open-mic nights at local clubs, meeting a coterie of likeminded young musicians, among them Sam Bradley, Marcus Foster and Robert Pattinson, whose career as an actor was just beginning. Long’s career trajectory took a major leap when Pattinson performed the song "Let Me Sign," co-written by Long and Foster, in the 2008 blockbuster vampire film Twilight.

Long graduated from college in June, 2009 (earning a degree in music for film after writing his senior thesis on the social impact of American folk music) and commenced performing full-time. A spring series of showcase dates introduced him to American audiences in New York, Los Angeles and Nashville, and, by July, he embarked on the critically well-received "Dangerous Summer" tour. Long fans, who first discovered his music via the "Twilight" soundtrack, turned out for shows throughout the U.S. and Canada and pushed his MySpace page well over one million page views. He recorded the 10-song collection Dirty Pond Songs to be available at his shows. Recorded in his London bedroom, it included traffic noises and all. "Left to Lie" from Dirty Pond Songs, became an iTunes favorite, topping the site’s "Unsigned" chart and reaching #8 its folk music chart. "The Bounty of Mary Jane" from Dirty Pond Songs and a live version of his "Being a Mockingbird," recorded at Arlene’s Grocery in New York City, were also released via iTunes. "The Dangerous Summer" tour continued until the end of 2009, logging some 80 performances in all.

Source Wikipedia

 'Sick Man Blues'

'Sick Man Blues'
Tuesday, October 1, 2019

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 'The Bounty Of Mary Jane'

'The Bounty Of Mary Jane'
Sunday, February 10, 2019

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Bruce Springsteen

Bruce Springsteen

Bruce Frederick Joseph Springsteen (born September 23, 1949), nicknamed "The Boss", is an American singer-songwriter who is a solo artist and is the leader of the E Street Band. Springsteen received critical acclaim for his early 1970s albums and attained worldwide fame upon the release of Born to Run in 1975. Springsteen is known for his poetic and socially conscious lyrics, his career longevity, and his lengthy, energetic stage performances. He has recorded both rock albums and folk-oriented works, and his lyrics often address the experiences and struggles of working-class Americans.

Springsteen has sold more than 135 million records worldwide and more than 64 million records in the United States, making him one of the world's best-selling music artists. His best-known songs include "Born to Run" (1975), "Thunder Road" (1975), "Badlands" (1978), "Hungry Heart" (1980), "Dancing in the Dark" (1984), "Born in the U.S.A." (1984), "Glory Days" (1985), "Brilliant Disguise" (1987), "Human Touch" (1992), and "Streets of Philadelphia" (1994). He has earned numerous awards for his work, including 20 Grammy Awards, two Golden Globes, an Academy Award, and a Tony Award (for Springsteen on Broadway). Springsteen was inducted into both the Songwriters Hall of Fame and the Rock And Roll Hall Of Fame in 1999, received Kennedy Center Honors in 2009, was named MusiCares person of the year in 2013, and was awarded the Presidential Medal of Freedom in 2016.

Source Wikipedia

 'I'm On Fire'

'I'm On Fire'
Thursday, July 4, 2019

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David Ramirez

David Ramirez

We’re Not Going Anywhere: At a historical moment of immense political, social, and ecological uncertainty, those four simple words comprise both a promise and a protest, a comforting reassurance of inclusion as well as a hearty cry of defiance. It’s a statement that offers no small sense of hope, in that sense matching the music contained on the album.

On these vividly imagined and passionately performed songs David Ramirez takes in the world from his unique perspective: “Being half white and half Mexican has made this current political climate especially interesting. So many cultures in this country are being viewed as un-American and it breaks my heart. My family have raised children here, created successful businesses here, and are proud to be a part of this country. Most of what I've seen as of late is misplaced fear. I wanted to write about that fear and how, instead of benefiting us, it sends us spiraling out control.”

The album that bears that title marks a departure for Ramirez, who builds on the rootsy sound of his early albums to create something new, something bold, something anchored in the here and now. Scouting out unexplored music territory, these songs bounce around energetically, toying with new ideas and experimenting with new sounds, as barbed-wire guitars and retro-futuristic synths grind against his anguished vocals and evocative lyrics.

“We flipped script a little bit and went in with a pretty specific vision: lots of keyboards and some out-of-the-box guitar sounds. I took a lot of notes from the indie bands I’ve been listening to and from the bands I loved growing up in the ‘80s, like the Cars and Journey. Let’s just live in this spacy world for a while and see what comes out of it.”

What came out of it isn’t just Ramirez’s most adventurous album to date, but a record that captures the mood of the country in its music as well as in its lyrics. While he does tackle some new subjects, Ramirez grounds these songs in his own perspective, which means every song remains both human and humane, outraged and generous. There are some break-up songs on here, sober and self-castigating: first single “Watching from a Distance” thrums with iridescent synths and a tight backbeat that sounds like lines on the highway measuring the widening rift between lovers. “People Call Who They Wanna Talk To” is Ramirez at his catchiest, marrying a playful earworm hook to a somber realization about romantic irreconcilability: “Don’t blame it on the distance, don’t blame it on the booze… people call who they wanna talk to.” A simple line, but completely devastating.

