'Free Jazz' Bands // p 1 of 1

Captain Beefheart

Don Van Vliet (/væn ˈvliːt/, born Don Glen Vliet; January 15, 1941 – December 17, 2010) was an American singer, songwriter, multi-instrumentalist, and visual artist best known by the stage name Captain Beefheart. He conducted a rotating ensemble called the Magic Band, with whom he recorded 13 studio albums between 1964 and 1982. His music blended elements of blues, free jazz, rock, and the avant-garde with idiosyncratic rhythms, absurdist wordplay, and his wide vocal range. Known for his enigmatic persona, Beefheart frequently constructed myths about his life and was known to exercise an almost dictatorial control over his supporting musicians. Although he achieved little commercial success, he sustained a cult following as a "highly significant" and "incalculable" influence on an array of new wave, punk, and experimental rock artists.

An artistic prodigy in his childhood, Van Vliet developed an eclectic musical taste during his teen years in Lancaster, California, and formed "a mutually useful but volatile" friendship with musician Frank Zappa, with whom he sporadically competed and collaborated. He began performing with his Captain Beefheart persona in 1964 and joined the original Magic Band line-up, initiated by Alexis Snouffer, the same year. The group released their debut album Safe as Milk in 1967 on Buddah Records. After being dropped by two consecutive record labels they signed to Zappa's Straight Records, where they released 1969's Trout Mask Replica; the album would later rank 58th in Rolling Stone magazine's 2003 list of the 500 greatest albums of all time. In 1974, frustrated by lack of commercial success, he pursued a more conventional rock sound, but the ensuing albums were critically panned; this move, combined with not having been paid for a European tour, and years of enduring Beefheart's abusive behavior, led the entire band to quit.

Beefheart eventually formed a new Magic Band with a group of younger musicians and regained critical approval through three final albums: Shiny Beast (1978), Doc at the Radar Station (1980) and Ice Cream for Crow (1982). Van Vliet made few public appearances after his retirement from music in 1982. He pursued a career in art, an interest that originated in his childhood talent for sculpture, and a venture which proved to be his most financially secure. His expressionist paintings and drawings command high prices, and have been exhibited in art galleries and museums across the world. Van Vliet died in 2010, having suffered from multiple sclerosis for many years.

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Chico Hamilton

Foreststorn "Chico" Hamilton, (September 20, 1921 – November 25, 2013) was an American jazz drummer and bandleader. He came to prominence as sideman for Lester Young, Gerry Mulligan, Count Basie, and Lena Horne. Hamilton became a bandleader, first with a quintet featuring the cello as a lead instrument, an unusual choice for a jazz band in the 1950s, and subsequently leading bands that performed cool jazz, post bop, and jazz fusion.

Early life and career
Foreststorn Hamilton was born in Los Angeles, California, one of three brothers, one of whom was actor Bernie Hamilton.

Hamilton started his career in a band with Charles Mingus, Illinois Jacquet, Ernie Royal, Dexter Gordon, Buddy Collette and Jack Kelso before he had finished high school. Engagements with Lionel Hampton, Slim & Slam, T-Bone Walker, Lester Young, Count Basie, Duke Ellington, Charlie Barnet, Billy Eckstine, Nat King Cole, Sammy Davis Jr., Billie Holiday, Gerry Mulligan and Lena Horne established his career.

Hamilton appeared in You'll Never Get Rich (1941) as part of the backing group supporting Fred Astaire. Hamilton also performed on the soundtrack of the Bing Crosby and Bob Hope film Road to Bali (1952).

Bandleader
He recorded his first album as leader in 1955 with George Duvivier (double bass) and Howard Roberts (jazz guitar) for Pacific Jazz. In the same year Hamilton formed an unusual quintet in L.A. featuring cello, flute/saxes/clarinet, guitar, bass and drums. The quintet has been described as one of the last important West Coast jazz bands.

The original personnel included flutist/saxophonist/clarinetist Buddy Collette, guitarist Jim Hall, cellist Fred Katz and bassist Jim Aton, who was later replaced by Carson Smith. Hamilton continued to tour, using different personnel, from 1957 to 1960. A version of the quintet including flutist Paul Horn was featured in the film Sweet Smell of Success in 1957 and one including Eric Dolphy appeared in the film Jazz on a Summer's Day (1960), set at the 1958 Newport Jazz Festival.

Hamilton revamped his group in 1961 with Charles Lloyd, Gabor Szabo, George Bohanon and Albert Stinson, playing what has been described as chamber jazz, with "a moderate avant-gardism." The group recorded for Columbia, Reprise and Impulse Records and also recorded the soundtrack for the industrial film Litho in 1962, the first American film to be shown behind the Iron Curtain. Hamilton formed a commercial and film production company in 1965, and went on to score the feature films Repulsion (1965), Mr. Ricco (1975), Coonskin (1975), By Design (1982), the television programs Portrait of Willie Mays and Gerald McBoing Boing, and scored hundreds of commercials for TV and radio.

In 1996 Hamilton formed his sextet Chico Hamilton and the Young Alto's featuring Kenneth Lampl, Eric Person and Marc Bernstein. The group performed at the 1986 JVC Jazz Festival, the Apollo Theater, and Lincoln Center for the Performing Arts.

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John Coltrane

John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist and composer. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes and was at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music took on an increasingly spiritual dimension. He remains one of the most influential saxophonists in music history. He received many posthumous awards, including canonization by the African Orthodox Church and a Pulitzer Prize in 2007. His second wife was pianist Alice Coltrane and their son, Ravi Coltrane, is also a saxophonist.

