'World Music' Bands // p 1 of 6

Africa Express

Africa Express was founded in 2006 to promote the concept of musical collaboration that breaks down boundaries and borders, whether between geographical regions, genres or generations. It has hosted a series of remarkable adventures that have won praise from artists, audiences and critics alike. These include five trips bringing together artists in Africa, four acclaimed albums and a series of inventive and highly-original shows in Britain, Europe and Africa. Past projects include a train tour around the United Kingdom as part of the 2012 Olympic festivites, playing the New Shrine in Lagos, performing to 50,000 people on a beach in Spain, staging the first show in front of Paris’s Hotel de Ville, reforming a 50-strong Syrian orchestra and recording the only African version of Terry Riley’s contemporary classic In C.

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Afro-Cuban All Stars

Afro-Cuban All Stars is a Cuban band led by Juan de Marcos González (formerly tres player for Sierra Maestra). Their music is a mix of all the styles of Cuban music, including bolero, chachachá, salsa, son montuno, timba, guajira, danzón, rumba and abakua.

They are known internationally for their 1997 album A Toda Cuba le Gusta, which was recorded at the Buena Vista Social Club sessions. Members have included Rubén González, Orlando "Cachaíto" López, Ibrahim Ferrer, Raúl Planas, Pío Leyva, Manuel "Puntillita" Licea, Félix Baloy, Yanko Pisaco and more recently Caridad Hierrezuelo and Pedro Calvo.

In early 1996 Nick Gold, head of World Circuit Records, invited Ry Cooder to participate in an experiment combining Cuban and African musicians. A group of Cuban musicians had already been assembled, including Rubén González as the selected pianist. However, since the African musicians had experienced difficulties in obtaining visas, the focus changed to recording Cuban music instead.

So, in March 1996, Gold and Juan de Marcos González (previously the tres player of Sierra Maestra) produced A Toda Cuba le Gusta, the first album by the Afro-Cuban All Stars, recorded at the EGREM Studios in Havana and featuring Rubén González (piano), Orlando "Cachaíto" López (bass), along with a big band of veteran Cuban musicians and singers, most of whom had careers that went back to the 1950s Havana scene: Ibrahim Ferrer, Pío Leyva, Manuel 'Puntillita' Licea, Raúl Planas, Félix Baloy, and José Antonio "Maceo" Rodríguez. Cooder also played slide guitar on one track, "Alto Songo". In the sleeve notes, de Marcos González, who directed the project and played tres, wrote: "This album is dedicated to Rubén González, genius of Cuban piano".

During follow-on sessions also held at EGREM Studios in March 1996, Cooder then produced the Grammy winning Buena Vista Social Club, featuring Rubén González (piano), Compay Segundo, Ibrahim Ferrer, Omara Portuondo and Eliades Ochoa, supported by much of the same band that had recorded the Afro-Cuban All Stars album, and with Juan de Marcos González now acting as A & R Consultant. Cooder played guitars on all but one track.

Finally, in April 1996 and using left over studio time after the sessions that had produced the previous two albums, the solo album Introducing...Rubén González was recorded in just two days, live with no overdubs. On the album's outer cover, Cooder is quoted as saying: "The greatest piano soloist I have ever heard in my entire life. A Cuban cross between Thelonious Monk and Felix the Cat".

All three albums were released on Nick Gold's World Circuit Records in 1997. In early 1998, Wim Wenders filmed a documentary entitled Buena Vista Social Club, and the entire group of Cuban artists became famous worldwide.

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Ahmoudou Madassane

Ahmoudou Madassane is an actor and writer, known for Zerzura (2017) and Akounak tedalat taha tazoughai (2015).

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Ali Farka Toure

Ali Ibrahim "Ali Farka" Touré (31 October 1939 – 6 March 2006) was a Malian singer and multi-instrumentalist, and one of the African continent's most internationally renowned musicians. His music is widely regarded as representing a point of intersection of traditional Malian music and its North American cousin, the blues. The belief that the latter is historically derived from the former is reflected in Martin Scorsese's often quoted characterization of Touré's tradition as constituting "the DNA of the blues". Touré was ranked number 76 on Rolling Stone's list of "The 100 Greatest Guitarists of All Time" and number 37 on Spin magazine's "100 Greatest Guitarists of All Time".

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Anoushka Shankar

Anoushka Shankar (born 9 June 1981 is a British Indian sitar player and composer. She is the daughter of Pandit Ravi Shankar and Sukanya Rajan, and the half-sister of Norah Jones.

Early life

Shankar was born in London and her childhood was divided between London and Delhi. She is the daughter of Sukanya Shankar and Indian sitar maestro Ravi Shankar, who was 61 when she was born. Through her father, she is also the half-sister of American singer Norah Jones (born Geetali Norah Shankar), and Shubhendra "Shubho" Shankar, who died in 1992.