“This is the first album I’ve had properly produced,” says Ramirez, who either produced or co-produced all of his previous efforts. For We’re Not Going Anywhere, he hired Sam Kassirer, who has helmed albums by Josh Ritter, Lake Street Dive, Bhi Bhiman, and many other artists. “I needed to evolve and change things up a bit, which is why I chose Sam. He pushed me in a way I hadn’t been pushed before.” Kassirer challenged Ramirez to simultaneously simplify and complicate his songwriting, to find new ways to tell his stories. “He said, I want you to try to tell a story but use fewer words and more space. In other words, let’s not make a singer-songwriter record. Let’s make a band record. Once he said that, my mind just opened up in a way it never had before. It was fun to just be more straightforward lyrically. It left a lot of space for the music.”

In January 2017 Ramirez and his band decamped to the Great North Sound Society, an eighteenth-century farmhouse in rural Maine that serves as Kassirer’s studio. Especially in the winter, when the trees are bare and snow blankets the ground, the setting proved inspiring. “It’s very secluded, which was part of the appeal. We were able to get out of our touring headspace and stay completely involved with the record and what we were doing.” That allowed the band to concentrate on the music, to pursue ideas without distractions and misgivings, but it also removed them from the world during a momentous event.

We’re Not Going Anywhere turns that distance into a big-picture perspective— engaged and informed, compassionately political but not necessarily partisan. “We’d take breaks during the day and watch the news and see all the rallies and marches and the disruption and the out-of-control feeling that was everywhere then—and, frankly, still is now. We were looking around and no one was around us. The closest house was a mile away, so it was just us. We were grateful just to retreat from that social tornado for a while and create something that we hoped would be very beautiful.”

Looming over every song is the ghost of Ramirez’s great-grandmother, who inspired “Eliza Jane,” a deeply poignant and personal tune near the album’s conclusion. In gracefully plainspoken lyrics, Ramirez describes how she and her brothers left Oklahoma during the Great Depression, heading northwest to Oregon, where she played piano in a country band. “My mom was telling me this story and the song was writing itself. I wish I had known her, because I’m curious what drove her. I know what drives a lot of my musician friends, but I really want to ask a family member: Why did you do this? Was it just for fun? Was it a passion so deep-rooted that you couldn’t not do it?”

While he may describe the creative process as fun, Ramirez obviously has inherited a deep-rooted passion—one that will continue to drive him well into the future. “I’m not going to be so afraid to take risks in the future, like I have been in the past. I’ve been so stressed and concerned with every detail, but I learned to let that go. Let’s just have fun. Let’s get weird. I’ve never felt that way about my work. I still respect my older stuff, but I just didn’t want to be afraid anymore. That’s what I learned on this one.”

Source facebook.com

 'I'm Not Going Anywhere'

'I'm Not Going Anywhere'
Wednesday, August 7, 2019

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Dead Man Winter

Dead Man Winter

Dave Simonett sings, plays guitar and writes songs for the acoustic band Trampled by Turtles. Dead Man Winter is his electric rock & roll band featuring a cast of talented musicians that happen to be dear friends.

Source deadmanwinter.com

 'New Orleans'

'New Orleans'
Friday, April 26, 2019

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Dirty Three

Dirty Three

Dirty Three is an Australian instrumental rock band, consisting of Warren Ellis (violin and bass guitar), Mick Turner (electric and bass guitars) and Jim White (drums), which formed in 1992. Their 1996 album Horse Stories was voted by Rolling Stone as one of the top three albums of the year. Two of their albums have peaked into the top 50 on the ARIA Albums Chart, Ocean Songs (1998) and Toward the Low Sun (2012). During their career they have spent much of their time overseas when not performing together. Turner is based in Melbourne, White lives in New York, and Ellis in Paris. Australian rock music historian Ian McFarlane described them as providing a "rumbling, dynamic sound incorporated open-ended, improvisational, electric rock ... minus the jazz-rock histrionics". In October 2010, Ocean Songs was listed in the book 100 Best Australian Albums.

Source Wikipedia

 'Sirena'

'Sirena'
Monday, November 4, 2019

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Father John Misty

Father John Misty

Joshua Michael Tillman, born May 3, 1981, also known as Father John Misty and previously J. Tillman, is an American singer, songwriter, guitarist, drummer and record producer.