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Pharoah Sanders

Pharoah Sanders (born Farrell Sanders, October 13, 1940) is an American jazz saxophonist. A member of John Coltrane's groups of the mid-1960s, Sanders is known for his overblowing, harmonic, and multiphonic techniques on the saxophone, as well as his use of "sheets of sound". He has released over 30 albums as a leader and has collaborated extensively with Leon Thomas, Alice Coltrane and Tisziji Muñoz, among others. Saxophonist Ornette Coleman described him as "probably the best tenor player in the world".

Sanders' music has been called "spiritual jazz" due his inspiration in religious concepts such as Karma and Tawhid, and his rich, meditative aesthetic. This style is seen as a continuation of Coltrane's work on albums such as A Love Supreme. As a result, Sanders is considered a disciple of Coltrane or, as Albert Ayler said, "Trane was the Father, Pharoah was the Son, I am the Holy Ghost".

Early life
Pharoah Sanders was born on October 13, 1940, in Little Rock, Arkansas. His mother worked as a cook in a school cafeteria, and his father worked for the City of Little Rock. An only child, Sanders began his musical career accompanying church hymns on clarinet. His initial artistic accomplishments were in the visual arts, but when he was at Scipio Jones High School in North Little Rock, Sanders began playing the tenor saxophone. The band director, Jimmy Cannon, was also a saxophone player and introduced Sanders to jazz. When Cannon left, Sanders, although still a student, took over as the band director until a permanent director could be found.

During the late 1950s, Sanders would often sneak into African-American clubs in downtown Little Rock to play with acts that were passing through. At the time, Little Rock was part of the touring route through Memphis, Tennessee, and Hot Springs for R&B and jazz musicians. Sanders found himself limited by the state's segregation and the R&B and jazz standards that dominated the Little Rock music scene.

After finishing high school in 1959, Sanders moved to Oakland, California, and lived with relatives. He briefly attended Oakland Junior College and studied art and music. Once outside the Jim Crow South, Sanders could play in both black and white clubs. His Arkansas connection stuck with him in the Bay Area with the nickname of "Little Rock." It was also during this time that he met and befriended John Coltrane.

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Sonny Sharrock

Warren Harding "Sonny" Sharrock (August 27, 1940 – May 25, 1994) was an American jazz guitarist. He was married to singer Linda Sharrock, with whom he recorded and performed.

One of few guitarists in the first wave of free jazz in the 1960s, Sharrock was known for his heavily chorded attack, his highly amplified bursts of feedback, and his use of saxophone-like lines played loudly on guitar.

Early life and career
Sharrock began his musical career singing doo wop in his teen years. He collaborated with Pharoah Sanders and Alexander Solla in the late 1960s, appearing first on Sanders's 1966 album, Tauhid. He made several appearances with flautist Herbie Mann and an uncredited appearance on Miles Davis's A Tribute to Jack Johnson.

He wanted to play tenor saxophone from his youth after hearing John Coltrane on Davis's Kind of Blue on the radio at age 19, but his asthma prevented this. Sharrock said repeatedly, however, that he still considered himself "a horn player with a really fucked up axe."

Three albums under Sharrock's name were released in the late 1960s through the mid-1970s: Black Woman (which has been described by one reviewer as bringing out the beauty in emotions rather than technical prowess), Monkey-Pockie-Boo, and an album co-credited to both Sharrock and his wife, Paradise (an album by which Sharrock was embarrassed and stated several times that it was not good and should not be reissued).

Career revival
After the release of Paradise, Sharrock was semi-retired for much of the 1970s, undergoing a divorce from his wife and occasional collaborator Linda in 1978. In the intermittent years until bassist Bill Laswell coaxed him out of retirement, he worked as both a chauffeur and a caretaker for mentally challenged children. At Laswell's urging, Sharrock appeared on Material's (one of Laswell's many projects) 1981 album, Memory Serves. In addition, Sharrock was a member of the punk/jazz band Last Exit, with Peter Brötzmann, Laswell and Ronald Shannon Jackson. During the late 1980s, he recorded and performed extensively with the New York-based improvising band Machine Gun, as well as leading his own bands. Sharrock flourished with Laswell's help, noting in a 1991 interview that "the last five years have been pretty strange for me, because I went twelve years without making a record at all, and then in the last five years, I've made seven records under my own name. That's pretty strange."

Laswell would often perform with the guitarist on his albums, and produced many of Sharrock's recordings, including the entirely solo Guitar, the metal-influenced Seize the Rainbow, and the well-received Ask the Ages, which featured John Coltrane's bandmates Pharoah Sanders and Elvin Jones. "Who Does She Hope To Be?" is a lyrical piece harkening back to the Coltrane/Davis Kind of Blue sessions that had inspired him to play. One writer described Ask the Ages as "hands down, Sharrock's finest hour, and the ideal album to play for those who claim to hate jazz guitar." Sharrock is perhaps best known for the soundtrack to the Cartoon Network program Space Ghost Coast to Coast with his drummer Lance Carter, one of the last projects he completed in the studio before his death. The season 3 episode "Sharrock" carried a dedication to him at the end, and previously unheard music that he had recorded for the show featured throughout most of the episode. "Sharrock" premiered as the 23rd episode on March 1, 1996 on Cartoon Network.

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