As a teenager, Shankar lived in Encinitas, California, and attended San Dieguito High School Academy. A 1999 honors graduate and Homecoming Queen, Anoushka decided to pursue a career in music rather than attend college.

Career

Shankar began training on the sitar with her father Ravi Shankar at the age of seven. As part of her training, she began accompanying him on the tanpura at his performances from the age of ten, soaking up the music and becoming acclimated to the stage. She gave her first public sitar performance on 27 February 1995 at the age of 13, at Siri Fort in New Delhi as part of her father's 75th birthday celebration concert. For this solo debut, she was accompanied by tabla maestro Zakir Hussain. Her first experience in the recording studio came that same year when Angel Records released a special four-CD box set called In Celebration, to mark her father's birthday. By the age of fourteen, she was accompanying her father at concerts around the world. At fifteen, she assisted her father on the landmark album Chants of India, produced by George Harrison. Under both their guidance, she was in charge of notation and eventually of conducting the performers who took part in the record. After this experience, the heads of Angel Records came to her parents' home to ask to sign her, and Shankar signed her first exclusive recording contract with Angel/EMI when she was sixteen.

She released her first album, Anoushka, in 1998, followed by Anourag in 2000. In 1999 Shankar graduated from high school with honors, but decided against university in favour of beginning to tour as a solo artist. Both Shankar and her half-sister Norah Jones were nominated for Grammy awards in 2003 when Anoushka became the youngest nominee in the World Music category for her third album, Live at Carnegie Hall.

Having released three albums of Indian classical music, Shankar took several years away from recording and focused her energy on establishing herself as a solo concert performer outside of her father's ensemble. In that time, she toured worldwide, playing an average of 50–60 concerts per year. 2005 brought the release of her fourth album RISE, her first self-produced, self-composed, non-classical album, earning her another Grammy nomination in the Best Contemporary World Music category. In February 2006 she became the first Indian to play at the Grammy Awards, playing material from RISE.

Shankar, in collaboration with Karsh Kale, released Breathing Under Water on 28 August 2007. It is a mix of classical sitar and electronica beats and melodies. Notable guest vocals included her paternal half-sister Norah Jones, Sting, and her father, who performed a sitar duet with her.

In 2011 Shankar signed with record label Deutsche Grammophon as an exclusive artist. This marked the beginning of a prolific recording and creative period for Shankar, during which time she continued to refine the sitar sound and musical ideas she had become known for. She earned a third Grammy Award nomination in 2013 for Traveller, an exploration of the shared history between flamenco and Indian classical music, which was produced by Javier Limón and featured artists such as Buika, Pepe Habichuela and Duquende. As Shankar had begun to do with Rise, she created a specially handpicked ensemble of musicians with whom to perform this cross-genre music, and played over a hundred concerts worldwide in support of Traveller. In 2013 she released a personal album called Traces of You, which was released several months after the passing of her father Ravi Shankar. Produced by Nitin Sawhney, and featuring her half-sister Norah Jones as the sole vocal performer, Traces of You earned Shankar a fourth Grammy nomination in the World Music category. In July 2015 Shankar released Home, her first purely classical album of Indian Ragas. Self-composed and produced, Home was recorded over a week in October 2014 in Shankar's new, purpose-built home-studio.

Shankar has made many guest appearances on recordings by other artists, among them Sting, Lenny Kravitz, Thievery Corporation and Nitin Sawhney. Recently, Shankar has collaborated with Herbie Hancock on his latest record The Imagine Project, and with Rodrigo y Gabriela on their album Area 52.

Duets with artists such as violinist Joshua Bell, in a sitar-cello duet with Mstislav Rostropovich, and with flautist Jean-Pierre Rampal, playing both sitar and piano, Shankar has championed her father's compositions. Shankar also performs Ravi Shankar's 1st and 2nd Concertos for Sitar and Orchestra, performing multiple times under legendary conductors such as Zubin Mehta. In January 2009 she was the sitar soloist alongside the Orpheus Chamber Orchestra premiering her father's 3rd Concerto for Sitar and Orchestra, and in July 2010 she premiered Ravi Shankar's first symphony for sitar and orchestra with the London Philharmonic Orchestra at London's Royal Festival Hall.

In April 2016, Shankar performed with violinist Patricia Kopatchinskaja during a concert in Konzerthaus Berlin, Germany. The Raga Piloo was originally composed, performed and recorded by Ravi Shankar as a duet with Yehudi Menuhin on the album West Meets East, Volume 2 in 1968.