 'Nancy From Now On'

'Nancy From Now On'
Thursday, August 29, 2019

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 'True Affection'

'True Affection'
Sunday, May 26, 2019

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 'Bored In The USA'

'Bored In The USA'
Thursday, October 18, 2018

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Fleet Foxes

Fleet Foxes

Fleet Foxes is an American rock band formed in Seattle, Washington. Their first two albums were released by Sub Pop and Bella Union, with their third by Nonesuch and Bella Union. The band came to prominence in 2008 with the release of their second EP, Sun Giant, and their self-titled debut album. Both received much critical praise and reviewers often noted the band's use of refined lyrics and vocal harmonies. Fleet Foxes' second studio album, Helplessness Blues, was released on May 3, 2011, and their third album, Crack-Up, was released on June 16, 2017.

Robin Pecknold and Skyler Skjelset both attended Lake Washington High School in Kirkland, a suburb of Seattle, and soon became close friends. Pecknold and Skjelset bonded over a mutual appreciation of Bob Dylan and Neil Young and began making music together. Their parents influenced their musical tastes early on—Skjelset's mother Peggi was a keen listener to both Dylan and Hank Williams while Pecknold's father Greg was a member of The Fathoms, a local 1960s soul group. The two shared an interest in the music of Dylan and Brian Wilson. Pecknold played bass for Seattle's Dolour on a US tour in 2005, shortly before forming the first incarnation of Fleet Foxes.

Originally going by the name "The Pineapples", a name clash with another local band prompted a change and Pecknold decided upon "Fleet Foxes", suggesting that it was "evocative of some weird English activity like fox hunting". Pecknold took up the role of principal songwriter, both singing and playing guitar, while Skjelset played lead guitar. The original lineup was filled out by Casey Wescott on keyboards and backing vocals, Bryn Lumsden on bass and Nicholas Peterson on drums and backing vocals. Pecknold's late-sixties pop style caught the attention of the Seattle producer Phil Ek and he helped them record their first demo in 2006, the self-released Fleet Foxes EP. Ek was impressed with the band's songwriting, and on hearing Pecknold for the first time, noted, "It was obvious he had talent coming out of his ass." By late 2006 the Seattle press began to take notice of the band; Tom Scanlon of the Seattle Times stated that he was impressed with the band's lyrics and musical maturity. By the end of the year, Lumsden had been replaced on bass by Craig Curran, who would also handle many of the band's vocal harmonies.

With growing popularity on the local circuit, the band set about making their first album in early 2007, spending time in the studio with producer Ek in addition to recording material at home. However, funds for recording were tight, so the band members cobbled together what funds they had, which limited the time they had in the studio, and so the majority of the tracks were recorded in various band members' apartments, other spaces, or the basement of Pecknold's parents' house.

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 'Ragged Wood'

'Ragged Wood'
Monday, June 17, 2019

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J. Tillman

J. Tillman

Joshua Michael Tillman (born May 3, 1981), also known as Father John Misty and previously J. Tillman, is an American singer-songwriter, musician, and record producer.

Maintaining a steady output of solo recordings since 2004, Tillman had been a member of or toured with Demon Hunter, Saxon Shore, Fleet Foxes, Jeffertitti's Nile, Pearly Gate Music, Siberian, Har Mar Superstar, Poor Moon, Low Hums, Jonathan Wilson, and has toured extensively with Pacific Northwest artists Damien Jurado, Jesse Sykes, and David Bazan.

He has also made contributions to albums by popular artists, including Beyoncé, Lady Gaga, and Kid Cudi, and has produced one album for Matthew Daniel Siskin, known as Gambles.

Source Wikipedia

 'Vessels'

'Vessels'
Friday, June 14, 2019

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Kevin Morby

Kevin Morby

Kevin Robert Morby (born April 2, 1988) is an American musician, singer and songwriter. He has released four albums including Harlem River (2013), Still Life (2014), Singing Saw (2016) and City Music (2017), all of which achieved critical acclaim by indie critics. During live performances, Morby is accompanied by his backing band consisting of Meg Duffy on guitar, Cyrus Gengras on bass, and Nick Kinsey on drums.

Kevin Morby was born in Lubbock, Texas on April 2, 1988; his family relocated around the U.S. due to his father's employment with General Motors before settling in Kansas City, Missouri. Morby learned to play guitar when he was 10. In his teens he formed the band Creepy Aliens.

17-year-old Morby dropped out of Blue Valley Northwest High School, got his GED, and moved from his native Kansas City to Brooklyn in the mid-2000s, supporting himself by working bike delivery and café jobs. Morby has stated he had "loved New York from the movies" he'd seen, "I just wanted to experience it". He later joined the noise-folk group Woods on bass. While living in Brooklyn, he became close friends and roommates with Cassie Ramone of the punk trio Vivian Girls, and the two formed a side project together called The Babies, who released albums in 2011 and 2012.

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 'Ballad of Faye'

'Ballad of Faye'
Sunday, September 1, 2019

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 'Harlem River'

'Harlem River'
Tuesday, May 7, 2019

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 'No Halo'

'No Halo'
Saturday, April 20, 2019

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 'No Place To Fall'

'No Place To Fall'
Friday, November 16, 2018

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 'Beautiful Strangers'

'Beautiful Strangers'
Tuesday, July 17, 2018

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