‘Love Letters’ marks a different direction for the internationally celebrated artist; it offers a shift in intimacy and content and comes at a pivotal time in her career as she signs to her new record label, Mercury KX. A host of trail-blazing women feature on ‘Love Letters’ including singer and co-producer Alev Lenz, twin sister vocal duo Ibeyi, singer and cellist Ayanna Witter-Johnson, renowned Indian singer Shilpa Rao, Brooklyn-based mastering engineer Heba Kadry (Björk, Slowdive) and British audio mastering engineer Mandy Parnell (Aphex Twin, The XX).

On 13 November 2020, Shankar was featured on "Stop Crying Your Heart Out" as part of the BBC Radio 2's Allstars' Children in Need charity single. The single debuted at number 7 on the Official UK Singles Chart and number 1 on both the Official UK Singles Sales Chart and the Official UK Singles Download Chart

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Antibalas

Antibalas (Spanish for "bulletproof") is an American, Brooklyn-based afrobeat band that is modeled after Fela Kuti's Africa 70 band and Eddie Palmieri's Harlem River Drive Orchestra. Although their music generally follows the musical architecture and language of afrobeat, it incorporates elements of jazz, funk, dub, improvised music, and traditional drumming from Cuba and West Africa.

History
Founded in 1998 by Martín Perna as "Conjunto Antibalas", the group first performed on May 26, 1998, at St. Nicks Pub in Harlem at a poetry night organized by renowned visual artist Xaviera Simmons. Over the course of the next few months, the group solidified with a core of eleven band members and expanded their repertoire of original songs. For the first year of the group's existence, they performed exclusively at non-commercial venues such as block parties, lofts, and public parks, before securing a Friday night residency at the now-defunct NoMoore in August 1999. Called Africalia!, the residency lasted from August 1999 till April 2001, when the club was shut down by fire officials during the Giuliani administration's crackdown on nightclubs and cabarets. Guitarist and producer/engineer Gabriel Roth wrote several of the earlier tunes and oversaw recording and production of the first three records.

Over the next few years, the band's presence grew; by summer 2000 Antibalas had released their first album Liberation Afrobeat Vol. 1 and had toured twice in England, while continuing to play at venues throughout New York City. Recording with the group in the early days was Cameroonian drummer Jojo Kuo, who can be heard on the studio recordings of "Uprising" and "Machete".

By early 2002, the horn-driven outfit had released their second album, Talkatif, and continued to tour throughout the United States and Europe. In summer 2004, their third studio album, Who is This America?, was released on Ropeadope Records. Antibalas's album, Security, was produced by John McEntire and released on the ANTI- label in 2007.

Antibalas has performed in 35 countries, from Japan to Turkey to Portugal to Australia, and throughout New York City, from Carnegie Hall to Central Park Summerstage to the Rikers Island prison facility.

The group has received guest visits from several musicians from Fela Kuti's Afrika 70 and Egypt 80 bands, including Tony Allen (drums), Femi Kuti (alto sax), Seun Kuti (tenor sax), Tunde Williams (trumpet), Oghene Kologbo (guitar), Nicolas Addey (congas), Dele Sosimi (keyboards), Ola Jagun (drums/percussion), and Jojo Kuo (drums) among others.

In the summer of 2008, Antibalas was featured off-Broadway in Fela!, a musical celebrating the life of Fela Kuti. The group arranged and performed the show's score of music originally performed by Kuti. In the fall of 2009, Fela! opened on Broadway at the Eugene O'Neill Theatre, once again with Antibalas.

In 2010, the band released their Rat Race EP, with an arrangement of Bob Marley's "Rat Race" featuring Amayo on vocals, as well as "Se Chifló" featuring Chico Mann as vocalist.

In 2011, the band reunited with producer and former Antibalas guitarist Gabriel Roth at Daptone Studios in Bushwick, Brooklyn, to record their fifth full-length album, entitled Antibalas. The album was released on August 7, 2012, on the Daptone label.

The band resumed a heavy touring schedule beginning in April 2012 with their debut tour in Brazil, performing in São Paulo and Recife, and kicked off a US tour at the Outsidelands Festival in San Francisco, followed by a tour of California. On August 24, 2012, Antibalas made their national television debut, performing their single "Dirty Money" on NBC's Late Night with Jimmy Fallon. On September 11, they resumed their US/Canada tour with 30 dates in the Midwest, East Coast, Southeast and Gulf Coast, including the Austin City Limits Festival. On October 4, they appeared on NPR's Tiny Desk Concerts. The band toured in Europe in October and November 2012, followed by an Australian tour in March 2013 . In May of the same year Antibalas visited Mexico for first time, performing in Puebla "Festival 5 de Mayo" with originals members like Victor Axelrod.

In 2015, The Antibalas horn section collaborated with The Dap-Kings horn section, Mark Ronson, and Bruno Mars to record Uptown Funk and other tracks off of Mark Ronson's 2015 album Uptown Special. They also performed Uptown Funk together on Saturday Night Live in November 2014.

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Atahualpa Yupanqui

Atahualpa Yupanqui (Spanish pronunciation: [ataˈwalpa ʃuˈpaŋki]; born Héctor Roberto Chavero Aramburu; 31 January 1908 – 23 May 1992) was an Argentine singer, songwriter, guitarist, and writer. He is considered the most important Argentine folk musician of the 20th century.

Biography
Yupanqui was born Héctor Roberto Chavero Aramburu in Pergamino (Buenos Aires Province), in the Argentine pampas, about 200 kilometers away from Buenos Aires. His father was a mestizo descended from indigenous people, while his mother was born in the Basque country. His family moved to the Northwest city of Tucumán when he was nine. In a bow to two legendary Incan kings, he adopted the stage name Atahualpa Yupanqui, which became famous all around the world.

In his early years, Yupanqui traveled extensively through the northwest of Argentina and the Altiplano studying the indigenous culture. He became politically active and joined the Communist Party of Argentina. In 1931, he took part in the failed Kennedy brothers uprising against the de facto government of José Félix Uriburu and in support of deposed president Hipólito Yrigoyen. After the uprising was defeated, he was forced to seek refuge in Uruguay. He returned to Argentina in 1934.

In 1935, Yupanqui paid his first visit to Buenos Aires; his compositions were growing in popularity, and he was invited to perform on the radio. Shortly thereafter, he made the acquaintance of pianist Antonieta Paula Pepin Fitzpatrick, nicknamed "Nenette", who became his lifelong companion and musical collaborator under the pseudonym "Pablo Del Cerro".

Because of his Communist Party affiliation (which lasted until 1952), his work suffered from censorship during Juan Perón's presidency; he was detained and incarcerated several times. He left for Europe in 1949. Édith Piaf invited him to perform in Paris on 7 July 1950. He immediately signed a contract with "Chant Du Monde", the recording company that published his first LP in Europe, "Minero Soy" (I am a Miner). This record won first prize for Best Foreign Disc at the Charles Cros Academy, which included three hundred fifty participants from all continents in its International Folklore Contest He subsequently toured extensively throughout Europe.

In 1952, Yupanqui returned to Buenos Aires. He broke with the Communist Party, which made it easier for him to book radio performances. While with Nenette they constructed their house on Cerro Colorado (Córdoba).

Recognition of Yupanqui's ethnographic work became widespread during the 1960s, and nueva canción artists such as Facundo Cabral, Mercedes Sosa and Jorge Cafrune recorded his compositions and made him popular among the younger musicians, who referred to him as Don Ata.

Yupanqui alternated between houses in Buenos Aires and Cerro Colorado, Córdoba province. During 1963–1964, he toured Colombia, Japan, Morocco, Egypt, Israel, and Italy. In 1967, he toured Spain, and settled in Paris. He returned regularly to Argentina and appeared in Argentinísima II in 1973, but these visits became less frequent when the military dictatorship of Jorge Videla came to power in 1976. In February 1968, Yupanqui was named a Knight of the Ordre des Arts et des Lettres of France by the Ministry of Culture of that country, in honor of 18 years work enriching the literature of the French nation. Some of his songs are included in the programs of Institutes and Schools where Castilian Literature is taught.

In 1985, the Konex Foundation from Argentina granted him the Diamond Konex Award, one of the most prestigious awards in Argentina, as the most important Popular Musician in the last decade in his country.

In 1989, an important cultural center of France, the University of Nanterre, asked Yupanqui to write the lyrics of a cantata to commemorate the Bicentennial of the French Revolution. The piece, entitled "The Sacred Word" (Parole sacrée), was released before high French authorities. It was not a recollection of historical facts but rather a tribute to all the oppressed peoples that freed themselves. Yupanqui died in Nîmes, France in 1992 at the age of 84; his remains were cremated and dispersed on his beloved Colorado Hill on 8 June 1992.

Baaba Maal

Baaba Maal (born 12 November 1953) is a Senegalese singer and guitarist born in Podor, on the Senegal River. He is well known in Africa and internationally and is one of Senegal's most famous musicians. In addition to acoustic guitar, he also plays percussion. He has released several albums, both for independent and major labels. In July 2003, he was made a UNDP Youth Emissary.

Maal sings primarily in Pulaar and is the foremost promoter of the traditions of the Pulaar-speaking people, who live on either side of the Senegal River in the ancient Senegalese kingdom of Futa Tooro.

Early life and education
Maal was expected to follow in his father's profession and become a fisherman. However, under the influence of his lifelong friend and family gawlo, blind guitarist Mansour Seck, Maal devoted himself to learning music from his mother and his school's headmaster. He went on to study music at the university in Dakar before leaving for postgraduate studies on a scholarship at Beaux-Arts in Paris.

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